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  • #Toulouse : le cadeau de Jean-Luc Moudenc à Thierry Oldak
    https://fr.squat.net/2020/11/25/toulouse-le-cadeau-de-jean-luc-moudenc-a-thierry-oldak

    C’est une opération de longue haleine que Thierry Oldak, un des plus gros promoteurs toulousain, est sur le point de réussir, raflant au passage un joli pactole. Sur la revente de l’ancien bâtiment EDF du #10-12_Quai_Saint-Pierre, le Groupe Thiery Oldak s’apprête à se faire plus de 6 millions d’euros de bénef’ grâce à […]

    #Quai_Saint_Pierre #spéculation

  • Se former à la pensée visuelle #1 : des outils simples à la portée de tous - YouTube
    https://www.youtube.com/watch?v=nrX_ZL9KwmQ

    Webinaire animé par Yann Poirson, médiateur à l’Atelier Canopé 70 - Vesoul. Explorer le monde du visuel et la forte pertinence des pictogrammes. Découvrer les gestes graphiques simples permettant de dessiner des idées ayant du sens. Participer et s’emparer d’activités pratiques simples pour dessiner pour et/ou avec les autres.

    #pensée_visuelle #sketchnote

  • #Police attitude, 60 ans de #maintien_de_l'ordre - Documentaire

    Ce film part d´un moment historique : en 2018-2019, après des affrontements violents entre forces de l´ordre et manifestants, pour la première fois la conception du maintien de l´ordre a fait l´objet de très fortes critiques et d´interrogations insistantes : quelle conception du maintien de l´ordre entraîne des blessures aussi mutilante ? N´y a t-il pas d´autres manières de faire ? Est-ce digne d´un État démocratique ? Et comment font les autres ? Pour répondre à ces questions, nous sommes revenus en arrière, traversant la question du maintien de l´ordre en contexte de manifestation depuis les années 60. Pas seulement en France, mais aussi chez nos voisins allemands et britanniques, qui depuis les années 2000 ont sérieusement repensé leur doctrine du maintien de l´ordre. Pendant ce temps, dans notre pays les autorités politiques et les forces de l´ordre, partageant la même confiance dans l´excellence d´un maintien de l´ordre « à la française » et dans le bien-fondé de l´armement qui lui est lié, ne jugeaient pas nécessaire de repenser la doctrine. Pire, ce faisant c´est la prétendue « doctrine » elle-même qui se voyait de plus en plus contredite par la réalité d´un maintien de l´ordre musclé qui devenait la seule réponse française aux nouveaux contestataires - lesquels certes ne rechignent pas devant la violence, et c´est le défi nouveau qui se pose au maintien de l´ordre. Que nous apprend in fine cette traversée de l´Histoire ? Les approches alternatives du maintien de l´ordre préférées chez nos voisins anglo-saxons ne sont sans doute pas infaillibles, mais elles ont le mérite de dessiner un horizon du maintien de l´ordre centré sur un rapport pacifié aux citoyens quand nous continuons, nous, à privilégier l´ordre et la Loi, quitte à admettre une quantité non négligeable de #violence.

    https://www.dailymotion.com/video/x7xhmcw


    #France #violences_policières
    #film #film_documentaire #Stéphane_Roché #histoire #morts_de_Charonne #Charonne #répression #mai_68 #matraque #contact #blessures #fractures #armes #CRS #haie_d'honneur #sang #fonction_républicaine #Maurice_Grimaud #déontologie #équilibre #fermeté #affrontements #surenchère #désescalade_de_la_violence #retenue #force #ajustement_de_la_force #guerilla_urbaine #CNEFG #Saint-Astier #professionnalisation #contact_direct #doctrine #maintien_de_l'ordre_à_la_française #unités_spécialisées #gendarmes_mobiles #proportionnalité #maintien_à_distance #distance #Allemagne #Royaume-Uni #policing_by_consent #UK #Angleterre #Allemagne #police_militarisée #Irlande_du_Nord #Baton_rounds #armes #armes_à_feu #brigades_anti-émeutes #morts #décès #manifestations #contestation #voltigeurs_motoportés #rapidité #23_mars_1979 #escalade #usage_proportionné_de_la_force #Brokdorf #liberté_de_manifester #innovations_techniques #voltigeurs #soulèvement_de_la_jeunesse #Malik_Oussekine #acharnement #communication #premier_mai_révolutionnaire #Berlin #1er_mai_révolutionnaire #confrontation_violente #doctrine_de_la_désescalade #émeutes #G8 #Gênes #Good_practice_for_dialogue_and_communication (#godiac) #projet_Godiac #renseignement #état_d'urgence #BAC #brigades_anti-criminalité #2005 #émeutes_urbaines #régime_de_l'émeute #banlieue #LBD #flashball #lanceur_de_balles_à_distance #LBD_40 #neutralisation #mutilations #grenades #grenade_offensive #barrage_de_Sivens #Sivens #Rémi_Fraisse #grenade_lacrymogène_instantanée #cortège_de_tête #black_bloc #black_blocs #gilets_jaunes #insurrection #détachement_d'action_rapide (#DAR) #réactivité #mobilité #gestion_de_foule #glissement #Brigades_de_répression_des_actions_violentes_motorisées (#BRAV-M) #foule #contrôle_de_la_foule #respect_de_la_loi #hantise_de_l'insurrection #adaptation #doctrine #guerre_civile #défiance #démocratie #forces_de_l'ordre #crise_politique

  • Rencontre avec Orange Dream | Le Grand Mix
    https://legrandmix.com/fr/blog/rencontre-avec-orange-dream

    Confinement, volume 2 : Le Grand Mix est bien fermé publiquement, mais contrairement au printemps dernier, nous pouvons accueillir des artistes en résidence. L’occasion d’en savoir plus sur ce travail bien souvent invisible : répétitions, perfectionnement scénique, phases de création ...

