person:intisar

L’auteur montre bien que les juristes musulmans tenaient non seulement à résoudre les conflits juridiques selon les règles, mais aussi à être justes au sens large du terme, c’est-à-dire à trouver une peine à la mesure du délit, ni plus ni moins. Rabb présente le droit musulman comme un système où les juristes aspirent à la clémence et à la compréhension. C’est donc un portrait bien différent de celui que l’on peint actuellement d’un système inflexible et immuable, distribuant des peines plus sévères les unes que les autres. Il s’agit là d’un ouvrage très important pour les chercheurs et les étudiants en droit musulman, qui offre également un arrière plan historique essentiel pour la compréhension des interactions entre démocratie, droit musulman et modernité dans le Moyen-Orient actuel.

Ce « doute nécessaire » me rappelle le principe de la tradition juive :
Capital and corporal punishment in Judaism - Wikipedia, the free encyclopedia
▻https://en.wikipedia.org/wiki/Capital_and_corporal_punishment_in_Judaism

Stringencies of evidence in capital cases
[…]
If the Beth Din arrived at a unanimous verdict of guilty, the person was let go - the idea being that if no judge could find anything exculpatory about the accused, there was something wrong with the court.

Je crois bien que c’était dans l’un des polars de Harry Kemelman…

http://extranet.editis.com/it-yonixweb/IMAGES/118/P3/9782264006882.JPG

▻https://fr.wikipedia.org/wiki/Harry_Kemelman

Mohammed Assaf a chanté Ally El-Kofiya
▻http://mondoweiss.net/2013/06/keffiyeh-mohammed-jubilation.html

Raise your Keffiyeh Raise it
Sing the Ataba and Mijana and enjoy it

Shake your shoulders tenderly
Jafra, Ataba and Diheya

And let guns contribute and make it more fun [interesting double meaning, the song so far has been describing a wedding where people are singing the ataba and mijana and doing dabka, traditionally those were always accompanied by shooting guns in the air]

Raise the flag in Ramallah and Mountains of fire [Nablus’s nick name]
your proud head band is a symbol of grit and determination [Keffiyeh as a head dress was traditionally associated with head bands 3qal]
The first bullet tells the story of the journey
When the time comes, we make what’s up go down [rearranging an old Palestinian proverb]

Raise your Keffiyeh Raise it
Sing the Ataba and Mijana and enjoy it

We grew figs and olives in the orchard
We brought the wheat seeds and the lemon trees

When you call my country .. we will be ready
Lighting the victory paths in the battle day

Raise your Keffiyeh Raise it
Sing the Ataba and Mijana and enjoy it

Palestine : la finale de l’émission de télévision Arab Idol par Emilie Baujard
▻http://www.franceinfo.fr/monde/un-monde-d-info/palestine-la-finale-de-l-emission-de-television-arab-idol-1035159-2013-06

Ce jeune chanteur s’appelle Mohammed Assaf et il est devenu, en quelques semaines, l’idole de toute une population, d’autant que le jeune homme a faillit ne jamais pouvoir participer à l’émission. Une ferveur qui intéresse tout particulièrement la classe politique.

▻http://www.franceinfo.fr/player/embed-share?content=1035177

Mohammed Assaf
►http://en.wikipedia.org/wiki/Mohammed_Assaf

He was born in Misrata, Libya to Palestinian parents from Gaza Strip, Palestine. Assaf and his parents returned to the refugee camp at Khan Yunis in the Gaza Strip when he was four years old.[2] He is one of seven siblings, three of whom, including Assaf, have been involved in performing live music. Assaf’s mother Intisar, a mathematics teacher, has stated that Assaf began singing at the age of five and “had a voice of someone who was much, much older.”[4] Assaf did not have professional training as a singer, he started his career singing at weddings and other private events.[5] He entered the public view in 2000 during a popular local televison program where he called in and sung a nationalist song to the host’s praise. Afterward, he was frequently offered contracts with local record companies.[4]

Before his role on the television show he was attending Gaza City’s Palestine University majoring in media.[4]

via le commentaire de Deïr Yassin sur ►http://blogs.rue89.com/jean-pierre-filiu/2013/06/22/le-printemps-des-arabes-en-israel-et-en-palestine-230622

►http://fr.wikipedia.org/wiki/Asmahan

Asmahan (أسمهان), née le 25 novembre 1917 au liban et décédée le 14 juillet 1944 en Égypte, est une chanteuse, et actrice. [...]
Asmahan se rend célèbre grâce à ses participations à de nombreuses comédies musicales cinématographiques tels qu’Intisar El-Shabab et Gharam Wa Intiqam (dont est tiré le tube Layali El Ounsi Fi Vienna).
Mais ce qui fait la particularité d’Asmahan, c’est son chant mélancolique et inspiré par la musique européenne comme sur le troublant Ya Touyour (composé par Mohamad El Qasabji) ou encore l’émouvant Layta Lil Barraq, ce qui fascinera le public arabe, pourtant peu sensible à la musique occidentale, surtout à l’époque. Elle meurt noyée avec une amie dans un accident de voiture en 1944. Malgré sa courte carrière, Asmahan aura marqué la chanson arabe par sa sa poésie et sa passion pour la mélancolie théâtrale.

Raphaël, ça m’étonne de ta part que tu ne saches pas que beaucoup de rumeurs entourent la vie d’Asmahane et que son accident de voiture est généralement considéré comme un assassinat :-))

Asmahan - Wikipedia, the free encyclopedia
►http://en.wikipedia.org/wiki/Asmahan

In 1941, during World War II, Asmahan returned to the French Mandate of Syria (Syria, under the rule of Vichy France at that time) at the request of the British and the Free French. She was on a secret mission to notify her people in Jabal al-Druze that the British and Free French forces would be invading Syria through their territory, and to convince them they should not fight. (Zuhur) The British and Free French had promised the independence of Syria and Lebanon to all inhabitants on the date of the invasion. The Druze agreed, even though some groups did not receive word in time and fought the invading forces. After the Allies secured Syria during the Syria-Lebanon Campaign, General Charles de Gaulle visited Syria. When the Allies failed to carry out their promise for Syrian independence, Asmahan tried to contact the Nazis in Turkey, but was stopped at the border and sent to Lebanon. It was also possible that Asmhan needed money because her husband had cut off her expenses, so she may have tried to reach the Germans simply to obtain funds. (Zuhur)

Asmahan told Mohamed al-Tabaʿi that she was to receive the sum of £40,000 from the British for her services to the allies.[34][35][36] General Charles de Gaulle’s representative in Cairo was General Georges Catroux. Catroux’s délégué in Damascus, Colonel Collet, stated that the British gave money to Asmahan (and to other Druze men, in his presence) and sent her to the Jabal to secure the support of the Druze before the Allies’ invasion.[37] The same information is stated by Edward Spears in his memoirs. (Zuhur)

Death

On 14 July 1944, a car carrying Asmahan and a female friend crashed and went into a canal at the side of the road, after the driver lost control near the city of Mansoura, Egypt.[38] The car was a two-door model and the women were sitting in the backseat. They were presumed to be rendered unconscious and subsequently drowned. The driver, however, managed to escape.

These circumstances gave rise to many suspicions, rumors and conspiracy theories. British intelligence, for example, after many reports circulated claiming she had been working for them, was accused of having got rid of her after she had attempted to meet with German agents. The German Gestapo was also accused of murdering her for the help she had given the British. Her husband at the time had fought violently with her, and her family’s honor had been besmirched by the many rumors.