• Des enregistrements en 2023 (2)

    Des disques et des musiques récentes. Prendre le temps de s’arrêter, d’écouter des albums. Ne pas se laisser guider par des algorithmes qui ne peuvent que fermer des fenêtres. S’éloigner des critères privilégiés par des commerçants, rarement disquaires, ou des productions des majors…
    De multiples éditeurs nous permettent d’écouter des musiques et non de la programmation « profitable ». Quelques disques enregistrés, ici en 2023 au hasard des écoutes.

    https://entreleslignesentrelesmots.wordpress.com/2024/04/17/des-enregistrements-en-2023-2

    #musique #jazz

  • Quand le jazz est là sous les pommiers

    Jazz Sous les Pommiers a lieu, comme chaque année, autour du jeudi de l’Ascension. Un jeudi changeant dans ce mois de mai souvent superbe à Coutances (Manche). Cette année l’ascension vers les mondes du jazz se fera début mai. Le festival déroulera ses fastes du 4 au 11 mai.

    Un festival avec des à-côtés nécessaires, des spectacles pour le jeune public dont « La sieste musicale » – une invitation au rêve -, aux spectacles de rue, à la scène aux amateurs, gratuits, pour découvrir des groupes, des troupes, des orchestres, des musiciennes et des musiciens en devenir, d’autres restés amateurs. Des surprises de derrière la cathédrale qu’il ne faudrait pas bouder.

    https://entreleslignesentrelesmots.wordpress.com/2024/04/14/quand-le-jazz-est-la-sous-les-pommiers

    #jazz

  • Japanese Red Army - FIlms
    https://en.m.wikipedia.org/wiki/Japanese_Red_Army

    Sekigun – PFLP. Sekai Sensō Sengen, Red Army – PFLP: Declaration of World War, 1971, shot on location in Lebanon, produced by Kōji Wakamatsu. Patricia Steinhoff translates its title Manifesto for World Revolution which makes perhaps more sense. A propaganda film for the Red Army sympathisers in Japan.

    One of the people showing the film around Japan with the producer was Mieko Toyama, a close friend of Fusako Shigenobu. She was murdered in the winter training camp massacre.

    Jitsuroku Rengō Sekigun, Asama sansō e no michi, United Red Army (The Way to Asama Mountain Lodge), 2007, shows the horrors of the United Red Army winter camp, but also the history of the militant Japanese student movement. See also United Red Army (film)
    Suatu Ketika... Soldadu Merah (Once Upon A Time... Red Soldier), an 8 episode Malaysian TV drama series based on the Japanese Red Army attack in Kuala Lumpur, Malaysia 1975. Produced by NSK Productions (Malaysia), the series was shot in 2009 and currently airs on Malaysia’s local cable channel, ASTRO Citra 131. Read Hostage Drama article by TheStar newspapers.
    In 2010, Fusako Shigenobu and Masao Adachi were featured in the documentary Children of the Revolution, which tells the story of Shigenobu and the Japanese Red Army through the eyes of Mei Shigenobu.
    In the 2010 French-German TV Film Carlos, members of the Japanese Red Army feature when they stormed the French Embassy in The Hague and associating with the PFLP and the German Revolutionary Cells.
    The 2011 Bangladeshi film The Young Man Was, Part 1: United Red Army by visual artist Naeem Mohaiemen is about the 1977 hijacking of JAL 472 and the subsequent consequences inside Bangladesh.
    Rabih El-Amine’s documentary Ahmad the Japanese, Lod-Roumié-Tokyo made in 1999 tells Okamoto’s story from the perspective of five major personalities that knew him in Beirut.
    Philippe Grandrieux and Nicole Brenez’s documentary Masao Adachi. Portrait – First episode of the collection The Beauty May Have Strengthened Our Resoluteness, 2012, shot on location in Tokyo, which tells the daily life of Adachi and his reminiscences.

    #Japon #Liban #histoire #terrorisme #gauchisme #cinéma

  • Review: Coed Revolution: The Female Student in the Japanese New Left
    https://unseen-japan.com/review-coed-revolution-the-female-student-in-the-japanese-new-left


    Female University of Tokyo student activists on the march. They bear with them “Gewalt” staves (ゲバルト棒). 1969.


    Activists bear the image of the deceased Kanba Michiko. Kanba perished during a 1960 clash between anti-US-Japan Security Treaty activists and Japanese police. Her death made her a martyr, although Coed Revolution details how her posthumous popular image as a virgin sacrifice for democracy eschewed her own views on politics.


    A 1960s poster for a student festival at the University of Tokyo. The activists who created the poster invoke the image of a martial Yakuza outlaw, including the line “to where shall Male Tokyo Univesity go?”


    Shigenobu Fusako, leader of the international terrorist group the Japanese Red Army. This picture shows Shigenobu while operating in Lebanon alongside the Popular Front for the Liberation of Palestine.

    #Japon #histoire #féminisme

  • Last Stand: The Hostage Crisis That Ended Japan’s Red Army
    https://unseen-japan.com/red-army-asama-sanso-lodge

    The disintegration of a far-left paramilitary group led to a standoff that was watched on live TV by 90% of the country - and that changed Japanese politics for decades.

    It was February 19th, 1972. Muta Yasuko, wife of the caretaker of the Asama-Sanso lodge near Karuizawa, Nagano Prefecture, was terrified.

    She lay against a wall, her hands and legs tied. Five ragged men ransacked the lodge whose upkeep she had put so much work into. They ripped up the tatami flooring and upended the furniture, using every available item to barricade the doors and windows. One of the intruders had commented on the copious foodstuffs found in the lodge’s pantry. It was clear they were here for the long term.

    Twenty-five-year-old Bando Kunio had taken on the most active role amongst the bunch. He had been relieved to find no one else in the lodge.

    He and the four others were members of Japan’s violent far-left radical student group, the recently-christened United Red Army.

    Table of Contents

    The Crisis Begins
    An attempt at glory goes wrong
    The Battle Intensifies
    Psychological warfare
    The Last Stand
    The end of the assault
    The Fall of the Red Army
    Proper punishments?
    The fate of the hostage
    The end of the URA…and the beginning of the JRA
    Next In This Series
    Previously In This Series
    Sources

    The Crisis Begins

    Their organization had been born in the heady and chaotic days of the late 1960s. Students were enraged by curtailments on the new democratic rights granted to Japanese citizens following World War II. They were further frustrated by Japan’s tacit involvement in American-led imperialistic military action in Vietnam and other parts of the world.

