• MORTAL CITIES. Forgotten Monuments

    A revealing study of the effect of war damage on inhabitants of a city and on the potential of architecture and urban design to reconcile people with the loss of urban structure and cultural symbols.

    As a child, architect #Arna_Mačkić experienced firsthand the Bosnian civil war, and with her family she fled her native country for the Netherlands. In 1999, she was able to visit Bosnia and the city of #Mostar again for the first time to witness the utter devastation - the war had left seventy percent of the buildings destroyed. This experience inspired Mačkić’s research to explore the emotional effects of war damage on a city’s inhabitants and the possibilities for rebuilding collective and inclusive identities through architecture.

    The book Mortal Cities and Forgotten Monuments tells a moving story of architecture and history. The first two parts of the book provide historical background on the war in Bosnia and its relationship to the built environment of the region. The final section demonstrates Mačkić’s ideas for architectural interventions, applying a new design language that goes beyond political, religious, or cultural interpretations - an openness that allows it avoid tensions and claims of truth without ignoring or denying the past. Using this as a foundation, she proposes designs for urban and public space that are simultaneously rooted in ancient traditions while looking toward the future.

    https://www.naibooksellers.nl/mortal-cities-and-forgotten-monuments-arna-mackic.html

    #livre #ruines #villes #urban_matter #géographie_urbaine #mémoire #guerre #Arna_Mackic #Mackic #Bosnie #architecture #identité #histoire

    via @cede

  • Israel’s Flawed Translation Technologies Treat the Palestinian Body Like a Glitch - Failed Architecture
    https://failedarchitecture.com/israels-flawed-translation-technologies-treat-the-palestinian-bo

    As it analyses your voice and not your spoken word, the software transforms the human voice into a hostile witness, capable of testifying against the very subject from which the vocalisations came. It supposedly allows the state to determine a person’s guilt or innocence without understanding what they are saying, rendering the spoken word negligible and mere collateral.

    However, through his exhibition, Abu Hamdan argues that voices are not pure articulations of sonic data that can be collected, quantified, and identified. Rather, the vocalisations that voices produce are extremely unique to each individual and are further obscured by the diversity of languages and dialects that the individual speaks. Therefore, the voice cannot and should not be separated from speech and language. Recent research has made the imperative role that language plays on the body evident. They conclude that when speaking a second language, the brain attempts to inhibit your native tongue and your instinctive emotions while activating your decision-making skills and prioritising rational over intuitive thought. By suppressing your natural expressions and personality, wouldn’t this, according to LVA 6.50, therefore be visible in your voice? In this context, the language clearly affects the outcome the software generates, potentially misclassifying innocent, non-native speakers as guilty. Deploying LVA 6.50 militarily in a multilingual context such as East Jerusalem, where the Arabic speaker must use their second or third language to communicate with interrogation officers, police, and security officials is bound to fail.

    Used at border crossings across the West Bank, the increased usage of rudimentary and flawed speech-operated software such as LVA makes the already intrusive digital surveillance systems even more prejudiced against native Arabic speakers. These have great repercussions when placed within citizens’ daily journeys, as the software’s determination of your guilt can lead to interrogations, detainments, house arrests and imprisonments. These acts of physically disturbing innocent bodies and denying them the ability to reach their destinations, whether it be school, work, medical care, or loved ones, infringes on significant freedoms: their freedom of movement, time, and spatial liberty. Therefore, the application of speech-translation software in this context not only affects Palestinians’ digital privacy but form an additional layer to the existing infrastructures developed to control and constraint an entire population.

  • Digital Contact Tracing is The New “Smart” Frontier of Urban Surveillance

    As one of the most widely touted solutions for the coronavirus era, digital contact tracing has prompted intense praise and pushback alike, leading critics to warn of an impending “surveillance state”. But this surveillance state is already here.

