PJ Harvey à l’Olympia
▻https://www.arte.tv/fr/videos/116988-000-A/pj-harvey-a-l-olympia
Album I Inside the Old Year Dying
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Reminder Records Revives Punk and Power Pop Obscurities |
#Bandcamp_Daily
▻https://daily.bandcamp.com/label-profile/reminder-records-label-profile
Mise en lumière de quelques héroïnes méconnues
Heroes Of the Night | Various Artists | Heroes Of the Night
▻https://heroesofthenightcomp.bandcamp.com/album/heroes-of-the-night
#Reminder_rds #pop_punk #chanteuses-
du même Tony Rettman, un autre Bandcamp Daily
Ten Years In, Warthog Are New York Hardcore Veterans | Bandcamp Daily
▻https://daily.bandcamp.com/features/warthog-new-york-hardcore-interview
▻https://warthognyc.bandcamp.com/album/warthog-3
#punk_hardcore #New_York
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[Drache Musicale] #mali women’s ~ mixtape
▻http://www.radiopanik.org/emissions/drache-musicale/mali-women-s-mixtapeMalian female musicians & singers
REDIFFUFION
tracklist :
awa poulo - djara wilam
mamani keita – djekafo
Celu Mankan (Bambara ; Mali)
Coumba Sidibé – N’Taman
Fanta Sacko – Tubaka
Nahawa Doumbia - banani
Sali Sidibe - Djana Djani
Oumou Sangaré - Iyo Djeli
Ramata Diakité - Sigui Gueleman
saramba kouyate – jamdya
Air de Kel Ajjer (Rhythme Ellehelleh)
Hawa Drame – Syllamaramba Adja Est Quelei
(Photo> Fanta Sacko)
#folk #africa #world #malian #guitare #song #rododindron #chanteuse #purée_de_pois #malienne #sing #pelagie #mali,folk,africa,world,malian,guitare,song,rododindron,chanteuse,purée_de_pois,malienne,sing,pelagie
▻http://www.radiopanik.org/media/sounds/drache-musicale/mali-women-s-mixtape_09358__1.mp3 -
[Drache Musicale] #mali women’s ~ mixtape
▻http://www.radiopanik.org/emissions/drache-musicale/mali-women-sMalian female musicians & singers
tracklist:
awa poulo - djara wilam
mamani keita – djekafo
Celu Mankan (Bambara; Mali)
Coumba Sidibé – N’Taman
Fanta Sacko – Tubaka
Nahawa Doumbia - banani
Sali Sidibe - Djana Djani
Oumou Sangaré - Iyo Djeli
Ramata Diakité - Sigui Gueleman
saramba kouyate – jamdya
Air de Kel Ajjer (Rhythme Ellehelleh)
Hawa Drame – Syllamaramba Adja Est Quelei
(Photo> Fanta Sacko)
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#folk #africa #world #malian #guitare #song #rododindron #chanteuse #purée_de_pois #malienne #sing #pelagie #mali,folk,africa,world,malian,guitare,song,rododindron,chanteuse,purée_de_pois,malienne,sing,pelagie
▻http://www.radiopanik.org/media/sounds/drache-musicale/mali-women-s_09102__1.mp3 -
Zum 205. Geburtstag der deutschen Komponistin Josephine Lang (https...
▻https://diasp.eu/p/10589466Zum 205. Geburtstag der deutschen Komponistin Josephine Lang
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▻https://fr.wikipedia.org/wiki/Josephine_Caroline_Lang
(1815 à Munich - 1880 à Tübingen)
Songs by Josephine Lang and Felix Mendelssohn Bartholdy
[50 min, avec introduction en DE]▻https://www.youtube.com/watch?v=HdWYkGi6yCA
[DE]
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À la suite de la fusillade d’un Noir de 18 ans, Michael Brown, par un policier blanc, Darren Wilson, en août 2014, les yeux du monde entier se sont fixés sur la banlieue de Ferguson, dans le Missouri, à St. Louis. Au cours de l’année suivante, les habitants de Ferguson et la communauté militante de la région ont joué un rôle essentiel dans la tenue de conversations vitales sur le racisme institutionnalisé, le classisme et la brutalité policière dont souffre aujourd’hui l’Amérique à l’approche des élections présidentielles de 2016.