    Hundreds of thousands of young Japanese university students had taken to the streets. At first, there was mass support from the Japanese population for these large-scale protests. But as violence rose, the police cracked down, and many far-left student groups were pushed underground.

    The Red Army Faction was the URA’s parent organization and the brainchild of the international revolution-minded Shiomi Takaya. It had made a name for itself by attacking police officers. The group also committed Japan’s first airline hijacking, commandeering a Japan Airlines flight and forcing it to fly to North Korea.

    Notoriety led to greater police surveillance and rounds of arrests. Soon, the Red Army Faction found itself left in the hands of hapless member Mori Tsuneo. A need for weapons led Mori to merge his crew with a separate group led by the sadistic Nagata Hiroko.

    Their new joint group, the United Red Army, experienced growing pains. One of the Mori’s best and brightest, Shigenobu Fusako, left Japan to form an international terrorist wing of the Red Army in Lebanon.

    Back in Japan, Mori and Nagata convened a training camp for their radicals at an isolated cabin in the depths of the snowy mountains of Gunma Prefecture. He chose the location partially to hide out from police. There, amidst the heightened emotions and intensive rhetoric of self-criticism, meant to inspire revolutionary zeal, something unbelievably grotesque had occurred.
    Murder and flight

    The gathered United Red Army members committed a heinous and horrific purge of their membership. They tortured and killed twelve of the twenty-nine individuals there assembled. With their comrades now buried in cold, shallow graves, the surviving core membership of the Red Army had fled the encroaching police, taking flight into the mountain passes on foot.

    Bando’s crew included Sakaguchi Hiroshi. Sakaguchi was the recently spurned husband of United Red Army leader Nagata. She had just announced her intended marital union with her co-leader, Mori, only days before the two were arrested attempting to link up the rest of their fleeing entourage.

    There were also the two surviving Kato brothers. Both had participated in the murder of their older brother in the URA bloody purge. They split off from the rest of the fleeing URA survivors as they neared the border with Nagano Prefecture.

    The police had been close behind. Bando and Sakaguchi had spied officers clambering through the snow in the pass below them and had unloaded bullets in their direction before continuing their flight.
    A Fateful Decision

    Nearing the mountain resort town of Karuizawa, Bando had thought to steal a car at gunpoint. But the sight of a strange, almost fortress-like building had changed his mind.

    When he and his men had entered the three-storied, arrow-shaped lodge and discovered only Mrs. Muta to be present, Bando made up his mind. There could be no better spot for a last stand than a fortified building clinging to the side of a mountain which, like some medieval castle, commanded the heights.

    In the valley below, the police amassed. The officers they had shot at had called in reinforcements. The revolutionaries’ intrusion into the lodge had not gone unnoticed.

    Unknown to Bando or his crew, the leaders of their movement had just been arrested in Gunma. And police had apprehended four of their fellow escapees at a nearby train station. The stench and bedraggled appearance of the rugged radicals had caused a newspaper stand owner to connect the dots to the stories in the papers she sold. The police arrived shortly after she called them.

    The First Victim

    Back at the Asama-Sanso lodge, tensions were rising. There were now well over a thousand specialized riot police who had gathered at the scene. They stood in long, dark rows, the black of their helmets and flack jackets contrasting with the white snow.

    Armored trucks had managed to snake their way up the mountain path as well, creating a natural barrier behind which the police could take cover. They stationed sharpshooters on the ridges. Other cops set up roadblocks to prevent any possible escape.

    Then there were the news crews, covering what was becoming an unbelievable story. The images they streamed into Japanese living rooms almost non-stop would go on to have great effects on Japanese society. Some cultural critics think that iconic images of the waiting riot police slurping down instant ramen helped popularize it as an emergency foodstuff.

    Occasionally, gunfire would ring out from the lodge as the police encroached too near. The hostage’s husband watched it all with mounting anxiety. He had been out showing the lodge guests around at the time when the United Red Army had chosen his hotel to make their last stand.

    He worried for his anemic wife. And he begged time and again to the police to let him switch places with her. But the radicals in the lodge never responded.
    An attempt at glory goes wrong

    The unchanging monotony of the standoff was soon shattered. Tanaka Yasuhiro, a young snack bar owner from neighboring Niigata Prefecture, had been moved by the near-constant media coverage of the ongoing hostage crisis.

    Inspired in a way that seemed almost manic, he made his way to the scene. There, he attempted to push his way through the police line. The police, of course, would have none of this civilian interference and arrested him.

    But when he was released later that day, Tanaka simply decided to try a different method. Climbing the slopes north of the lodge, he ran onto the scene. Somehow, he managed to sprint through police barricades before they could stop him. He bore with him a bento box, perhaps hoping to open a line of communication with the radicals by ingratiating himself with them.

    Alas, he had seriously misread the situation. As he tried to push the box through a small opening into the building, a shot rang out. He staggered backward.

    The hostage-takers had shot him in the head.

    The injury proved fatal. Tanaka, who had perhaps dreamed of somehow becoming a hero, instead became the first casualty of the Asama-Sanso Incident.

    The Battle Intensifies

    On the third day of the hostage crisis, February 21st, the police were becoming anxious. They’d made little progress. The radicals had managed to kill one manic civilian and shoot two police officers non-fatally. The entire Japanese public was watching, waiting for them to act.

    Authorities cut the lodge’s heat and water, which had formerly been left on for the sake of the comfort of the hostage. As the interior of the lodge became more frigid and inhospitable, the parents of some of the radicals were brought in. (Unknown at the time was that the child of one of these parents had already been killed in the purge). The parents, horrified by what their progeny were engaged in, used loudspeakers to implore their children to come to their senses. No response was forthcoming.

    On the fourth day, the police used force. Two armored vehicles moved in on the lodge. Police crouched behind them and fired tear gas through the building’s windows. The hostage-takers, holding rags to their mouths, fired at the police. They took cover as bullets whizzed by and ricocheted off their vehicles.

    Psychological warfare

    The police backed off. But by night they began employing a new tactic: psychological warfare. Loudspeakers blared disturbing noise, preventing sleep. Recorded sounds of chainsaws, protests, sirens, and more.

    The sounds would persist and then suddenly stop, only to start up again once enough time had passed to allow the targets to perhaps drift to sleep. (This sort of sleep torture is reportedly still being used as a Japanese police interrogation method. That may help explain high conviction rates in the country). Later, they employed floodlights to turn the night skies to day and a baseball pitching machine that would pelt rocks at the building to keep the occupiers from getting any rest.

