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  • @cdb_77
    CDB_77 @cdb_77 25/05/2022
    2
    @simplicissimus
    @odilon
    2

    Indigenous group defends uncontacted relatives from cattle onslaught in the #Gran_Chaco

    https://imgs.mongabay.com/wp-content/uploads/sites/20/2022/05/02230704/Guireja-1536x1024.jpeg

    In the dwindling #Dry_Chaco, an Indigenous group fights for land titles to protect uncontacted relatives and some of the last remaining wild lands in #Paraguay.

    - The Gran Chaco, a dry forest that stretches across Paraguay, Bolivia, and Argentina, is one of the fastest-disappearing ecosystems on the planet, having lost 20% of forest cover between 2000 and 2019, according to a recent study.
    – The Chaco is home to the #Ayoreo-Totobiegosode, one of the only known “uncontacted” Indigenous groups in South America outside of the Amazon; in early 2021, members of this group approached a camp of their contacted relatives to express their concerns about escalating forest destruction.
    - The contacted Ayoreo-Totobiegosode have been engaged in a legal battle for their traditional homelands for nearly 30 years, and although Paraguay designated this region as a protected area in 2001, several cattle-ranching companies have obtained land titles within the region, with deforestation continuing.
    – Last month, the tribe made further appeals to the Inter-American Commission on Human Rights requesting the official title to their traditional lands.

    ▻https://www.youtube.com/watch?v=1lUrhyAS_F4&feature=emb_logo

    https://imgs.mongabay.com/wp-content/uploads/sites/20/2022/05/02230410/PNCATChaco-deforestation_PNCAT-1.gif

    ▻https://www.youtube.com/watch?time_continue=1&v=xlum11PrDjg&feature=emb_logo

    ▻https://news.mongabay.com/2022/05/indigenous-group-fights-cattle-onslaught-defends-uncontacted-relative

    #peuples_autochtones #forêt #Chaco #déforestation #résistance

    CDB_77 @cdb_77
    • @cdb_77
      CDB_77 @cdb_77 25/05/2022

      Artist statement : ’#Artes _Vivas’ Indigenous collective

      #Osvaldo_Pitoe, #Jorge_Carema, #Efacio_Álvarez, #Marcos_Ortiz and #Esteban_Klassen, a collective of indigenous artists from the Chaco, are part of the project ’Collection, Mission, Colonisation: Encounters and entangled Histories from the Chaco’. Find out more about their creative perspectives in this statement.

      Photographs of the artefacts collected by missionaries Seymour Hawtrey and Wilfrid Barbrooke Grubb in the late 19th century inspired artists from the indigenous collective “Artes Vivas” to create new works. From the interaction with the collection emerged a series of drawings in which the artists recall the historical ways of being in the world of their people, and simultaneously speak of the contemporary life of Nivacle and Guaraní communities in the Chaco. Through reflections and observations they are creating a dialogue between historical artefacts and contemporary expressions. The drawings express and reflect processes of transformation caused by colonisation and evangelisation in the 20th century.

      In a non-verbal way, the drawings communicate the dispossession of their territories and the loss of autonomy. They tell of the modification of their subsistence practices, of wage labour, and the re-settlement on mission stations, circumstances which determine their present precarious living conditions. They refer to processes of conversion and forced assimilation and to the continuous experience of discrimination and exclusion.

      However, the drawings also witness the strength and resilience of indigenous ways of living. They show that relationships with the forest and the beings that inhabit it, as well as their ethics of coexistence and sharing, are still important for the Nivacle and Guaraní.

      The artist collective was initiated and established through a close, long-term collaboration between indigenous artists and anthropologists Verena and Ursula Regehr. Following a proposal from the Nivacle community, they organised a drawing contest in 1998 where the drawings made with black pen on paper by Jorge Carema and Osvaldo Pitoe stood out. The black and white contrasts allude to that of women’s wool textiles in the region. Over the years Clemente Juliuz, Esteban Klassen, Marcos Ortiz, and Efacio Álvarez joined the collective and developed their own motifs and styles. All the artists are self-taught and have only had a few years of formal education. They belong to the Nivacle and Guaraní linguistic groups and live in the Cayin ô Clim and Yiclôcat missions on the periphery of the Neuland Mennonite colony in the Paraguayan Chaco.

      They have participated in several exhibitions and publications, including “Bosques vivos”, Bienal Sur and Centro Cultural La Moneda, Santiago de Chile (2022); “Trees”, Fondation Cartier pour l’art contemporain, Paris (2019); “Reconfigurations: Chaco life in transition”, Museo del Barro, Asunción (2018); “symmetry/asymmetry: imagination and art in the Chaco”, Manzana de la Rivera Cultural Centre, Asunción and Colonia Neuland Cultural Centre (2011); “We, people of Cayin ô Clim”, Manzana de la Rivera Cultural Centre, Asunción and Colonia Neuland Cultural Centre (2004).

