Columbia Journalism Review - Encouraging excellence in journalism

The journalists leaving Afghanistan, and those who haven’t made it out - Columbia Journalism Review
▻https://www.cjr.org/the_media_today/journalists_evacuated_afghanistan.php

The Visual Failings of the Heat Dome Coverage | Michael Shaw
▻https://www.cjr.org/criticism/heat-dome-pacific-northwest-photography-headlines.php

According to the Centers for Disease Control and Prevention, 800 heat-related deaths occurred across the Pacific Northwest and British Columbia between June 25 and 30. An additional 2,800 people across Oregon, Washington, Idaho, and Alaska ended up in an emergency room due to heat-related illness. The devastating heat—more harbinger than anomaly—exposed weaknesses in the media’s representation of deadly temperatures as well as their connection to climate change. The images that led news stories widely minimized the event. Many photos made it look like a run-of-the-mill heat wave; some were so banal as to conjure stock photography. Photo slideshows confused the issue with a juxtaposition of the ordinary and extraordinary. Source: Columbia Journalism (...)

India cracks down on journalism, again - Columbia Journalism Review
▻https://www.cjr.org/the_media_today/india_modi_farmers_protests_journalism.php

Last Tuesday, as India celebrated a national holiday commemorating its democratic constitution, thousands of farmers marched and drove their tractors through New Delhi. It was the latest in a series of protests against agricultural reforms that many farmers fear will allow large corporations to crush them. Police tear-gassed the demonstrators and charged at the crowd with batons; as Vidya Krishnan wrote in The Atlantic, “the dueling images—a celebration of India’s democracy on the one hand, the crushing of dissent on the other—were carried on a split screen by many news channels, inadvertently offering the perfect visual metaphor for modern India.” A twenty-five-year-old farmer named Navreet Singh was killed during the protest; officials claimed that he died in a tractor accident, but witnesses said that police shot Singh in the head—an account supported by photographic evidence. Singh’s family has alleged a cover-up. “One doctor told me that my grandson was hit by a gunshot,” Hardip Singh Dibdiba, Singh’s grandfather, told The Guardian, “but said they could not write that a bullet killed him.”

Indian authorities have since filed sedition and other charges against at least nine journalists who reported on, or merely tweeted about, Singh’s death and the protests; some members of the press have been subjected to extrajudicial harassment and threats. Under Indian law, sedition carries a possible penalty of life imprisonment. The editors of two prominent independent news outlets—Vinod K. Jose, of the magazine The Caravan, and Siddharth Varadarajan, of the news website The Wire—were among those charged. On Saturday, police detained two more reporters—Mandeep Punia, a Caravan contributor, and Dharmender Singh, of Online News India—as they covered ongoing farmers’ protests in New Delhi. Kanwardeep Singh, a reporter with the Times of India, told The Guardian that his phone is under surveillance. The government, he believes, is trying to send him a message: “Either I stop writing and stay safe or be ready to live my remaining life behind the bars.”

Masthead - Columbia Journalism Review
▻https://www.cjr.org/about_us/masthead.php

Columbia Journalism Review is published by the Columbia University Graduate School of Journalism.

Dean
Steve Coll

Chairman
Stephen Adler

Editor in Chief and Publisher
Kyle Pope

Managing Editor
Betsy Morais

Digital Editor
Ravi Somaiya

Senior Editor
Brendan Fitzgerald

Staff Writer and Senior Delacorte Fellow
Alexandria Neason

Chief Digital Writer
Mathew Ingram

The Media Today
Jon Allsop

Contributing Editor
Camille Bromley

Delacorte Fellows
Akintunde Ahmad, Lauren Harris, and Savannah Jacobson

Communications and Design
Darrel Frost

Website Development
Michael Murphy

Print Design
Point Five, NY

#Inde #répression #journalisme #modi

Sur Twitter, je tombe sur cet article :
They Pledged to Donate Rights to Their COVID Vaccine, Then Sold Them to Pharma
▻https://khn.org/news/rather-than-give-away-its-covid-vaccine-oxford-makes-a-deal-with-drugmaker
qui mentionne :
A few weeks later, Oxford—urged on by the Bill & Melinda Gates Foundation—reversed course. It signed an exclusive vaccine deal with AstraZeneca that gave the pharmaceutical giant sole rights and no guarantee of low prices—with the less-publicized potential for Oxford to eventually make millions from the deal and win plenty of prestige.

De fil en aiguille, je me retrouve à lire :
Journalism’s Gates keepers
▻https://www.cjr.org/criticism/gates-foundation-journalism-funding.php

As philanthropists increasingly fill in the funding gaps at news organizations—a role that is almost certain to expand in the media downturn following the coronavirus pandemic—an underexamined worry is how this will affect the ways newsrooms report on their benefactors. Nowhere does this concern loom larger than with the Gates Foundation, a leading donor to newsrooms and a frequent subject of favorable news coverage.

#gates_foundation

The Substackerati, by Clio Chang - Columbia Journalism Review
▻https://www.cjr.org/special_report/substackerati.php

https://cdn.cjr.org/wp-content/uploads/2020/11/Chang_OliviaFields_2500-800x419.jpg

(Substack = Uber for journalism)

Newsletters go back at least as far as the Middle Ages, but these days, with full-time jobs at stable media companies evaporating—between the 2008 recession and 2019, newsroom employment dropped by 23 percent—Substack offers an appealing alternative. And, for many, it’s a viable source of income. In three years, Substack’s newsletters—covering almost every conceivable topic, from Australian Aboriginal rights to bread recipes to local Tennessee politics—have drawn more than two hundred fifty thousand paid subscribers. The top newsletter authors can earn six figures, an unheard-of amount for freelance journalists.

(...) They have a system, created by a former employee named Nathan Baschez, that measures a Twitter user’s engagement level—retweets, likes, replies—among their followers. This person is then assigned a score on a logarithmic scale of fire emojis. Four fire emojis is very good—Substack material. Best and McKenzie will reach out and suggest that the person try a newsletter. The four-fire-emoji method turned up Heather Cox Richardson, a history professor at Boston College, whose Substack, Letters from an American—political with a historical eye—is now the second-top-paid.

(...) “Substack is not the sort of thing that is going to create a sustainable next phase, but it can open the door (...) “GoFundMe can help us see things we’re not seeing and put money where it would not go,” Schneider said. “Of course, we don’t want a GoFundMe society.”

(...) as you peruse the lists, something becomes clear: the most successful people on Substack are those who have already been well-served by existing media power structures. Most are white and male; several are conservative. Matt Taibbi, Andrew Sullivan, and most recently, Glenn Greenwald—who offer similar screeds about the dangers of cancel culture and the left—all land in the top ten.

