Hokusai
▻https://fr.wikipedia.org/wiki/Hokusai
Hokusai (北斎 ?), ou de son surnom de « Vieux Fou de dessin »
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En 1814, il publie son Manga regroupant croquis et dessins. Les Trente-six vues du mont Fuji (1831-1833) comptant en réalité 46 estampes et La Grande Vague de Kanagawa (1831) sont ses œuvres les plus connues. La couverture de la partition de La Mer (1905) de Claude Debussy reproduit notamment la Vague de Hokusai.
Tako to ama retouched
▻https://de.wikipedia.org/wiki/Datei:Tako_to_ama_retouched.jpg
English: Tako to ama, an erotic ukiyo-e by the Japanese artist Hokusai.
LARGE OCTOPUS:
I’ve been hidden and waiting so long and finally got you! What a nice pussy! It can’t be more delicious! Zu zu... suck suck suck... I will take you to the Dragon Palace after you are handled.
WOMAN：
Fucking octopus! Ah ah, you get my cervix! I can’t breathe! Oh, I’m coming, your suction cups... oh, your suction cups... oh, what you’re doing with them! Oh yeah, oh yeah... I’ve never been so... aaah aaah... by octopuses... Mmmm... good good... yeah... there... zu zu zu...
LARGE OCTOPUS：
How it feels to be teased by eight arms? See, you are so aroused and totally wet.
WOMAN：
Oh, it’s tickling, and I’m losing the control of my waist. I’m losing control! I’m coming! Ah ah...
SMALL OCTOPUS：
After daddy finishes, I’m going to rub and suck from the clitoris to the pores with my suction cups!
Hokusai Manga
▻https://en.wikipedia.org/wiki/Hokusai_Manga
The Hokusai Manga (北斎漫画, “Hokusai’s Sketches”) is a collection of sketches of various subjects by the Japanese artist Hokusai. Subjects of the sketches include landscapes, flora and fauna, everyday life and the supernatural. The word manga in the title does not refer to the contemporary story-telling manga, as the sketches in the work are not connected to each other. Block-printed in three colours (black, gray and pale flesh), the Manga comprise literally thousands of images in 15 volumes, the first published in 1814, when the artist was 55. The final three volumes were published posthumously, two of them assembled by their publisher from previously unpublished material. The final volume was made up of previously published works, some not even by Hokusai, and is not considered authentic by art historians.