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#artists

  • #artistsforpalestine
  • #artists-resale-rights
  • #artists_against_apartheid
  • @vanderling
    Vanderling @vanderling 20/03/2020

    Artists and Labels Offering Donations, Special Merch, and More For Today’s Covid-19 Fundraiser | Bandcamp Daily
    ▻https://daily.bandcamp.com/features/artists-and-labels-offering-donations-special-merch-and-more-for-tod

    https://f4.bcbits.com/img/0019020336_171.jpg

    With the Covid-19 pandemic decimating live music and shuttering record shops, many artists have found merch and digital sales to be a last remaining financial lifeline as they confront a very real threat to their livelihoods. So, it’s more important than ever for fans to support musicians by purchasing from them directly. Today, Bandcamp is waiving our revenue share on all sales, and we’re being joined by many artists and labels coming together to support the music community in this time of unprecedented need.

    ▻https://subpop.bandcamp.com/?mc_cid=e53f0bb47b&mc_eid=3851580511

    On Friday, March 20th, Sub Pop and Hardly Art will be passing through 100% of revenue from digital sales on Bandcamp to our current artists!

    As you are all undoubtedly well aware, working/touring artists are one of the many groups of people currently being hit especially hard by the social distancing requirements of 2020 pandemic reality. In an effort to direct some support their way, Sub Pop and Hardly Art are joining with Bandcamp (and a ton of other labels) to send additional, needed revenue directly to artists.

    If you’re able, we hope you’ll join us.

    #bandcamp #artists #labels

    Vanderling @vanderling
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  • @aissa_sica
    Aissa Sica @aissa_sica 23/06/2019

    ▻https://aissa-sica.com/2019/06/23/can-artists-and-their-art-pieces-still-make-us-think

    Art and politics have always interacted. The artist often aims to defend political positions and art is frequently used as a tool for propaganda. There is also a trend of embellishing poverty and using it as a business. Silvestre does not claim to want to save the world with her artistic creations. But she thinks it’s important to depict the reality of her time. Future generations can see how yesterday’s artists have interpreted the social, political, and cultural reality of their times.

    There is also a trend of using political engagement as a business. Some artists claim to be engaged artists, a label that serves as bait but has no political significance. Political engagement can sell and can fall into a conformist political engagement. Conformist political engagement addresses popular current affairs or issues that are no longer taboo. Artists choose to orient their art as an influential medium at the political, social, or cultural level. Art can make people think and question, but art that changes the world remains utopian.

    #art #artistic #artist #artists

    • #artist
    Aissa Sica @aissa_sica
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  • @hackernoon
    Hacker Noon @hackernoon CC BY-SA 22/06/2018
    1
    @mad_meg
    1

    How #blockchain Can Help Artists’ Resale Rights
    ▻https://hackernoon.com/how-blockchain-can-help-artists-resale-rights-8178f4e058e1?source=rss---

    https://cdn-images-1.medium.com/max/1024/1*aH-Bb6xNLItG6yZUhQWjMA.jpeg

    By Jacqueline O’Neill, Executive Director at Blockchain #art Collective. Originally published on Quora.Resale rights already exist in a number of creative industries.To use a song in a commercial, a company has to license it and pay royalties to the musician. Every time a book is purchased, the author gets a small percentage of the sales.But for many visual artists, once they’ve created and sold a work of art, that’s the last they ever hear about it. Their resale rights are essentially non-existent. If the piece is sold for a few thousand dollars, and then goes for several hundred thousand a decade later, the artist is out of luck.Fortunately, that’s starting to change. The blockchain is making waves in the art world, and artist resale rights is one area where those waves may end up having an (...)

    #blockchain-artist #artists-resale-rights #quora-partnership

    • #QUORA
    Hacker Noon @hackernoon CC BY-SA
    • @mad_meg
      mad meg @mad_meg CC BY 22/06/2018

      How and Why We Invented the CryptoSeal

      https://cdn-images-1.medium.com/max/2000/1*sNx4vSzk0VLm4C_OBXcRHw.jpeg

      “We can now put a tiny computer chip with cryptographic identity into a slim adhesive seal strip form factor to secure a package,” said one of our software engineers, Maksym Petkus, “enabling mathematically- and cryptographically-closed loop integration with the blockchain and secure high-value assets with this tamper-evident technology.”