    Confinews #1 : le duo Orange Dream a investi le studio pendant 4 jours, à coup de percussions tribales et de riffs de guitare psychés. Rencontre avec Mélissa et Guillaume dans leur “bulle” de création :

  • #En_découdre - paroles ouvrières en roannais

    Après la deuxième guerre mondiale, l’industrie textile emploie des milliers d’ouvrières sur le territoire Roannais. Elles produisent des vêtements de luxe dont la qualité est reconnue dans la France entière. A travers une série d’entretiens, ce film retrace l’histoire de ces femmes rentrant souvent jeunes à l’usine. Elles y découvrent des conditions de travail difficiles, le paternalisme patronal, mais également la solidarité ouvrière. Relatant les inégalités qui se jouent entre ouvriers et ouvrières, elles décrivent surtout la rencontre avec la culture syndicale et leur volonté d’en découdre avec l’exploitation. Des promesses d’émancipation de « mai 1968 » jusqu’aux combats contre la fermeture des usines et les destructions de leurs emplois à partir des années 1980, ces paroles ouvrières livrent une mémoire à la fois personnelle et politique des grandes mutations du monde contemporain.

    https://vimeo.com/330751537


    #ouvrières #femmes #industrie #femmes_ouvrières #France #industrie #histoire #industrie_textile #textile #témoignages #histoire_ouvrière #CGT #syndicat #syndicalisme #usines #bruit #paternalisme
    #film #film_documentaire #salaires #sainte_Catherine #cadeaux #droit_de_cuissage #inégalités_salariales #émancipation #premier_salaire #désindustrialisation #métallurgie #conditions_de_travail #horaire #horaire_libre #grève #occupation #Rhônes-Alpes #délocalisation #toilettes #incendies #chantage #treizième_salaire #plans_sociaux #outils_de_travail #Comité_national_de_la_Résistance (#CNR) #chronométrage #maladie_du_travail #prêt-à-porter #minutage #primes #prime_au_rendement #solidarité #compétition #rendement_personnel #esprit_de_camaraderie #luttes #mai_68 #1968 #licenciement #ARCT #financiarisation #industrie_textile

  • I fantasmi di #Portopalo

    Il giorno della vigilia di Natale #1996 #Saro_Ferro, pescatore del piccolo borgo marinaro siciliano di Portopalo, salva un naufrago al rientro da una battuta di pesca nel mare in tempesta. Nei giorni successivi le acque cominciano a restituire cadaveri su cadaveri: chi sono questi uomini? E cosa gli è successo?

    https://www.raiplay.it/programmi/ifantasmidiportopalo
    #pêcheurs #migrations #asile #réfugiés #naufrage #séquestration #Pachino #mourir_en_mer #Italie #Méditerranée #mer_Méditerranée
    #film

    Dans la #terminologie...
    Les naufragés étaient appelés « i #tonni di Portopalo » (les « #thons de Portopalo »)
    #mots #vocabulaire
    –-> ping @sinehebdo

    –—

    page wiki
    Naufragio della #F174
    https://it.wikipedia.org/wiki/Naufragio_della_F174

  • Trans*PD*Gouines en shorts !
    https://www.nova-cinema.org/prog/2020/180-pink-screens/cloture/article/trans-pd-gouines-en-shorts

    •+ Il trasloco Werther Germondari & Maria Laura Spagnoli, 2019, IT, HD, vo , 3’ •+ Chants d’amour Lamathilde, 2020, CA, HD, vo fr , 3’ •+ Foodgasm #1 #2 #3 Florence Freitag, 2019, DE, HD, st fr & ang, 3’ •+ Vaginas Andreia Dobrota, 2020, NL, HD, , 1’ •+ Sangro Tiago Minamisawa, Bruno H Castro & Guto, 2019, BR, HD, vo , 7’ •+ Dejarse crecer el cuerpo Andrea Gudiño Sosa, 2018, MX, HD, vo , 4’ •+ Divine Lust Anthony de Bono, 2020, DE, HD, vo fr , 10’ •+ TFG – Swallow Sperm Khloaris, 2020, US, HD, vo , 4’ •+ Coffee and Love Schnater, 2020, HD, sans dial, , 2’ •+ Not Your Ordinary Sister Masa Zia Lenardic Anja Wutej, 2019, HD, vo st fr, 8’ •+ Man (...)

  • L’Oreille Électrique | pali meursault
    http://palimeursault.net/oreille.html

    L’Oreille Électrique est une série de de conférences radiophoniques. L’objectif est de développer une anthropologie critique des pratiques de prise de son, en étudiant les conditionnements culturels et technologiques des médiations, et la manière dont les arts sonores se saisissent de ces problématiques. Épisode #1 : Phonographies, une rapide histoire de l’inscription sonore - Épisode #2 : Soundscapes, l’invention du paysage sonore - Épisode #3 : Pour qui joue le Grand Orchestre Animal ? Source : ∏-Node

    http://palimeursault.net/Oreille1.mp3

  • Le parti des communistes. Extrait du livre de Julian Mischi – CONTRETEMPS
    https://www.contretemps.eu/parti-communiste-histoire-anticapitalisme-gauche-classes-populaires-misc

    #parti
    #Parti_communiste #gauche #PCF #classes_populaires
    #99% #1% #élites_sociales.

    Le mouvement communiste a constitué en cela une entreprise inédite de subversion des règles du jeu politique. Il a remis en question pendant un temps les logiques sociales qui excluent les classes populaires de la scène politique française. Cependant, les inégalités sociales du champ politique ont été reproduites en partie au sein du PCF, à l’image de la distance entre des permanents pris dans les logiques d’appareil et des groupes populaires au nom desquels ils prenaient la parole. Par ailleurs, les hiérarchies sociales et scolaires internes aux classes populaires se sont répercutées dans le parti par la relégation des travailleurs les moins qualifiés, des femmes ou encore des immigrés aux échelons de base de l’organisation. Malgré tout, dans leur globalité, les cellules communistes ont constitué un creuset politique exceptionnel de rencontres sociales, faisant se côtoyer, selon les lieux, ouvriers d’usine, enseignants, femmes au foyer, ingénieurs, paysans, universitaires, employées de bureau, techniciens, etc.

    [...]

    Si les contraintes organisationnelles ont été utilisées selon des logiques sectaires, elles visaient avant tout, dans leur conception initiale, à contrôler les élus et les dirigeants prompts, du fait de leur fonction et de leurs origines sociales, à personnaliser leur action et à s’affranchir des préoccupations de la base militante. Or le rejet du mode de fonctionnement stalinien du PCF dans les années 1990-2000 n’a guère pris en compte l’exclusion politique des classes populaires, l’essentiel étant alors de trouver des moyens de renouveler l’appareil en puisant dans les forces maintenues (élus, militants établis issus de familles communistes) et de rénover l’image publique du parti en mettant à distance son passé ouvriériste afin de contenir le déclin électoral.

