The Talented Mr. Philbrick
▻https://www.nytimes.com/2020/03/13/style/inigo-philbrick.html
The way this works is that clients (sometimes referred to in the trade as “specullectors”) buy ownership stakes in things like Yayoi Kusama’s “Infinity Mirror Rooms” and stainless-steel Donald Judd sculptures.
While these investors often have title to the works and occasionally even buy them in their entirety, they do not typically keep them in their homes or offices. The idea is transparently about resale: art collecting as stock investing. Money is earned on the flip, with the potential for risk differing from the stock market in important ways.