(...) It’s a bit of a brain twister: Substack, eager to attract customers over Mailchimp or WordPress, has begun to look like it’s reverse engineering a media company. But all the while, its founders insist that they simply provide a platform. By not acknowledging the ways in which they are actively encouraging (and discouraging) certain people to use Substack, and the ways they benefit monetarily from doing so, they obscure their role as publishers.

(...) As more journalists embark on independent careers, the need for support infrastructure, beyond Substack, will become increasingly urgent. Labor organizing, the traditional method for making an industry more equitable, will have to adapt to the new conditions, especially as more and more industries embrace the independent-contractor model. Accountability is harder when the company you work for refuses to acknowledge what field it’s operating in. Yet people like Peck are still workers, even if they lack a boss.

#Recession watch: Does anyone know what they’re talking about? - Columbia Journalism Review
▻https://www.cjr.org/analysis/recession-economy.php

https://cdn.cjr.org/wp-content/uploads/2019/08/Screen-Shot-2019-08-21-at-11.05.54-AM.jpg

“There are studies about economic forecasting and its accuracy by economists—they get it wrong all the time,” DePillis says. “Most of the time, they don’t see a recession is coming and most predictions of recessions do not turn out to be true.”

#économie #économistes #prévisions

View from Nowhere. Is it the press’s job to create a community that transcends borders?

A few years ago, on a plane somewhere between Singapore and Dubai, I read Benedict Anderson’s Imagined Communities (1983). I was traveling to report on the global market for passports—how the ultrawealthy can legally buy citizenship or residence virtually anywhere they like, even as 10 million stateless people languish, unrecognized by any country. In the process, I was trying to wrap my head around why national identity meant so much to so many, yet so little to my passport-peddling sources. Their world was the very image of Steve Bannon’s globalist nightmare: where you can never be too rich, too thin, or have too many passports.

Anderson didn’t address the sale of citizenship, which only took off in earnest in the past decade; he did argue that nations, nationalism, and nationality are about as organic as Cheez Whiz. The idea of a nation, he writes, is a capitalist chimera. It is a collective sense of identity processed, shelf-stabilized, and packaged before being disseminated, for a considerable profit, to a mass audience in the form of printed books, news, and stories. He calls this “print-capitalism.”

Per Anderson, after the printing press was invented, nearly 600 years ago, enterprising booksellers began publishing the Bible in local vernacular languages (as opposed to the elitist Latin), “set[ting] the stage for the modern nation” by allowing ordinary citizens to participate in the same conversations as the upper classes. In the 18th and 19th centuries, the proliferation (and popularity) of daily newspapers further collapsed time and space, creating an “extraordinary mass ceremony” of reading the same things at the same moment.

“An American will never meet, or even know the names of more than a handful of his 240,000,000–odd fellow Americans,” Anderson wrote. “He has no idea of what they are up to at any one time.” But with the knowledge that others are reading the same news, “he has complete confidence in their steady, anonymous, simultaneous activity.”

Should the press be playing a role in shaping not national identities, but transnational ones—a sense that we’re all in it together?

Of course, national presses enabled more explicit efforts by the state itself to shape identity. After the US entered World War I, for instance, President Woodrow Wilson set out to make Americans more patriotic through his US Committee on Public Information. Its efforts included roping influential mainstream journalists into advocating American-style democracy by presenting US involvement in the war in a positive light, or simply by referring to Germans as “Huns.” The committee also monitored papers produced by minorities to make sure they supported the war effort not as Indians, Italians, or Greeks, but as Americans. Five Irish-American papers were banned, and the German-American press, reacting to negative stereotypes, encouraged readers to buy US bonds to support the war effort.

The US media played an analogous role in selling the public on the 2003 invasion of Iraq. But ever since then, in the digital economy, its influence on the national consciousness has waned. Imagined Communities was published seven years before the fall of the Berlin Wall, twenty-two years before Thomas Friedman’s The World Is Flat, and a couple of decades before the internet upended print-capitalism as the world knew it (one of Anderson’s footnotes is telling, if quaint: “We still have no giant multinationals in the world of publishing”).

Since Trump—a self-described nationalist—became a real contender for the US presidency, many news organizations have taken to looking inward: consider the running obsession with the president’s tweets, for instance, or the nonstop White House palace intrigue (which the president invites readily).

Meanwhile, the unprofitability of local and regional papers has contributed to the erosion of civics, which, down the line, makes it easier for billionaires to opt out of old “imagined communities” and join new ones based on class and wealth, not citizenship. And given the challenges humanity faces—climate change, mass migration, corporate hegemony, and our relationships to new technologies—even if national papers did make everyone feel like they shared the same narrative, a renewed sense of national pride would prove impotent in fighting world-historic threats that know no borders.

Should the press, then, be playing an analogous role in shaping not national identities, but transnational ones—a sense that we’re all in it together? If it was so important in shaping national identity, can it do so on a global scale?

Like my passport-buying subjects, I am what Theresa May, the former British prime minister, might call a “citizen of nowhere.” I was born in one place to parents from another, grew up in a third, and have lived and traveled all over. That informs my perspective: I want deeply for there to be a truly cosmopolitan press corps, untethered from national allegiances, regional biases, class divisions, and the remnants of colonial exploitation. I know that’s utopian; the international working class is hardly a lucrative demographic against which publishers can sell ads. But we seem to be living in a time of considerable upheaval and opportunity. Just as the decline of religiously and imperially organized societies paved the way for national alternatives, then perhaps today there is a chance to transcend countries’ boundaries, too.

Does the US media help create a sense of national identity? If nationalism means putting the interests of one nation—and what its citizens are interested in—before more universal concerns, then yes. Most journalists working for American papers, websites, and TV write in English with a national audience (or regional time zone) in mind, which affects how we pitch, source, frame, and illustrate a story—which, in turn, influences our readers, their country’s politics, and, down the line, the world. But a news peg isn’t an ideological form of nationalism so much as a practical or methodological one. The US press feeds off of more pernicious nationalisms, too: Donald Trump’s false theory about Barack Obama being “secretly” Kenyan, disseminated by the likes of Fox and The Daily Caller, comes to mind.

That isn’t to say that global news outlets don’t exist in the US. When coaxing subscribers, the Financial Times, whose front page often includes references to a dozen different countries, openly appeals to their cosmopolitanism. “Be a global citizen. Become an FT Subscriber,” read a recent banner ad, alongside a collage featuring the American, Chinese, Japanese, Australian, and European Union flags (though stories like the recent “beginner’s guide to buying a private island” might tell us something about what kind of global citizen they’re appealing to).

