« La Dame de fer », ou la petite histoire pour réécrire la grande

Anti-Maggie Songs | The Teenage Kicks Preservation Society
►http://theteenagekickspreservationsociety.wordpress.com/2012/03/03/anti-maggie-songs

Alors qu’elle est actuellement un peu magnifiée sur nos écrans par l’incarnation faite par Meryl Streep dans le biopic qui lui est consacré, souvenons-nous le temps de quelques chansons ce que cette peau de vache de Margaret Thatcher inspira à certains de ses contemporains.

CRASS : ‘How Does It Feel (to be the mother of a thousand dead) ?‘

The Exploited : ‘Maggie You Cunt‘

Anti-Pasti : ‘No Government‘

Notsensibles : ‘I’m in love with Margaret Thatcher‘

The Larks : ‘Maggie Maggie Maggie (Out Out Out)‘

Elvis Costello : ‘Tramp The Dirt Down‘

Robert Wyatt : ‘Shipbuilding‘

Billy Bragg : ‘Thatcherites‘

The Beat : ‘Stand Down Margaret‘

The Specials : ‘Ghost Town‘

McCarthy : ‘Red Sleeping Beauty‘

Hefner : ‘The Day That Thatcher Dies‘

The The : ‘Heartland‘

Fine Young Cannibals : ‘Blue‘

Morrissey : ‘Margaret On The Guillotine‘

Des liens vers les vidéos

#musique #brits #thatcher #crève_salope

The Margaret Thatcher Movie We Don’t Need | Mostly Water
►http://mostlywater.org/margaret_thatcher_movie_we_dont_need

The Iron Lady just opened in London where, let’s hope, it generates some serious critique. The critical silence in the United States has been astounding, only made worse by the praise, not just for the film but for its subject, former British Prime Minister Margaret Thatcher, played in the movie by Meryl Streep.

Newsweek’s holiday double issue slapped Streep as Thatcher on its cover, hailing “The New Thatcher Era.” The feature story in summary reads: “Margaret Thatcher was the infamous Iron Lady the Brits love to hate. This month’s bio starring Meryl Streep proves she was right all along.”

Streep’s already winning awards and accolades, and Oscars are probably on the way. People are saying the film’s no whitewash because it shows the former Prime Minister in her dotage, fighting dementia — three decades after she came to power. Director Phyllida Lloyd has described the treatment as operatic. Streep’s called it revealing. The two collaborated before on the musical Mamma Mia! The truth is, in Lloyd’s hands Thatcher’s iron isn’t just rusty, it’s melted down and depoliticized, made feminist enough to root for and ultimately sad enough for some to sniffle at. The Iron Lady is Thatcher — The ABBA Version. It’s the last thing we need, ever, and especially at this point.

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I don’t remember if Lloyd’s Lady quotes the real lady’s most famous phrase: “There is No Alternative.” Certainly TINA deserves star billing. Thatcher’s quip about globalized capitalism has defined our epoch. People can debate the successes and failures of “the Thatcher era” all they like. One thing’s for certain: we don’t need a new one, because the old one’s still here. The consequences of the [policies] Thatcher pioneered and made respectable — deregulation, privatization and globalization — can be measured in public costs and private profits on both sides of the Atlantic. More damning, even, is the enduring cultural habit of denial (looking away) and the political practice of silence — shutting the problem people up.

Grow the gap between government and the governed and you get what we have: a burnt-out world driven by the super-super-rich where some are stealing others blind and billions are alienated or angry, sure that government has nothing to offer but a bash on the head.