    The next morning, untimely winds that blew away smoke screen cover foiled an attempted invasion by a brigade of policemen. They switched out their initial plan for one in which they aimed high-powered water hoses at the living quarters of the lodge. The jets of water burst forth, smashing through windows, knocking over barricades, and inundating the rooms.

    Tear gas canisters followed. The noxious fumes pushed the hijackers deeper into the recesses of the building.

    As night fell and the water inside the lodge froze solid, the assault of sound and noise began again.

    The Last Stand

    Finally, the morning dawned on February 28th, the tenth day of the hostage situation. The loudspeakers blared a few final pleas to the radicals to lay down their arms. As always, there was no response.

    Ambulances arrived at the scene in preparation for what was about to ensue. Police piled protective sandbags had been piled high into the air. They also strung a net in front of the building entrance to prevent the throwing of grenades from within the lodge.

    At last, the final order came in. The assault commenced.

    As the police approached, the radicals let loose a volley of bullets. The police took cover as water jets were shot back into the building.

    Next came the wrecking crew. They moved a crane laboriously into position and swung its wrecking ball directly at the entrance of the building, completely demolishing it.

    Other police leaped forward with chains and hacksaws, creating openings in the lower floors. A special police task force brought up from Tokyo entered through the newly made openings. They faced no opposition on the first, ruined floor.

    As the Tokyo police made their way to the stairs, a shot rang out from above, though not aimed at them. One of the radicals had spotted a police superintendent in the valley below who had been motivating his men from outside of cover. The revolutionaries had shot him squarely in the eye. The United Red Army had killed its first police officer.

    As the officers inside the lodge cleared the second floor and ascended to the third, another officer was shot dead as he peered around a corner. His fellows now un-holstered their guns.
    The end of the assault

    The assault had now lasted five long hours. In homes across Japan, viewers sat on the edges of their seats, awestruck at the country’s first-ever marathon live television broadcast. By 6:26 PM, viewership rankings for the broadcast would reach an unheard-of 89.7% of houses with televisions. The entire country stood in rapt attention.

    A handmade incendiary exploded near the invading police, injuring over ten of them, although not fatally. Finally, the officers on the top floor breached the last of the barricades and apprehended one of the Kato brothers.

    The remaining four radicals were buried under a pile of protective futons in the final room, still brandishing weapons. As the police approached them, Bando shot the closest officer in the eye. The man staggered over, but incredibly, he would survive. In the chaos, the other police leaped at the radicals.

    When the dust had settled, all five hostage-takers were in handcuffs. The siege of Asama-Sanso had ended. Muta Yasuko had been saved.

    The Fall of the Red Army

    So ended the dark saga of the United Red Army. The organization spawned by the mind of the founder of its parent organization, Shiomi Takaya, would cease to plague Japan.

    By the time the bodies of the twelve purged youth had been discovered at the foothills of the mountains in Gunma, popular sentiment in Japan had been turned away not only from violent activists, but also from political activism in general. The JAL hijacking, the purges, the siege of Asama-Sanso – all shook Japan to its core. It was clear that there would be a great deal of soul-searching in the offing.

    Japan’s Minister of Education spoke up following the disinterment of the bodies. He harshly criticized the teachers and professors of Japan for failing their youth by creating a system in which such violence had been allowed to fester. Universities were no longer to be a place of radicalization. Rather, they were to take their intended form as a stepping stone to careers and life employment within the ordered system of Japanese society.

    Proper punishments?

    In the eyes of the public, the judicial sentencing that soon followed for the radical perpetrators of these crimes befitted the evil that had occurred. Nagata, Mori, and Sakaguchi were all sentenced to death. Mori committed suicide a year later, strangling himself with a bed sheet in his prison cell.

    The other two had trials and appeals that continued for decades and held off their final days of judgment. Nagata passed away of brain cancer while still imprisoned in 2011, four decades after she led her grisly purge. Her husband, Sakaguchi, remains alive. As of 2019, he is still awaiting execution.

    Bando Kunio, who led the five invaders into the Asama-Sanso lodge, and who killed a policeman in the ensuing battle, was spared death. But he still received an extremely long jail sentence. His father, upon seeing confirmation that his son had been one of the hostage-takers on TV, immediately committed suicide. Despite his jail sentence, Bando’s days in the revolutionary field were far from over.

    The fate of the hostage

    The hostage from the Siege of the Asama-Sanso Lodge, Muta Yasuko, returned to her daily life. Her captivity granted her national fame. Her picture had been broadcast innumerable times during the event. And she broke the previous modern Japanese record for hours taken hostage many times over.

    However, she declined all requests for interviews after her initial rescue. She claimed her captors had treated her kindly, despite tying her to a bed. One had even given her an omamori, a temple charm, that he said would help keep her safe.

    The end of the URA…and the beginning of the JRA

    With the vast majority of their core membership dead or imprisoned, and having lost even an ounce of public support, the United Red Army ceased to exist. Japan’s police force was increasingly militarized, skilled, and vigilant. With no public backing, groups like the URA could no longer functionally operate in Japan.

    After twenty years, the mass student movement in Japan had come to a horrifying, distressing end. The youth of Japan remain apathetic to politics. Their civic engagement remains low. The shock caused by the URA is just one among many phenomena that led to these trends. But it’s one that’s hard to ignore.

    And yet, despite all this, the movement that began with the Red Army Faction had not yet been snuffed out. In faraway Lebanon, Shigenobu Fusako was still fighting for her cause, more passionate than ever. Soon she would have a small militia of hardened, trained revolutionaries to call her own.

    Escaping the chaos and self-destruction of the United Red Army in Japan, Shigenobu was about to emblazon the name of her movement across the world. She would do so by turning to terrorism of a type her revolutionary brothers and sisters back in Japan could barely imagine. For the next two decades, she would make the imperialist world fear the name of the Japanese Red Army.

    Sources

    Steinhoff, Patricia G. “Hijackers, Bombers, and Bank Robbers: Managerial Style in the Japanese Red Army.” The Journal of Asian Studies, vol. 48, no. 4, 1989, pp. 724–740.

    Farrell, William R. “Blood and Rage: The Story of the Japanese Red Army.” Lexington Books, 1990.

