Singing the Lesbian Blues in 1920s Harlem
▻http://www.collectorsweekly.com/articles/singing-the-lesbian-blues-in-1920s-harlem
When Gertrude “Ma” Rainey—known as “The Mother of Blues”—sang, “It’s true I wear a collar and a tie, … Talk to the gals just like any old man,” in 1928′s “Prove It on Me,” she was flirting with scandal, challenging the listener to catch her in a lesbian affair. It might not seem like a big deal to us now, but back then, pursuing same-sex relations could get you thrown in jail.
“It was under the cover of night, because they could be prosecuted for same-sex activity.”
The good news for women-loving chanteuses like Rainey, Bessie Smith, and Gladys Bentley is that blues music in the 1920s was so far under the radar of mainstream America, female blues singers could get away with occasionally expressing their unconventional desires. That said, they all felt obligated to produce song after song about loving and losing men.
“I don’t want to overplay the significance of the three songs that Ma Rainey wrote and recorded that had some references to lesbianism and homosexuality,” says Robert Philipson, who directed the 2011 documentary, “T’Ain’t Nobody’s Bizness: Queer Blues Divas of the 1920s.” “That’s a handful out of hundreds and hundreds of blues songs that were recorded. The fact that there were any was remarkable, given the times. You certainly never saw it in any other part of American culture.”
▻http://www.youtube.com/watch?v=8gpEmRSmIAE
#femme #femmes #blues #musique #Queer #Lesbienne #LGBT #Histoire
