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I knew one day I’d have to watch powerful men burn the world down – I just didn’t expect them to be such losers | Rebecca Shaw | The Guardian
▻https://www.theguardian.com/commentisfree/2025/jan/16/i-knew-one-day-id-have-to-watch-powerful-men-burn-the-world-down-i-just
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I knew that one day we might have to watch as capitalism and greed and bigotry led to a world where powerful men, deserving or not, would burn it all down. What I didn’t expect, and don’t think I could have foreseen, is how incredibly cringe it would all be. I have been prepared for evil, for greed, for cruelty, for injustice – but I did not anticipate that the people in power would also be such huge losers.

I’ve always been someone who cannot tolerate embarrassment. I hate being embarrassed more than just about any other emotion and I’ve always skipped content based on cringe humour like Meet the Parents, Borat or Nathan for You. It makes my skin crawl and it makes the contents of my stomach try to crawl out of my mouth. But I cannot skip world events.

Nor can I skip Musk’s clear desperation, even as he holds this much wealth and power in his hands, to be thought of as cool. There are endless examples of him embarrassing himself while attempting to be funny or to gain respect. Unfortunately, while you may be able to buy power, it’s impossible to buy a good personality. Watching his Nigel-no-friends attempts to be popular, his endless pathetic tweets that read as though they come from the brain of an 11-year-old poser, has made me start to believe we should bring back bullying. If yet another humiliating report in the last couple of days is to be believed, he appears even to have lost the respect of some of his gamer audience, who the report claims suspect that he may have been lying about his achievements in hardcore gaming (cursed sentence).

Zuckerberg is a different kind of cringe – but cringe all the same. His cringe moments drip through more sparingly but, when they do, my body tries to turn inside out at my bellybutton. His physical makeover for Maga reasons, performing music because no one will stop him, trying to look cool on a surfboard – all these are extremely difficult to watch. He has been trying to suck up to Trump, going on Joe Rogan’s show to say society has been “neutered” and companies need “more masculine energy”.

Putting on what is clearly a bro disguise to join the boys’ club and sit at the big boy table – it should feel humiliating. This came as Zuckerberg rolled back hate speech and factchecking rules at Meta, in a clear swerve to the right before Trump’s inauguration. What could be more masculine and cool than selling out vulnerable communities and women to impress the alpha male?

Climate crises keep coming, genocides continue, women keep getting murdered, art is being strangled to death by AI, bigotry is on the rise, social progress is being rolled back … AND these men insist on being cringe? It’s a rotten cherry on top. This combination of evil and embarrassment is a unique horror, one that science fiction has failed to prepare us for. The second-hand embarrassment we have to endure gets even more potent when combined with other modern influences on young men, like Jordan Peterson and Andrew Tate.

Joan Didion and Mike Davis understood LA through its fires. Even they couldn’t predict this week | Adrian Daub | The Guardian
▻https://www.theguardian.com/commentisfree/2025/jan/11/joan-didion-mike-davis-los-angeles-fires
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Adrian Daub sur les incendies de Los Angeles au travers de la relecture de deux livres importants sur la régularité des incendies lors des épisodes Santa Anna.

Fire is an inextricable part of the region’s identity, as the writers knew. But the way this divided city burns has been transformed
Sat 11 Jan 2025 19.00 CET

Talking about fire and Los Angeles is an exercise in repetition. Southern California does have seasons, Joan Didion once noted in Blue Nights, among them “the season when the fire comes”.

Fire in Los Angeles has a singular ability to shock, with its destruction that takes “grimly familiar pathways” down the canyons and into the subdivisions. The phrase comes from the writer and activist Mike Davis’s 1995 essay The Case for Letting Malibu Burn, and it is as true for the fires as for our talk of the fires. Even our reflections take on that grim familiarity: we cite Didion citing Nathanael West. We fall in with the great writers of this great city who are always so ready to judge it.

LA’s fires are usually interpreted as a verdict on LA. Eve Babitz tells the story of the silent film star Alla Nazimova, who had to save her possessions from a fire and decided to rescue none of them: “It’s a morality tale,” Babitz says, “of the unimportance of material things, though there are those who will say it’s about how awful LA is.” Davis was different: in books such as City of Quartz, Ecology of Fear and Dead Cities: And Other Tales, he defended the city and its people, reserving his indictments for the forces of untrammeled capitalism and white supremacy that had molded it into near-uninhabitability. He read the city as a sign of what was to come, leery of a world that had assigned this complex, maddening, beguiling place “the double role of utopia and dystopia for advanced capitalism”.

Davis wrote The Case for Letting Malibu Burn under the impression of the conflagrations of the late fall of 1993 – including one in Topanga Canyon that dived down the hillsides towards Malibu, and one in Eaton Canyon that ripped through Altadena. Two places, that is, that are aflame this week again.
Didion smokes on porch overlooking beach next to man and girl
Joan Didion, right, with her husband, John Gregory Dunne, and daughter Quintana Roo Dunne in Malibu in 1976. Photograph: John Bryson/Getty Images

And yet, without much changing, much has changed.

#Adrian_Daub #Los_angeles #Joan_Didion #Mike_Davis

#Emmanuel_Macron was the great liberal hope for France and Europe. How did it all go so wrong?

The French president’s failures offer an object lesson in what happens when liberalism is stripped of its morality and values.