    「山岳ベース事件」。フリー百科事典『ウィキペディア(Wikipedia)』。https://ja.wikipedia.org/wiki/山岳ベース事件

    「あさま山荘事件」。フリー百科事典『ウィキペディア(Wikipedia)』。https://ja.wikipedia.org/wiki/あさま山荘事件

    #Japon #histoire #terrorisme #gauchisme

  • Shigenobu Fusako, Japanese Red Army Leader, to be Released from Prison this Month – About That Life in JAPAN
    https://aboutthatlife.jp/shigenobu-fusako-japanese-red-army-leader-to-be-released-from-prison-t

    As May of 2022 dawns, Shigenobu Fusako – former leader of the now-defunct international Japanese Red Army – is closer to freedom than ever before.

    Shigenobu was first detained some twenty-one years ago, in November of 2000. By that point, she’d been on the run from Japanese and international authorities for decades, having spent years in hideouts around the Middle East. Shigenobu’s sudden arrest in Osaka, where she’d lived after entering the country using a fake passport, was major news; after all, Shigenobu had been the elusive international face of Japan’s most infamous terrorist group.

    The Japanese Red Army had gone quiet after 1988, following one last bombing attack on a USO club, which killed five; in that same month, JRA operative Kikumura Yu had been arrested on the New Jersey Turnpike, the trunk of his rental car full of explosives. Since then, the once-prolific terrorist group had faded from world headlines. Then, in 2000, Shigenobu Fusako – the “mistress of mayhem” – was suddenly back in the public spotlight.

    Now, after two decades in a Tokyo prison, Shigenobu is set to be quietly released, whereupon she will be able to live a free life in her home country for the first time since the 1970s. Her release is scheduled for May 28th.


    For a more detailed take on Shigenou’s history, watch our video on her creation of the international JRA and the Lod Massacre.

    Shigenobu Fusako: “Mistress of Mayhem”

    Shigenobu came of age during the tumultuous post-war years in Japan. A time of great change, the 1950s and 1960s saw a massive surge in public participation in protest culture against the Japanese state. While publically popular among various demographics, the beating heart of this movement was found on college campuses. Major rallying points included opposition to the US-Japan Joint Security Treaty (AMPO), the Vietnam War, and Okinawa’s then-ongoing occupation by the US military.

    By the time she was of university age, Shigenobu Fusako – socially-minded since her youth – came under the influence of radical student leftist Shiomi Takaya, then-leader of the Red Army Faction. Shiomi’s RAF was on the violent fringe of the mass student leftist movement of the 1960s and 70s. She quickly rose to become the only woman on the Red Army Faction’s Central Committee. When Shiomi was imprisoned following the discovery of a plot to kidnap the prime minister, the RAF merged with another fringe group to form the United Red Army. In 1971, Shigenobu, a Shiomi disciple who believed in internationalist revolution and who disliked the direction the URA was heading, used the opportunity to flee Japan and the watchful eye of the Japanese police. Her goal was to take the pedestrian domestic actions of the Red Army in Japan global. In Lebanon, she formed the international Japanese Red Army alongside the Popular Front for the Liberation of Palestine.

    Back in Japan, the United Red Army collapsed in a horrific fit of self-directed violence, ending with a ten-day-long standoff with police in a besieged mountainside inn. The domestic reaction to the URA self-purge and hostage situation spelled the end of popular support for the New Left in Japan. Abroad, however, Shigenobu would seemingly lead her Japanese Red Army on nearly two decades of headline-stealing mayhem: high-profile hijackings, bombings, hostage-takings, and killings. Perhaps the most infamous of these attacks was the 1972 Lod Airport Massacre; three Japanese JRA members disembarked from an Air France airplane at Israel’s Lod Airport and, wielding machine guns and grenades, began an attack that would leave 26 dead and over seventy wounded, some grievously. The majority of those killed were Christian Puerto Rican pilgrims.

    A Wanted Woman

    INTERPOL added Shigenobu Fusako to their wanted list following the JRA’s 1974 French Embassy attack in The Hague. From that point onwards, Shignobu was wanted by Japan, Israel, and much of the international community at large. In Japan, the JRA’s activities abroad had caused much embarrassment and stress for the government; in Israel, the Mossad wanted to track down the masterminds behind the Lod Massacre.

    In Lebanon, Gaza, the West Bank, and beyond, however, Shigenobu was a hero who had put her own life at risk in order to help liberate Palestine. Despite her wanted status, Shigenobu, living out of various PFLP staging and refugee camps, continued to act as spokesman for the JRA, appearing on Arabic-language TV and in Japanese-language JRA propaganda and carefully curated media interviews. During this time she gave birth to a daughter, Shigenobu Mei, who would grow up among the refugee camps.

    Indeed, Shigenobu is still hailed as a heroic revolutionary to this day within some far-left/Palestinian liberation spaces. The Japanese Red Army continued to tout itself as a group of revolutionaries, not terrorists, even as their tally of victims grew. Shigenobu Mei, Shigenobu Fusako’s daughter, is now an international journalist, working in Japanese, English, and Arabic; she speaks of the JRA in the same breath as she does Gandhi and Nelson Mandela; she insists the Lod Massacre was carried out by a separate group of Japanese leftists, [1] despite one of the three gunmen having been Okudaira Tsuyoshi – Shigenobu Fusako’s legal husband and fellow Red Army member. Testimony from arrested JRA operatives cited the embarrassment of the terrible URA purge as the inciting reason for the Lod Massacre; Shigenobu and Okudaira needed to stage an event that would prove their revolutionary bona fides and dissociate them from the URA.

    While the deadly effects of the Lod Massacre were held as a mass tragedy in Puerto Rico and Israel (an annual day of mourning was even put into place by the Puerco Rican government), it was indeed seen as a great success in revolutionary circles in Japan and in much of the Arab world.

    The Gendered Nature of Terrorism

    Shigenobu’s public persona as the evasive public leader of the JRA resulted in peculiar associations with her image. The gendered nature of narratives on Shigenobu has been a pendulum swinging both ways; in the Japan of the 1970s, both Shigenobu and URA leader (and cold-blooded murderer) Nagata Hiroko were held up as examples of the “unnatural” place women had in far-left movements. Both were seen as cautionary tales. In Shigenobu’s case, her perceived beauty added another layer; her “dangerous woman” qualities were a subject of fascination for the male gaze, and older writings on Shigenobu would often focus on the purported “honey pot” effect she could have on potential recruits for the JRA.