    The ongoing pandemic, coupled with economic chaos and a conflagration of demonstrations, has produced a condition in which everything seems to be going impossibly fast while standing perfectly still. Yes, the pandemic is still on, a fact that seems to be rapidly becoming a cudgel, even as police forces across the United States attempt to break the back of protests in cities across the country. Any hope of a concerted governmental response to coronavirus in the United States has exploded, even as the number of confirmed cases surges well past the two million mark. For some, however, there are glimmers of promise in a technological fix succeeding where medical and public health approaches have thus far failed. These fixes fall into three general categories — digital contact tracing, symptom tracking apps and immunity certification. Of these three, digital contact tracing has been the most widely touted as a silver-bullet palliative impeded only by the success of getting people in so-called “free countries” to live with it.

    Detractors of digital contact tracing slot it neatly into a familiar narrative which treats surveillance technology as a titanic force, locked in eternal battle with individual “liberty”. The ceaseless focus on the personal as the unit of surveillance cleverly shifts the rhetorical focus away from collective considerations. Spaces, and the masses which pass through them, are the subject of surveillance, and both are animated and given form by remaking the city, through the addition of sensorial capacities, into a data extraction machine. Surveillance is not interested in uncovering personal secrets, but in the ability to track movements in space en masse — like soldiers and enemy combatants in a theater of war — and then to turn that collective activity into decipherable patterns.

    Contact tracing (the non-digital version) has been the undisputed de-facto response to infectious disease outbreaks for years. It is the manual process of tracking and reducing possible cases of a disease by pairing tracers with infected individuals to build timelines of transmission and preemptively isolate those that may have come into contact with the infected. Contact tracing is a process, not a cure — and an extremely laborious one at that — but it has been proven effective in disparate locations and dealing with a variety of diseases. Contact tracing lives and dies by the number of tracers that can be brought to the field. Public health policy experts have recommended that the US have 300,000 contact tracers working full time, yet as of April 28th, it was estimated that under 8,000 tracers are currently working in the US.

    That’s where digital contact tracing comes in: it offers the illusion of a competent response to the pandemic, while simultaneously solving this labor problem by automating the entire discipline. Where originally building a model of transmission was the object, digital contact tracing instead obsesses over predicting the already infected to an acceptable degree of accuracy. If analog contact tracing is focused on the activity of community relationships, the digital version views space as a pure, empty topological field where networks are ignored in favor of adjacency, and individuals are reduced to geotagged points of data. Once rendered down in this way, data can then be sieved through algorithms to guess one’s infection status, with the hope of arresting transmission at its source. Automation only succeeds by mutating the original task of contact tracing beyond recognition.

    There are several proposals in play right now. Google and Apple are working on a “decentralized” system using Bluetooth signals from a user’s phone, with plans to eventually embed this functionality into their respective operating systems, used by three billion people globally. At the same time, the US Department of Health and Human Services has contracted with data analytics behemoth Palantir Technologies for a “centralized” contact tracing system using the company’s Gotham and Foundry data suites, organized under the umbrella of a program called “HHS Protect Now”. The Protect Now platform is designed to collate 187 datasets such as hospital capacities, geographic outbreak data, supply chain stress, and demographic info datasets into geospatial predictive models with the express goal of determining “when and where to re-open the economy”. Other notable, but tertiary, approaches include landing.ai’s AI tool to monitor social distancing in the workplace or the infrared camera system in place at Amazon warehouses, Whole Foods stores, and some factories owned by Tyson Chicken and Intel, both of which represent technologies which may easily be deployed at scale in public spaces.

