• Je cherchais des références pour une #chanson, dont j’ai écouté une version contemporaine et « hybride » par un chanteur-artiste dans un concert à #Riace, en #Calabre, organisé par l’association #Radicare...

    Le concert de #Fabrizio_Piepoli s’intitule #Trabtella (une #fusion entre #tarantelle et #trap) :

    Tarabtella è un sound che fonde i beat elettronici contemporanei, il groove della tarantella pugliese, e una vocalità evocativa e melismatica, che vuole indurre al tarab, lo stato di commozione estatica associato tradizionalmente al canto arabo.

    E’ il sound di una nuova scrittura d’autore, un inno all’incontro tra Oriente e Occidente, fra tradizione e contemporaneità, ribadito da una scrittura dei testi che si muove tra il suono “percussivo” del dialetto barese, l’italiano e il potere evocativo della lingua araba.

    Tarabtella è un concerto che affianca a brani originali alcuni brani di tradizione – tra Sud Italia e Medioriente – rivisitati in chiave contemporanea, elettronica, ambient, urbana.
    Tarabtella esplora il senso delle radici, dell’appartenenza, della libertà, seguendo una visione umana e sonora di fusione tra culture, inclusività, convivenza orizzontale.


    https://www.fabriziopiepolimusic.com/?page_id=275

    Je cherchais notamment des informations sur une #chanson qu’il a chantée à la fin et qu’il avait présentée ainsi :

    « #chants d’#amour chantés par des femmes à des hommes sous les #prisons, c’était en réalité un #code_secret, sous le couvert de chansons d’amour il y avait des messages politiques. Ces chansons sont nées sous le mandat anglais et puis la tradition a continué pour résister contre les Israéliens »

    Je cherchais aussi la référence aux #montagnes, car j’avais noté un lien avec la #montagne :
    « À vous qui allumaient le feu, à vous qui arrivez des montagnes j’espère que vous soyez en sécurité là-dedans » (là-dedans = en prison).

    En commentaire, ce que j’ai trouvé, mais si quelqu’un·e a plus d’informations, elles sont bienvenues (surtout en lien avec la question des montagnes, car j’avais pensé peut-être écrire un petit texte pour une rubrique du Journal of Alpine Research | Revue de géographie alpine : https://journals.openedition.org/rga.

    #tarantella

    • Women - Led Resistance Movements in #Palestine

      The melody is like a gentle breeze or lullaby that instantly evokes goosebumps. The lyrics are phonemically Arabic, yet strangely indiscernible. The song is a #tarweedeh, an encoded art form developed by Palestinian women while under British colonialism (1923-1948) to deliver encrypted messages of resistance.

      During the Great Palestinian Revolt of 1936-1939, the British imprisoned an overwhelming number of Palestinian men just for speaking up against their rule. The incarcerations severed communication between revolutionaries and their village-dwelling families, leaving behind many women whose brothers, fathers, husbands, and sons were wrongfully imprisoned. In response, Palestinian women developed and deployed tarweed to secretly transmit instructions for their loved ones’ liberation.

      The encryption in tarweed involves inverting the last letters of words, repeatedly inserting the letter L (“lam” in Arabic), or using poetry, symbol, and analogy with embedded meanings. This process transformed the original message into a gibberish that neither the occupiers nor their translators could comprehend. Women walked along the outside walls of the prisons, delivering messages in serenades that wafted through the barred prison windows. To the occupiers, the sight of Palestinian women strolling and singing folk songs was innocuous, yet it proved instrumental to the prisoner’s escape.

      Tarweed survived the Nakba (“catastrophe”), the 1948 ethnic cleansing of Palestine when at least 700,000 indigenous Palestinians were violently expelled from their homes and homeland by Zionist terrorist militias and Israeli military forces to establish the state of Israel. Today, these folk songs continue—along with traditional food, clothing, storytelling, poetry, and folk dance—as markers of Palestinian identity and preservers of a scattered folk heritage ever-threatened by a system of apartheid and genocide. Palestinians within the occupied territories and in the shatat (“diaspora”) continue to pass on these traditions in the ongoing fight against their erasure.

      Tarweed embodies an aspect of Palestinian history too often belied by Western mainstream narratives: the vital role of women in the struggle. While these narratives depict Palestinian women as voiceless entities in an “inherently patriarchal” society, in reality women-led resistance movements have been an essential part of the more than century-long fight against colonization and oppression in Palestine. The artfulness of tarweed further highlights women’s resourcefulness and ingenuity in this ongoing resistance.

      Although there are multitudinous examples of Palestinian women’s resistance, Fatima Bernawi and Shadia Abu Ghazala are two women who made critical contributions to the struggle for Palestinian liberation. Bernawi, who was born in 1939 and survived the Nakba with her Palestinian mother, reunited with her Nigerian father, who had fought in the 1936 revolt, shortly thereafter. She became an active participant and leader in the struggle for freedom. She is the first woman prisoner listed in the records of the Palestinian women prisoners’ movement. Shadia Abu Gazala was one of the early members of the Popular Front for the Liberation of Palestine, founded in 1967. She led women’s military units and was deeply dedicated to the education of the people, though she died in late 1968. A school named after her in the Gaza strip was the site of an Israeli massacre in December of 2023.

      Women’s Leadership in the First Intifada

      Palestinian women were a cornerstone of the First Intifada (“uprising”) that erupted in December of 1987. After decades of Israeli military occupation and settlement expansion, an Israeli truck collided with a civilian car in Gaza; killing four Palestinians in Gaza proved to be the last straw. Palestinians in Gaza and the West Bank mobilized as a united front, catching Israel off guard. Israel responded with a swift and brutal crackdown. Countless Palestinian men were arrested and imprisoned, deported, or killed. Palestinian women quickly stepped in to fill the void and formed the backbone of the uprising.

      Women from urban cities and traditional villages mobilized as part of the First Intifada, uniting across generations, political factions, and class lines. They organized at the grassroots level, rallying hundreds of thousands of Palestinians in a series of coordinated efforts against the Israeli occupation. Every major Palestinian faction formed a women’s committee disguised as a homemaking group because it was illegal to be a member of any political party or student union. Publicly, they called for knitting, cooking, and sewing meetups, but they were secretly planning the intifada.