▻https://daily.bandcamp.com/2019/07/08/redbait-cages-interview
▻https://redbait.bandcamp.com/track/bred-for-the-knife
Bred for the knife on the factory farm
Taste tradition convenience
don’t justify such harm
Torture rape and murder
Someone’s life, she was someone’s motherThe blood in your mouth flesh in your face
Brains, bodies, tissue
Severed familial bonds
All gone to waste
Animals don’t want to dieBred for the knife
Blood on your handsCommodified and voiceless with no way out
Bred for the knife
Blood on your handsAn individual is not a product
An entire sea of pig shit
Devastates the land
Hidden so you don’t see it
Blood on your hands
Do you know how animals dieKilled by complacency
stolen for consumptionBred for the knife
Blood on your handsCommodified and voiceless with no way out
Bred for the knife
Blood on your handsAn individual not a product
Hundreds of thousands are unnecessarily slaughtered every day for what amounts to preference in taste. Choose to abstain from this injustice. An individual is not a product.
Bred for the knife
Just eat something else
Not a conscious life
Bred for the knifeCommodified and voiceless with no way out
Bred for the knife there’s no way out
On the factory farm there is no way outIn 2017, a group of St. Louis activists came together to further that reckoning, by way of a crusty, punk/metal hybrid six-piece called Redbait, so named for a well-known anti-Communist slur. “We’re all trained organizers—half the band is union—and a lot of us were there for Ferguson,” says Madeline B., one of the band’s two frontwomen. “Some of us were demonstrators, some of us arrested, some of us were fuckin’ pepper sprayed by cops. We were really in the thick of it for the long haul. All of our politics kind of cumulated into Redbait.”
Punk bands rising up from activist scenes is nothing new, but Redbait may be one of a handful who can trace their foundation to a specific protest gathering. “We were doing a fundraiser show, and we had to change venues of the last minute because of political reasons. We didn’t have an opener so we were just like, ‘Well, you know some Misfits songs and you know some Black Flag,’ and we just threw together a covers set,” says co-frontwoman Rebecca Redbait. The chemistry between the performers proved to be natural, and the response from the audience inspired them to start galvanize their anti-facist, anti-racist, anti-patriarchal, and pro-worker’s rights ideologies into sonic diatribes of their own.
Redbait’s values don’t just inform their music: they dictate how the six-piece function as a unit, both amongst themselves and in the public eye. “We really try to make sure everyone is represented and their viewpoint, whether it’s music or lyrics,” Rebecca says. “I think there is also an intentionality around not censoring the women in the band, just because in the scene at large there’s just the white male perspective is pretty well represented already—so for example, a lot of the guys will take a backseat in interviews.”
On their self-titled debut EP, Red Tape, Redbait explore themes of domestic violence, sexual harassment, and police brutality toward people of color. The strength of the EP’s four tracks drew the attention of New Age Records, who released the group’s blistering second EP, Cages, last month. “I don’t want to say we’ve matured [since Red Tape], but we’ve definitely honed our sound,” Madeline says. “The first EP was a less cohesive smushing of each other’s influences, and with Cages we had more of a conceptual plan of what we wanted to put into a record… I think it was a more serious process.”