    Google, Apple, Palantir, and the constellation of smaller tech companies poised to rake in enormous profits off pandemic platforms are not just in the right place at the right time to “offer their services”. Healthcare is an intensely lucrative line of work, and the tantalizing mirage of skyrocketing profit draws startups and giants alike, unconcerned with an admitted lack of healthcare knowledge. Both Google and Apple have been scratching at the door of healthcare for years, hoping to carve out a piece of what in 2018 in the US was a $3.6 trillion market. Palantir expects to hit $1 billion in revenue this year, built largely off the back of government contracts such as those it has with the HHS. Claims that this close working relationship constitutes an unprecedented merger of “Big Tech” and governmental bodies are inaccurate. To these corporations, coronavirus offers a perfect opportunity to establish a beachhead in public health — not in order to clear red tape or lend a helping hand, but to swallow up an untapped market. That they are not offering anything in the way of actual healthcare services (precisely as the miserable state of US healthcare continues to crater) is irrelevant. Digital contact tracing is not a health service, and does not replace or make efficient any existing public systems. It is merely another opportunity to realize profits. Corporations have no other impetus.

    Though a few dissenting voices do exist, the prevailing tone among even critical accounts amounts to a sort of slack-jawed wonder at the possibility of demiurgic powers creating a new, pandemic-oriented technological apparatus “overnight”. Proponents accompany this awe with admonitions that we all do our part and heroically donate our data to the collective cause. Criticism, where it appears, often appeals to “liberty” and fears that individual privacy will suffer too much under the massive contact tracing regime to come. But it is not, as the LA Times puts it, a question of “lay[ing] the foundation for a potentially massive digital contact-tracing infrastructure.” That infrastructure is already here, and has been for decades.

    Senator Ed Markey, who recently demanded transparency from facial recognition company Clearview AI to disclose partners who bought their software in response to coronavirus, sounded the noble-sounding warning that “we can’t let the need for COVID contact tracing be used as cover … to build shadowy surveillance networks.” But this is absurd. Clearview is not selling the promise of a future network to its clients — it is pushing a fully operational system, one which most recently has been deployed in Minneapolis to identify protesters. Speculation that digital contact tracing will spawn unprecedented surveillance practices a studied ignorance of the fact that these systems are already everywhere (and constitute a $45.5 billion market), the product of an decades-long and often hidden program of technological accumulation which we are at last beginning to see in their full and terrifying majesty. Many of these digital contact tracing infrastructures were originally developed for applications of counterterrorism, law enforcement, or corporate security, to name a few. These same systems are now being also sold as tools to detect isolated individuals and predict outbreaks, accompanied by a rebranding and the abandonment of military aestheticization and purpose for the adoption of a more compassionate posture. We are meant to understand that surveillance is no longer the god-cop but the god-doctor, when in reality it wears whatever mask necessary in order to expand its remit and collapse discrete theaters of operations into a single, vast datascape.

    There’s a tendency to treat these systems as if they’re as “ephemeral” as the data they generate, only occasionally given form in conspicuous cameras, “benign” Ring doorbells, or facilities like NSA’s TITANPOINTE ops center in Manhattan. The reality is that urban space in general is riven with sensorial capacities. Cities across the United States, large and small, already employ an arsenal of systems which fall under the umbrella of “urban analytics”. Marshalling users’ phones, a network of sensing products, or both, urban analytics services offer “smartness” in marketing materials, which usually translates into an increased capacity for enforcement on the ground. There are no shortage of “Video Surveillance as a Service” (VSaaS) options available for the forward-thinking city official, running the gamut from products which overhaul existing camera grids — as in Arxys Appliances’ “City-Wide Video Surveillance” system for McAllen, Texas — to new age “smart” systems like Numina’s test cases in Las Vegas’ “Innovation District“and the Brooklyn Greenway. The most public-facing and savvy of these systems adopt design principles intended to present as approachable apps, while others lie in technocratic, specialist repose, offering no-nonsense datasheets of raw info. Regardless, the intent is punitive first, and everything else a distant second. These systems studiously attempt to pass themselves off as apolitical, draping themselves in wonkish and forgettably pleasant rhetoric about “solutions”.