      Today, at the ID Tech Expo in Santa Clara, we announced the release of our CryptoSeal prototype, representing a major step forward in immutable supply chain provenance and the secure movement of physical assets.
      What is a CryptoSeal?

      The first in what will be a line of blockchain-registered and tamper-evident hardware products, CryptoSeals each contain a Near Field Communication (NFC) chip embedded with unique identity information. This identity data is then immutably registered and verified on a blockchain (we currently offer support for Ethereum and plan to expand to other blockchains, including Bitcoin, Zcash, Hyperledger, and Symbiont).

      The tamper-evident form factor, developed in collaboration with Cellotape Smart Products, registers not only the identity of an object onto the blockchain, but also records the identity of its registrant and packaging or asset metadata. And, with their customizable size allowing application to a variety of packages, from envelopes to shipping containers, CryptoSeals have the ability to securely verify sender identity and timestamp shipment deliveries, and provide a secure chain of custody in the supply chain.
      Why do you need a blockchain?

      Our CEO, Ryan Orr, likes to compare the CryptoSeal to the King’s Signet Ring: “you can think of it like the old system of the Signet Ring stamping a wax seal on a letter. The signet holder is analogous to the registrant of the CryptoSeal, the wax to the chip inside of the seal, and the stamping of the signet is like the signing of the CryptoSeal to the Blockchain. On its own each component, from the cryptographic chips to the tamper evident seals and blockchain registration, is necessary but insufficient to solve the problem. Together the three technologies create a strong solution.”
      Who can benefit from using CryptoSeals?

      Our CryptoSeals can be affixed to any physical item, guaranteeing its identity and authenticity in an unforgeable way. There are more than a handful of business use cases for our new product, which combines the best of blockchain technology and Internet of Things (or Everything, as we like to call it): medical equipment, fine art, electronics, cold chain, and forensic evidence tracking, to name a few. Individual consumers also benefit in being able to verify and protect their artistic creations, secure luggage, ship high-value items internationally, as well as prove authenticity of items they buy and sell on secondary markets.

      One of the most exciting use cases of the CryptoSeal for us at Chronicled is pharmaceutical tracking, where a secure chain of custody and immutable provenance are needed but often lacking. The high monetary value, along with the human suffering, associated with fraudulent pharmaceuticals necessitates new solutions for tracking authenticity. According to Interpol, Operation Pangea, their pharmaceutical investigation, seized 2.4M fraudulent pills in 2011; four years later, in 2015, that skyrocketed to 20.7M.

      The estimated monetary value? $81M USD.

      We can directly address this problem. Chronicled’s CryptoSeals can be customized to fit and seal shipments of pharmaceuticals, including individual cartons and containers. If the antenna in the adhesive seal is broken at any time, it will be impossible to verify the chip inside the CryptoSeal, ensuring that patients have confidence when they receive legitimate, untampered-with pharmaceuticals.
      When will CryptoSeals be available?

      Our CryptoSeals will begin entering the market late this year with standard offerings and unique solutions, with customizable sizing and adhesives, for clients.

      You can learn more on our website or contact us! And, to stay up to date with our work, sign up for our mailing list below.

      ▻https://blog.chronicled.com/how-and-why-we-invented-the-cryptoseal-6577d8633a2

      mad meg @mad_meg CC BY
    • @mad_meg
      mad meg @mad_meg CC BY 1/07/2018
      @emma_degio

      Cc @emma_degio

      mad meg @mad_meg CC BY
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  • @nidal
    Nidal @nidal CC BY 22/05/2018
    1
    @fadixu
    1

    Portishead annonce soutenir le boycott d’Israël :
    ▻https://www.facebook.com/portishead/photos/a.212817655439876.60872.152714821450160/1672837339437893/?type=3

    As long as the Israeli government commits war crimes against the Palestinian people we support their call for a boycott of Israel as a means of peaceful protest against the brutal occupation
    #artistsforpalestine

    Nidal @nidal CC BY
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  • @sinehebdo
    Dror@sinehebdo @sinehebdo 9/06/2015
    1
    @stephane_m
    1