“I don’t think we try to shape anyone’s identity at all,” Gillian Tett, the paper’s managing editor for the US, says. “We recognize two things: that the world is more interconnected today than it’s ever been, and that these connections are complex and quite opaque. We think it’s critical to try to illuminate them.”

For Tett, who has a PhD in social anthropology, money serves as a “neutral, technocratic” starting point through which to understand—and tie together—the world. “Most newspapers today tend to start with an interest in politics or events, and that inevitably leads you to succumb to tribalism, however hard you try [not to],” Tett explains. “If you look at the world through money—how is money going around the world, who’s making and losing it and why?—out of that you lead to political, cultural, foreign-policy stories.”

Tett’s comments again brought to mind Imagined Communities: Anderson notes that, in 18th-century Caracas, newspapers “began essentially as appendages of the market,” providing commercial news about ships coming in, commodity prices, and colonial appointments, as well as a proto–Vows section for the upper crust to hate-read in their carriages. “The newspaper of Caracas quite naturally, and even apolitically, created an imagined community among a specific assemblage of fellow-readers, to whom these ships, brides, bishops, and prices belonged,” he wrote. “In time, of course, it was only to be expected that political elements would enter in.”

Yesterday’s aristocracy is today’s passport-buying, globe-trotting one percent. The passport brokers I got to know also pitched clients with the very same promise of “global citizenship” (it sounds less louche than “buy a new passport”)—by taking out ads in the Financial Times. Theirs is exactly the kind of neoliberal “globalism” that nationalist politicians like Trump have won elections denouncing (often hypocritically) as wanting “the globe to do well, frankly, not caring about our country so much.” Isn’t upper-crust glibness about borders, boundaries, and the value of national citizenship part of what helped give us this reactionary nativism in the first place?

“I suspect what’s been going on with Brexit and maybe Trump and other populist movements [is that] people. . . see ‘global’ as a threat to local communities and businesses rather than something to be welcomed,” Tett says. “But if you’re an FT reader, you see it as benign or descriptive.”

Among the largest news organizations in the world is Reuters, with more than 3,000 journalists and photographers in 120 countries. It is part of Thomson Reuters, a truly global firm. Reuters does not take its mandate lightly: a friend who works there recently sent me a job posting for an editor in Gdynia, which, Google clarified for me, is a city in the Pomeranian Voivodeship of Poland.

Reuters journalists cover everything from club sports to international tax evasion. They’re outsourcing quick hits about corporate earnings to Bangalore, assembling teams on multiple continents to tackle a big investigation, shedding or shuffling staff under corporate reorganizations. Perhaps unsurprisingly, “more than half our business is serving financial customers,” Stephen Adler, the editor in chief, tells me. “That has little to do with what country you’re from. It’s about information: a central-bank action in Europe or Japan may be just as important as everything else.”

Institutionally, “it’s really important and useful that we don’t have one national HQ,” Adler adds. “That’s the difference between a global news organization and one with a foreign desk. For us, nothing is foreign.” That approach won Reuters this year’s international Pulitzer Prize for uncovering the mass murder of the Rohingya in Myanmar (two of the reporters were imprisoned as a result, and since freed); it also comes through especially sharply in daily financial stories: comprehensive, if dry, compendiums of who-what-where-when-why that recognize the global impact of national stories, and vice versa. A recent roundup of stock movements included references to the US Fed, China trade talks, Brexit, monetary policy around the world, and the price of gold.

Adler has led the newsroom since 2011, and a lot has changed in the world. (I worked at Reuters between 2011 and 2013, first as Adler’s researcher and later as a reporter; Adler is the chair of CJR’s board.) Shortly after Trump’s election, Adler wrote a memo affirming the organization’s commitment to being fair, honest, and resourceful. He now feels more strongly than ever about judiciously avoiding biases—including national ones. “Our ideology and discipline around putting personal feelings and nationality aside has been really helpful, because when you think about how powerful local feelings are—revolutions, the Arab Spring—we want you writing objectively and dispassionately.”

The delivery of stories in a casual, illustrated, highly readable form is in some ways more crucial to developing an audience than subject matter.

Whether global stories can push communities to develop transnationally in a meaningful way is a harder question to answer; it seems to impugn our collective aptitude for reacting to problems of a global nature in a rational way. Reuters’s decision not to fetishize Trump hasn’t led to a drop-off in US coverage—its reporters have been especially strong on immigration and trade policy, not to mention the effects of the new administration on the global economy—but its stories aren’t exactly clickbait, which means ordinary Americans might not encounter them at the top of their feed. In other words, having a global perspective doesn’t necessarily translate to more eyeballs.

What’s more, Reuters doesn’t solve the audience-class problem: whether readers are getting dispatches in partner newspapers like The New York Times or through the organization’s Eikon terminal, they tend to be the sort of person “who does transnational business, travels a good deal, is connected through work and media, has friends in different places, cares about what’s going on in different places,” Adler says. “That’s a pretty large cohort of people who have reason to care what’s going on in other places.”

There are ways to unite readers without centering coverage on money or the markets. For a generation of readers around the world, the common ground is technology: the internet. “We didn’t pick our audience,” Ben Smith, the editor in chief of BuzzFeed, tells me over the phone. “Our audience picked us.” He defines his readers as a cohort aged 18–35 “who are on the internet and who broadly care about human rights, global politics, and feminism and gay rights in particular.”

To serve them, BuzzFeed recently published a damning investigative report into the World Wildlife Fund’s arming of militias in natural reserves; a (not uncontroversial) series on Trump’s business dealings abroad; early exposés of China’s detention of Uighur citizens; and reports on child abuse in Australia. Climate—“the central challenge for every newsroom in the world”—has been harder to pin down. “We don’t feel anyone has cracked it. But the shift from abstract scientific [stories] to coverage of fires in California, it’s a huge change—it makes it more concrete,” Smith says. (My husband is a reporter for BuzzFeed.)

The delivery of these stories in a casual, illustrated, highly readable form is in some ways more crucial to developing an audience than subject matter. “The global political financial elites have had a common language ever since it was French,” Smith says. “There is now a universal language of internet culture, [and] that. . . is how our stuff translates so well between cultures and audiences.” This isn’t a form of digital Esperanto, Smith insists; the point isn’t to flatten the differences between countries or regions so much as to serve as a “container” in which people from different regions, interest groups, and cultures can consume media through references they all understand.