    [...]

    Le défi est important car la marginalisation politique des classes populaires s’est accentuée depuis les années 1980, en même temps que les inégalités sociales. Les problèmes au cœur des motivations des militants du mouvement communiste sont loin de s’être dissipés par le jeu du marché et l’extension de la démocratie parlementaire. Le capitalisme s’est renforcé à travers une financiarisation et une internationalisation plus poussées des économies, appuyées sur les démocraties libérales. Les États agissent le plus souvent comme des auxiliaires des intérêts des entreprises multinationales dans un contexte de disparition de l’adversaire communiste et d’un discours libéral sur la « fin de l’Histoire ». La victoire sur le communisme suite à l’effondrement de l’URSS s’est accompagnée d’une dilution des perspectives politiques face à un système économique présenté comme une réalité indépassable et indissociable d’une démocratie moderne. À l’inverse, le communisme est réduit au totalitarisme, assimilé à une forme de fascisme, selon une opposition binaire qui permet de légitimer la démocratie libérale et d’éviter de s’interroger sur ses mécanismes de domination politique et l’impact de la marchandisation généralisée sur les populations et sur l’environnement. La faillite du socialisme autoritaire de type soviétique, avec son économie centralisée et ses dysfonctionnements bureaucratiques, sources de pénuries chroniques, a jeté le doute sur l’idée de propriété sociale des moyens de production et les politiques de planification. Mais – pour ne prendre qu’un exemple –, à l’heure de l’urgence climatique, peut-on rejeter d’emblée toute idée de planification économique ?

    Les significations attribuées au mot « communiste » demeurent plus que jamais diverses. Il renvoie à une histoire tragique pour les peuples et les communistes eux-mêmes. Il est même associé, avec le cas de la Chine, à un acteur central de la mondialisation capitaliste. Mais il reste aussi, pour beaucoup de celles et ceux qui le revendiquent, lié à l’idée d’une alternative au capitalisme, qui vise à l’égalité sociale et à l’établissement d’un pouvoir politique effectivement exercé par le plus grand nombre, non monopolisé par les élites sociales.

  • Finally, Good News for Asylum Seekers in Italy. New Decree Rolls Back Some of the Worst Aspects of Immigration Policy

    It pledged last year to do so, and now the Italian government has restored some humanity to its immigration and asylum system. This week, the council of ministers adopted a decree that reverses many of the worst policies imposed by the previous interior minister and current leader of the anti-immigrant League Party, Matteo Salvini.

    The decree isn’t perfect, but it’s a step in the right direction.

    The decree, adopted October 5, essentially re-establishes in Italian law the residency permit on humanitarian grounds that Salvini abolished in 2018, now called “special protection.” This two-year permit is for people who don’t qualify for asylum, but who shouldn’t be sent away because they would face a risk of torture or inhuman or degrading treatment. The permit is also for people who have family and social links in Italy, or who suffer from serious physical or mental health issues. By one estimate, more than 37,000 people became undocumented since 2018 because humanitarian permits were abolished.

    Crucially, the decree allows people to convert this and other short-term residency permits into longer-term residency permits based on employment. This will help prevent people falling into undocumented status. The decree reduces detention pending deportation to three months from six.

    While the previous government restricted the nation’s reception system to recognized refugees and unaccompanied children, the new decree opens the doors to asylum seekers awaiting a decision. It also ensures asylum seekers have the right to register with the city hall where they live, since a Constitutional Court ruling this past July found the denial of this right made it “unjustifiably difficult for asylum seekers to access the services to which they are entitled.”

    One large blot on the decree is the failure to take a clear stand against criminalization of humanitarian activities. The government chose to reduce from 1 million to 50,000 euros, rather than eliminate, the noxious fines on ships that perform search-and-rescue at sea. Last year, six United Nations human rights authorities called on Italy to incentivize rather than discourage shipmasters from fulfilling their moral and legal obligation to respond to ships in distress. The current government has delayed disembarkations and impounded rescue vessels on administrative grounds.

    Parliament will have a chance to correct that, and make other improvements, when the decree is submitted for parliamentary oversight.

    https://www.hrw.org/news/2020/10/07/finally-good-news-asylum-seekers-italy

    #nouveau_décret #décret_salvini #Italie #asile #migrations #réfugiés #Italie #130/2020 #decreto_immigrazione #décret #SPRAR #accueil #permis_de_séjour #protection_internationale #travail #protection_spéciale #protection_humanitaire #réfugiés_environnementaux #réfugiés_climatiques #sauvetage #Méditerranée #citoyenneté #naturalisation #SIPROIMI #hébergement

    ping @karine4 @isskein

    • In vigore il nuovo decreto in materia di immigrazione (D.L. n. 130 del 21 ottobre 2020): luci e ombre

      Oggi, 22 ottobre, è entrato in vigore il Decreto-legge n. 130/2020, pubblicato in Gazzetta ufficiale il 21 ottobre 2020 e recante “Disposizioni urgenti in materia di immigrazione, protezione internazionale e complementare, modifiche agli articoli 131-bis,391-bis, 391-ter e 588 del codice penale, nonché misure in materia di divieto di accesso agli esercizi pubblici ed ai locali di pubblico trattenimento, di contrasto all’utilizzo distorto del web e di disciplina del Garante nazionale dei diritti delle persone private della libertà personale.

      Atteso da svariati mesi e noto all’opinione pubblica come “decreto immigrazione”, il decreto interviene in svariate materie, modificando anzitutto i c.d. decreti sicurezza del 2018 e 2019, che avevano a loro volta modificato alcune norme contenute nel Testo unico sull’immigrazione (D. Lgs. n. 286/1998), nonché la legge n. 91/1992 in materia di cittadinanza e i D. Lgs. n. 25/2008 e D. Lgs. n. 142/2015 (attuativi della direttiva UE c.d. Procedure e della direttiva UE c.d. Accoglienza del Sistema europeo comune di asilo).

      In altre parole, il c.d. nuovo decreto immigrazione prevede una serie di modifiche, apportate a diverse fonti normative, su tematiche sensibili, che non si limitano alla disciplina in materia d’immigrazione, ma riguardano anche la protezione internazionale e nuove ipotesi di protezione speciale, il soccorso in mare, degli aspetti relativi alla disciplina in materia di cittadinanza e all’accoglienza dei richiedenti asilo.