      During the First Intifada Palestinian women initiated mass political strikes and spearheaded the first mass boycott against Israel. In defiance of Israel’s restrictive laws, they found innovative ways to provide home-grown alternatives to Israeli goods, setting up backyard gardens and farming cooperatives where women learned to grow their own food. When Israel shut down Palestinian schools and universities to prevent students from mobilizing politically, Palestinian women organized teach-ins in basements and abandoned buildings. They taught themselves medicine and set up teams to provide emergency care to protesters injured by Israeli violence. The civil strikes and coordinated boycotts across Palestine caused such a hit to the economy that Shimon Peres, who was the Foreign Minister at the time, warned the economy was “in danger.”

      Not surprisingly, the Israeli government doubled-down with intimidation and aggression, imposing daily curfews, ordering mass arrests, and giving Israeli soldiers the infamous orders to ‘break the bones’ of Palestinians. They cut phone-lines in Palestinian towns and villages and placed huge swaths of organizers under house arrest. Palestinian women, and the resistance as a whole, found ways around every barrier that Israel put in their way. When Israel outlawed the Palestinian flag, women formed knitting circles and made their own flags to fly at demonstrations. When Palestinian women leaders were placed under house arrest, they baked bread and placed communiques in each loaf, which they distributed across villages, towns, and refugee camps undetected by Israeli forces.

      Women’s efforts throughout the First Intifada captured global attention, forcing Israel’s staunchest ally, the United States, to withhold its financial support in response to Israel’s unwillingness to negotiate. For the first time since 1948, Palestinians brought Israel to its knees and women were front and center in the movement.

      The nonviolent groundswell of resistance we know as the First Intifada was cut off at the knees in 1991 by the secretive signing, at the White House, of the Oslo Accords, an agreement that has worsened the lives of Palestinians to this day. Beyond significantly increasing the number of illegal settlements, the Accords created a corrupt political class known today as the ‘Palestinian Authority’ that actively collaborates with the Israeli occupation to crush resistance.

      Sumud as a Political Practice

      To truly understand Palestinian women’s tireless fight for thawabit (their “inviolable rights”), it helps to invoke the cultural value of sumud, or steadfastness. Sumud emerged in full force following the June 1967 war, or Naksa (“setback” or “defeat”), when Israel annexed and occupied the West Bank, East Jerusalem, and Gaza, more than tripling its size. Since then, sumud has persisted as an ideological theme and political strategy for surviving Israel’s colonization, military occupation, and hegemony.

      All of the active and organized resistance efforts enacted by Palestinians over the years are built upon the foundation of sumud. It is resistance at the psychological level, akin to revolutionary optimism inasmuch as it offers an antidote to nihilism at the hands of an oppressive government and ignites faith in the power of the people to usher in the society they deserve. Sumud has sustained Palestinians in the face of the severe policies and tactics that Israel has relentlessly employed in an effort to “break” them.

      From massacres, expulsion, dispossession, and genocidal wars, to the surveillance and control tactics of occupation—checkpoints, barriers, curfews, closed military zones, settlements, “settler-only” roads, watchtowers, gates, nightly raids, and mass arrests; from denying Palestinians access to water, healthcare, and education; to burning olive trees and bulldozing homes, Israel’s goal has been to make the daily lives of Palestinians unbearable, and ultimately, to force them to leave their homes in search of a better life elsewhere. Sumud declares to the occupier: You may break our bones, but you cannot break our spirit!

      Sumud encompasses a range of everyday acts by which Palestinians fight for their right to exist in their homeland, stay rooted in their culture, and maintain some semblance of normal life under conditions that are anything but normal.

      The spirit of sumud is on stark display in the enduring commitment of women in the Palestinian territories to creating and nurturing life, even as they are forced to live like prisoners under deplorable conditions. For a society that has faced the threat of extinction for over 75 years, the choice to have and care for children is deeply entwined with survival and solidarity. Performing domestic roles and caring for children in the Palestinian territories, which have been occupied piece by piece since 1948, requires unthinkable levels of willpower, determination, and fortitude. As one journalist Meryem Ilayda Atlas put it, the woman who bathes her two children in the rubble of a building in Gaza is serving a public role.

      Unfortunately, this women’s struggle has been weaponized by Israel and maligned by narrow, decontextualized notions of “first world” bourgeois feminism that are the handmaid of capitalism. For example, in an article titled “Why are so many of the victims in Gaza Children?” the Economist attributed the high death toll of children in Gaza since October 7th to the high fertility rate. The article went on to link high fertility rates to poverty and low levels of education (while Gaza does have a high poverty rate, it also has a high rate of literacy among women) while never mentioning the actions of Israel or the Israeli Occupying Forces. This narrative turns a blind eye to the Gazan women doctors caring for babies who could not survive on life support after the hospital’s electricity was cut off, or the Gazan women journalists calmly broadcasting to the world in English amid terrorized shrieks, or the Gazan women trying their best to go on in the ruins because they have no other choice.

      In the village of Nabi Saleh in the central occupied West Bank, red-tiled roofs of illegal Israeli settlement houses dot the adjacent hilltop. The vast majority of the land in this Area C village is under Israeli military control. Between 2009 and 2016, the villagers organized demonstrations against Israeli settler expropriation of village land and water that were met with fierce and sometimes deadly repression by the Israeli Army.

      “Zania” a young Palestinian mother from Nabi Saleh recounts the time she had to throw her two-year-old daughter out a second-floor window and into the safety of a neighbor’s arms when the Israeli army fired a tear gas canister into her home. For Zania and other Palestinian women, sumud is embodied in the determination to maintain a physical presence on the land—knowing that if they leave, they may never be able to return by their jailers, the Israelis—and the ability to adapt to adverse and ever-worsening conditions:

      “The important thing is to stay in our house, in front of the Israeli soldiers and the occupation,” Zania says. “If we stay in our house it says ‘we are not afraid of your guns.’ We stay in our house, we live a normal life, and ah, this is our fortitude under occupation, this is the important thing.”