    What surveillance has always offered is the quality of feeling safe — “security theater” as a way of life — and coronavirus simply offers yet another valence of safety achieved through the addition of technology. This is the dream of “smart cities” realized: finally, sufficient technological investment is remade into a method by which to impose an impenetrable system of rational control onto the chaotic reality of everyday life without anyone noticing. Or, put another way, at the core of the smart city dream is the realization by those in power that urban warfare is easier to win not only by rushing the field with military hardware and legions of cop-soldiers, but also by preemptively modifying urban space itself so at all times it is a readymade battlefield, a universe of precision. It is not hard to see, nestled within overt presentations of luxury-predictive algorithms, that in the event of a crisis or emergency, that same ability to track, quantify, and adapt can quickly become the tip of the spear of military power. Every facet of life has been made quantifiable in order to make this all possible. The effect is not a “digital panopticon” (yawn), but something more akin to the Jesuit redução communities of colonial Portugal, in which streets were built elevated in order to allow the colonizers to look in through the windows of private residences. Fundamental is the extension and diffusion of power, until it becomes easy to ignore because it’s just the “way things are”. But as dull and avoidable as it is, the violence it wields is effortless and capricious; targeted individuals and malign behaviors can be identified and dealt with with callous ease. The effect is, in many ways, a permanent occupation — by a force with not only overwhelming firepower, but which selects the terms and environment of engagement.

    This is by no means a new development, as breathless commentators on the age of “surveillance capitalism” repeatedly attest. The first factories were spaces under surveillance, as were colonial holdings, and the tactic was absolutely essential in maintaining slavery at every stage, from ship’s hold to plantation. Dilating on surveillance in its present form presents it as a temporary aberration which has thrown us off the historical path to freedom, when in reality, it is a well-practiced tactic that has simply reached a new stage of development.

    The metabolism of surveillance historically similar to that of war: in the interest of protecting property, innovation is achieved through the use of technical artifice to turn money into as much firepower as possible. The timescale for innovation is historical; as Amazon’s one-year moratorium on facial recognition technology attests, it can afford to wait, knowing the game is rigged in favor of its passive accumulation of force. Peace of mind has always been a commodity, whether you’re hiring Pinkertons or installing biometric sensors at the door to your apartment complex. Spatial surveillance perfectly unites technological development with authority, locking the two into a complementary union.

    Look to security company Cellebrite, which is plugging its hacking software, usually used by police to gain access to locked iPhones and extract location data, as a method of limiting the movement of coronavirus infected individuals; the Israeli counterterrorism unit Shin Bet has turned its data registries over to tracking coronavirus cases; and the same data suites Palantir has sold to the HHS are (famously) also in use by Immigration and Customs Enforcement. Likewise, landing.ai and Amazon’s infrared cameras are secondarily technologies to enforce social distancing and primarily workplace surveillance suites, but are being developed with an eye on integration in public space, as landing.ai’s recent demo shows. Critiques warning that digital contact tracing threatens to “turn the US into a surveillance state” are saying far too little, far too late. Nearly every state is already a surveillance state — coronavirus merely adds a mandate and a smattering of new terminology. Even the phrase “contact tracing”, a newcomer in the public lexicon, has already seen itself pressed into service as a method of identifying and tracking protesters, used by none other than the DEA.

    So what of all of us, trapped in this diabolical, all-seeing machine? Even now, as the pandemic exploits the weaknesses of states and institutions, and before new political structures (designed to help some live with a coronavirus which never ends) coalesce fully around existing technological ones, hope in “restarting” has slowly resigned itself to an incremental approach or else none at all. Surveillance — or, to be more abstract, technology in general — has, in the messianic way traditional of Silicon Valley, been offered as a readymade fix to a problem. In actuality, all that has been achieved is the spectacle of disease control. Focusing on contact tracing sidesteps the brutal fact that confirmed infection is not the end, but the beginning of a torturous journey through a failing healthcare system — and even the possibility of testing is a privilege which can be wrested away. At the end of the day, technological contrivances are proposed in order to put a bandaid on a bullet wound. But technological artifacts never cured anyone on their own, and the crusade of smart city logic into the public health sphere is at best a pharmakon: a disastrous cure.

