Interview with art historian W. J. T. Mitchell
#Images as weapons of war
▻http://en.qantara.de/content/interview-with-art-historian-w-j-t-mitchell-images-as-weapons-of-war
You said that the most important weapon that was turned against the American Pro-War narrative was actually material produced by agents of the state. On the other hand, photographers from the US and the West were embedded with the US Army from the beginning of the operation and brought back the pictures that were planned by the image operation. Is this not a huge journalistic failure?
Mitchell: I agree. Even though not all journalists failed, I think the overall coverage of the Iraq War as such was a big failure. The antecedent of that occurred during the first Gulf War. The coverage was all framed in the discourse of the defence department and it was an effort to portray the war as a very surgical strike, employing by the way medical and military image operations.
Only Peter Arnett, who was a journalist in Bagdad at that time evaded being embedded inside the military discourse. When a building was bombed in Bagdad, he reported from the site. There were bodies lying on the ground; it was a marvellous example of a journalist doing his job, trying to tell the truth and to report from the battlefield. But when it was run on American television, they ran subtitles under it saying “This video has been cleared by Iraqi censors”. The message was that we shouldn’t believe what we were seeing.