BuzzFeed might not be setting out to shape its readers’ identities (I certainly can’t claim to feel a special bond with other people who found out they were Phoebes from the quiz “Your Sushi Order Will Reveal Which ‘Friends’ Character You’re Most Like”). An audience defined by its youth and its media consumption habits can be difficult to keep up with: platforms come and go, and young people don’t stay young forever. But if Anderson’s thesis still carries water, there must be something to speaking this language across cultures, space, and time. Call it “Web vernacular.”

In 2013, during one of the many recent and lengthy US government shutdowns, Joshua Keating, a journalist at Slate, began a series, “If It Happened There,” that imagined how the American media would view the shutdown if it were occurring in another country. “The typical signs of state failure aren’t evident on the streets of this sleepy capital city,” Keating opens. “Beret-wearing colonels have not yet taken to the airwaves to declare martial law. . . .But the pleasant autumn weather disguises a government teetering on the brink.”

It goes on; you get the idea. Keating’s series, which was inspired by his having to read “many, many headlines from around the world” while working at Foreign Policy, is a clever journalistic illustration of what sociologists call “methodological nationalism”: the bias that gets inadvertently baked into work and words. In the Middle East, it’s sectarian or ethnic strife; in the Midwest, it’s a trigger-happy cop and a kid in a hoodie.

His send-ups hit a nerve. “It was huge—it was by far the most popular thing I’ve done at Slate,” Keating says. “I don’t think that it was a shocking realization to anyone that this kind of language can be a problem, but sometimes pointing it out can be helpful. If the series did anything, it made people stop and be conscious of how. . . our inherent biases and perspectives will inform how we cover the world.”

Curiously, living under an openly nationalist administration has changed the way America—or at the very least, a significant part of the American press corps—sees itself. The press is a de facto opposition party, not because it tries to be, but because the administration paints it that way. And that gives reporters the experience of working in a place much more hostile than the US without setting foot outside the country.

Keating has “semi-retired” the series as a result of the broad awareness among American reporters that it is, in fact, happening here. “It didn’t feel too novel to say [Trump was] acting like a foreign dictator,” he says. “That was what the real news coverage was doing.”

Keating, who traveled to Somaliland, Kurdistan, and Abkhazia to report his book Invisible Countries (2018), still thinks the fastest and most effective way to form an international perspective is to live abroad. At the same time, not being bound to a strong national identity “can make it hard to understand particular concerns of the people you’re writing about,” he says. It might be obvious, but there is no one perfect way to be internationally minded.

Alan Rusbridger—the former editor of The Guardian who oversaw the paper’s Edward Snowden coverage and is now the principal at Lady Margaret Hall, a college at Oxford University—recognizes the journalistic and even moral merits of approaching news in a non-national way: “I think of journalism as a public service, and I do think there’s a link between journalism at its best and the betterment of individual lives and societies,” he says. But he doesn’t have an easy formula for how to do that, because truly cosmopolitan journalism requires both top-down editorial philosophies—not using certain phrasings or framings that position foreigners as “others”—and bottom-up efforts by individual writers to read widely and be continuously aware of how their work might be read by people thousands of miles away.

Yes, the starting point is a nationally defined press, not a decentralized network, but working jointly helps pool scarce resources and challenge national or local biases.

Rusbridger sees potential in collaborations across newsrooms, countries, and continents. Yes, the starting point is a nationally defined press, not a decentralized network; but working jointly helps pool scarce resources and challenge national or local biases. It also wields power. “One of the reasons we reported Snowden with the Times in New York was to use global protections of human rights and free speech and be able to appeal to a global audience of readers and lawyers,” Rusbridger recalls. “We thought, ‘We’re pretty sure nation-states will come at us over this, and the only way to do it is harness ourselves to the US First Amendment not available to us anywhere else.’”

In employing these tactics, the press positions itself in opposition to the nation-state. The same strategy could be seen behind the rollout of the Panama and Paradise Papers (not to mention the aggressive tax dodging detailed therein). “I think journalists and activists and citizens on the progressive wing of politics are thinking creatively about how global forces can work to their advantage,” Rusbridger says.

But he thinks it all starts locally, with correspondents who have fluency in the language, culture, and politics of the places they cover, people who are members of the communities they write about. That isn’t a traditional foreign-correspondent experience (nor indeed that of UN employees, NGO workers, or other expats). The silver lining of publishing companies’ shrinking budgets might be that cost cutting pushes newsrooms to draw from local talent, rather than send established writers around. What you gain—a cosmopolitanism that works from the bottom up—can help dispel accusations of media elitism. That’s the first step to creating new imagined communities.

Anderson’s work has inspired many an academic, but media executives? Not so much. Rob Wijnberg is an exception: he founded the (now beleaguered) Correspondent in the Netherlands in 2013 with Anderson’s ideas in mind. In fact, when we speak, he brings the name up unprompted.

“You have to transcend this notion that you can understand the world through the national point of view,” he says. “The question is, What replacement do we have for it? Simply saying we have to transcend borders or have an international view isn’t enough, because you have to replace the imagined community you’re leaving behind with another one.”

For Wijnberg, who was a philosophy student before he became a journalist, this meant radically reinventing the very structures of the news business: avoiding covering “current events” just because they happened, and thinking instead of what we might call eventful currents—the political, social, and economic developments that affect us all. It meant decoupling reporting from national news cycles, and getting readers to become paying “members” instead of relying on advertisements.

This, he hoped, would help create a readership not based on wealth, class, nationality, or location, but on borderless, universal concerns. “We try to see our members. . . as part of a group or knowledge community, where the thing they share is the knowledge they have about a specific structural subject matter,” be it climate, inequality, or migration, Wijnberg says. “I think democracy and politics answers more to media than the other way around, so if you change the way media covers the world you change a lot.”

That approach worked well in the Netherlands: his team raised 1.7 million euros in 2013, and grew to include 60,000 members. A few years later, Wijnberg and his colleagues decided to expand into the US, and with the help of NYU’s Jay Rosen, an early supporter, they made it onto Trevor Noah’s Daily Show to pitch their idea.

The Correspondent raised more than $2.5 million from nearly 50,000 members—a great success, by any measure. But in March, things started to get hairy, with the publication abruptly pulling the plug on opening a US newsroom and announcing that staff would edit stories reported from the US from the original Amsterdam office instead. Many of the reasons behind this are mundane: visas, high rent, relocation costs. And reporters would still be reporting from, and on, the States. But supporters felt blindsided, calling the operation a scam.

Today, Wijnberg reflects that he should have controlled the messaging better, and not promised to hire and operate from New York until he was certain that he could. He also wonders why it matters.

