5 Editors that Broke the Hollywood Studio System
▻https://www.premiumbeat.com/blog/5-editors-that-broke-the-hollywood-studio-system
▻https://www.youtube.com/watch?time_continue=100&v=N4cKb9-GJhE
By the 1990s, the changes in the film industry meant that Anne would have to learn an entirely new editing process.
When Frank Marshall and Kathleen Kennedy offered me Congo, they said, “Well, you have to do it digitally because the special effects system couldn’t do it otherwise.” So they had me taught on Lightworks. . . It’s just another tool, really. Once I got that in my mind, I progressed faster. And then, when I did Out of Sight, Steven Soderbergh had a sound man who could link up with an Avid [Media Composer] but not with a Lightworks. I moved then from Lightworks to Avid, and I’ve stayed on an Avid ever since. – Editors Guild
Anne V. Coates is still working in the industry, recently surpassing the length of Margaret Booth’s storied career. She just completed the 2015 blockbuster film Fifty Shades of Grey.
Anne V. Coates - Wikipedia
▻https://en.wikipedia.org/wiki/Anne_V._Coates
Anne Voase Coates (born 12 December 1925) is a British film editor with a more than 60-year-long career. She is perhaps best known as the editor of David Lean’s epic film Lawrence of Arabia in 1962.