      In materia di immigrazione, il decreto è intervenuto, anzitutto, sui permessi di soggiorno per motivi di lavoro. Alle categorie di permessi già convertibili, sono state aggiunte le nuove ipotesi permesso per protezione speciale, calamità, residenza elettiva, acquisto della cittadinanza o dello stato di apolide, attività sportiva, lavoro di tipo artistico, motivi religiosi e assistenza ai minori.

      Quanto poi alla protezione internazionale, il nuovo decreto ha stabilito delle modifiche procedurali e sostanziali alla previgente disciplina. Le prime hanno modificato le modalità di svolgimento degli esami prioritari, delle procedure accelerate, nonché della gestione delle domande reiterate in fase di esecuzione di un provvedimento di allontanamento. Sul piano sostanziale

      Inoltre, sono estese le categorie di soggetti che possono beneficiare di permessi di soggiorno per protezione speciale, che costituirà una sorta di nuova categoria residuale di protezione rispetto alle due forme di protezione internazionale (lo status di rifugiato e la protezione internazionale), tanto da far parlare, nei primi commenti, di un sostanziale ritorno alla categoria della precedente protezione umanitaria, pur sotto altra veste terminologica.

      Nella specie, la nuova normativa prevede che non possa essere espulso o respinto e piuttosto meriti protezione, per l’appunto speciale, non solo, come già era previsto sino ad oggi, la persona che rischiava di subire torture, ma anche due nuove ipotesi: i) chi rischia di subire trattamenti inumani o degradanti nel paese d’origine e ii) chi rischia la violazione del diritto al rispetto della propria vita privata e familiare nel territorio nazionale. Inoltre la durata del permesso di soggiorno per protezione speciale è stata ampliata da 1 anno a 2 anni.

      Infine, sempre in materia di protezione complementare, è stata ampliata la nozione del permesso di soggiorno per calamità naturale: attuale presupposto per la concessione del permesso è adesso la semplice esistenza di una situazione di “grave” calamità. In altre parole, non si richiede più che lo stato di calamità sia eccezionale e transitorio come in precedenza, in un probabile tentativo di apertura alla protezione dei c.d. migranti ambientali (normando quanto già preconizzato dalla giurisprudenza della Corte di Cassazione).

      Tra le note positive, viene altresì espressamente prevista l’iscrizione del richiedente protezione internazionale nell’anagrafe della popolazione residente.

      Quanto alla questione del soccorso in mare, in seguito alle pesanti critiche ricevute sul punto dal secondo decreto sicurezza, la nuova disciplina è intervenuta modificando il quadro dei divieti e dei limiti di navigazione per le imbarcazioni delle ONG. In particolare, il Ministro dell’interno, di concerto con il Ministro della difesa e dei trasporti ed informato il Presidente del Consiglio, può ancora limitare o vietare l’ingresso e il transito in acque territoriali a navi non militari o governative non commerciali. Tuttavia, il decreto prevede una deroga a tale divieto o limite di navigazione, nell’ipotesi di navi che abbiano effettuato soccorsi a norma delle convenzioni internazionali, e che abbiano comunicato le operazioni alle autorità competenti nazionali o del loro stato di bandiera.

      Negli altri casi, invece, di “inosservanza del divieto o del limite di navigazione”, è prevista la comminazione di multe che vanno da 10mila a 50mila euro. Si ricorda che, precedentemente al nuovo decreto, in caso di violazione del divieto di cui sopra, era prevista un’ammenda amministrativa, con un limite superiore all’attuale multa (fino a un milione per chi avesse salvato i migranti in mare). Infine, con il nuovo decreto, non è più previsto il sequestro dell’imbarcazione entrata in acque territoriali in maniera irregolare.

      Per quanto riguarda la normativa in materia di cittadinanza, il decreto ha modificato la legge n.91 del 1992, riducendo il tempo di attesa della risposta alla domanda per l’acquisto della cittadinanza italiana da quattro a tre anni, un risultato comunque insoddisfacente alla luce del fatto che la formulazione originaria della legge del 1992 stabiliva una durata di due anni (ed era stato aumentato a quattro anni dal decreto sicurezza del 2018 sopramenzionato). Inoltre non è abrogata la norma che prevede la revoca della cittadinanza per chi l’ha acquisita, in caso di condanna definitiva per reati collegati al terrorismo, creando una discriminazione odiosa rispetto a chi è cittadino italiano iure sanguinis.

      Infine, in materia di accoglienza, è stato creato il nuovo Sistema di accoglienza e integrazione, che sostituisce il SIPROIMI (Sistema di protezione per titolari di protezione internazionale e per minori stranieri non accompagnati), ritornando a un sistema simile ai vecchi SPRAR (Sistema di protezione per richiedenti asilo e rifugiati). Tuttavia, le funzioni di prima assistenza o soccorso verranno gestite nei centri governativi ordinari e straordinari istituiti dal Ministro dell’Interno, quindi attraverso i grandi e largamente disfunzionali centri di prima accoglienza che abbiamo imparato a conoscere. La successiva fase di accoglienza, invece, viene affidata agli enti locali e si articolerà in due livelli di servizi, distinti a seconda che si tratti di soggetti richiedenti protezione internazionale (per i quali la normativa torna appunto a prevedere forme di accoglienza in precedenza eliminate dal decreto sicurezza del 2018) ovvero titolari della stessa. Nel primo caso sono previsti servizi di assistenza sanitaria, sociale e psicologica nonché di mediazione linguistico-culturale, nel secondo caso si aggiungono servizi di integrazione del soggetto, tra cui l‘orientamento al lavoro e la formazione professionale. Inoltre, il decreto ha reso potenziali beneficiari dei suddetti servizi anche i titolari di una serie di permessi di soggiorno speciali (protezione speciale, protezione sociale, violenza domestica, calamità, particolare sfruttamento lavorativo, atti di particolare valore civile, casi speciali).