    On the other side of the coin, Shigenobu’s prominence as a terrorist/revolutionary in a decidedly masculine theater has also been seen as inspirational, even liberatory. In this sense, she’s often listed alongside the equally controversial likes of Palestinian hijacker and convicted terrorist Leila Khaled; in fact, the two knew each other well from their time amongst the PFLP in Lebanon.

    Only a few years ago, South Korean-born, US-raised conceptual artist Anicka Yi designed a perfume in tribute to the once-leader of the JRA: Shignobu Twilight. Yi reportedly idolized Shigenobu from a young age, impressed by images of the bold revolutionary holding a machine gun. According to a website that recently sold the perfume (which was listed for $250):

    “The first volume in the Biography series, Shigenobu Twilight, is inspired by Fusako Shigenobu, fabled leader of the Japanese Red Army. The perfume’s esoteric notes intimate metaphors of Shigenobu’s stateless existence, exiled in Lebanon while yearning for her native Japan. Originally designed in 2007 by Yi and architect Maggie Peng, Shigenobu Twilight has been specially reformulated for the Biography series by perfumer Barnabé Fillion.”

    On the Run

    Shigenobu Fusako gained an almost supernatural reputation for avoiding capture, managing to make press appearances, publish books, and raise her stateless daughter without being caught. Even though her close collaborator, Ghassan Kanafani, was killed by the Mossad in reprisal for the Lod Massacre, Shigenobu never faced imprisonment or assassination by Israel. This all occurred despite being one of the most recognizable terrorists worldwide during the 70s and 80s.

    In the 1990s, as the Soviet Union fell and the PLO entered into a peace agreement with Israel, she began slipping back into Japan using forged documents. It is claimed that she did so well over a dozen times. However, reports of a woman resembling Shigenobu, whose youthful face had for so long been plastered on Japanese wanted posters, reached the Osaka police; although she hid a distinctive facial mole using makeup, her method of smoking – also considered unique – is said to have given her away. The police matched fingerprints on a cup used at a hotel where witnesses said they saw Shigenobu to help track her down.

    Then, in November 2000, the police finally made their move; the arrest set off a media firestorm, and she was transported in a secured green car on the bullet train back to her native Tokyo. In 2001, while in jail awaiting trial, Shigenobu officially disbanded the Japanese Red Army. She was tried on counts of illegal confinement and conspiracy to commit murder as related to her planning of the attack in The Hauge. While the prosecution angled for a life sentence, the court eventually decided on twenty years; she was ruled guilty of providing weapons and asking the PFLP to carry out the attack in order to free imprisoned JRA members, but the exact nature of her leadership could not be ascertained. During the sentencing, the judge said:

    “She sees her doctrine and assertations as absolute truths, having committed selfish criminal offensives for which she gave no mind to the danger towards the lives and bodies of so many. We can ascertain no serious remorse [from Shigenobu Fusako].”

    Last Days of Imprisonment

    Shigenobu’s arrest allowed her daughter to step out of the shadows; Mei obtained Japanese citizenship, and has used her status as a journalist and person of interest to push for her mother’s release. Following the conviction, Mei immediately petitioned for an appeal. This appeal was rejected by the Tokyo Higher Court in 2007; her final appeal was subsequently rejected in 2010 by the Supreme Court of Japan. An objection towards this was also thrown out.

    Since that time, Shigenobu Fusako has been imprisoned, at times giving interviews in which she has expressed a certain degree of regret at JRA failures and now-outmoded methods. She is now 76 years old; letters released to the media some days ago stated that “my life after release will be filled with apologies, gratitude, rehabilitation, and fighting my illness.” She also states that she intends to live a life “full of curiosity,” and is looking forward to meeting her supporters. [2]

    Ghosts of the Red Army

    The release of someone like Shigenobu Fusako brings with it competing reactions. For those close to her, or those who view her actions throughout her life positively, it should be a much-delayed happy event. But for many, she is still seen as a relatively unrepentant former terrorist, someone who – although for idealistic reasons – founded a violent group that killed and harmed many. That those events took place in a completely different sociopolitical environment, and that, on the whole, the JRA’s efforts were failures that only served to cause harm and create a cycle of taking hostages to barter for the release of their own captured members, may result in some ambivalence. It all seems like something from long ago, in an era when the Soviet Union and the United States dominated the globe through Cold War politics. Yet survivors of the JRA attacks still live on, and people still miss loved ones. Many JRA members remain on the lam; their decades-old mugshots still grace wanted posters in Japanese police boxes and consulate waiting rooms.

    Shigenobu Fusako’s release is yet another milestone in the now half-century-long story of the Japanese Red Army. Time will tell as to what her part in the remainder of that story will be. Her one-time mentor, Shiomi Takaya, was released from jail in late 1989; he went on to pursue a limited, unsuccessful political career within the confines of the law, doing so while holding a low-paying job as a parking lot attendant and making the rounds to discuss the nature of the Japanese New Left. He died in 2017 at age 76 – the same age his younger protegee, Shigenobu Fusako, is now.

    JRA expert Patricia G. Steinhoff described Shiomi, emerging from a jail cell to begin life with a family he hardly knew, as a Rip Van Winkle (or, more fittingly, Urashima Taro). The world of New Left radicalism he’d known until his sudden arrest had disappeared during his two decades in jail. Shigenobu will also emerge into a completely new era, one even farther divorced from that in which she first came to prominence. How she will receive that world, and how that world will receive her, remains to be seen.

    Sources:

    [2] Kyodo. (4/27/2022). 手紙で「出所後は謝罪と闘病」 5月刑期満了の重信房子受刑者. Yahoo! News Japan.

    Steinhoff, Patricia G. (1996.) Three Women Who Loved the Left: Radical Woman Leaders in the Japanese Red Army Movement. In Re-Iminaging Japanese Women.

    [1] O’Hare, Liam. (14/04/2018). May Shigenobu, child of the revolution. Aljazeera.

