publishedmedium:the los angeles review

  • The Desert Threshold - The Los Angeles Review of Books
    https://lareviewofbooks.org/interview/the-desert-threshold

    When the Second Intifada began I read a piece by #Edward_Said that elaborated his idea of counter-#cartographies. He was lamenting the absence of Palestinian cartography — deploring the way that the Palestinians and their friends had abandoned the field of geographical representation to the Israelis. I saw something very intriguing in this. On the one hand, Said was someone who wrote very critically about mapping as an imperial practice of #domination and governance and now he was calling for the inversion of the cartographic gaze, the de-colonizing of cartography. Working with #B’Tselem, an Israeli human rights group, we responded to this by drawing the first map of the West Bank that depicted the precise contours of the settlements. We were trying to show that crimes can be undertaken on the drawing boards, committed not by military people but by architects and planners. It took a year to complete, but we learned that maps can also be tools of #resistance.

    #colonisation #Israël #Israel #Palestine

  • 11月5日のツイート
    http://twilog.org/ChikuwaQ/date-151105

    Top story : This Odd-Nosed Antelope Is Experiencing a Mass Die-Off news.nationalgeographic.com/2015/11/151104…, see more tweetedtimes.com/ChikuwaQ ?s=tnp posted at 04:28:06

    Top story : “Room” Is the “Crash” of Feminism - The Los Angeles Review of Books lareviewofbooks.org/essay/room-is-…, see more tweetedtimes.com/ChikuwaQ ?s=tnp posted at 02:08:21

    Pour un autre théâtre de la pensée - Libération www.liberation.fr/debats/2015/10… posted at 00:08:08

    Top story : « Le Fils de Saul » Choc sans réplique - Culture / Next next.liberation.fr/cinema/2015/11…, see more tweetedtimes.com/ChikuwaQ ?s=tnp posted at 00:05:21

    Lettre de Gilles Deleuze à Kuniichi Uno : "Selon moi, Félix avait de véritables éclairs, et moi,,,, www.huffingtonpost.fr/morgane-ortin/… posted at (...)

  • From Occupy Wall Street to Occupy Central: The Case of Hong Kong | The Los Angeles Review of Books, by David Graeber & Yuk Hui (14/10/2014)
    https://lareviewofbooks.org/essay/occupy-central-the-case-of-hong-kong

    Sometimes it seems as if every time #Occupy has been declared dead in one place, it crops up somewhere else. From Nigeria to Turkey, Brazil to Bosnia, and most recently, now, #Hongkong, where a sudden and unexpected revival of “Occupy Central” — the movement that set up camp on the ground floor of the HSBC headquarter in Central in 2011 in solidarity with the occupation of Zuccotti Park in New York — has paralyzed the city for over a week.

    This is not just a change of language or tactics by those engaged in social protest. 2011 marked a moment where the very notion of what it means to organize a democratic revolution permanently changed.

    (…) there has been a revolution is the transformation of political common sense, then the movement we are seeing today marks a genuine watershed. While its tactics and demands may often look superficially similar to older movements, the notion of democracy, and government, have by now been so decisively severed from one another that even those ostensibly protesting for the creation of institutions of representative government are adopting anarchist tactics, sensibilities, and modes of organizing.

  • Il y a ceux qui pensent à des pics pour que les SDF ne dorment pas devant chez eux...
    http://seenthis.net/messages/265970

    ... et il y a des maires en Italie qui décident de mettre de la musique techno à fond pour évacuer les Roms, sauf que... les Roms ont commencé à danser, au lieu de partir...

    I rom occupano abusivamente il campo, il sindaco mette musica a tutto volume per cacciarli

    Dopo aver provato in tutti i modi a far sloggiare un accampamento rom abusivo dal proprio Comune, ha tirato fuori quello che secondo lui doveva essere l’asso nella manica: ha ingaggiato un Dj, ha ordinato di sparare «a palla» musica techno e si è messo ad aspettare.


    http://www.ilmessaggero.it/PRIMOPIANO/ESTERI/rom_sgombero_musica_techno/notizie/801156.shtml

    #Roms #Belgique #musique #techno #Landen

    La technique de la musique, par contre, avait bien marché à la garde d’Hambourg... les « indésirables » sont partis après que dans la gare on ait mis de la musique classique 24h/24h... Peut-être le maire de Landen a juste fait le mauvais choix de genre musical...

    • Why a #San_Francisco Burger King Blasts Classical Music Day and Night

      Just outside a Burger King on Market Street, San Francisco’s main thoroughfare, classical music plays day and night. Instead of the hits circa 2018, it’s more the hits circa 1718, from composers such as Vivaldi and Bach. For years, San Franciscans have puzzled over why baroque constantly plays at a high volume on this block. But as an article published today in the Los Angeles Review of Books explains, the otherworldly music serves an earthly purpose: to discourage local homeless people from sticking around.

      Sound has long been used in public places to discourage loitering. In LARB, author Theodore Gioia writes that classical music as crowd dispersal probably dates to 1985, when a Canadian 7-Eleven pioneered the playing of Mozart in parking lots where people gathered. The tactic became store policy at almost 200 locations. Other methods are less sonorous. In 2008, increasing sales of a device called “the Mosquito” made news as it was installed in malls, movie theaters, and parking lots. Since the Mosquito emitted a tone that only young people could hear—due to more sensitive hair cells in ears—it was touted as a way to deter lingering teenagers.

      While the Mosquito incited outrage for targeting the young, it’s harder to be outraged about classical music. On one hand, it’s often seen as cultured and even soothing. Other fast food restaurants, such as McDonalds, tested using classical music to break up drunk brawls. But instead of its calming properties, it’s other aspects of classical music that appeal to those trying to tame “anti-social” behavior: It’s loud, and some people dislike classical tunes, considering them elevator music-like or elitist. That effect seems to have been sought after at the Market Street Burger King, where local property owners put forward the idea of playing classical music to shoo away anyone uninterested in buying Whoppers.

      This musical strategy is similar to hostile architecture, which uses design features such as strategically placed spikes and dividers on benches to keep homeless people from lying down. Neither solves underlying problems; instead they drive them away. And in both cases, once you’re aware of the tactic, you may start to notice it everywhere.


      https://www.atlasobscura.com/articles/loud-classical-music.amp?__twitter_impression=true
      #villes #urban_matter #musique_classique