      Il nuovo decreto ha dunque nuovamente inciso sul precedente impianto normativo in materia di immigrazione e asilo riformando e, per lo più, abrogando le modifiche introdotte dai cosiddetti “decreti sicurezza”, pur mantenendone alcuni profili criticabili. I tempi di attesa per l’ottenimento della cittadinanza sopra evidenziati, così come il mantenimento della criminalizzazione del soccorso marittimo sono tra questi. In ogni caso, il contenuto può ritenersi complessivamente soddisfacente e il decreto è indubbiamente un passo verso l’apertura e un trattamento della politica migratoria quale evento strutturale e non meramente emergenziale.

      https://www.unionedirittiumani.it/in-vigore-il-nuovo-decreto-in-materia-di-immigrazione-d-l-n-130-d

  • #Lyon : appel à soutien pour le nouveau squat rue Edouard Rochet
    https://fr.squat.net/2020/10/24/lyon-appel-a-soutien-pour-le-nouveau-squat-rue-edouard-rochet

    Lundi 26 octobre, dès 8 heures, rendez-vous au 10-12 rue Édouard Rochet dans le 3e pour soutenir le nouveau squat, pour les 2e 48 heures essentielles pour les preuves d’occupation, pour entrer en procédure du droit au logement, votre soutien est crucial dans ce moment là ! Samedi matin 24 octobre, le nouveau squat a […]

    #12_rue_Édouard_Rochet #ouverture

  • À l’aide, @SPIP : j’essaie de convertir un de mes plugins qui permet d’uploader un fichier via un formulaire CVT dans l’espace privé, pour qu’il fonctionne avec BigUp.

    J’arrive maintenant à obtenir l’interface, et le glisser-déposer d’un gros fichier semble se faire jusqu’au bout. Mais à la fin de l’upload (avec la prévisuation, la vignette et la barre de progression), ça se contente de faire disparaître la barre de progression et ça remplace le bouton « Annuler » par le bouton « Enlever ».

    Mais l’action voulue (traiter l’image dans la partie traiter du formulaire) n’est pas du tout déclenchée.

    Mais je ne trouve ni exemple d’utilisation de BigUp en dehors des éléments natifs de l’interface, dans un autre plugin par exemple, ni documentation détaillée de ce qu’il faut faire côté PHP.

    Est-ce qu’il y a un /formulaire quelque part dans l’espace SPIP, par exemple dans un plugin, qui me permettrait de comprendre comment je dois procéder ?

    • Oui. Et notamment ceci que je ne comprends pas :

      Pour recréer le tableu $_FILES tel que le crée habituellement PHP, il faut connaître la valeur de l’attribut name de la balise input.

      Cette valeur est transmise avec le token calculé, et est inscrite dans le chemin de cache des fichiers reçu. Cela permet, à partir d’un fichier cache donné, de recréer le $_FILES qui lui correspondait.

      Apparemment, je ne récupères pas de valeur $_FILES dans mon _traiter ($_FILES qui fonctionne en mode « non bigup ») . Est-ce qu’il y a quelque chose à faire pour récupérer ce tableau calculé à partir du token, et si oui : quoi ?

    • Non plus. J’avais déjà ajouté :

              if (!$_FILES) {
                      $_FILES = isset($GLOBALS['HTTP_POST_FILES']) ? $GLOBALS['HTTP_POST_FILES'] : array();
              }

      qui ne m’apporter rien (je ne vois pas d’infos concernant le fichier installé ni dans $_FILES ni dans $_GLOBALS).

    • Ah… il faut ajouter

      $valeurs['_bigup_rechercher_fichiers'] = true;

      dans la partie _charger du formulaire.

      C’est écrit de manière un peu critique dans le README :

      Au chargement d’un formulaire CVT, si la clé _bigup_rechercher_fichiers est présente, le plugin Bigup se chargera de retrouver les fichiers déjà chargés pour ce formulaire et d’ajouter leur liste, pour chaque champ concerné du formulaire, dans l’environnement.

    • Grrrr, ça marchait ça marche plus, et je n’arrive pas à voir pourquoi.

      Quand je valide mon formulaire (après l’upload via Bigup), je me cogne un vilain écran d’erreur :

      Fatal error: Uncaught Error: [] operator not supported for strings in /home/clients/d674084bbe9c0c511a4685e13dee1efb/web/fabre/plugins-dist/bigup/inc/Bigup/Files.php:163 Stack trace: #0 /home/clients/d674084bbe9c0c511a4685e13dee1efb/web/fabre/plugins-dist/bigup/inc/Bigup.php(93): Spip\Bigup\Files::integrer_fichier('upload_fond_hot...', Array) #1 /home/clients/d674084bbe9c0c511a4685e13dee1efb/web/fabre/plugins-dist/bigup/bigup_pipelines.php(169): Spip\Bigup\Bigup->reinserer_fichiers(Array) #2 /home/clients/d674084bbe9c0c511a4685e13dee1efb/web/fabre/ecrire/inc/utils.php(199): bigup_formulaire_receptionner(Array) #3 /home/clients/d674084bbe9c0c511a4685e13dee1efb/web/fabre/tmp/cache/charger_pipelines.php(640): minipipe('bigup_formulair...', Array) #4 /home/clients/d674084bbe9c0c511a4685e13dee1efb/web/fabre/ecrire/inc/utils.php(265): execute_pipeline_formulaire_receptionner(Array) #5 /home/clients/d674084bbe9c0c511a4685e13dee1efb/web/fabre/ecrire/public/aiguiller.php(212): pipeline('formulaire_rece...', Array) #6 /home/clients in /home/clients/d674084bbe9c0c511a4685e13dee1efb/web/fabre/plugins-dist/bigup/inc/Bigup/Files.php on line 163

      [EDIT] Corrigé : il faut que le formulaire soit dans une classe .ajax (donc formulaire Ajax).

    • En revanche, il me reste un truc que je ne trouve pas : comment je fais pour que le formulaire se valide dès que ça a terminé l’upload ?

      Ça le fait pour les logos et pour les documents joints, mais je ne trouve pas comment faire pour mon propre formulaire. Parce que pour l’instant, j’ai le barre d’upload, puis ça affiche la petit vignette, le nom du fichier et son poids, mais il faut encore que le valide le formulaire (« Téléverser »).

