• HOW TO USE SIGNAL WITHOUT GIVING OUT YOUR PHONE NUMBER
    https://theintercept.com/2017/09/28/signal-tutorial-second-phone-number

    JUST A FEW years ago, sending encrypted messages was a challenge. Just to get started, you had to spend hours following along with jargon-filled tutorials, or be lucky enough to find a nerd friend to teach you. The few that survived this process quickly hit a second barrier: They could only encrypt with others who had already jumped through the same hoops. So even after someone finally set up encrypted email, they couldn’t use it with most of the people they wanted to send encrypted emails to.

    The situation is much better today. A number of popular apps have come along that make encryption as easy as texting. Among the most secure is Signal, open-source software for iOS and Android that has caught on among activists, journalists, and others who do sensitive work. And probably the most popular is WhatsApp, a Facebook-owned platform with encryption setup derived from Signal. For me, the spread of encrypted chat apps means that, with very few exceptions, all of my text messages — with friends, family, or for work — are end-to-end encrypted, and no one even has to understand what a “public key” is.

    But there is a major issue with both Signal and WhatsApp: Your account is tied to your phone number.

  • The Killing of History
    https://consortiumnews.com/2017/09/21/the-killing-of-history

    I watched the first episode in New York. It leaves you in no doubt of its intentions right from the start. The narrator says the war “was begun in good faith by decent people out of fateful misunderstandings, American overconfidence and Cold War misunderstandings.”

    The dishonesty of this statement is not surprising. The cynical fabrication of “false flags” that led to the invasion of Vietnam is a matter of record – the Gulf of Tonkin “incident” in 1964, which Burns promotes as true, was just one. The lies litter a multitude of official documents, notably the Pentagon Papers, which the great whistleblower Daniel Ellsberg released in 1971.

    There was no good faith. The faith was rotten and cancerous. For me – as it must be for many Americans – it is difficult to watch the film’s jumble of “red peril” maps, unexplained interviewees, ineptly cut archive and maudlin American battlefield sequences. In the series’ press release in Britain — the BBC will show it — there is no mention of Vietnamese dead, only Americans.

    “We are all searching for some meaning in this terrible tragedy,” Novick is quoted as saying. How very post-modern.

    All this will be familiar to those who have observed how the American media and popular culture behemoth has revised and served up the great crime of the second half of the Twentieth Century: from “The Green Berets” and “The Deer Hunter” to “Rambo” and, in so doing, has legitimized subsequent wars of aggression. The revisionism never stops and the blood never dries. The invader is pitied and purged of guilt, while “searching for some meaning in this terrible tragedy.” Cue Bob Dylan: “Oh, where have you been, my blue-eyed son?”

    What ‘Decency’ and ‘Good Faith’?