“It’s not saying people who think it matters are wrong,” he explains. “But if the whole idea of this kind of geography and why it’s there is a construct, and you’re trying to think about transcending it, the very notion of Where are you based? is secondary. The whole point is not to be based anywhere.”

Still: “The view from everywhere—the natural opposite—is just as real,” Wijnberg concedes. “You can’t be everywhere. You have to be somewhere.”

And that’s the rub: for all of nationalism’s ills, it does instill in its subjects what Anderson calls a “deep, horizontal comradeship” that, while imagined, blossoms thanks to a confluence of forces. It can’t be replicated supranationally overnight. The challenge for a cosmopolitan journalism, then, is to dream up new forms of belonging that look forward, not backward—without discarding the imagined communities we have.

That’s hard; so hard that it more frequently provokes a retrenchment, not an expansion, of solidarity. But it’s not impossible. And our collective futures almost certainly depend on it.

▻https://www.cjr.org/special_report/view-from-nowhere.php
#journalisme #nationalisme #Etat-nation #communauté_nationale #communauté_internationale #frontières #presse #médias

Implant Files - ICIJ
▻https://www.icij.org/investigations/implant-files

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Health authorities across the globe have failed to protect millions of patients from poorly tested implants, the first-ever global examination of the medical device industry reveals.

83 000 morts, 1,7 millions de victimes du manque de régulation des prothèses et implants. Méga enquête de l’ICIJ.

Women and minorities are paid the least in newsroom
▻https://www.cjr.org/business_of_news/women-minorities-salary-newsrooms.php

#Seymour_Hersh on spies, state secrets, and the stories he doesn’t tell - Columbia Journalism Review
▻https://www.cjr.org/special_report/seymour-hersh-monday-interview.php

https://cdn.cjr.org/wp-content/uploads/2018/06/portrait_hersh_orange-800x419.jpg

Bob Woodward once said his worst source was Kissinger because he never told the truth. Who was your worst source?

Oh, I wouldn’t tell you.

Earther - Nature for nerds.
▻https://earther.com

New site aims for ‘brutally honest’ environmental news - Columbia Journalism Review
▻https://www.cjr.org/innovations/climate-change-news-earther.php

You talked a bit about your plans for Earther to expand on missing narratives, but how is this project different from other outlets that focus on environmental reporting?

The balance between writing about environmental challenges and optimism is how we differ. We are going focus on environmental solutions, things that are working, and how we can use examples of what’s working to build a better future for life on Earth. I think a lot of what we see out there in the mainstream media is a tendency to associate environmental reporting with another study on climate change and how the world is ending. I think that does a disservice to the science, and I think unfortunately turns a lot of people off who would otherwise potentially be really interested in a new study about how Arctic ice sheets are changing. I think having this somewhat optimistic tone and this focus on how we can learn from some of the really scary terrifying things that are happening on our planet right now is going to set us apart.

#climat #solutionnisme ?

In #paywall age, free content remains king for newspaper sites - Columbia Journalism Review
▻https://www.cjr.org/business_of_news/newspaper-paywalls.php

https://cdn.cjr.org/wp-content/uploads/2017/09/paywalls_via_pixabay-600x314.jpg

Even as they’ve added paying Web subscribers by the hundreds of thousands, daily newspapers have decisively rejected an all-in approach featuring “hard” website paywalls that mimic their print business models. Instead, most are employing either “leaky” paywalls with unlimited “side doors” for non-subscribers or no paywalls at all, according to a CJR analysis of the nation’s 25 most-visited daily newspaper sites.

[...]

Despite what seems like widespread optimism about the prospect of digital subscriptions buttressing the industry, a full 10 sites, 40 percent of the outlets we looked at, focused on ad revenue exclusively, eschewing paywalls.

Photos reveal media’s softer tone on opioid crisis - Columbia Journalism Review @fil
▻https://www.cjr.org/criticism/opioid-crisis-photos.php

https://cdn.cjr.org/wp-content/uploads/2017/07/drug-recovery-AP-photo.jpg

The racial bias is inescapable: A drug crisis that is largely affecting suburban and rural whites is being treated with a drastically different attitude and approach in words and imagery than those used to characterize heroin use in the 1970s, crack cocaine in the late 1980s, and the drug problem plaguing America’s people of color and urban poor today.

Elected officials, the criminal justice system, and the American media have adopted a “kinder and gentler” tone around the opioid crisis. The attitude and phrasing of a recent New York Times article—titled: “In Heroin Crisis, White Families Seek Gentler War on Drugs”—is both an example and an illustration. As is Time’s just-published photo story “A caring lens on the opioid crisis.” The visual language is just as illuminating. The opioid crisis has been framed as a threat from outside, with drug users facing an “illness or a “disease” rather than a personal moral shortcoming.

The Platform Press : How Silicon Valley reengineered #journalism - Columbia Journalism Review via @opironet
▻https://www.cjr.org/tow_center_reports/platform-press-how-silicon-valley-reengineered-journalism.php

Avec une chronologie bien dense à la fin.

2000

October 23: Google AdWords launches.

2002

October 4—21: Harvard study finds 113 white nationalist, Nazi, anti-Semitic, and radical Islamic sites, and at least one fundamentalist Christian site, were removed from French and German Google listings.

2004

February 2: Facebook launches as a Harvard-only social network.

2006

January 23: Google News formally launches; had been in beta since September 2002.
January 25: Google launches Google.cn, adhering to China’s censorship policies until March 2010.
July 15: Twttr (later renamed Twitter) is released. “Tweets” can only be 140 characters.
September 5: Facebook News Feed launches and displays activity from a user’s network.
September 10: Google delists Inquisition21, a website seeking to challenge potentially incorrect child pornography convictions in the UK. Google implies the delisting is because Inquisition21 tried to manipulate search results.

2007

January 10: Facebook launches mobile site m.facebook.com.
April 16: Google’s Terms of Service unveiled, including provisions granting Google “perpetual, irrevocable, worldwide, royalty-free, and non-exclusive license to reproduce, adapt, modify, translate, publish, publicly perform, publicly display and distribute any Content which [users] submit, post or display on or through, the Services.”

2008

October 7: Apple launches iOS App Store.
October 22: Android OS Google Play store launches.
December 30: Facebook removes a photo of a mother breastfeeding babies, leading to protests.

2009

February 4: Facebook’s Terms of Service altered to remove the automatic expiry of Facebook’s license to use individuals’ names, likenesses, and images if an account was deleted.
February 24: WhatsApp, a mobile messaging app company, is founded, and the app is released in May of 2009.