      At its core, sumud is existence as resistance. More than a mindset, it is a duty to fulfill the commitment to liberation. It is not blind hope that change will one day come, but an active awareness that only through struggle and solidarity can Palestinian lives be transformed. And Palestinian women have been its torch-bearers. As the intense U.S.-backed Israeli brutality wages on in Gaza, killing tens of thousands of people and displacing millions from their homes, sumud and tarweed remind us that the Palestinian resistance has a long history. Palestinians have resisted imperialist genocide in countless and creative ways and will continue to do so.

      https://breakingthechainsmag.org/women-led-resistance-movements-in-palestine
      #résistance #femmes

    • Reviving Palestinian Tarweedeh in Modern Music

      Preserving Heritage through Tarweedeh in Palestinian Resistance Songs

      Imagine hearing “perlalalafct” and trying to determine its meaning. You might guess “Pearls,” “Pre-effect,” “Blanket,” or “Perfect.” This illustrates the confusion caused by mispronunciation. If you’re learning English and struggle with “perfect,” hearing “perlalalafct” makes understanding impossible. This is similar to the Palestinian Tarweedeh, or “Mwalalala,” where Palestinian women in the late 19th century inserted “lalalala” into Arabic words to confuse British colonizers, despite their knowledge of Arabic.

      Palestinian Tarweedeh, or “Mwalalala,” was developed by Palestinian women in the late nineteenth century. It involves pronouncing Arabic in the Palestinian dialect and inserting “lalalala” in the middle of words, making it harder for British colonizers to comprehend conversations, despite their potential knowledge of Arabic.

      Today, Tarweedeh persists in Palestinian culture, particularly in traditional songs performed at weddings and gatherings, often by female artists. Influenced by the current situation of Israeli settlements and ongoing conflicts, many Arab artists have revived Tarweedeh in their music as a symbol of resistance against occupation. This resurgence has gained popularity, making Tarweedeh a notable trend once again.

      One recent example is Dana Salah’s song “Ya Talie’en,” which combines Arabic poetry with two traditional Palestinian Tarweedeh songs—one originally by Reem Albanna and a traditional song from the late nineteenth century named “Shamali,” meaning “the north.” This blend of languages and musical styles distinguishes Dana’s song, making it both trendy and culturally significant, enhanced by a richly symbolic music video.

      Dana Salah, a Jordanian-Palestinian youth artist born and raised in Amman, continued her education at Duke University and began producing her music in New York City. She embodies hope and solidarity through her music, bringing attention to the enduring cultural heritage of Tarweedeh.X$
      Palestinian Tarweedeh in Modern Resistance Music: A Cultural Revival

      The integration of Tarweedeh into modern resistance music represents both a cultural resurgence and a potent form of political expression. As demonstrated in Asalah Nasri’s latest video clip for “The Natives,” this ancient Palestinian musical style serves as a powerful medium for conveying messages of resistance, pride, and solidarity. This revival has gained popularity because it has touched on some emotional points that were rarely touched before.

      The use of traditional music forms like Tarweedeh in resistance art also attracts international attention, educating global audiences about Palestinian culture and struggles, thereby fostering empathy and support worldwide. Artists like Dana Salah bridge local traditions with global platforms, amplifying the Palestinian voice on the world stage.

      The role of Palestinian Tarweedeh in modern resistance music underscores the enduring power of cultural heritage. By blending ancient art forms with contemporary issues, artists create a layered narrative that resonates deeply with local and global audiences alike. This cultural revival honors the past while empowering present and future generations in their ongoing pursuit of justice and peace.
      “Ya Talaeen”: A Poetic Journey of Nostalgia and Hope

      The song “Ya Talaeen” by Dana Salah blends touching Arabic verses with a heartfelt English chorus, telling a story full of hope, strength, and longing. It came out during a time of regional turmoil and political unrest, capturing the desire of a community for freedom and to go back to their homeland. and draws upon vivid poetic imagery deeply entrenched in Middle Eastern culture. References to mountains, fire, and gazelles evoke themes of strength and passion, resonating with historical narratives of endurance and struggle. These symbolic motifs not only affirm a cultural identity but also foster a sense of unity among listeners through shared heritage.
      Themes of Longing and Resistance

      The lyrics of the song poignantly articulate a profound longing for liberation and justice. Lines such as “From the river to the sea, my people tasted freedom” vividly paint a collective desire to overcome oppression and reclaim sovereignty. The refrain “Hold on, just a little longer, we’re going home” underscores a message of resilience and optimism amidst adversity, striking a chord with those who empathize with struggles for self-determination and dignity.

      During a period marked by heightened political tensions and social movements advocating for human rights, “Ya Talaeen” serves as both a reflection of current realities and a call for change. It embodies the aspirations of a community determined to carve out a better future, urging listeners to envision and actively pursue progress. The song’s release against the backdrop of global movements for justice amplifies its relevance and impact.

      Musically, “Ya Talaeen” seamlessly blends traditional Arabic elements with contemporary influences, creating a melodic tapestry that enhances its lyrical poignancy. The interplay of Arabic verses with an English chorus not only broadens its accessibility but also bridges cultural divides, allowing the song to resonate globally while preserving authenticity. This musical fusion amplifies its emotional resonance, reinforcing themes of unity and solidarity across borders. and that also reflected on the artist herself as an Arab American.
      Cultural Revival through Tarweedeh and its significance

      The incorporation of the Palestinian Tarweedeh style into “Ya Talaeen” signifies a profound cultural revival within modern resistance music. Its adaptation in contemporary music by artists like Dana Salah not only preserves Palestinian heritage but also connects today’s war with a legacy of resilience against oppression. Tarweedeh’s adaptation of “Ya Talaeen” serves multiple purposes, including the coding communication of Tarweedeh and the emotional resonance through The traditional melodies and rhythms of Tarweedeh evoke nostalgia and strengthen emotional bonds within the community, fostering solidarity and unity among listeners. including the symbolic imagery Dana Salah’s accompanying visuals in the song’s video further amplify its message, featuring poignant scenes such as olive trees, Al-Aqsa mosque, and children with rocks against the armor of occupiers, reinforcing its historical and cultural significance. and historical references that resonate with the enduring struggle for justice.
      Contemporary Relevance and Global Impact

      In current resistance movements, music serves as a powerful medium for raising awareness and mobilizing support. The incorporation of Tarweedeh into “Ya Talaeen” educates global audiences about Palestinian culture and its ongoing struggles, fostering international empathy and support. Artists like Dana Salah bridge local traditions with global platforms, amplifying Palestinian voices on the world stage.
      Tarweedeh as a Tool of Resistance

      “Ya Talaeen” outperforms its role as a song; it represents a history of hope, resilience, and cultural pride. Through its lyrics, mixing melodies, and the integration of Tarweedeh, the song encapsulates the aspirations and struggles of a people striving for freedom and justice. Dana Salah’s artistic expression through “Ya Talaeen” not only honors Palestinian heritage but also empowers present and future generations in their quest for justice and peace. It stands as a testament to music’s transformative power to inspire change and unite communities in pursuit of a shared future.