▻https://redbait.bandcamp.com/track/we-refuse
You try to put us in our place but
we refuse
You try to shame us for our looks but
we refuse
You try to take away our rights but
We refuse
You try to make us feel ashamed but
We refuseWe refuse to live a lie
Sublimate to sate your ego
Subjugate to stay alive
We refuse to stay quiet
We refuse to cover up
Fuck you and your fragile ego
We refuse your ruleWe will not be silent
We will compete
We are stronger than you think
We refuse
Side with the patriarchy and you will lose
Submission can be refused and we refuseTo that end, Cages find Redbait giving a wider cross-section of takes than ever before; the anti-sexist, anti-racist fury of their last LP is tempered with songs about animal rights, economics, and drug addiction. As always, they never shy from calling out institutions and authority figures that perpetuate suffering and injustice. The raging, crusty “Bred for the Knife” addresses the horrors of factory farming, while the title track—a chugging, metallic protest against the Trump administration border policies that have torn families apart—Madeline screams, “Scapegoated by the public / Uprooted by the state by politicians and corporations who make America great.”
Elsewhere, Redbait draw from personal experiences and observations from life in St. Louis, in order to highlight the social and political constructs plaguing urban life in America. The ripping “Our Town” details the segregation and prejudice play out in the band’s own backyard from the perspective of a stereotypical racist (“Don’t go north of Delmar if you want to stay alive / Lies sit outside on the south side / And you’ll be burglarized”). Take out the various references to St. Louis landmarks, and the searing satire could easily describe any city in the country. And that’s exactly why the band made it.
“With Ferguson, the entire country got this idea of St. Louis as violent people are looting,” Rebecca says. “And I think ‘Our Town’ really illustrates how structural racism is really at play here, and just to kind of give people a real perspective from people that live here, and presents more of the actual truth, as opposed to the one that’s blown out of proportion by the media.”
The logistics of handling a six-person band (mostly work, family, and activism obligations) have largely kept Redbait close to home since they started, but they’ve already made a big impact among the local youth. According to Madeline and Rebecca, some of the band’s biggest fans are eight to 12-year-old girls, a contingent they count as perhaps their biggest source of pide, and a driving factor in their mission to open up people’s hearts.
“There’s a little bit of power in what we do because so many people are afraid to push the envelope in terms of being a political band,” says Madeline. “Everyone in hardcore, more or less, has left-leaning ideas, but really talking about systemic oppression has not been a huge conversation. So if we can open the conversation to these issues, that’s all I could hope for.”
–Jamie Ludwig@sinehebdo j’ai aussi rajouté la chanteuse de Pischarge à la playlist de #chanteuses_féministes de @mad_meg
#Redbait #punk_metal #bandcamp-
Ce n’est pas mon style de musique, mais les paroles sont super. Sur le sujet de Ferguson et des violences policières, c’est plutôt :
Smoke in Your Eyes
▻https://redbait.bandcamp.com/track/smoke-in-your-eyes
►https://www.youtube.com/watch?v=hTMhfMD_elMWho do you protect
Who do you serve
x2A hammer to the face of every cop
A violent end to the police state
Hard to see with smoke in your eyes
Licking his boot
Kissing his hand
Who do they protect?
Who do they serve
Fuck your thin blue line
Fuck your racist flagWho do they protect
Who do they serveThey’re paid by the rich to kill the poor
Property over people, a corrupt state
The only thing worse than being raped
Is reporting it to the fucking police
Cops don’t protect you
Cops suspect you
Less cops on our streets
More pigs in the groundWho do they protect
Who do they serveIt’s hard to see with smoke in your eyes
Danny Thomas
Stephon Clark
Ronnell Foster
Ulises Valladares
Jonathan Duane Atchley
Arther McAfee Jr.
Bailey Turner
Tyler Miller
Andrew Finch
Kameron Prescott
Michael Wilson
Lawrence Hawkins
Martin Jim
Calvin Toney
Ashley Jenkins
Patrick Dorsman
amadou diallo
Eric Martin
Oscar Grant
kajieme powell
Philando Castile
Sandra Bland
Michael Brown
Tamir Rice#Musique #Musique_et_politique #USA #Redbait
A rajouter sur ma compil consacrée à la #brutalité_policière #violence_policière : ►https://seenthis.net/messages/576637
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Chouettes paroles féministes ici:
Dick Punch
▻https://redbait.bandcamp.com/track/dick-punch-liveNever listen to no
never learned the word
think you’re a good one
think no one sees you grab usGet your fucking hands off me
Never listen to no
never listened to her
think you’re a good one
think no one sees you grab herGet your fucking hands off me
You think that’s what I wanted?