2010

January 14: Links to Encyclopedia Dramatica’s “Aboriginal” article removed from Google after complaint; Google defended decision on grounds that the content represented a violation of Australia’s Racial Discrimination Act.
March 22: Google announces it will no longer adhere to Chinese censorship policies by redirecting Chinese users to its Hong Kong domain.
October 6: Instagram, a photo-based social network, is released.
October 21: News Corporation axes “Project Alesia,” a potential competitor to Google News, over concerns about cost and readiness of proposed partners.

2011

September 26: Snapchat, a mobile app for disappearing messages, is released.
October 12: iOS Apple Newsstand app to read a variety of publications is released.
November 2: Twitter begins to “curate” results on its timeline.

2012

February 16: Facebook’s internal “Abuse Standards” leaked, including policy to filter out content containing images of maps of Kurdistan and of burning Turkish flags.
March 1: Fundamental rewrite of Google’s Terms of Service, adding rights for Google to “use, host, [and] store” any content submitted by users.
April 9: Facebook buys Instagram for $1 billion.
May 31: Google launches a feature that informs Chinese users which keywords are censored. (The feature is removed in early December.)

2013

January 19: After backlash, Instagram scales back earlier announcement on changing Terms of Use to allow for selling user data.
June 20: Announcement that video is coming to Instagram
October 1: Canadian photographer Petra Collins’ Instagram account deleted because of a selfie which displayed visible pubic hair beneath her bikini bottom; challenged by Collins as it did not break Instagram’s terms.
October 3: Snapchat Stories, a compilation of “snaps” a user’s friends see, launches.
November 11: Update to Google’s Terms of Service, clarifying how profile name and photo might appear in Google products.
November 20: Android OS Google Play Newsstand app to read a variety of publications launches.

2014

January 30: Facebook launches Paper, an effort at personalized news, and Trending.
February 19: WhatsApp bought by Facebook for $19 billion.
April 1: Algorithm introduced on Instagram to tailor the “Explore”/“Popular” tab to each user.
April 14: Update to Google’s Terms of Service, including provision to automatically analyze content such as emails when content is sent, received, and stored.
April 24: Launch of Facebook Newswire, powered by Storyful. While it was eventually folded, it allowed publishers to embed “newsworthy” content from Facebook into own material, use platform for newsgathering and storytelling.
May 19: In Russia, Twitter blocks pro-Ukrainian accounts following threats to bar the service if it did not delete tweets violating Russian law.
May 30: Google launches tool that enables Europeans to request “right to be forgotten” in response to ruling by European Court of Justice.
June 13: Google ordered by Canadian court to remove search results that linked to websites of Datalink, which sold technology alleged to have been stolen from a competitor.
June 17: Snapchat Our Story, a public Story aggregating many users’ activity around an event launches.
June 23: Facebook News Feed algorithm altered to increase priority of video.
July 15: Geofilters on Snapchat are released.
July 25: Twitter blocks an account belonging to @boltai, a hacker collective that leaked internal Kremlin documents.
August 25: Facebook News Feed algorithm altered to reduce priority of clickbait.
October 22: German publishers concede defeat to Google in long-running dispute over attempt to charge license fees.
December 18: Google removes links to articles that criticized Australian organization Universal Medicine, an alleged cult.

2015

January 12: Instagram deletes account of Australian photo and fashion agency due to a photograph with pubic hair outside bikini bottoms. (Account reactivated January 21.)
January 20: Facebook News Feed algorithm altered to “show fewer hoaxes.”
January 21: WhatsApp Web launches.
January 27: Snapchat Discover launches. Selected publishers create a daily Discover channel, like a mini interactive magazine with an advertising revenue split arrangement where publishers can sell for 70 percent of revenue, or let Snapchat sell for 50 percent.
March 3: Instagram carousel ads launch.
March 9: Twitter acquires live streaming app Periscope.
March 31: Twitter rolls out Curator, which allows publishers to search and display tweets based on hashtags, keywords, location, and other specific details.
April 13: Snapchat gets rid of brand stories, also known as sponsored stories, after six months.
April 21: Facebook tweaks News Feed to emphasize family and friends because people are worried about “missing important updates.”
April 27: Snapchat hires Peter Hamby from CNN and announces plans to hire more journalists for the election.
April 27: Google announces Digital News Initiative with eight European publishers.
May 7: Facebook releases internal research on filter bubbles that finds “most people have friends who claim an opposing political ideology, and that the content in peoples’ News Feeds reflect those diverse views.”
May 7: Snapchat will charge advertisers 2 cents per view for ten second ads in between Discover slides (up to four slots) and during videos. This plan is called Two Pennies. It was previously 15 cents.
May 12: Facebook announces Instant Articles, faster loading articles on Facebook for iPhone,and original launch partners. Ads are embedded in article, and there is a 70/30 revenue share with publishers if Facebook sells the ad.
June 8: Apple News app announced to replace the Newsstand app. Like Facebook Instant Articles, a 70/30 revenue share with publishers if Apple sells ads against their content.
June 15: Facebook’s News Feed algorithm updated to prioritize time spent on a story above engagement.
June 22: Google News Lab announced to support technological collaborations with journalists.
June 23: Instagram changes Explore to allow users to follow real-time news more easily by sorting by location and recency.
July 1: Automatic bans imposed on Facebook accounts using an offensive slang term for Russians. Similar Russian insults towards Ukrainians (such as ‘hohol’) were not deleted.
July 27: Snapchat axes Yahoo! and Warner Music from Discover, replaces them with BuzzFeed and iHeartRadio.
Late July: Snapchat’s ad team starts selling against Discover.
August 5: Facebook Live video launches for public figures.
August 27: Snapchat Discover expands from 12 to 15 partners. In the past, they cut old partners to add new ones so all 12 fit on one screen.
September 9: Using the Facebook ad platform technology, Instagram’s advertising platform expands globally, allows for more targeting and ad format flexibility.
September 22: Facebook allows publishers to create Instant Articles in their own content management systems.
September 23: Facebook releases 360 video. Users can move their phones for a spherical view within a video.
October 6: Twitter Moments, curated tweets around top stories, launches.
October 7: Google announces Accelerated Mobile Pages (AMP) project, which will allow publishers’ stories to load more quickly from search results.
October 21: Twitter announces partnerships with firms such as Spredfast, Wayin, Dataminr, ScribbleLive, and Flowics at its developer conference.
October 22: Google announces it has signed up over 120 news organizations for its Digital News Initiative, including the BBC, The Economist, and Der Spiegel.
October 27: Twitter announces it will discontinue video-sharing app Vine.
October 28: Snapchat Terms of Service updated: requests right to reproduce, modify, republish, and save users’ photos, specifically in relation to Live Stories.
October 29: Instagram allows businesses to use Facebook’s Ads Manager and to run campaigns across Facebook and Instagram.
October 31: Instagram conducts its first video curation for Halloween.
November 10: Instagram partner program launches; a group of 40 adtech, content marketing, and community management companies that work to help businesses on Instagram.
November 11: Facebook Notify, a real-time notification news app, is launched.
November 13: Snapchat launches Official Stories, Stories from verified brands or influencers.
November 23: Snapchat launches Story Explorer, which allows users to focus on a specific moment from a story, but from additional users and perspectives.
November 30: Snapchat allows publishers to deep link back to Snapchat content from elsewhere, like other social platforms.
December 3: Facebook releases Live video to the public.
December 9: Facebook tweaks News Feed so it works with poor connections, like 2G. Facebook also allows publishers to sell Instant Article ad campaigns instead of having to make those ads part of their own site package, to have one ad for every 350 words of an Instant Article (up from one ad per 500 words), and to control link outs at bottom of Instant Articles.
December 2: Snapchat makes a Story for live/breaking news during San Bernardino.
December 9: Google announces AMP rollout timeline; pages will go live in February.
December 15: German government strikes deal with outlets who agree to delete hate speech from their sites within 24 hours, in response to increasing racism online.