    Digital contact tracing will not change the fact that the road to the “post-corona” promised land will be paved in bodies. If these sacrifices have any value at all, it is only as an offering to the capitalist Moloch — that is, only because they let the rest of us eke our way along, day after day, drawing nearer to the moment when it is demanded we exit quarantine and are made to return to whatever work remains in a world suffering from what Mike Davis has called “the arrival of something worse than barbarism.”

    https://failedarchitecture.com/digital-contact-tracing-is-the-new-smart-frontier-of-urban-surve
    #surveillance #surveillance_urbaine #villes #urban_matter #géographie_urbaine #coronavirus #covid-19

    ping @reka @etraces

  • How The Urban Eclipsed The City: An Interview With Ross Exo Adams - Failed Architecture
    https://failedarchitecture.com/how-the-urban-eclipsed-the-city-an-interview-with-ross-exo-adams

    Urbanisation is not and has never been entirely about cities. Beginning with the earlier colonial practices of spatial planning and its projections onto the supposedly “open” spaces of newly settled land, and continuing as a project to establish one continuous global system of social, political and economic control, “the urban” has now decisively eclipsed the city, encompassing the entirety of our planet—such that we can even talk about the urbanisation of the oceans.

    This is the provocative argument set out by architect and urban theorist Ross Exo Adams, in his new book Circulation and Urbanization, which uses the work of famed Catalan planner Ildefonso Cerdá as a starting point to explore the emergence of the urban as a set of techniques of social control—from infrastructure to the organisation of domestic space. Cerdá is most well known for his plans for the expansion of Barcelona after its medieval walls were torn down, but in his more theoretical writings he also popularised the term “urbanisation” (urbanización). Central to Cerdá’s theories, Adams shows us, was the notion of “circulation”, the idea that in an urban environment, people, things, and commodities should be able to move without friction, in contrast to the stagnant, overcrowded cities of the early nineteenth century. Far from his vision being limited to cities, Cerda imagined urbanisation as the extension of his project in Barcelona to encompass the entire globe, which would eventually eclipse the city altogether, producing an entirely new space that is neither city nor country, but urban.

  • The Invisible Wall of #Lampedusa: Landscaping Europe’s Outer Frontier

    Two people are standing by a beaten-up Toyota on an arid, scrub-covered hilltop in the middle of nowhere. They are looking at the valley, keeping a safe distance from the edge. They have to make sure they are not visible from down there, to avoid any trouble. From where they stand, they can see only the roofs of the buildings at the bottom of the valley, some red and white prefabs making their way out of the green vegetation. Getting closer to the edge, they can probably see people walking between the buildings, hanging clothes out to dry on their fences, maybe playing football or talking outside. We’ve all seen these scenes on TV. But they can’t get any closer, otherwise the soldiers might confiscate their cameras. Instead, they will just take nice pictures of the valley, the prickly pears and the scattered agaves lining the hillsides. Even of the sea, in the background.


    https://failedarchitecture.com/the-invisible-wall-of-lampedusa-landscaping-europes-outer-fronti
    #séparation #division #murs #frontières #in/visibilité #ségrégation #migrations #asile #réfugiés #camps #paysage #CPSA #Centro_di_Primo_Soccorso_e_Accoglienza #Porta_d’Europa #monument #port #Molo_Favaloro

    via @isskein
    ping @mobileborders @reka

    Et la conclusion:

    Broadly speaking, Lampedusa serves as evidence of the complexity of the spatial implications of political borders, when they do not translate into physical barriers. The narrative around migration that currently permeates Europe has not necessitated a physical wall in Lampedusa, but it has taken the form of a network of artefacts, whose collective purpose is to produce the spectacle of a border.