    #Japon #Liban #Palestine #histoire #terrorime #gauchisme

    • merci @klaus

      L’anabase de May et Fusako Shigenobu, Masao Adachi et 27 années sans images
      http://journals.openedition.org/lectures/7537

      PRESENTACIÓN DEL EDITOR
      Qui sont May et Fusako Shigenobu ? Fusako, leader d’un groupuscule d’extrême gauche, l’Armée Rouge Japonaise, impliquée dans de nombreuses opérations terroristes, s’est cachée pendant près de trente ans à Beyrouth. May, sa fille, née au Liban, n’a découvert le Japon qu’à 27 ans, après l’arrestation de sa mère en 2000. Masao Adachi ? Scénariste, cinéaste radical et activiste japonais engagé auprès des luttes armées et de la cause palestinienne, reclus lui aussi au Liban avant son renvoi dans son pays. Par ailleurs, initiateur d’une « théorie du paysage », le fukeiron : en filmant le paysage, celui-ci dévoilerait les structures d’oppression qui le fondent et qu’il perpétue. Anabase ? C’est le nom donné depuis Xénophon au retour, difficile voire erratique, vers chez soi.
      C’est cette histoire complexe, sombre, toujours en suspens, qu’Éric Baudelaire, artiste réputé pour se servir de la photographie afin d’interroger la mise en scène de la réalité, a choisi d’évoquer en usant du format documentaire.
      Tournées en Super 8 mm, et comme dans la veine du fukeiron, des vues de Tokyo et de Beyrouth aujourd’hui se mêlent à quelques images d’archives, de télévision, à des extraits de films, pour dérouler le décor sur lequel les voix de May et d’Adachi vont faire remonter leur mémoire. Il y est question de vie quotidienne, d’être une petite fille dans la clandestinité, d’exil, de politique, de cinéma, et de leurs rapports fascinés. Pas une enquête, une anamnèse morcelée.
      Jean-Pierre Rehm

      NOTAS DE LA REDACCIÓN
      Couleur et N&B - Super 8 - 66’ - Version originale : Anglais, japonais, français - Sous-titres : Français incrusté - Image : Eric Baudelaire - Son  : Diego Eiguchi - Montage  : Eric Baudelaire - Production : Eric Baudelaire

      AUTOR
      Eric Baudelaire

    • The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years without Images - YouTube
      https://www.youtube.com/watch?v=3jWQZK7u0Ew

      Few artists have shifted from revolutionary imagination to revolutionary action like Masao Adachi, a collaborator with both the Japanese New Wave and the Japanese Red Army. A scriptwriter and colleague of Nagisa Oshima and Koji Wakamatsu, and a director of left-wing sex films, Adachi abandoned commercial filmmaking — and Japan — entirely in 1974 to join the extremist Japanese Red Army in exile in Beirut, where the group gained fame through deadly hijackings and bombings in support of a free Palestine and a worldwide Communist revolution. Also in Beirut was the group’s founder Fusako Shigenobu and her daughter May, who lived incognito for years. A film on exile, revolution, landscapes and memory, The Anabasis... brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, The Anabasis... provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray — and influence — its landscape.

      Jason Sanders (from the San Francisco International Film Festival catalog)

    • #anabase

      https://fr.m.wikipedia.org/wiki/Anabase_(X%C3%A9nophon)

      Puis ... il y a Walter Hill’s The Warriors (1979)
      https://www.youtube.com/watch?v=--gdB-nnQkU

      Survivre en territoire ennemi est un sujet éternel car il reflète la situation de facto des classes inférieures.

      Chez Xenophon comme chez ses interprètes modernes il y à la fois les hierarchies parmi les héros et l’adversaire surpuissant dont les territoires sont à traverser par la troupe héroïque.
      A partir de cette constellation tu peux raconter un nombre illimité d’histoires.

      Anabase, texte en ligne (DE) pour la jeunesse

      Die tapferen Zehntausend, nacherzählt von Karl Witt
      https://www.projekt-gutenberg.org/xenophon/tapfere/titlepage.html


      Mit Federzeichnungen von Max Slevogt Verlag B. Cassirer

  • Préhistoire et Antiquité au Soleil levant
    https://laviedesidees.fr/Nespoulous-Souyri-Le-Japon

    Des premiers paysans à l’âge des chefs, de la chasse à la riziculture, de l’outillage lithique au développement du fer, le #Japon nourrit une #Histoire complexe qu’il faut relire avec les découvertes archéologiques.

    #agriculture #archéologie #préhistoire
    https://laviedesidees.fr/IMG/pdf/20240411_japon.pdf

  • Trio : batterie, contrebasse et piano (24)

    « Le » trio par excellence. Volontairement j’ai indiqué les instruments par ordre alphabétique. Une diversité surprenante, des inventions et des (dés)équilibres toujours renouvelés, des surprises encore, malgré les effets de mode de certains.

    https://entreleslignesentrelesmots.wordpress.com/2024/04/10/trio-batterie-contrebasse-et-piano-24

    #musique #jazz

  • Des enregistrements en 2022 (5)

    Des disques et des musiques récentes. Prendre le temps de s’arrêter, d’écouter des albums. S’éloigner des critères privilégiés par des commerçants, rarement disquaires, ou des productions des majors, ne pas accepter d’être guidé·es par des algorithmes…
    De multiples éditeurs nous permettent d’écouter des musiciens et des musiciennes et non de la programmation « profitable ». Quelques disques enregistrés, ici en 2022 au hasard des écoutes.

    https://entreleslignesentrelesmots.wordpress.com/2024/04/07/des-enregistrements-en-2022-5

    #musique #jazz

  • Un pianiste de jazz populaire : Michel Petrucciani

    Populaire et jazz ce n’est pas un oxymore mais un retour aux sources. Le jazz, « Great Black Music » – a toujours été une musique de danse, virevoltante, à l’affût de corps qui bougent comme des cerveaux, « Body and soul » comme l’affirme un standard.

    Michel Petrucciani a réussi à nouer toutes les influences, tous les torrents de cette musique. Bill Evans surtout, un pianiste essentiel, influence majeure mais aussi tous ces pianistes « souls » capables de vous transporter vers des mondes mouvants à la recherche du swing ou encore Oscar Peterson. « Le pianiste pressé » a titré Franck Médioni pour cette première biographie pour les 25 ans de sa mort, le 6 janvier 1999, à 36 ans. Il avait coutume de se définir ainsi « Je suis petit, j’ai mal partout, J‘ai les os qui bougent mais j’ai des mains plus normales que les vôtres. Peut-être que Dieu voulait que je joue du piano. »

    Franck Médioni :« Michel Petrucciani, Le pianiste pressé »

    https://entreleslignesentrelesmots.wordpress.com/2024/04/07/un-pianiste-de-jazz-populaire-michel-petruccia

    #jazz

  • #Journal du #Regard : Mars 2024
    https://liminaire.fr/journal/article/journal-du-regard-mars-2024

    https://www.youtube.com/watch?v=264yMXt_VTA

    Chaque mois, un film regroupant l’ensemble des images prises au fil des jours, le mois précédent, et le texte qui s’écrit en creux. « Une sorte de palimpseste, dans lequel doivent transparaître les traces - ténues mais non déchiffrables - de l’écriture “préalable” ». Jorge Luis Borges, Fictions Nous ne faisons qu’apparaître dans un monde soumis comme nous au pouvoir du temps. Dans le silence qui suit la fin du signal de départ. Dans un seul et unique instant. Non pas suites sans principe de (...) #Journal, #Vidéo, #Architecture, #Art, #Écriture, #Voix, #Sons, #Paris, #Mémoire, #Paysage, #Ville, #Journal_du_regard, #Regard, #Dérive, #Paris, #Canal, #Jardin, #Seine (...)