      The integration of Tarweedeh into modern resistance music not only preserves Palestinian cultural heritage but also serves as a potent form of political expression. Artists like Dana Salah and Asalah Nasri continue to bridge local traditions with global platforms, amplifying the Palestinian voice and garnering international support for the Palestinian cause.

      This cultural revival through Tarweedeh underscores the enduring power of heritage in the ongoing struggle for justice and peace in Palestine.

      https://www.youtube.com/watch?v=cmHm8zju41E&t=1s

      https://www.arabamerica.com/reviving-palestinian-tarweedeh-in-modern-music

      –-> References to mountains, fire, and gazelles evoke themes of strength and passion, resonating with historical narratives of endurance and struggle. These symbolic motifs not only affirm a cultural identity but also foster a sense of unity among listeners through shared heritage.

      #montagne #feu #gazelles

  • « Personne n’était au courant » : une bassine construite en catimini en Normandie
    https://reporterre.net/Une-bassine-construite-en-catimini-en-Normandie-Agriculteur-et-maire-il-

    L’agriculteur à l’origine de cette construction se trouve être aussi le maire de la commune.

    Depuis le 14 août, la petite commune de Pierrefitte-en-Cinglais a été placée par la préfecture du Calvados en crise sécheresse, comme tout l’ouest du département. Hasard du calendrier (ou non), Samuel Courvallet, un agriculteur du village, qui en est également le maire (sans étiquette), construit depuis le début de l’été l’une des premières #bassines_agricoles de Normandie. Si le terme mégabassine serait exagéré, l’ouvrage affiche de belles dimensions et permettra de stocker 40 000 m3 d’eau. Un tel bassin est inédit dans la région.

    « On m’a alertée de ce projet de retenue d’eau collinaire, puis nous avons découvert le détail au travers d’un article de presse, explique Aurélie [1], paysanne maraîchère dans une commune voisine. Dans le reportage, il est notamment dit qu’il n’y a pas eu de problème de concertation et que ce serait pour arroser des pommiers. En fait, personne n’était au courant et les pommiers sont des arbres qui vivent bien en Normandie, sans besoin particulier d’eau. À l’heure actuelle, des maraîchers sont en train de perdre leur récolte ici ! »

    [...]

    C’était avant que cinq associations environnementales [2] n’adressent un courrier à la Direction départementale des territoires et de la mer (DDTM), à l’Office français de la biodiversité, au préfet et au procureur de la République de Caen, questionnant la légalité même du chantier, le 7 août. Le document, que Reporterre a pu consulter, dénonce plusieurs « infractions majeures urgentes » au Code de l’environnement et demande une intervention rapide des services de l’État pour stopper le chantier.

    En clair, les volumes des travaux seraient déclarés sous leur taille réelle, échappant ainsi à davantage de contraintes administratives. « Il a tout faux, sa demande est sous-dimensionnée, assure Christian Michel, du Groupement régional des associations de protection de l’environnement. Dans la notice d’incidence du projet, le barrage est notamment annoncé à 10,8 m de haut, cela ne correspond pas au statut demandé de ses travaux. » Contactées, la DDTM et la préfecture n’ont pas donné suite aux sollicitations de Reporterre.

    #eau_douce #Code_de_l’environnement #agriculture

  • #codeberg bans hosting ‘mostly’ AI-generated code
    https://www.omgubuntu.co.uk/2026/07/codeberg-bans-ai-generated-code

    Codeberg, the nonprofit alternative to GitHub used to host FLOSS projects, will no longer host software that’s “mostly” AI-generated. A vote closed yesterday (22 July, 2026), passing 358 to 144 with 14 abstentions on roughly 50% turnout to stop hosting software that’s largely vibe-coded. A second motion, also passed, commits Codeberg to never training AI models on hosted code or user data. Not that it was ever likely to. A Terms of Use amendment now prohibits projects that “mostly consist of code written by” generative AI tools. In a blog post, Codeberg explains the economic need for a ban, explaining […] You’re reading Codeberg bans hosting ‘mostly’ AI-generated code, a blog post from OMG! Ubuntu. Do not reproduce elsewhere without permission.

    #News #AI/ML

  • Protecting our #FLOSS commons from LLMs — Codeberg News
    https://blog.codeberg.org/protecting-our-floss-commons-from-llms.html

    In Brief:

    – Two motions regarding “#artificial_intelligence” and Large Language Models (#LLMs) were voted on among Codeberg e. V. members and passed.
    – We are promising to not use any of your data to train #LLM and explain what the planned Terms of Use change mean for ’#vibe-coded' projects.
    – We believe that LLMs endanger the free/libre software #ecosystem as a whole.

    The #Codeberg e. V. annual assembly is the meeting that puts power into the hand of our active members. Proposals are discussed live, and later voted on asynchronously.

    Since Large Language Models (LLMs) are an emerging but controversial technology, it is not surprising that two of the votes were concerned with Codeberg’s position about this technology. The 14-day voting period ended yesterday and both proposals were accepted.

  • E.W.Dijkstra Archive: On the foolishness of “#natural_language #programming”. (EWD 667)
    https://www.cs.utexas.edu/~EWD/transcriptions/EWD06xx/EWD667.html

    Since the early days of #automatic #computing we have had people that have felt it as a shortcoming that programming required the care and accuracy that is characteristic for the use of any formal symbolism. They blamed the mechanical slave for its strict obedience with which it carried out its given instructions, even if a moment’s thought would have revealed that those instructions contained an obvious mistake. “But a moment is a long time, and thought is a painful process.” (A.E.Housman). They eagerly hoped and waited for more sensible machinery that would refuse to embark on such nonsensical activities as a trivial clerical error evoked at the time.