    Artists Against Apartheid, c’est une vingtaine de concerts à Montréal depuis une dizaine d’années, d’artistes engagés pour la Palestine. En voici une petite sélection (on remarque un titre de Lhasa enregistré 6 mois avant sa mort, lors de sa dernière apparition publique) :

    1) Crick Crack - Kaie Kellough & DJ Andy Williams
    2) Africa - Jason Blackbird Selman & DJ Andy Williams
    3) Duet - Matana Roberts & Rebecca Foon
    4) Oud Trio - Sam Shalabi, Omar Dewachi & Pierre-Guy Blanchard
    5) Duet - Lubo Alexandrov & Emil Iliev
    6) Slam - Vox Sambou
    7) 11/8 Balkan Tune - Weshida
    8) Ardavan Etude - Amir Amiri & Becky Wenham
    9) Sprouts - Esmerine
    10) A Fish On Land - Lhasa de Sela & Esmerine

    ▻https://soundcloud.com/howlarts/sets/artists-against-apartheid-live

    #Palestine #Canada #Montreal #BDS #Boycott_culturel #Artists_Against_Apartheid #Lhasa #Musique

    • #Montréal
    • #Lhasa de Sela
    • #Rebecca Foon
    Dror@sinehebdo @sinehebdo
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  • @archiloque
    Archiloque @archiloque CC BY 27/02/2015
    3
    @reka
    @simplicissimus
    @fil
    3

    Edward #Tufte Wants You to See Better
    ▻http://www.npr.org/2013/01/18/169708761/edward-tufte-wants-you-to-see-better?sc=tw&cc=share

    LICHTMAN: Is there a data that - sorry - is there a #data that can’t be #visualized well?
    TUFTE: Not if you allow #artists into the arena.

    Archiloque @archiloque CC BY
    • @reka
      Reka @reka CC BY-NC-SA 27/02/2015

      Il a tort : les artistes font mille fois mieux que les vrais cartographes :) (et je sais de quoi je parle).

      Reka @reka CC BY-NC-SA
    • @reka
      Reka @reka CC BY-NC-SA 27/02/2015

      comme #jacques_bertin qui était génial, #tufte sait qu’il st considéré comme une sorte de #gourou de la #visualisation et ça ne le rend pas du tout modeste.

      Bertin est arrivé au « Monde » dans les années 1980 en expliquant au cartographe de l’époque, Robert Second, que sa carto c’était vraiment de la merde. Robert Second, qui était vraiment sympa, en a gardé une grosse douleur dans l’âme, et aucun des étudiants de Bertin n’ont pu faire de stage au journal pendant les 25 ans qui ont suivi ! Bertin n’a pas vraiment aidé à améliorer le dialogue avec les cartographes de presse... :)

      Reka @reka CC BY-NC-SA
    • @archiloque
      Archiloque @archiloque CC BY 27/02/2015
      @reka

      @Reka : l’impression que ton commentaire dit l’inverse de lui : il dit bien que tu peux faire de la bonne visualization de tout si tu travailles avec des artistes, non ?

      Archiloque @archiloque CC BY
    • @reka
      Reka @reka CC BY-NC-SA 27/02/2015

      Ah que c’est drôle, j’avais interprété sa phrase exactement à l’opposé ! ha ha !

      On est peu de chose...

      Reka @reka CC BY-NC-SA
    • @archiloque
      Archiloque @archiloque CC BY 27/02/2015

      et je trouve que si effectivement #tufte n’est pas très modeste il prend toujours soin de mettre en avant des choses qu’il a vu ailleurs en prenant soin de citer les personnes

      Archiloque @archiloque CC BY
    • @reka
      Reka @reka CC BY-NC-SA 27/02/2015

      Oui, mais même, je suis pas un grand fan de ses méthodes

      Reka @reka CC BY-NC-SA
    • @fil
      Fil @fil 2/03/2015

      over 100,000 people have paid to hear his seminar in data visualization

      Fil @fil
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  • @renyonparis
    Ybbet @renyonparis 13/07/2014

    Be careful #russellmills is not #russmills #artists #artist

    Ybbet @renyonparis
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  • @al-akhbar
    Al-Akhbar English [RSS] @al-akhbar CC BY-NC-ND 15/03/2014