  • Japanese Soul from the ’70s: ライトメロウ with Kengo
    https://www.youtube.com/watch?v=i_3u3uJ4F9E

    Nana kinomi - Omaesan
    Mari and Bux Bunny - Saigo no honne 01:55
    Hiromi Iwasaki - Campus Girl 07:23
    Tatsuro Yamashita - Dancer 09:32
    Lily - Reflection 13:30
    Hatsumi Shibata - Showgirl 16:57
    Yumi Arai - Anata dake no mono (Trimmed out from the video due to copyright restrictions.)
    Kaze - Futto kigatsukya 20:10
    Ogami Rumiko - Futari fuwari 22:58
    Aiko Yano - Katarun Kataran 25:41
    Haruko Kuwana - On the seashore 29:18
    Rie Ida - Koi no arashi 33:12
    Momoe Yamaguchi - Neko ga miteiru 35:17
    Yoko Maeda - yuuwaku 37:12
    Masaki Ueda - Hikaru Umi 40:49

    #musique #soul #Japon #années_70

  • L’écologie populaire face à l’urbanisme olympique
    https://metropolitiques.eu/L-ecologie-populaire-face-a-l-urbanisme-olympique.html

    À #Aubervilliers, les Jardins ouvriers des Vertus ont été en partie détruits dans le cadre de la préparation des #Jeux_olympiques de Paris 2024. Flaminia Paddeu relate la #mobilisation d’une partie des jardinier·es et défend la revendication d’un « droit à la terre en ville ». Hiver 2021 à Aubervilliers. À l’arrière d’un chantier, entre des jardins et quelques vieux bâtiments, un groupe de jardinier·es et d’habitant·es muni·es de pancartes scande des slogans : « Rangez vos engins, laissez-nous les jardins ! », #Terrains

    / #écologie, #jardin, Jeux olympiques, mobilisation, #urbanisme, Aubervilliers, #Seine-Saint-Denis

    https://metropolitiques.eu/IMG/pdf/met-paddeu2.pdf

  • Comment faire de la ville un territoire nourricier ?
    https://metropolitiques.eu/Comment-faire-de-la-ville-un-territoire-nourricier.html

    Des jardins collectifs aux trames nourricières, les projets alimentaires et paysagers se multiplient. Forts de l’expérience de la SCOP SaluTerre, Franck David et Morgane Robert montrent que ces projets permettent de lutter contre la précarité alimentaire dès lors qu’ils sont co-construits avec les habitants. Entretien réalisé par Antoine Fleury et Natacha Rollinde. Comment avez-vous créé SaluTerre et autour de quels objectifs ? Franck David – SaluTerre est née d’une association déjà existante, Les #Entretiens

    / #agriculture_urbaine, #alimentation, #espace_public, #inclusion, #jardin, #paysage, #participation, précarité, projet de (...)

    #précarité #projet_de_paysage
    https://metropolitiques.eu/IMG/pdf/met_entretien_saluterre.pdf

  • Berlin : »Alte Münze« in privater Hand
    https://www.nd-aktuell.de/artikel/1180651.kulturpolitik-berlin-alte-muenze-in-privater-hand.html

    Les dépense de guerre et pour l’armement obligent la ville de Berlin à enterrer des projets culturels. Il n’y aura pas de "House of Jazz" dans l’ancien hôtel de la Monnaie .

    12.2.2024 von David Rojas Kienzle - Der Kulturstandort in Mitte wird in Zukunft vollständig von den privaten »Spreewerkstätten« betrieben

    In der »Alten Münze« ist Normalbetrieb. Rauch von einem Grill vernebelt den Hof, es gibt ein Fotoshooting von tanzenden Menschen und im Café sitzen Leute, schlürfen Kaffee und unterhalten sich. Ganz so normal ist dieser Montag aber nicht, denn im ersten Stock tagt der Ausschuss für Kultur, Engagement und Demokratieförderung des Abgeordnetenhauses. Thema ist der Ort des Geschehens selbst: die ehemalige Münzprägeanstalt am Molkenmarkt in Mitte, heute ein Kulturort. Im Jahr 2012 sollte das landeseigene Gelände wie damals üblich an den meistbietenden Investor verhökert werden, was vom damaligen Senator Ulrich Nußbaum (parteilos) gestoppt wurde. Deswegen ist die »Alte Münze« immer noch in Landeshand.

    Der Stoff birgt Konfliktpotenzial. In den vergangenen Monaten war Stück für Stück bekannt geworden, dass der Senat bisher gefasste Pläne für das Gelände mit knapp 18 000 Quadratmetern Nutzfläche über den Haufen wirft. Zuletzt sollte auf dem Gelände ein »House of Jazz« entstehen.

    Doch daraus wird nichts. Ende Februar teilte der Senat auf Anfrage der Abgeordneten Daniela Billig (Grüne) mit, die Idee des »House of Jazz« an dem Ort nicht weiterzuverfolgen. Stattdessen bekommen die Spreewerkstätten, ein Unternehmen, das seit Jahren einen Teil des Geländes nutzt, einen langfristigen Mietvertrag für das ganze Gelände. Jazz ist vom Tisch. Damit wird das bisher genutzte Beteiligungsverfahren mit verschiedensten Akteuren beerdigt.

    Wie so oft wird die Entscheidung mit mangelndem Geld begründet. Man dürfe sich hinsichtlich der Haushaltslage nichts vormachen, erklärte Kultursenator Joe Chialo (CDU) im Ausschuss. »Wir müssen 2024 und 2025 einen dreistelligen Millionenbetrag auflösen«, sagte er. Nichtsdestotrotz wird das Land erheblich in die »Alte Münze« investieren. Wie der RBB am Montag berichtete, werden Landesmittel in Höhe von 46 Millionen Euro aus dem »Sondervermögen wachsende Stadt« für die Sanierung des Standorts fließen.