    #Machine #code, with its absence of almost any form of #redundancy, was soon identified as a needlessly risky interface between man and machine. Partly in response to this recognition so-called “high-level programming languages” were developed, and, as time went by, we learned to a certain extent how to enhance the protection against silly mistakes. It was a significant improvement that now many a silly mistake did result in an error message instead of in an erroneous answer. (And even this improvement wasn’t universally appreciated: some people found error messages they couldn’t ignore more annoying than wrong results, and, when judging the relative merits of programming languages, some still seem to equate “the ease of programming” with the ease of making undetected mistakes.) The (abstract) machine corresponding to a programming language remained, however, a faithful slave, i.e. the nonsensible automaton perfectly capable of carrying out nonsensical instructions. Programming remained the use of a formal symbolism and, as such, continued to require the care and accuracy required before.

  • LinguaCelta: The Community is the Achievement; the Achievement is the Community
    https://linguacelta.com/blog/2026/05/LLMs.html

    The Community is the Achievement; the Achievement is the Community
    18 May 2026

    An ethical love-letter to distributed technology communities.

    Talking to techies

    This essay is explicitly addressed to my fellow technologists: #software #developers, hobby #coders, digital #humanists, #computer #science theorists, and all the other members of this big family of people who do tech. That doesn’t mean that what I write here can’t be of interest to anyone else (I’ll be very flattered if it’s of interest to anybody, tbh!). But the argument I’ll make is based on the idea that you and I share a community.

    I want to talk about our community, and why it’s important. I want to suggest that using #LLMs to generate content to be included in technology projects, whether that’s code or text or images, or code reviews or proofreading, harms our shared community.

  • La turbata libertà degli incanti in contesti estorsivi camorristici
    https://informareonline.com/la-turbata-liberta-degli-incanti-in-contesti-estorsivi-camorristici

    Tra le fattispecie che più frequentemente si prestano ad essere lette in chiave di penetrazione camorristica nel settore economico-amministrativo, l’art. 353 c.p. occupa un posto di particolare rilievo. Dispone, infatti, la norma in questione che chiunque, mediante violenza o minaccia oppure con promesse o collusioni, altera la regolarità di un incanto è punito con la […] L’articolo La turbata libertà degli incanti in contesti estorsivi camorristici proviene da Informareonline, scritto da #maurizio_giordano

    #Approfondimenti #Attualità #Magazine_Giugno_2026 #Rubriche #Camorra #codice_penale

  • La #justice française valide la #saisie d’une #villa appartenant à des oligarques russes sur la Côte d’Azur, confortant sa stratégie #antiblanchiment

    La cour d’appel de Paris vient de confirmer que la complexité de montages dissimulant l’identité du propriétaire russe d’une villa à #Saint-Jean-Cap-Ferrat, dans les Alpes-Maritimes, justifiait la saisie du bien.

    La décision était très attendue des enquêteurs et magistrats financiers impliqués dans la traque des #biens_immobiliers russes financés ou détenus de manière douteuse en France. Selon les informations du Monde, confirmées de source judiciaire, la chambre de l’instruction de la cour d’appel de Paris a reconnu en avril le bien-fondé de la saisie pénale en octobre 2022 d’une villa d’oligarque sur la Côte d’Azur, quelques mois après l’invasion russe en Ukraine.

    La justice s’interroge sur une opération de blanchiment impliquant l’ancien ministre russe de l’industrie (2004-2012) #Viktor_Khristenko. Avec son épouse, #Tatiana_Golikova, actuelle vice-présidente du gouvernement russe, ils sont tous deux « soupçonnés de disposer d’un important #patrimoine_occulte, notamment immobilier, en Espagne, au Portugal et en France », selon l’ordonnance de saisie de l’époque qui était contestée. Sollicités, ni l’un ni l’autre n’ont répondu au Monde.

    Ce portefeuille immobilier comprend notamment la #villa_Maïgrana, une propriété luxueuse avec piscine en bord de Méditerranée, sur la presqu’île de Saint-Jean-Cap-Ferrat (Alpes-Maritimes), qui a été la première saisie par la justice dans le contexte de la guerre en Ukraine. Sur la vingtaine d’autres procédures françaises ouvertes par le parquet de Paris après l’invasion russe, une petite dizaine de dossiers ont également conduit à des saisies d’avoirs russes sur le territoire national et en Europe, pour une valeur totale de près de 1 milliard d’euros.

    Hommes de paille et coquilles vides

    Toutes ces enquêtes, désormais entre les mains du nouveau #Parquet_national_anticriminalité_organisée, reposent sur la présomption de blanchiment. Cet instrument juridique du #code_pénal retourne contre ses auteurs la grande complexité de certains schémas d’acquisition et de détention de #biens_immobiliers et permet de présumer l’infraction de #blanchiment_d’argent, dès lors que le montage n’aurait aucun autre but que de dissimuler l’origine des fonds ou l’identité du propriétaire. Charge alors au mis en cause de prouver que l’argent n’est pas sale. Avec sa décision, la cour d’appel de Paris valide le raisonnement adopté.

    En la matière, la vente de la #villa_Maïgrana est un cas d’école. L’agence de renseignement financier Tracfin alerte la justice au cours de l’été 2022 sur une transaction suspecte réalisée début mars, juste après l’invasion russe en Ukraine. La propriété est vendue pour 23 millions d’euros par la société suisse qui la détient, #Corram SA, chapeautée par une structure offshore au Panama.

    Mais la banque de Corram SA, au Liechtenstein, refuse de recevoir le virement. L’argent reste donc entre les mains du notaire malgré d’autres tentatives de paiement vers l’Espagne, les Emirats arabes unis et le Monténégro. La frilosité des banques semble s’expliquer par le contexte de la guerre en Ukraine qui vient d’éclater et le profil du propriétaire de la société et du vendeur. En remontant le fil de l’actionnariat de Corram SA, qui n’a cessé de changer, les enquêteurs sont d’abord tombés sur une société offshore au Panama dont les actionnaires sont des hommes de paille et ont pu mettre au jour des flux financiers suspects impliquant des structures basées à Chypre et dans les îles Vierges britanniques.

