The Killing of History
I watched the first episode in New York. It leaves you in no doubt of its intentions right from the start. The narrator says the war “was begun in good faith by decent people out of fateful misunderstandings, American overconfidence and Cold War misunderstandings.”
The dishonesty of this statement is not surprising. The cynical fabrication of “false flags” that led to the invasion of Vietnam is a matter of record – the Gulf of Tonkin “incident” in 1964, which Burns promotes as true, was just one. The lies litter a multitude of official documents, notably the Pentagon Papers, which the great whistleblower Daniel Ellsberg released in 1971.
There was no good faith. The faith was rotten and cancerous. For me – as it must be for many Americans – it is difficult to watch the film’s jumble of “red peril” maps, unexplained interviewees, ineptly cut archive and maudlin American battlefield sequences. In the series’ press release in Britain — the BBC will show it — there is no mention of Vietnamese dead, only Americans.
“We are all searching for some meaning in this terrible tragedy,” Novick is quoted as saying. How very post-modern.
All this will be familiar to those who have observed how the American media and popular culture behemoth has revised and served up the great crime of the second half of the Twentieth Century: from “The Green Berets” and “The Deer Hunter” to “Rambo” and, in so doing, has legitimized subsequent wars of aggression. The revisionism never stops and the blood never dries. The invader is pitied and purged of guilt, while “searching for some meaning in this terrible tragedy.” Cue Bob Dylan: “Oh, where have you been, my blue-eyed son?”
What ‘Decency’ and ‘Good Faith’?