    • ça peut être fait en surchargeant l’appel de bigup de la façon suivante :

      $('input.bigup').bigup({}, {
              complete: function(){
                      $('.formulaire_bigform form').submit();
              }
      }).on('bigup.fileSuccess', function(){
              setTimeout("ajaxReload('docs_ressource')", 2000);
      });

      (dans cet exemple qui se joue en page publique, la 2ème partie permet de recharger la liste des docs affichés)

    • En tout cas, merci les amis, c’est vraiment une belle bête ce Big-Up. J’avais hâte de réussir à faire tourner mon propre formulaire avec. Surtout que c’est précisément un endroit où j’ai généralement besoin d’installer des gros fichiers…

  • #BD #1936 #CNT - Le miracle de #Madrid [15]
    https://www.partage-noir.fr/bd-1936-le-miracle-de-madrid-15

    Franco est tombé dans une impasse. Il le sent. Ses troupes sont engluées. Décimées. Tout assaut frontal contre le Madrid ouvrier est désormais impossible. Mais le dictateur médite une odieuse vengeance contre les civils madrilènes... Il lui reste les puissantes aviations fascistes, toujours renforcées. Elles vont écraser la ville sous leurs bombes, tuant femmes et enfants. La guerre totale commençait. Le massacre changeait (...) #[BD]_1936._Le_miracle_de_Madrid

    / #CNT, Révolution espagnole (1936-1939)

    #Révolution_espagnole_1936-1939_

  • #Nantes : quelle place pour la Maison du Peuple ?
    https://fr.squat.net/2020/10/17/nantes-quelle-place-pour-la-maison-du-peuple

    Après un an de dur labeur, la Maison du Peuple a su tenir son pari : celui d’un lieu ouvert à tous, capable d’héberger ceux qui en avaient besoin de façon inconditionnelle. Des centaines de personnes, des familles avec enfants en difficultés ont su trouver un lieu où se reconstruire (scolarisation des enfants, prise en […]

    #17_rue_Chapeau_Rouge #Maison_du_peuple_de_Nantes

  • #BD #1936 #CNT - Le miracle de #Madrid [14]
    https://www.partage-noir.fr/bd-1936-le-miracle-de-madrid-11

    Épuisés, hagards et affamés, les miliciens espèrent une hypothétique relève. Vers 14 heure, le 19 novembre 1936, #Durruti est mortellement blessé près de l’hôpital-clinique en ruine. Balle franquiste ou incident de tir ? Le moral de la colonne est au plus bas. La relève arrive enfin. Le lendemain, les franquistes tentent une ultime attaque, appuyée par l’artillerie. Marocains et légionnaires nationalistes sont, eux aussi, « au bout du rouleau »... ¡No pasarán ! Miliciens et soldats républicains rejettent (...) #[BD]_1936._Le_miracle_de_Madrid

    / #Buenaventura_Durruti, #CNT, Révolution espagnole (1936-1939)

    #Révolution_espagnole_1936-1939_

  • Je suis toujours aussi sidéré quand on nous impose Manuel Valls au centre de l’attention médiatique du jour. Ça intéresse les gens ? Ça fait de l’audience ? Mais why mon dieu why ?

    Parce qu’objectivement il n’existe que deux catégories de français : ceux qui détestent et méprisent tout ce que Valls représente, et ceux qui ne savent pas qui c’est.

    Alors je ne comprends vraiment pas. Pourquoi est-ce que les journaux croient qu’il devrait nous intéresser ?

    (Ah, et Cazeneuve, aussi. Là on touche à l’impénétrable : je suis certain que la plupart des gens sont obligés de googler son nom.)

  • The Fare - Film Recommendation and Explanation
    https://taylorholmes.com/2019/11/27/the-fare-film-recommendation-and-explanation

    Noch’n Taxifilm. Diesmal mit „Penny“ Persephone und „Harris“ Charon als Gast und Fahrer. Reichlich Stoff, um Taxi zu überhöhen, als universelle Metapher für das Leben und überhaupt alles zu betrachten, ähnlich wie es "Jim Jarmush in „Night On Earth“ macht.

    Did you realize that there is an enormous world of film out beyond the tightly defined and constructed box of Hollywood film norms? That the standard Hollywood tropes and narrowly confined screenplays aren’t all there is in the world of film. Which is why, today, we are excited to talk about The Fare. A movie you should all see. And after you’ve seen it, join us for my explanation and detailed walkthrough. And better yet? Today we have a special treat because Brinna Kelly, the co-lead, and screenplay author, was kind enough to help enlighten me on some of the more intricate details of the film. And I have also published an interview with her as well – which you can find right here. I had such a great conversation with her, I can’t wait to bring it to you. More importantly though, I’m so stoked about bringing you this movie (Thanks DeKev for bringing it to my attention!!). And now, the Fare Film Recommendation and Explanation…

    The Fare, directed by D.C. Hamilton, and written by the aforementioned Brinna Kelly, is a really simple story. It’s a story of two people stuck in a perpetual loop. A taxi cab delivery loop that is really satisfying. Here at THiNC. we cover our fair share of looping mindjob movies. No, not just Groundhog Day. Not that there’s anything wrong with it. Movies like A Day, 41, Blood Punch, Russian Doll, Pig, Infinite Chamber, you think I’m even close to being done yet? Nope. And the cause of the looping that happens in these movies are a fascinating study in and of themselves. An unforgiven sin. A chance at a perfect day. A hope for a reason why. Stars aligning. Stars misaligning. But The Fare has one of the most intriguing origin stories of them all. However, from the outside, this movie is as cheesy as it gets. Two people riding in a taxi?? Awful. But, we’ve seen other movies just like it with simpler raisons d’etre – like Locke maybe? Here, watch the trailer – it’s ultra cheesy – but the movie’s plot and explanation are worth the investment.

    But know this, if you haven’t seen this movie yet (and you have lots of places and options to watch, here, here, and here), you really need to stop, and not continue on. Spoilers will be found throughout the rest of this post.

    The Fare Walkthrough

    The reason I walk you guys through the intricate details of the movie is mainly to make certain we are all 100% on the same page. And this movie has a lot more going on under the surface than usual, so I am going to move extra carefully as we walk through this film. (And heck, sometimes it’s more about me getting on the right page than it is about you figuring it out!) Then, afterwards, we’ll discuss the ins and outs of the movie in general. So yeah, remember, SPOILERS.

    Our taxi cab driver, Harris (played by Gino Anthony Pesi), starts the movie off with a fare. He picks up Penny, they head towards Elm and River, and toward a set of events that might rearrange our brains a little along the way. The conversation is congenial, and the two seem to have something else going on. But somewhere along the line, POOF! Penny vanishes.

    Round 2, begins with another taxi cab fare, and Penny in the back seat again. The movie is all black and white, lacking color, and depth. This time the conversation varies slightly, but not very significantly. There is one moment though, when the cab almost hits something and Penny cracks her head, that Harris grabs her hand, and everything goes to color. “Penny, are you alright?” That is when we realize that she never told him her name. What is going on here? And Penny beseeches Harris to remember her and then vanishes again… POOF!