Try the fuck again
Not your fucking coatrack
Don’t think I won’t fight backFUCK YOU
Punch your dick and run
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Et une chanson anti-Trump sur le traitement des enfants migrants à la frontière mexicaine :
Cages
►https://redbait.bandcamp.com/track/cagesChildren in cages
Assaulted by the state
Suffocating bureaucracy
Propped up by hate
X2Taken for a shower
You’ll never see your mother
Sleeping on the concrete floor
AloneScapegoated by the public uprooted by the state by politicians and corporations who make America great
Colonized the world
Sowing atrocities
couldn’t stand the fallout
Making prison a homeCrime against humanity
Torn from a mother’s arms
Deported fathers gone
Upholding white supremacyChildren in cages
Locked up by hateSuffer little children
As these institutions allow it
We don’t want to see it.
Suffer little childrenIN CAGES
We don’t see these prisons when we’re staring at the screens
While people are taken by gestapo secret policeThey use power to divide
Power to imprison
in a country so free it incarcerates childrenA rajouter à la compilation de chansons anti-Trump :
►https://seenthis.net/messages/727919 -
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Violetta Parra 1965
▻https://www.youtube.com/watch?v=59wB-7SOE0k
#compositrice #chanteuse #peintresse #sculptrice
Avec la présentation d’une de ses tapisseries « La révolte des paysans »
#Chili #artiste -
L’actualité du jazz : Leila Martial, live au studio de l’Ermitage
▻https://www.francemusique.fr/emissions/open-jazz/l-actualite-du-jazz-leila-martial-live-au-studio-de-l-ermitage-64966
Une belle découverte : Leila Martial vocaliste hors-pair, hors cases, une découverte qui a enchantée ma soirée.
#chant #chanteuse #jazz -
#Asmahan Ya min yeqhol Ahwa
Asmahan (أسمهان), de son vrai nom Amal El Atrach (1918-1944) est une #chanteuse, et #actrice #syrienne. Elle est la sœur de #Farid_El_Atrache.
@mad_meg #commémoration 2018
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Merci @touti c’est plutot #historicisation le tag que j’utilise pour organiser les femmes historiques. Par rapport aux commémorations 2018 je cherchait plutot des françaises vu qu’il s’agissait d’une liste française de commémorations qui rendait hommage à la naissance de Maurras et comportait très peu de noms de femmes (12 sur 98 noms).
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Alors il faut commémorer les 100 ans de la mort de la compositrice Lili Boulanger, décédée à 24 ans le 15 mars 1918
▻https://fr.wikipedia.org/wiki/Lili_Boulanger
▻http://www.artalinna.com/?p=4532 -
Super merci @touti je l’archive là bas : ►https://seenthis.net/messages/665915
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Merci @touti. Pour rappel, on a pas mal de fans (OK : @gonzo, @nidal et @george et moi en tout cas) d’#asmahan sur Seenthis, il y a pas mal de référencement déjà.
Mais pour l’angle « historicisation » et « invisibilisation », je noterai ceci, sur le fait qu’une série sur sa vie avait scandalisé sa famille, car elle évoquait les abus de son frère (le #grand_homme…) Farid el Atrash :
▻https://seenthis.net/messages/69807(Sinon, pour pinailler, pas fana que le premier signalement s’aligne sur cette affreuse habitude de Wikipédia qui consiste par donner, dès la première phrase, la religion et la secte des gens.)