When Emmanuel Macron was first elected in the spring of 2017, we were told that he was the future of liberal pluralism. The BBC said his victory was “a repudiation of the populist, antiestablishment wave” of that time. He was “the next leader of Europe” according to a Time Magazine cover. The Economist went one further. Its cover asked if he was Europe’s “saviour” and declared that he was mounting a revolution in democratic politics “without pike or pitchfork”.

Seven years later, and Macron’s “peaceful”, “democratic” “revolution” is in ruins, as the president struggles to navigate a political crisis of his own making. In June, he called legislative elections that were unnecessary, lost them, and refused to concede defeat. Over the summer, France went through the second-longest period without a government in its recent history. The resulting Michel Barnier-led government was only able to survive for as long as it did thanks to a compact with the far right, before it crumbled after a vote of no confidence held on 4 December. Although Macron has now named François Bayrou as prime minister, it is unclear how this solves the fundamental problem that both the president and his agenda are widely hated in the country, and broadly opposed in the parliament.

The balance sheet of Macronism explains his losing streak. When he took office, France’s deficit was 2.6% of GDP, in October 2024 it was at 6.2%. Who were the beneficiaries of such profligacy? They certainly aren’t public-school students and their stressed-out teachers having to work with the biggest classes in Europe. Nor are they the growing numbers of people living in “medical deserts”, where there is insufficient access to doctors or surgeons. The ultra-rich however, have done very well, with the top four fortunes in France increasing by 87% since 2020 according to Oxfam. Macronomics resembles Trussonomics in slow motion. It was a programme of unfunded tax cuts for the wealthy that the Macronists wrongly assumed would increase economic activity and therefore the tax take. According to Macron’s own economy guru, “this was not a bad strategy, but it didn’t work”.

If his economic record undermines the narrative that Macron was the candidate of innovation and sound finances, his social and political record demonstrates that the Macron revolution was neither peaceful, nor particularly democratic, and it calls into question the labels of “liberal” and “centrist”, so often applied to the French president. Police violence has got markedly worse under Macron, with the number of bullets fired and people killed by police increasingly slightly, and the number of rubber bullets fired on crowds skyrocketing. He has also helped normalise the far right, talking up their preferred themes, using their language and passing an immigration law that Marine Le Pen hailed as an “ideological victory”.

On top of this, he has governed in an increasingly anti-democratic manner, pushing through wildly unpopular measures using article 49.3 of the constitution to pass laws without a parliamentary vote, and trying to shut the leftwing New Popular Front (NPF) alliance out of government, despite it winning the most seats in this summer’s legislative elections. The activist Ugo Palheta writes about the process of the fascistisation of French society as parts of the media, civil service and business elite are radicalised to the right. Macron has handily helped this process along, with the far right achieving their best electoral results ever this summer.

Recently, Macron has been fighting to try to keep the Netflix hit Emily in Paris in France. It is a fittingly absurd quest. Emily in Paris, like the summer Olympics, is a fantasy image of the France that Macron wants to rule, and intended to create. But the archetypal subject of Macron’s France is not Emily, the denizen of a startup nation inhabited exclusively by the rich and sexy, but rather more like Vanessa Langard, a yellow vest protester I met recently. Langard had been a decorator, and had to take a second job to help pay for her grandmother’s care. Langard was shot in the face and blinded by a rubber bullet at a protest in December 2018. When we spoke, she was distraught, sobbing as she described her anger at the refusal of the French state to designate her a victim of police violence, and how her mother comments that she has become more subdued since the assault.

Vanessa’s life shows us the effects of Macronism in miniature. She was caught up in his crackdown on dissent and blinded by the increasingly militaristic weapons the state deploys against its citizens. Now 40, she is unable to work, and lives on the meagre benefits paid out to disabled people in France, one of hundreds of thousands pushed into precarity under Macron. She requires care, and so relies on an increasingly strained health system that the government wants to cut further. She is one of the 56% of French people who say life has become more difficult due to low incomes and rising costs, one of the 85% of people who fear that the next budget will negatively affect their financial situation, and one of the 77% who understand this to be the result of political decisions.

Macron has more than two years to go until the next election, but he shows no sign of changing course. Over the summer, Libération revealed that there had been a series of secret meetings between Macronists and members of the far-right National Rally party brokered by Macron’s close adviser, Thierry Solère, helping normalise them further. Edouard Philippe, an ally of Macron and potential successor, is reported to have told Le Pen that he wants the next election to be a contest of “project against project” without “moral critique”.

It does not bode well for liberalism that its pro-EU poster boy has become like King Lear, blinded by narcissism and wilfully handing the kingdom to a destructive force he helped create. Macron offers an object lesson in the exhaustion of liberalism. When the form and appearance of liberalism remains, but its content and values are evacuated, what remains is a hollow, brittle thing. It becomes unable to improve the lives of anyone but the wealthy, unable to respond to inconvenient facts such as disappointing election results, unable to articulate even a moral critique of the far right which seeks to usurp it, and unable politically to stop its rise. Macronism has failed.

▻https://www.theguardian.com/commentisfree/2025/jan/02/emmanuel-macron-liberal-france-europe
#Macron #libéralisme #moralité #valeurs #crise_politique #macronisme #économie #riches #pauvres #violences_policières #49.3 #fascistisation #portrait #bilan #Macron_vu_de_l'étranger #échec