    But the THIRD TIME? The third time it stayed up! (Holy Grail anyone?) No, the third time, their conversation diverges from the previous loops and Harris starts remembering on his own. He remembers their conversations, he remembers the radio details, he remembers the storm, he remembers that she asks if she can call him Harry. He remembers all of it. And he’s immediately curious if he’s in a science lab, “pumped full of cocaine and daffodil juice or something.” And Penny informs him that they have shared maybe over a hundred rides together, and that he had forgotten them all. And then she vanishes again.

    But the fourth time, when he pulls up to Penny, he says, “Get in, it smells like burning.” And they are off. “Sit up front.” “Is that allowed?” “Who’s going to tell on us, we are apparently caught in a time loop together.” The conversation is fast, and fluid, it’s as if they hadn’t missed a beat since the last time they were together. However long ago that was (wink). And we begin to learn that Penny has tried a million different ways to get out of the loop together (different directions, they’ve gotten out and walked, running the cab off the road at 100 mph) but mainly Penny is just thankful to have a real conversation together.

    Ride five – yes, we are to ride five already – and the conversation goes towards real conversation. Stranded island type conversations. Harris’ theories about aliens creating humans to look like them…etc., etc. But mainly Harris is despondent about this loop that they are caught in. That is when Penny tells Harris about being trapped in a joyless marriage back in the real world. And here we begin to get into discussions of aloneness, and existential meaning…purpose. But when Penny is with Harris, she doesn’t feel alone. Most importantly, we learn that Harris once had a significant other in his life…and she got into his cab one day. And that he didn’t know how to fix it. And she’s gone. Harris chooses to not reset his meter, and he floors it. But a bright light and a loud voice orders him to turn back.

    Ride six – is started with a hug, and an honest exclamation from Harris that he can’t lose Penny ever again. And they make a decision to stay there together forever…to never leave. But Harris notices that Penny has a scar where she hit the partition. And that implies to him that these are not recurring and resetting loops, but something else. This is where the spoilers become really important. One last chance – if you haven’t seen the movie, and SOMEHOW, you’ve gotten this far down this page, you really need to go. Harris really needs to understand what is happening to him – understand this non-resetting looping that is happening. And just before Penny disappears, she tells Harris not to drink the water. Which takes the film in a totally new direction.

    The first fare after the sixth is an old man. At the end of the ride, he gives Harris a gold coin. And from there on he begins taking other riders – but amongst the new riders are memories of his first time meeting Penny in real life. Their budding relationship, and then her disappearance. But he does learn one important thing from the dispatcher, that his job is to be the ferryman….to collect golden coins for rides, and deliver people to their destinations. That, oh, and the small detail that Penny is the dispatcher’s wife. That every year Penny leaves, and when she comes back, she comes back via Harris’ cab. And from here on out we have a cavalcade of fares for Harris to ferry.

    But eventually, Penny is back. And Harris has been waiting for this conversation an entire year. The thing he wants most of all to communicate is that even if he only gets 20 minutes a year, he really is a very lucky man. That they are the stars Altair and Vega, and that their paths cross only once a year.

    The Fare Film Explanation

    OK, so as we discussed in the walkthrough…the looping repetitions aren’t actually a standard Groundhog Day sort of loop. Generally when a film invokes a Groundhog Day loop the point of the film is to morally resolve sin, or failure, and direct the hero towards perfection. That isn’t happening here. Instead, the film is continuing to progress in time, but Harris isn’t fully aware of what is actually happening. And it’s only when he sees Penny’s scar that he understands that time is actually progressing quasi-normally.

    When Harris is told by the dispatcher, that he is death, and that Harris is his ferryman, does Harris really understand what is going on. In this moment, you should have immediately started flipping back through your memories of Greek gods, Egyptian gods, Roman gods, in order to place who Harris really is. And when I chatted with Brinna, and she told me that Harris’ last name was Caron…Harris Caron…it all came together. Now, to appreciate that, in the world of classical Greek mythology, the ferryman had several different names – but Charon, or Caron – was the most widely used. And if you are really curious, an A+ over achiever, you’ll find him in Dante’s Divine Comedy (the fifth ring), and also in Milton’s Paradise Lost.

    And, in ancient times, many believed that a coin placed in the mouth of a dead person would pay the fee necessary for Caron to ferry their family member across the river to the underworld. This coin was called Charon’s Obol. But if the dead couldn’t afford the tribute, they would be cursed to never cross the river.

    The 3 Theories to Explain The Fare

    Now, having spent an hour or so chatting with Brinna about her film, I am fairly biased as to how good it is. But that doesn’t mean I’ve lost all objectivity. With that said, I think there are three possible ways (along an infinite continuum) in which to interpret this movie. Theory 1 is the literal reading of the film. Theory 2 would be a dark view. And Theory 3 would be the mind-blown ultra-dark view. All of which come from Brinna and myself bouncing alternatives off of each other. (Brinna gets 100% of the credit for theory 3…kudos to you Brinna.)

    Theory #1 – The Literal View

    If you are a romantic, and you prefer a little simpler view of life – this is the theory for you. I’m not saying that in a denigrating way at all. Personally wish the optimistic view was my own personal first inclination. But alas.

    This theory basically states that Penny, or Persephone, wasn’t the one who trapped Harris and made him the Ferryman. The Dispatcher, Hades, is the one that did that. Here’s Brinna talking about this particular theory: “He (the Dispatcher) talks about it in his reveal monologue to Harris after the old man was dropped off. (After Harris died, Penny would have wanted his soul to move on like the others, drink from the Lethe and forget about his life and her, and reincarnate. But her husband, who is cruel, had other plans.) What Penny did for Harris was give him the water, so he didn’t have to remember his purgatory, or her, so he would be blissfully unaware. (It’s the only thing she could do for him. Because ultimately, Persephone is not as strong as her husband Hades, who’s one of the big ‘three’, the eldest at that, Kronos’ first born.) But Harris’s memory of her is so strong, that it’s starting to break through the fog, and when they touched, he remembered her despite the water. That’s why, in the end, he chose to stop drinking, so he can always remember her…”

    Make sense? She went kind of fast. Let me try and slow it down a little bit. Persephone, Hades’ wife, met Harris while away from the underworld. They fell in love, but eventually fell distant. Harris came back after realizing he screwed up, but it was too late, Persephone had already left. But she never would have wanted evil to befall Harris. Hades, on the other hand, giggled at the idea of evil befalling Harris… and so he made Harris the perpetual ferryman. But eventually, Harris began to remember, in spite of the water that Persephone gave him to ease his pain. And voila, he stopped drinking it in order to have his 20 minutes with her each year. Make more sense?