      Quelques oeuvre à découvrir sur le site web :

      https://i.imgur.com/t9Fs5xl.png https://i.imgur.com/Kj8eTbF.png https://i.imgur.com/MCKNtI9.png https://i.imgur.com/oR1tmyJ.png https://i.imgur.com/kbaX00L.png https://i.imgur.com/9V0HKUU.png

      ▻https://www.sdcelarbritishmuseum.org/blog/artist-statement-living-arts-indigenous-collective
      #art #colonisation

      CDB_77 @cdb_77
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  • @syntone
    Syntone @syntone CC BY-NC 15/03/2016
    1
    1

    « #Mediateletipos, agitateur de sons »
    ▻http://syntone.fr/mediateletipos-agitateur-de-sons

    Mediateletipos.net est un blog incontournable en #Espagne pour toutes les oreilles curieuses. C’est la seule publication en ligne qui depuis douze ans informe, analyse, critique, pense l’art sonore et l’écoute, l’activisme audiovisuel et les nouveaux medias. Entretien avec trois de ses membres.

    Et donc
    ▻http://mediateletipos.net

    ainsi que le site parent, un peu en friche
    ▻http://artesonoro.org

    #création_sonore #Artesonoro.org #Blanca_Rego #Chiu_Longina #José_Luis_Espejo #Mikel_R._Nieto

    Syntone @syntone CC BY-NC
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  • @liliaiolite
    Liliaiolite @liliaiolite 29/03/2015

    A ne pas manquer maintenant 13h00 . #FrançoisBurgat et #FlorenceGaub sur #ArteSquare qui débattront sur la question de terrorisme et de la liberté d’expression.
    François Burgat affirme que l’analyse culturelle et religieuse de l’occident est fausse et ne suffit pas à expliquer la violence de la radicalisation islamique. Il faut, comme il le préconise, depuis longtemps, une analyse politique pour penser et résoudre le problème ici et là-bas. Pour stopper « la machine à fabriquer des poseurs de bombes » et auteurs d’attentats atroces.

    Florence Gaub, quant à elle, expose l’évolution de la situation et propose sa réflexion pour une tactique de riposte. En Europe tout particulièrement.

    ▻http://www.arte.tv/guide/fr/058227-003/square-idees

    ici direct : ▻http://www.arte.tv/guide/fr/direct

    • #François Burgat
    Liliaiolite @liliaiolite
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  • @cdb_77
    CDB_77 @cdb_77 3/10/2014

    When an immigration detention center comes to a small town

    In #Artesia, New Mexico families from Central America are desperate for asylum. But many in town aren’t happy they’re being housed there.

    http://www.washingtonpost.com/wp-apps/imrs.php?src=http://img.washingtonpost.com/rf/image_908w/2010-2019/WashingtonPost/2014/09/16/National-Economy/Images/AP574316005358_01410882194.jpg

    ▻http://www.washingtonpost.com/news/storyline/wp/2014/10/01/when-an-immigration-detention-center-comes-to-a-small-town

    #migration #détention_administrative #rétention #détention #USA #Etats-Unis #centre_de_détention

    • #New Mexico
    • #Central America
    CDB_77 @cdb_77
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  • @cdb_77
    CDB_77 @cdb_77 25/07/2014

    Inside the remote, secretive detention center for migrant families

    For about a month we’ve been asking the government, because of our status as class counsel in the Orantes injunction, to visit specific facilities. The government did voluntarily agree that we had a right to go talk to our adult class members at the Artesia facility. They’ve limited that to 25 individuals, and a certain amount of time, etc. And yesterday was our test to do what we had worked out with the government.

    We had particular interest in wanting to go to the new family detention facility in Artesia. Because, first, family detention is something that we essentially had done away with the United States Hutto — after there was a lot of scrutiny about the conditions in which children, really young children, were being detained with their parents in the Hutto facility in Texas. And also because we were very concerned that it was a facility that was essentially set up to run children and their moms through expedited removal.

    http://cdn0.vox-cdn.com/assets/4802778/about-artesia2-building.jpg

    ▻http://www.vox.com/2014/7/24/5932023/inside-the-remote-secretive-detention-center-for-migrant-families#interview

    #détention #détention_administrative #migration #USA #New_Mexico #famille #Artesia #enfants #enfance #Hutto #Texas

    • #Artesia facility
    • #class counsel
    CDB_77 @cdb_77
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  • @cdb_77
    CDB_77 @cdb_77 23/07/2014
    3
    @reka
    @biggrizzly
    @02myseenthis01
    3

    #Honduras : US deports migrants ; violence continues

    A plane chartered by the US government carried 38 Honduran deportees from an immigration detention center in #Artesia, New Mexico, to the northern Honduran city of San Pedro Sula on July 14. This was the first US deportation flight entirely dedicated to mothers and children: eight mothers, 13 girls and nine boys were scheduled for the trip, although two couldn’t travel because of illness. Reporters, Honduran officials and Ana García de Hernández, the wife of President Juan Orlando Hernández, were on hand for the flight’s arrival. President Hernández’s government promised the deportees job leads, a $500 stipend, psychological counseling and schooling, but a returning mother, Angélica Gálvez, told the Los Angeles Times that in the end she and her six-year-old daughter Abigail didn’t get enough money to pay for the three-hour trip to their home in La Ceiba. “They haven’t helped me before,” she said. “Why should I believe them now?”

    ▻http://ww4report.com/node/13399

    #renvoi #déportation #expulsion #USA #Etats-Unis #détention #détention_administrative #rétention

    • #Artesia
    • #San Pedro Sula
    • #Honduras
    • #United States
    • #US government
    • #President
    • #New Mexico
    CDB_77 @cdb_77
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Thèmes liés

  • #usa
  • #détention
  • #détention_administrative
  • #artesia
  • provinceorstate: new mexico
  • #etats-unis
  • #rétention
  • #migration