    17,2 millions d’euros également saisis

    En France, le bénéficiaire ultime de la villa déclaré auprès de l’administration fiscale est officiellement un Russe, Sergey P., mais « plusieurs éléments permettent de douter de la réalité de cette qualité », estime la justice qui rappelle qu’il a été « employé dans une entreprise détenue par [le magnat russe] #Vadim_Shvetsov, gendre de [l’ex-ministre] Viktor Khristenko ». Ce dernier serait le véritable propriétaire de la société suisse, et donc de la villa. Des sociétés auxquelles il a été lié directement ou par le biais de son entourage apparaissent comme financièrement associées à Corram SA, qui a notamment reçu 4,7 millions d’euros sous la forme de prêts, jamais remboursés.

    Les enquêteurs ont également découvert avec surprise que derrière l’entrelacs d’entités russes et chypriotes, la société acheteuse de la maison, la SCI française #Summer_Estate, « était détenue, in fine, par Viktor Khristenko, puis par #Vladimir_Khristenko, son fils ». Viktor Khristenko et son entourage se retrouvent donc à la fois derrière l’achat et la vente de la villa, dans une « opération de transfert de propriété qui présentait un caractère circulaire ».

    L’objectif aurait pu être de faire disparaître la sulfureuse société suisse et la structure actionnaire au Panama. C’est pour cette raison que la justice a également saisi, outre la villa, une partie – 17,2 millions d’euros – de la somme totale versée par Summer Estate et qui devait revenir à Corram SA.

    « En faisant intervenir des sociétés-écrans et des comptes offshore liés à Viktor Khristenko », tous ces « montages sophistiqués (…) paraissent ne pas avoir de justification », retient la cour, si ce n’est de « dissimuler à l’administration fiscale l’origine des fonds ayant financé l’acquisition initiale de la villa Maïgrana ainsi que le bénéficiaire économique de la vente ».

    « Mécanisme illégal »

    Contactée, Jacqueline Laffont-Haïk, avocate de Summer Estate, note que « les investigations dureraient depuis quatre ans environ, sans que la défense ait pu avoir accès au dossier (…) et reposent entièrement, non pas sur les preuves d’une infraction, mais sur un mécanisme de présomption. Ce mécanisme apparaît, en l’espèce, illégal et inconstitutionnel ».

    Les avocats Sofia Bougrine et Mathias Chichportich répondent, eux, que Corram SA « a transmis à la justice l’ensemble des éléments qui attestent que cette vente a respecté toutes les règles civiles et fiscales applicables ».

    Les deux sociétés ont formé un pourvoi. La Cour de cassation aura l’occasion d’étoffer sa jurisprudence qui, jusqu’ici, a largement conforté l’application de la présomption de blanchiment. Elle a même refusé, à plusieurs reprises, de transmettre des questions prioritaires de constitutionnalité, estimant que l’article du code pénal critiqué ne portait atteinte ni aux droits de la défense ni au droit à un recours effectif.

    La cour d’appel de Paris devra se prononcer sur les autres saisies. Avant, peut-être un jour, la tenue de procès et la confiscation définitive des biens.

    https://www.lemonde.fr/les-decodeurs/article/2026/05/28/la-justice-conforte-sa-strategie-antiblanchiment-en-validant-la-saisie-d-une
    #blanchiment_d'argent #confiscation #confiscation_de_biens

    via @reka

  • Kein Gesetz, aber Kameras : Großbritannien überwacht Proteste per Gesichtsscan
    https://www.telepolis.de/article/Kein-Gesetz-aber-Kameras-Grossbritannien-ueberwacht-Proteste-per-Gesichtss

    Polizei und eine Menschenmenge mit Fahnen bei einer Demonstration, Symbolbild, Bild : Sean Aidan Calderbank / Shutterstock.com

    Sous la common law tout est possible pour l’exécutif ce qui n’est pas interdit et semble plausible aux chefs d’administration. Au Royaume Uni on pratique alors la surveillance biométrique sans bornes. La Grande Bretagne s’en sert pour défendre le pouvoir de la classe capitaliste sur le prolétariat et les autres classes soumises par le régime capitaliste libéral.

    Dans les parties de l’Europe capitaliste où chaque acte et décision administrative a besoin d’une autorisation expresse dans la loi (régimes du code civil et d’ume manière plus conséquente de la BGB allemande) il n’y a donc plus que la « pauvreté » de l’état et quelques lois éphémères qui nous protègent contre l’introduction d’une dictature de surveillance ouverte par les sbires de la classe au pouvoir. La lutte pour notre liberté continue.

    26.5.2026 von Bernd Müller - Die Met Police scannt Gesichter bei einer Großdemo – ohne Gesetz, ohne Parlamentsvotum. Eine Premiere mit Signalwirkung für ganz Europa.

    Wer an diesem Samstag im Londoner Stadtteil Camden unterwegs ist, wird von der Polizei biometrisch erfasst. Nicht weil er verdächtig wäre, sondern weil er sich in der Nähe einer politischen Demonstration aufhält.

    Die Metropolitan Police setzt dort erstmals Live-Gesichtserkennung (Live Facial Recognition, LFR) im Rahmen einer Demonstration ein – ein Novum in der britischen Polizeigeschichte.

    Anlass ist die „Unite the Kingdom“-Kundgebung, organisiert vom rechten Aktivisten Stephen Yaxley-Lennon, laut AP News besser bekannt als Tommy Robinson. Die Polizei erwartet rund 50.000 Teilnehmer.

    chzeitig demonstrieren am selben Tag geschätzt 30.000 Menschen beim jährlichen Nakba-Gedenkmarsch. LFR-Kameras sucht man dort vergeblich.

    Die Met begründet den selektiven Einsatz mit Geheimdiensterkenntnissen, wonach von Teilen der „Unite the Kingdom“-Teilnehmer eine Gefahr für die öffentliche Sicherheit ausgehe.

    Wie Deputy Assistant Commissioner James Harman in einem Briefing erklärte, werde man die „durchsetzungsstärkste mögliche Nutzung unserer Befugnisse“ anwenden. Neben den biometrischen Kameras sind 4.000 Polizisten, Drohnen, gepanzerte Fahrzeuge, Helikopter und Hundestaffeln im Einsatz – Kosten: rund 4,5 Millionen Pfund. Laut ersten Berichten vom Einsatztag gab es bis zum Nachmittag mindestens 11 Festnahmen (Sky News Live-Blog)..