    This is the romantic’s view mainly because it shows Harris as someone that saw his eternal existence as a glass half full sort of experience. He was given the opportunity to spend an eternal amount of time (albeit in 20 minute increments) with his one true love. And it wasn’t Persephone that locked him in this experience, but rather, it is Charon & Persephone who are choosing to make the best of this ‘curse’.

    Theory #2 The Pessimistic View

    So, let’s think about the plot of this movie a second, practically. If we were to go back to the beginning and think about it from scratch, knowing what we know about Penny, the Dispatcher, and Harris. Penny is Persephone, who is the daughter of Zeus. Persephone was the queen of the underworld who carries out the curses of men on the souls of the dead. She’s married to Hades, the god of the underworld. Death himself. Right? And let’s just take Penny at her at her word, that her life married to Hades is anything but satisfying. So she courts a mortal man, a taxicab driver. And during this experience, they spend time together for about a year, and then it falls apart. And Penny disappears. But then, somehow, Harris dies, and it is Persephone that installs Harris as the Phlegyas, the Caron, the ferryman for the dead, for all time. Not Hades. Why? So that she can have Harris forever. (Random tangent, if you guys haven’t read the book The Book Thief, I literally cannot recommend it enough. It happens to be narrated by Death, and has some of the most beautiful prose this side of straight up and down poetry.)

    “OK, so?” I hear you asking. Well, I get it that the gods play with mortals regularly… but this is some next level god-playing if you ask me. No? And for Harris to vow his unconditional love to Persephone after learning of how she trapped him in this task seems a bit much. No? Isn’t it literally the definition of a Sisyphean task? WHICH WAS A CURSE! Sisyphus was tasked with rolling his boulder for eternity because he was selfish and deceitful, no? What was Harris’ sin? How do we spin this as a blessing?

    Theory #3 The Mental Mindjob View

    What if, the experiences we watch throughout The Fare are just one of a million different times that Harris has forgotten, and then remembered again? Here’s Brinna again, talking through the ins and outs of this particular theory:

    “Do you think this is even the first time Harris has remembered Penny? Penny’s words are unreliable, she’s lied to him throughout the film (whether or not it’s for his own good is up for debate…). So, what if this has all happened before? What if it hasn’t been 100 rides? What if it’s been 1000? 10,000? He’s in eternity (or limbo, whatever you want to call it..) time is relative…what if they’ve been here before? He remembers her, he re-declares his love for her. They continue like that for an age or two… But eventually, his human mind can’t take the loneliness and isolation, he starts drinking the water again…after awhile, the entire dance starts anew. Imagine that…what if that’s the loop they’re in, and Harris still can only see but a fraction of it. Poor human soul, lost among the Gods…”

    This vantage seems the most real to me only because it is the gods we are talking about here. But the beauty of this movie, and these three theories is that you can choose the one that makes the most sense to you.

    Final Thoughts on The Fare

    The conversation with Brinna Kelly really helped me to clarify my understanding of what happened at the end of The Fare. But even so, a question that still plagues me at the back of my mind is…after Harris walked out on Penny, and then came back to find her gone…how did Harris die? Did Hades kill him? Did Harris kill himself? Was it an accident? Each of these variations could have been added above to the correct theory that matches best. (E.g.: Theory #1 Just a car accident caused by Harris’ drinking. Theory #2 Hades killed Harris. Theory #3 Harris committed suicide.)

    We know that his cab was wrecked. Penny said she had it fixed up after he died. Did he commit suicide after losing his one true love? Was it just a random accident? Or was he just taken from earth by Persephone to help ferry the dead across the Styx and in the process, his cab was crashed mid-teleportation? When I asked Brinna about this particular plot point, here is what she had to say about it, “Yes, the way you described it is pretty much how I imagined it happening…except I don’t think Harris meant to kill himself necessarily (that probably plays into why he can’t remember it clearly). I think he probably had too much to drink and then crashed his cab. Hence why dispatcher taunts him about ‘hitting the sauce’ early on.” She had a lot more to say on that plot point, so watch out for my interview with her in the next few days to hear more.

    I was CERTAIN that The Fare was going to go down the exact same road that all the other looping movies take. That Harris was in desperate need of learning that one critical thing in order to perfect his fare experience with Penny…in order to escape the loop. So, for me to get right hooked by Brinna’s clever screenplay was a real treat. The simple aesthetic (Did you know this movie was filmed in only six days?? Yeah, extraordinarily difficult to pull off even a simple movie like this one in six days.) and magnetic acting of the two leads was a lot of fun to dive into.

    And the movie does a good job juking us on the concept of the loop actually not being a loop. Most importantly, it is a clever romance made out of a tragic circumstance. A curse even. One that I’m not entirely certain is a love story. Remember the movie Passengers, with Jennifer Lawrence and Chris Pratt? It has that similar after taste. I’m stuck, married to Hades, eternally trapped…so, hey you, pleasantly sleeping woman…who happens to be beautiful…why don’t you wake up, and enthrall me a bit as I pass through occasionally! hahah. But ultimately it works for me. Harris has had his close encounter tangle with the gods, and is now the eternal ferryman. Alright. And romance, or no, he really does seem perfect for the job.

    https://en.wikipedia.org/wiki/The_Fare)

    Cast
    Gino Anthony Pesi as Harris
    Brinna Kelly as Penny
    Jason Stuart as The Dispatcher
    Jon Jacobs as Frail Man
    Matt Fontana as Dewey

    Directed by D.C. Hamilton
    Produced by D.C. Hamilton, Brinna Kelly, Gino Anthony Pesi, Kristin Starns
    Written by Brinna Kelly

    https://de.wikipedia.org/wiki/Charon_(Mythologie)
    https://de.wikipedia.org/wiki/Persephone
    https://de.wikipedia.org/wiki/Raub_der_Persephone
    https://de.wikipedia.org/wiki/Night_on_Earth

    #Film #Taxi #Mythologie