2016

January 5: Digiday reports that Snapchat, up to 23 Discover partners, is rumored to be building their own ad interface API, like Facebook, to target ads to users instead of publications.
January 11: Instagram publishes its first live video curation for the Golden Globes.
January 19: Nielsen expands Twitter TV Ratings to include Facebook conversations around TV shows, called Social Content Ratings.
January 21: Facebook opens Audience Optimization to publishers to target specific readers.
January 26: The Facebook Audience Network can be used by publishers to sell ads on their mobile sites.
January 26: Apple plans to make subscription-only content available in the News app; publishers can only post free articles or excerpts that drive people to subscribe.
January 27: Facebook reveals forthcoming “reactions” in the US, which had already been tested elsewhere in the world.
January 28: Facebook Live expands to all iPhone users.
January 28: Snapchat launches a show called “Good Luck America” with Peter Hamby.
February 4: WhatsApp increases group chat user limit to 256 people, aiming to increase enterprise appeal, including to publishers.
February 9: Google AMP announces solutions for subscription-supported publications, and Adobe Analytics integration.
February 10: Twitter changes algorithm to make sure users see tweets they are likely to care about.
February 10: On Instagram, publishers can now see video views and can do account switching. Instagram hits 200,000 advertisers, and 75 percent are outside of the US.
February 12: Reports that Snapchat will let users subscribe to Discover channels and that it will go from logo button to magazine cover look by May.
February 24: Google AMP articles go live.
February 25: Snapchat partners with Nielsen Digital Ad Ratings to measure, transparently, the effectiveness of ad campaigns.
February 26: Facebook Live rolled out to all Android users.
February 28: Snapchat Live Stories, beginning with the Oscars, will be viewable on the web for special occasions.
March 1: Facebook changes algorithm to prioritize Live Video, especially Live video that is broadcasting.
March 15: Instagram announces that starting in May users’ feeds will be algorithmically driven, instead of real-time.
March 15: Apple News app opens to all publishers.
March 24: On Facebook, publishers can see daily activity around a video.
March 29: Snapchat Terms of Service updated to add the potential to incorporate third-party links and search results in Snapchat services.
March 31: Facebook creates option for publishers to autoplay and non-autoplay video ads in Instant; can have pre-roll video ads in any editorial video; and can have one more ad unit at the base of articles.
April 5: Twitter announces live video deal to stream NFL games, and begins pushing for live video deals with publishers.
April 7: Facebook allows Live Video within groups and events, live reactions from viewers, live filters, the ability to watch live with friends, a live map, and also live video in trending and search.
April 8: Branded content will be allowed as Facebook Instant Articles with the sponsor tagged.
April 12: Facebook makes several announcements at F8 that are relevant to publishers: the Live video API will be open for publishers who want to experiment/innovate; Instant Articles is open to all publishers; publishers will be able to use messenger bots to distribute stories.
April 21: Facebook tweaks the algorithm to focus on articles people are likely to spend time viewing.
April 28: Twitter moves to the News category in the Apple app store.
May 9: Gizmodo reveals details that Facebook’s Trending Topics is actively curated by people who “suppressed” conservative news.
May 12: Facebook releases a 28-page internal document outlining guidelines for staff curating Trending Topics, in response to media reporting suggesting potential bias.
May 19: Instagram adds video to carousel ads.
May 23: Facebook’s general counsel responds to Congress Republicans concerned about bias with a letter; the previous week, Facebook’s legal team met with Chairman of the US Senate Commerce Committee John Thune.
May 24: Instagram adds media buying as fourth advertising partner category.
May 24: Facebook says it will revise the way it curates its Trending topics section, including no longer using external websites to validate a story’s importance.
May 24: Twitter announces changes to simplify Tweets including what counts toward your 140 characters, @names in replies and media attachments (like photos, GIFs, videos, and polls) will no longer “use up” valuable characters.
May 26: Facebook allows for their Audience Network to be used for ads to be seen off-Facebook, a move seen as competitive with Google.
June 2: Facebook Notify is shut down.
June 2: Google AMP launches in France, Germany, Italy, UK, Russia, and Mexico.
June 7: Google announces preliminary results from AMP showing that 80 percent of publishers are seeing higher viewability and 90 percent are seeing higher engagement.
Between June 6 and 12: Intel becomes the first brand to publish content directly to Instant Articles.
June 9: Facebook launches 360 photo. Users can move their phones for a spherical view within a photo.
June 16: Snapchat announces an online magazine called Real Life.
June 21: Twitter Engage launches, allowing for better insights and data. Also, the length of user video is increased from 30 to 140 seconds.
June 22: The Wall Street Journal reports that Facebook has made deals worth more than $50 million with 140 video creators, including publishers, to use Live, since those partnerships were first announced in March.
June 29: Facebook’s algorithm changes to place further emphasis on family and friends and on creating a feed that will “inform” and “entertain.”
July 6: Snapchat introduces Memories.
July 14: Facebook Instant Articles can be posted to Messenger.
July 19: Google announces AMP for ads, to bring ads to the same load time as AMP articles.
July 11—12: Twitter announces multiple live video deals, including with CBS, Wimbledon, and Bloomberg.
August 2: Instagram Stories launches. A compilation of updates a user’s friends see; a Snapchat Stories clone.
August 4: Facebook tweaks the News Feed to reduce clickbait.
August 9: Facebook blocks ad blockers.
August 11: Facebook’s News Feed is modified to place emphasis on “personally informative” items.
August 26: Facebook Trending becomes fully algorithmically driven.
August 27: Apple changes its Spotlight feature so that articles open in-app, hurting publishers.
September 7: Snapchat axes Local Stories.
September 8: Google releases a study of more than 10,000 mobile domains showing that speed matters for engagement and revenue.
September 12: Twitter announces a live streaming partnership with Cheddar.
September 15: Publishers can sell subscriptions within the Apple News app; Apple keeps 30 percent of subscriptions made through the app, and 15 percent of renewals.
September 15: Improvements are made to call to action button on Instagram ads to make them more visible; with video, though, the destination URL opens first within Instagram with the video continuing to play at the top.
September 20: All Google search results, not just the carousel, now show AMP pages.
September 23: Snapchat announces Spectacles and becomes Snap, Inc.
September 29: Twitter opens Moments to everyone.
September 30: Updates to Google AMP so it better supports a variety of ad sizes.
October 12: Facebook also allows for additional ad formats for publishers in Instant Articles.
October 17: Signal, for newsgathering on Facebook, will include a Live Video column.
October 18: Snapchat switches from a revenue sharing arrangement with publishers on Discover to an up-front licensing arrangement.
October 20: Facebook allows 360 photo and video within Instant Articles.
October 28: Facebook rolls out a voting planner for users where they can view and save the initiatives and candidates they will select.
November 10: Instagram introduces ability to add “see more” links to Instagram Stories.
November 11: After controversy, Facebook will curb ethnic affinity marketing by advertisers focused on, for example, credit or housing, who target users based on whether Facebook has determined they are likely Latino or Asian American, for example.
November 11: Facebook buys CrowdTangle, which is used by publishers for analytics.
November 11: Vertical ads are allowed on Instagram.
November 16: Facebook will work with more third parties to ensure the integrity of their metrics after they miscounted publisher performance.
November 19: In response to post-election pressure, Mark Zuckerberg addresses Facebook’s role in fake news.
November 21: Instagram Stories introduces Live Stories for live video streaming.
November 22: To be allowed into China, Facebook built a censorship tool into its platform.
December 5: Facebook, Microsoft, Twitter, and YouTube partner to address terrorism content online.
December 5: In an effort to combat misinformation, Facebook prompts users to report “misleading language.”
December 5: Google updates its search bar so that there is no longer an autocomplete that reads “are Jews evil.”
December 12: Facebook launches Live 360 video. Users can have a spherical view of live video.
December 14: Facebook begins talks with video producers and TV studios for original content.
December 20: Facebook launches Live Audio. Allows for formats like news radio.
December 22: Business Insider reports that Twitter inadvertently inflated video ad metrics.