    Daniel Wesener, kulturpolitischer Sprecher der Grünen-Fraktion kritisiert das: »Wenn man diese Immobilie langfristig erhalten und entwickeln will, wird dieses öffentliche Geld fließen. Es kommt dann aber nicht mehr der freien Kunst- und Kulturszene zugute, sondern einem Privaten. Das finde ich bemerkenswert.« Gleichzeitig drohen mit der Entscheidung gegen das »House of Jazz« auch 13 Millionen Euro Fördermittel des Bundes für dieses Projekt verloren zu gehen. »Ich fürchte, diese Mittel sind weg. Und ich denke, das ist ein Drama für die Jazzszene«, so Wesener weiter. Der Kultursenator widersprach: Die Mittel seien nicht weg und es gebe Gespräche mit Kolleg*innen aus dem Bundestag dazu.

    Das Vorgehen des Senats stößt Martin Schwegemann von der Initiative »Stadt neu denken« als im Ausschuss angehörten Experten auf: »Hier in der ›Alten Münze‹, einem zentralen Kulturort der Stadt mit enormer potenzieller Strahlkraft, der laut Senatsbeschluss 2018 für die freie Kunst- und Kulturszene vorgesehen war, sehen wir uns an einem Punkt, wo langjährige Prozesse abgebrochen werden.« Bisher war das Gelände in einem Mischkonzept genutzt worden. Niedrige Ateliermieten wurden über höhere Mieten für Akteure aus der Kreativwirtschaft querfinanziert.

    Die AG Alte Münze der Koalition der Freien Szene Berlin fürchtet, dass sich das Gelände mit der vollständigen Vermietung an die Spreewerkstätten in eine falsche Richtung entwickelt. Chris Benedict, die für das Bündnis im Ausschuss sprach, meinte: »Die Verbände und Akteure der Kulturszene sehen hier nun die eklatante Gefahr, dass die ›Alte Münze‹ als zentraler Ankerort im Herzen der Stadt verloren geht und sich weiter in Richtung einer Party- und Eventlocation eines profitorientierten Firmengeflechts entwickelt.« In den vergangenen Jahren der Zwischennutzung sei das Gelände teilweise kulturell bespielt worden, es könne jedoch keine Rede von einem Ort für die freie Szene sein. Denn alle Nutzungsvereinbarungen, Mietpreisee und Raumvergaben lägen in der Verantwortung der Betreiber-GmbH und ihres Geschäftsführers, so Benedict weiter. Deswegen fordert das Bündnis ein Moratorium für die Vergabe des Areals und einen transparenten Prozess für sie.

    Felix Richter, der Geschäftsführer der Spreewerkstätten, sieht das anders. »Es wird so getan, als würde die freie Szene dort nicht mehr vorkommen. Aber das ist falsch«, meint er im Gespräch mit »nd«. Man wolle sicherstellen, dass die kostengünstige Nutzung für Künstler*innen auch weiterhin möglich sei. Das wollten die Spreewerkstätten durch die kostendeckende Nutzung erreichen. »Dadurch können wir die freie Szene und Künstler*innen subventionieren«, so Richter weiter.

    Letztlich geht es in der ›Alten Münze‹ um eine grundsätzliche Frage: Wie weit geht die staatliche Verantwortung für Kunstförderung? CDU-Politiker Christian Goiny, verantwortlich für Finanz- und Medienpolitik sowie Clubkultur, ist ganz klar dafür, das Areal an die Spreewerkstätten zu vermieten. Um das hohe Niveau der Kunst und Kultur Berlins zu halten, müsse es eine größere »Resilienz und Eigenwirtschaftlichkeit« auch in der Kulturszene geben. Grünen-Politiker Wesener hingegen meint zwar, dass das Geschäftsmodell der Spreewerkstätten, günstig Flächen anzumieten und zu Marktpreisen zu vermieten, völlig in Ordnung sei. »Aber damit kriegen wir keine Kunstförderung hin.«

    Alte Münze Berlin
    https://de.m.wikipedia.org/wiki/Alte_M%C3%BCnze_(Berlin)

    #Berlin #Mitte #Mühlendamm #économie #guerre #culture #jazz

  • 70s French Jazz Mix (Soul Jazz, Free Jazz, Spiritual Jazz, Ethno Jazz..)
    https://www.youtube.com/watch?v=o0Tq-2a6Y-8

    00:00 | Michel Sardaby - Welcome new warmth
    03:17 | Rhesus O - Éveil
    05:26 | Jef Gilson & Malagasy - Valiha Del
    10:07 | Baroque Jazz Trio - Orientasie
    13:24 | Edja Kungali - Jungle Dance
    19:25 | Jacques Thollot - Position stagnante de réaction stationnaire
    20:50 | Henri Texier - Le sage, le singe et les petits enfants
    25:14 | Jef Gilson, Malagasy - Hommage À Rakotozafy
    30:00 | Moving Gelatine Plates - Un Jour...
    31:16 | Jef Gilson, Malagasy - Buddah’s Vision
    37:09 | Christian Zÿsset - Thème N° 3 Medium Free-Jazz
    38:47 | Daniel Humair, Jean Luc Ponty, Phil Woods, Eddy Louiss - La Sorcellerie
    43:53 | Richard Raux, Hamsa - A Coltrane
    46:46 | Mahjun - Chez Planos
    52:50 | Henri Texier - Angèle
    54:14 | Brigitte Fontaine - Moi aussi
    56:45 | Intercommunal Free Dance Music Orchestra - 7 rue des Precheurs
    58:03 | Zao - Ataturc

    –҉ ҉-҉ ҉-҉-҉ ҉-҉ ҉-҉-҉ ҉-҉ ҉-҉-҉ ҉-҉ ҉-҉-҉ ҉-҉ ҉-҉-҉ ҉-҉

    Jazz in France during the 1970’s : "In France the fortunes of few genres were as closely linked to May ’68 as free jazz..

    #musique #jazz #France #années_70

  • Trio : sans piano (24)

    Si le trio batterie/contrebasse/piano est souvent considéré comme le trio par excellence, les combinaisons de trois instruments sont aujourd’hui très variées.
    Une diversité surprenante, des inventions et des (dés)équilibres toujours renouvelés, des surprises encore et pas seulement par le choix de l’instrument « soliste ». Au hasard de ré-écoutes récentes.

    https://entreleslignesentrelesmots.wordpress.com/2024/03/06/trio-sans-piano-24

    #musique #jazz