    Reform-UK-Chef Nigel Farage sprach von einer „Schande“: Es werde mit zweierlei Maß gemessen, wenn patriotische Briten anders behandelt würden als der pro-palästinensische Marsch.
    Von der Einkaufsstraße zur Demonstration

    Der Einsatz bei einer Demonstration fällt nicht vom Himmel. Zwei Tage zuvor hatte die Met die Ergebnisse eines sechsmonatigen Pilotprojekts in Croydon veröffentlicht, das die Richtung vorzeichnet.

    Dort montierte die Polizei erstmals LFR-Kameras an Laternenmasten statt in auffälligen Einsatzwagen. Die statischen, ferngesteuerten Kameras überwachten von Oktober 2025 bis März 2026 die Haupteinkaufsstraße.

    Über 470.000 Gesichter wurden gescannt, 173 Personen festgenommen – rechnerisch eine Festnahme alle 35 Minuten laut Met-Statistik. Die Polizei meldete einen Kriminalitätsrückgang von 10,5 Prozent, bei Gewalt gegen Frauen und Mädchen sogar 21 Prozent.

    Lindsey Chiswick, die nationale LFR-Verantwortliche der Met, nannte die Technologie ein „äußerst wirkungsvolles Instrument, wenn es sorgfältig, offen und an den richtigen Orten eingesetzt wird“.

    Was sie nicht erwähnte: 99,96 Prozent der biometrisch erfassten Passanten hatten mit keiner Straftat etwas zu tun. Pro Festnahme wurden die Gesichter von rund 2.717 unbeteiligten Personen gescannt und mit Fahndungslisten abgeglichen.
    Kein Gesetz, keine Debatte – aber Kameras an Laternenmasten

    Der Wechsel von mobilen Einsatzwagen zu fest installierter Infrastruktur verschiebt das Machtgefälle erheblich.

    Ein Polizeifahrzeug ist sichtbar, temporär und erfordert Personal vor Ort. Kameras an Laternenmasten fügen sich in das Stadtbild ein und lassen sich per Fernzugriff aktivieren, wann immer Beamte es für nötig halten.

    Das britische Parlament hat nie über den Einsatz von Live-Gesichtserkennung abgestimmt. Kein Gesetz regelt deren Nutzung explizit. Die Polizei stützt sich auf allgemeines Polizeirecht, eigene Abwägungen zu Menschenrechten und selbst verfasste Richtlinien.

    Im April 2026 scheiterten Bürgerrechtler vor dem High Court mit einer Klage gegen die Met-Praxis. Met-Commissioner Sir Mark Rowley feierte das Urteil als „bedeutenden Sieg für die öffentliche Sicherheit“.

    Die britische Datenschutzaufsicht ICO warnt derweil vor „rechtlichen Risiken“, wenn LFR bei Protesten eingesetzt wird.

    In einer Stellungnahme vom April 2025 hatte die Behörde betont, dass der Einsatz „notwendig und verhältnismäßig“ sein müsse und besonders in sensiblen Kontexten strenge Datenschutz-Folgenabschätzungen erfordere.
    Abschreckung als Kollateralschaden

    Bürgerrechtsorganisationen wie Big Brother Watch sehen in der Kombination aus massivem Polizeiaufgebot, LFR, Drohnen und erweiterten Befugnissen nach dem Public Order Act eine Militarisierung der Protestpolizei.

    Ihr Kernargument: Wer weiß, dass sein Gesicht bei einer Demonstration erfasst und mit Polizeidatenbanken abgeglichen wird, überlegt sich zweimal, ob er hingeht. Dieser sogenannte Chilling Effect trifft Minderheiten besonders hart – Communities, die ohnehin überproportional häufig Polizeikontakten ausgesetzt sind.

    Für deutsche Beobachter ist der Fall aufschlussreich. Hierzulande beschränkten sich Versuche mit automatisierter Gesichtserkennung bislang auf eng gefasste Pilotprojekte wie den Test am Berliner Bahnhof Südkreuz 2017/2018 – mit freiwilligen Teilnehmern und ohne Einsatz bei Versammlungen. DSGVO und Versammlungsrecht setzen hohe Hürden.

    Doch Londons Weg vom Pilotversuch auf der Einkaufsstraße über permanente Laternenmasten-Kameras bis zur biometrischen Erfassung von Demonstranten zeigt, wie schnell sich Grenzen verschieben, wenn gesetzliche Leitplanken fehlen.

    Premierminister Keir Starmer besuchte am Freitag die Einsatzzentrale der Met und erklärte: „Wir kämpfen um die Seele dieses Landes.“ Die Frage ist, ob die biometrische Totalerfassung politischer Teilnahme zu dieser Seele dazugehört.

    #Europe #surveillance biométrique #capitalisme #lutte_des_classes #common_law #code_.napoléon #code_civil #BGB #Bürgerliches_Gesetzbuch

  • Ubuntu confirms the 26.10 #codename, and it sounds strange…
    https://www.omgubuntu.co.uk/2026/04/ubuntu-26-10-codename-confirmed

    Ubuntu has announced the codename for #Ubuntu_26.10 is… “Stonking Stingray”. As codenames go it’s certainly unique. The distro gives each release a codename has an alliterative pairing of adjective and animal, the latter of which becomes the release mascot. The tradition dates back to the first Ubuntu release in 2004 (dubbed ‘Warty Warthog’). Ubuntu 26.04 LTS was ‘Resolute Raccoon’, making ‘s’ the next letter alphabetically, and ‘Stonking Stingray’ was the distro’s standout choice. But what does it mean? Stonking is a strange choice as (to my knowledge) it’s mainly used here in the UK as an informal term for […] You’re reading Ubuntu confirms the 26.10 codename, and it sounds strange…, a blog post from OMG! Ubuntu. Do not reproduce elsewhere without permission.

    #News

  • AI Code is Hollowing Out #Open_Source, and Maintainers are Looking the Other Way
    https://www.quippd.com/writing/2026/04/08/ai-code-is-hollowing-out-open-source-and-maintainers-are-looking-the-other-w

    TL;DR: The advent of #AI based, #LLM coding applications like #Anthropic’s #Claude and #ChatGPT have prompted maintainers to experiment with integrating LLM #contributions into open source #codebases.