    The cultural heart of #syria: deeply fractured but resilient
    ▻http://english.al-akhbar.com/content/cultural-heart-syria-deeply-fractured-resilient

    ▻http://english.al-akhbar.com/sites/default/files/imagecache/4cols/leading_images/p14_20140315_pic1.jpg

    A painting by Syrian artist Mohanned Orabi A painting by Syrian artist Mohanned Orabi

    It has been three years since March 15, 2011. The Syrian uprising has turned into rivers of blood, sweeping along with them thousands of casualties. Not even Scheherazade would be able to recount every tale from the Syrian inferno. But how has this affected the intellectual exchange in Syria? Have the ideas born out of the crisis been able to capture the magnitude of the catastrophe unfolding in the country?

    Khalil Sweileh

    read (...)

    #Mideast_&_North_Africa #Aleppo #Art #Articles #artists #Assem_al-Basha #Damascus #Nazih_Abu_Afash #Sadeq_Jalal_al-Azm #Walid_Ikhlasi

    • #artist
    Al-Akhbar English [RSS] @al-akhbar CC BY-NC-ND
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  • @alba
    Alba @alba 2/01/2014
    1
    @monolecte
    1

    Call for papers: Into the wild
    ►http://re-publica.de

    _Since its founding in 2007, re:publica has developed from a bloggers meet-up into one of the world’s most important festivals for the digital society. During its eighth instalment in 2014 more than 5 000 guest are expected to attend.

    It is the heterogeneous mix of participants which creates the unique atmosphere and environment at every re:publica and is so crucial to a technology inspired conference. In 2013, 450 speakers from over 30 countries took to the stage at re:publica, where #activists, #coders, #artists, #business people and representatives and many others from different walks of life and creative backgrounds come together. Furthermore, nearly half of re:publica’s guests are female – few other events within this area of interest can show-off a similarly balanced guest participation.
    ▻http://re-publica.de/en/about-republica

    The invention of the WWW has shown us how consumers become broadcasters, how knowledge can be crowd-sourced and how the web can offer immense possibilities for social participation. Since its inception, re:publica has followed the idea of giving and taking: all participants should be part of the final conference. As interlocutor, engaged helper and, of course, as speaker!
    ▻http://re-publica.de/en/call-papers_

    #Berlin #english #Deutsch

    Alba @alba
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  • @myasz
    myasz @myasz PUBLIC DOMAIN 13/11/2013

    “#Mar_Mikhael’s prices were low and still are, but one of the reasons it boomed that quickly and...”
    ▻http://levant.tumblr.com/post/66863481385

    “Mar Mikhael’s prices were low and still are, but one of the reasons it boomed that quickly...

    #marmikhael #beirut #lebanon #boom #real_estate #gentrification #people #artists #region #street #district #neighborhood

    myasz @myasz PUBLIC DOMAIN
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  • @fil
    Fil @fil 6/03/2013
    5
    @odilon
    @ari
    @monolecte
    @reka
    5

    Actipedia | a platform for activism
    ▻http://actipedia.org

    Actipedia is an open-access, user-generated database of creative activism. It’s a place to read about, comment upon, and share experiences and examples of how #activists and #artists are using creative tactics and strategies to challenge power and offer visions of a better society.

    via @theyesmen

    Fil @fil
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  • @fil
    Fil @fil 13/03/2011
    2
    @aris
    @supergeante
    2

    FORM+CODE In Design, Art, and Architecture by Casey Reas, Chandler McWilliams, and LUST
    ►http://formandcode.com

    #livre sur les #arts_numériques.

    Once the exclusive domain of programmers, #code is now being used by a new generation of #designers, #artists, and #architects eager to explore how #software can enable innovative ways of generating form and translating ideas. Form+Code in Design, Art, and Architecture offers an in-depth look at the use of software in a wide range of creative disciplines.

    http://formandcode.com/_content/book/03.jpg http://formandcode.com/_content/book/01.jpg

    • #Casey Reas
    • #Chandler McWilliams
    Fil @fil
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Thèmes liés

  • position: artist
  • #livre
  • #software
  • #architects
  • #designers
  • #code
  • #arts_numériques
  • #activists
  • person: casey reas
  • #artist
  • #art
  • #tufte
  • person: chandler mcwilliams