What Works for You? A Guide to DSLR Audio | B&H Explora
▻https://www.bhphotovideo.com/explora/audio/tips-and-solutions/what-works-you%3F-guide-dslr-audio
If you gather ten sound engineers in a room and ask them what’s the best way to record something, don’t be surprised when you get ten different answers. One thing that makes sound engineering such a fun field is that all ten answers will probably be right. With audio, you quickly find there are many ways to accomplish a given task, and which of those techniques you use should be decided by the circumstances. With that said, not every engineer performs the same task the same way, and many have completely different setups and approaches that all result in great-sounding audio.
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Tascam has a hard-earned reputation in the recording world, and not surprisingly, the quality of both the mic preamps and the conversion in the DR-60D really shine. Thanks to ample connectivity, you can monitor the live mics, the recorded content from your SDHC card, and even the audio from your DSLR (via the camera input jack), all from the 3.5mm headphone out. Separate camera and line outputs allow you to send a reference track to your DSLR and a separate recorder for redundancy, if desired. The DR-60D lets you track in up to 96kHz/24-bit and switch between 24- and 48-volt phantom power to save battery life. Like most devices, it records to SD or SDHC cards. A useful feature on the DR-60D is its built-in USB port that allows you to upload your tracks directly to your computer, especially beneficial if your computer does not have an SD slot.
▻https://www.amazon.de/Tascam-DR-60DMKII-DR-60D-MKII/dp/B00O0YCUNC/ref=sr_1_1?ie=UTF8&qid=1491857732&sr=8-1&keywords=Tascam+DR-60DmkII
▻http://tascam.com/content/downloads/products/864/e_dr-60dmk2_rm_va.pdf