  • Kevin Lynch and the GPS: Predicting the Culture of Navigation in 1960 - Failed Architecture
    https://failedarchitecture.com/kevin-lynch-and-the-gps-predicting-the-culture-of-navigation-in-

    The cognitive map and The Image of the City
    In 1948, psychologist Edward C. Tolman made his laboratory rats navigate an elaborate maze. It was a classic experimental design with two groups of rats running two trials each: in the first trial, only one of the two groups would receive a reward for completing the maze; in the second trial, both groups would receive the reward. In line with expectations, the reward-group outperformed the delayed reward-group during the first trial. In the second trial, however, the rats in the delayed reward-group were the champions.

    How did the rats in this group pull this off? They were not acting from a stimulus-response relationship, as they had received no reward at the end of the first trial. Tolman inferred that they must have developed some form of internal representation of the territory, a ‘cognitive map’ that allowed them to navigate the maze as quickly as they did.

    Tolman’s study became an instant classic. It signaled a shift from behaviorism to cognitivism, from pairing of stimulus and response to goal-directed processing of information. The concept of the cognitive map (a mental representation of survey knowledge) became widespread.

  • Photo Essay : Written on Glass – Detroit ’67 - Failed Architecture

    https://failedarchitecture.com/photo-essay-written-on-glass-detroit-67

    Grâce à @unagi je découvre ce site fantastique, et notamment cet article sur #detroit

    Insurrection. Rebellion. Revolution. Uprising. Riot.

    In the Detroit Historical Society’s Detroit 67: Perspectives exhibit, these terms were provided as possible answers to the question: “What word do you use to describe the events of July 1967?” Yet one word alone cannot define, enclose or master the force unleashed in the early hours of Sunday 23rd July, when police raided an unlicensed after-hours bar at the corner of Clairmont and 12th, where a crowd was celebrating the return of two local Vietnam War veterans. Although raids on “blind pigs” (as they were called) were a regular occurrence, the unusual distress of the crowd alerted neighbours who began to surround the police wagon and challenge their attempts at making arrests. As officers continued to apprehend people, and more bystanders joined the turmoil, aggression between police and protestors escalated, and tension began to spread throughout the city.

    #photographie #architecture #plannification_urbaine

    • In its final section, the piece reveals the traces of “soul”, a code or protective password used by black business owners to signal solidarity with protestors in order to preserve the integrity of their buildings. During their silent surveillance, the police managed to photograph the word “soul” written on glass storefront windows across Detroit. Registered, reiterated and distributed by the police itself through their surveillance operations, “soul” enters inconspicuously into the institutional archive. These reiterations of “soul” function as landmarks of a different territory, independent from the “protective” powers of the police. “Soul” as the path of a different sort of power.

      #soul ou #soul_bro

  • Documenting the Myths of Modernism.
    https://failedarchitecture.com/documenting-the-myths-of-modernism

    Since the beginning of the medium, documentary filmmakers have been fascinated by cases of architectural and urban failure. The personal stories of those affected, reflected in the backdrop of ruins and urban decay, provides fertile ground for documentary filmmaking. The films produced now provide us with a rich source of material for the analysis of architectural failure during the 20C. Not only the individual cases of failure but also the wider narratives that have shaped architectural and urban thinking throughout the century.

    At its core, this narrative was that the overcrowded dilapidated 19C city was no longer fit for modern man and needed to be replaced with a well-designed alternative. Not only the quality of the housing was called into question but the whole city form needed to be altered to meet the demands of modern society, “death to the street” being the prevailing quote from the time. The alternative to this city was found in the design of high-rise estates and suburban new towns connected by new road networks. With such a strong narrative of the liberating power of design what could possibly go wrong?

    The slums were real. Poverty, dilapidated buildings and inner-city overcrowding were genuine urban problems that had to be dealt with. There was no simple solution and in the spirit of the times, those solutions favoured held firm to the belief that design would solve all problems. Many of the early documentaries did not question this logic, and were produced almost as propaganda pieces advocating the ideologies of the architects, planners and developers of the day.

    https://vimeo.com/4950031


    https://www.youtube.com/watch?time_continue=58&v=opqn-w_4DgA