„Russian Roulette”
▻https://www.youtube.com/watch?v=FOii45HUP40
The Lords Of The New Church
#rock'n'roll
„Russian Roulette”
▻https://www.youtube.com/watch?v=FOii45HUP40
I guess the Lords seed was sown back in Easter 1977, when my then band, The Damned, played with Dead Boys at C.B.G.Bs in New York City.
The singer with the Dead Boys was Stiv Bators, and him and I got on like long lost brothers. Later that year Dead Boys came to England as a special guests on The Damned’s Musical Pleasure tour and Stiv made vague plans to work together in the near future.
In the winter of 1980 Stiv invited me to play guitar with his solo band, for a short US East Coast tour and we began to seriously formulyse plans for what was to become The Lords. Trough either fate or shrewd planning Stiv moved to London during 1981 and we started to jam with various rhythm sections including Glen Matlock and Steve Nichols (from the Pistols and Hot rods) and Tony James and Terry Chimes (from Gen X and the Clash) but through various reasons, mainly prior commitments, things didn’t quite gel until Stiv suggested Dave Tregunna, whom he had briefly played with in The Wonderers and Nick Turner from the recently split Barracudas.
The Lords Were born !!!!
Brian James
▻https://www.discogs.com/The-Lords-Of-The-New-Church-The-Lords-Of-The-New-Church/release/776240
Pascal Comelade - Russian Roulette
►https://www.youtube.com/watch?v=3WFMWR_HAfk
Pascal Comelade - Russian Roulette - YouTube
►http://www.youtube.com/watch?v=3WFMWR_HAfk
on en parle, on en parle
Et du coup tu reconnaîtras tout de même qu’il y a plus marrant que cette musique.
Dans ma boîte à musique, j’ai de lui cette reprise d’Honky Tonk Woman
oui :) j’ai quelques albums à la maison de cette veine-là
Malheureuse!, trop tard...
Et je viens enfin d’en trouver une, extrait de Raggazin the blues , qui illustre ce sentiment que je décris très mal de mélancolie mécanique, Waiting For Mister Motch On Beyrouth
oui, je perçois bien ce que tu décris dans cet extrait mais j’y trouve cependant une pointe d’humour ou tout au moins l’énergie des musiciens. Il y a un effet inattendu entre la mélodie et l’instrumentation mais les musiciens jouent. Pour moi la mélancolie mécanique, c’est l’orgue de barbarie dont on jouait au détour d’un coin de rue