2017

January 9: Recode reports that Facebook will allow mid-roll video ads, with 55 percent of revenue going to publishers.
January 11: Facebook announces the Facebook Journalism Project, to work with publishers on product rollouts, storytelling formats, promotion of local news, subscription models, training journalists, and, on the fake news front, collaborating with the News Literacy Project and fact checking organizations. On the same day, TechCrunch reports Facebook agrees to censor content in Thailand at government’s request.
January 11: Instagram Stories will now have ads, and insights are increased, as the platform hits 150 million users.
January 12: Snapchat releases a universal search bar.
January 17: News that Facebook will end Live video deals with publishers in favor of longer more premium video.
January 19: Snapchat will allow ad targeting using third-party data.
January 23: Snapchat updates publisher guidelines: content must be fact checked and cannot be risqué, and will offer some an “age gate” and will require graphic content warnings.
January 24: Instagram makes Live Stories available globally.
January 25: News that Facebook begins testing Stories, like those on Instagram and Snapchat, at the top of the mobile app in Ireland. Facebook also updates Trending to show publisher names, identify trends by number of publishers and not engagement on a single post, and show everyone in a region the same content. In Thailand and Australia, Facebook will have ads like the ones that are in News Feed inside of Messenger.
January 25: Recode reports that more than 200 publishers have been banned from Google’s AdSense network in an effort to combat fake news.
January 26: Facebook’s News Feed algorithm will reward publishers/videos that keep people watching and mid-roll ads won’t play until 90 seconds.
January 26: Twitter’s Explore tab will allow users to see trends, Moments, Live, and search.
January 30: Twitter’s VP of engineering announces an effort to combat harassment.
January 30: Snapchat announces IPO.
January 31: Facebook updates the algorithm to prioritize “authentic” content and will surface posts around real-time/breaking news. Facebook also announces new and expanded partnerships with Nielsen, ComScore, DoubleVerify (for a total of 24 third-party entities) to give better insights into performance of ads.
February 1: Instagram introduces Albums feature in limited release. Widespread release later in the month.
February 2: Snapchat IPO documents show that media partners were paid $58 million, and that Snap-sold ad revenue was 91 percent.
February 6: Google allows for AMP articles URL to indicate the publisher’s name and not just Google.
February 6: News surfaces that a Syrian refugee identified as a terrorist pursues legal action against Facebook on grounds of “fake news.”
February 7: Twitter continues efforts to combat harassment and improve quality, by “stopping the creation of new abusive accounts, bringing forward safer search results, and collapsing potentially abusive or low-quality Tweets.”
February 8: News surfaces that French publishers complain of effort required for anti-fake news partnership with Facebook.
February 10: Facebook further pushes for transparency around ads and says it will allow for a third-party audit.
February 13: The Washington Post joins Snapchat Discover as Discover shifts to allow for breaking news.
February 13: TechCrunch reports that Twitter will reduce its support for ad products that are not drawing advertisers.
February 14: Facebook announces an app for Apple TV and Amazon Fire that will allow people to watch Facebook videos on their TVs.
February 14: Autoplay videos on Facebook will play with sound.
February 14: Google pulls two anti-Semitic sites off its ad platform.
February 16: Mark Zuckerberg writes a nearly 6,000 word manifesto, “Building Global Community,” on the future of Facebook and global civil society.
February 17: Facebook invites media companies to its offices to talk about products to come throughout the year.
February 20: Facebook allows users to send photos and videos from the in-app camera.
February 20: WhatsApp launches Snapchat clone, Status.
February 23: Mid-roll video ads begin on Facebook, following an announcement in January.

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