En vrac.
We don’t care about music anyway (documentary about the following Japanese artists Kirihito, L?K?O, Otomo Yoshihide, Numb & Saidrum, Sakamoto Hiromichi, Umi no Yeah!!!, Yamakawa Fuyuki, Goth-Trad, Hiko).
▻https://www.youtube.com/results?search_query=we+don%27t+care+about+music+anyway
JAPANOISE: About the Book
▻http://www.japanoise.com/book
a- stream - YouTube
short series of interv. + lives - exp. artists from Egypt, Nigeria, Iran, Kurdistan, the Philippines
▻https://www.youtube.com/channel/UContk8JUR1umGYkBEshErJw
▻https://yt3.ggpht.com/ytc/AAUvwnjOCF3moXNwE4wrcU7YrUl1b_HyRHxDxReAdyUW=s900-c-k-c0x00ffffff-no-rj
Afrorack : le corps de la machine (interview et live session) - YouTube
▻https://www.youtube.com/watch?v=NAEGwCaTaDw
Afrorack a fabriqué en Ouganda le premier synthétiseur modulaire DIY du continent africain : pour lui pas de doute, c’est en Afrique qu’aura lieu la prochaine révolution des musiques électroniques.
Lire notre article : ▻http://pan-african-music.com/afrorack...
PAM
Webzine → ▻http://pan-african-music.com
African political techno
►https://africasacountry.com/2020/03/african-political-techno
n the African futuristic track “Wire Cutter” by Sankara Future Dub Resurgence (SFDR), a group of musicians from Uganda inspired by the philosophy of the Burkina Faso revolutionary, Thomas Sankara, sing: “Yes I seek to inspire / Yes I move with guile / Underground Resistance my style.”
With their love of dub and experimental music, they decided to create a futuristic style of music that draws equally on ancient African knowledge. The video for “Wire Cutter” video was filmed in Kampala, Uganda’s capital. It’s a live recording, but it’s also more than that. “Wire Cutter” is a piece that calls viewers to look closely and notice the images layered throughout the performance space. It’s also important to take note of the space—the one and only Dub Museum.
For example, when the lyrics mentioned above are heard in the video, the camera zooms in on images of Detroit techno artists Underground Resistance (UR). The shot ends with a close-up of Cornelius Harris, a key member of the group. At another point in the track, where the lyrics state “We only fear fear itself, we only fear the collapse of the imagination,” an image of UR’s founder, Mad Mike, is foregrounded.
Images of other experimental musicians and socially conscious visionaries are also featured, such as Laraaji, Turiya Alice Coltrane, Cedric “Im” Brooks, and Audre Lorde. They coexist alongside photographs of ancestral shrines in Uganda, as well as Zar spiritual trance ceremonies in Ethiopia. Lastly, there is a special wall devoted to the West Papua liberation struggle.