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Alors dans ce cas aussi pour la liste, il faut mentionner Germaine Taillefer 7 novembre 1983 - 35e anniversaire de la mort, immense compositrice totalement ignorée et aussi Marie Jaëll décédée à Paris le 4 février 1925 - 92e anniversaire de la mort (j’ai déjà pas mal parlé des deux ici).
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@reka, je ne commémore que tout les 100 ans et je mords plus rarement encore. Pour la page des commémorations, reconnaissance et réhabilitation de femmes c’est par là ►https://seenthis.net/messages/665915
:)
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Marie Mifsud
▻https://www.mariemifsud.comvia la chanson de Vian postée par @sinehebdo => écoutage de chanteuses qui chantent du Vian et du coup tombé sur cette jeune chanteuse de jazz (venant du chant lyrique)
Live Crest Jazz Vocal - Doute
Swan (suis moi)
▻https://www.youtube.com/watch?v=IPwQg3QyNy0J’suis un monstre de perversité (de Vian donc)
▻https://www.youtube.com/watch?v=etEW6fBFnuA -
Julie Driscoll
▻http://www.tetue.net/julie-driscollJulie Driscoll est une chanteuse de rock britannique, populaire dans les années 1960 et 1970. Fin des années 60, côté cheveux, deux tendances s’imposent : les mèches multicolores et les cheveux frisés, tels que les portent la chanteuse londonienne Julie Driscoll. Dès 1965, elle chante dans le Steampacket, avec Long John Baldry, Rod Stewart et Brian Auger. C’est avec cet organiste qu’elle forme une équipe plus réduite à partir de 1967. Leur popularité gagne la France en 1968 avec des reprises comme…
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Dans « M Train », #Patti_Smith en voyage introspectif
▻https://www.mediapart.fr/journal/france/290716/dans-m-train-patti-smith-en-voyage-introspectifPatti Smith, lors d’un concert à Antibes, en marge du festival de Cannes, le 20 mai 2010. © Reuters Dans #M_Train, son deuxième livre autobiographique, la #chanteuse et poète évoque tout haut ses réflexions sur le passage du temps, la perte des êtres chers, et la difficulté de « continuer à vivre longtemps après eux ».Un récit mélancolique et méditatif.
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Gemayel
▻http://www.tetue.net/gemayelChanteuse indépendante de rock tzigane libanais. Gemayel (anciennement connu sous le nom de Victoria Love, alias Monique Jamail) est une chanteuse autodidacte multi-instrumentiste, auteure-compositrice de rock tzigane libanais. Crâne rasé depuis toujours, elle porte désormais un tatouage crânien représentant un arbre. Elle a fondé Elle Indie Records, un label indépendant qui promeut les artistes femmes.
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Jeanne Added (full concert) - Live La Cigale
▻https://www.youtube.com/watch?v=mpJ_70wa7mQ
@mad_meg #chanteuse-
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Moi je découvre aujourd’hui…
#Jeanne_Added #musique #pop
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The Vocal Ranges of the Greatest Singers | ConcertHotels.com
▻http://www.concerthotels.com/worlds-greatest-vocal-rangesCompare the vocal ranges of today’s top artists with the greatest of all time. This chart shows the highest and lowest notes each artist hit in the recording studio. Hover over the bars to see the songs on which they reached those notes. Tags: #chanteur #chanteuse #amplitude #note #gamme #voix
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Adele - Rolling In The Deep - Angie Vazquez Sounds
►http://www.scoop.it/t/blog4burma/p/2373068907/adele-rolling-in-the-deep-angie-vazquez-sounds
Jeunesse, beauté, talent !
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Kathryn Williams | Leave to remain
►http://www.kathrynwilliams.net -
YouTube - Broadcast Yourself.
►http://www.youtube.com/kathrynwilliams -
MySpace.com - kathryn williams - newcastle, UK - Acoustique / Folk / Alternative - www.myspace.com/kathrynwilliams
►http://www.myspace.com/kathrynwilliams