    This is a fast path to open source irrelevancy, since the US #copyright office has deemed LLM outputs to be #uncopyrightable. This means that as more uncopyrightable LLM outputs are integrated into nominally open source codebases, value leaks out of the project, since the open source #licences are not operative on #public_domain code.

    That means that the public domain, AI generated code can be reused without attribution, and in the case of #copyleft licences - can even be used in closed source projects.

    Longue discussion sur la façon dont l’IA est utilisée pour contourner les licences libres.

  • Benoît Hartenstein : le notaire lorrain qui veut sauver les arbres
    https://www.radiofrance.fr/franceinter/podcasts/carnets-de-campagne/carnets-de-campagne-du-jeudi-26-mars-2026-2744995

    INTERVENANT 01 :

    Vous appartenez, vous en avez parlé, à un groupe de travail qui réfléchit aux façons d’améliorer la loi pour mieux protéger les arbres, un groupe de travail qui compte des juristes, des avocats, des élus, des chercheurs, spécialistes de l’arbre, des associations de défense de l’environnement aussi, pourquoi les arbres vous semblent-ils maltraités par la loi, maître ?

    03:46
    INTERVENANT 02 :

    Alors ils sont maltraités et déconsidérés parce qu’en fait en France encore aujourd’hui, les arbres ce sont de simples objets juridiquement, voyez-vous et moi et nos auditeurs, ce sont des humains, des sujets de droit, mais tout le reste est un objet de droit qui est vu uniquement sous l’angle du droit de propriété, donc alors que c’est un être vivant, on le déconsidère complètement, il est globalement tributaire du propriétaire du terrain, il y a quelques rares lois encore largement imparfaites pour le protéger, donc en fait
    notre droit n’est pas du tout à la hauteur de la réalité biologique, il est dépassé, poussiéreux, et à ce niveau-là, il a vraiment besoin d’être mis à jour.

    ...

    Les enjeux de sécurité, bien sûr, et le droit de propriété, donc c’est un exercice très difficile auquel on s’est confronté à une quarantaine de personnes, et on est un groupe pluridisciplinaire, ce qui fait notre richesse, il y a beaucoup de scientifiques qui connaissent les arbres, nous juristes, on peut, au niveau du droit, montrer les carences et faire des propositions, donc voilà, c’est vraiment un sujet d’intérêt général qui transcende les partis, et comme on dit, le parti des arbres* (*et non « le parti des armes » !!! ) n’est pas un parti, donc on a bon espoir pour que cette proposition soit entendue, on est même en contact avec des sénateurs, des députés, donc on est optimistes.

    ...

    Et pour vous dire, comme les notaires ont un rôle important et le prennent, au Congrès des notaires de France, le 120e à Bordeaux, j’y étais, on a adopté un vœu, notamment, que dans le code civil, que les arbres sont reconnus comme des êtres vivants, et ça, ça peut enclencher beaucoup de mouvements de réflexion pour justement aller vers une reconnaissance et une préservation des <strike>armes</strike> arbres en ville, principalement, parce que nous, on a touché au droit, mais pas le droit forestier, vous voyez, on a vraiment synthétisé pour la préservation de nos arbres de compagnie, comme on dit, autour de nous.

    #radio #arbres #protection_juridique #code_civil #forêt #sanctuariser #cimetière_forestier #inhumation

  • Scandale #GitHub #Copilot : #Microsoft injecte de la #pub dans votre #code
    https://goodtech.info/github-copilot-publicite-pull-requests-scandale-adware

    C’est la goutte d’eau qui fait déborder le vase du côté des développeurs sur Github ce mardi matin. Zach Manson, un ingénieur logiciel, vient de lever le lièvre sur une pratique pour le moins douteuse : GitHub Copilot, l’outil phare de Microsoft, s’est permis de modifier le descriptif d’une #Pull_Request (#PR) pour y injecter de la #publicité non sollicitée.

    Microsoft Copilot is now injecting ads into pull requests on GitHub - Neowin
    https://www.neowin.net/news/microsoft-copilot-is-now-injecting-ads-into-pull-requests-on-github-gitlab

    Over 1.5 million GitHub pull requests have had ads injected into them by Microsoft Copilot’s #coding_agent.

    Nous vivons dans une #dystopie de série B.

  • The Future of #AI Should #Serve #People, Not #Platforms - The Liquid Frontier
    https://theliquidfrontier.leaflet.pub/3mi5pwkoqx22g

    (...)

    The first thing we’ve built is an app called #Attie, named after the #AT_Protocol. Attie is an #agentic #social #app and custom #feed builder. It feels more like having a conversation than configuring software. You describe the sort of posts you want to see, and the #coding #agent builds the feed you described. Attie lives as a separate app, and using it is entirely your choice. #Bluesky will continue to evolve as a social app millions of people rely on. Attie will be where we experiment with agentic social.

    (...)

    Les bluskynautes sont donc officiellement de la chair à IA.

  • Claude is limiting usage more aggressively during peak hours — here’s what changed
    https://www.techradar.com/ai-platforms-assistants/claude/claude-is-limiting-usage-more-aggressively-during-peak-hours-heres-what-c

    It’s all about managing peak times

    #Claude now burns through your 5-hour usage limits faster during weekday peak hours (5am–11am PT )
    – The change wasn’t formally announced — it surfaced via an #engineer’s post on X
    – Your weekly limits haven’t changed, but when you use Claude matters more now than ever

    #IA #AI #code

    Un signal faible de plus :
    https://seenthis.net/messages/1165001

  • #Adults Lose #Skills to #AI. #Children Never Build Them.
    https://www.psychologytoday.com/us/blog/the-algorithmic-mind/202603/adults-lose-skills-to-ai-children-never-build-them

    #AI-driven #cognitive #atrophy is recoverable. Cognitive #foreclosure may not be.

    Posted March 22, 2026 | Reviewed by Devon Frye

    Key points

    – Adults who #offload #thinking to AI lose capacity they built. Children may never build it at all.
    – When #students #process #information through the same model, the result may be similar minds.
    – Auditing AI output requires expertise the #child is still supposed to be developing.
    – In a study, #developers who delegated #coding to AI produced working #code but failed #conceptual #understanding.

  • I’m concerned about LLM code in curl and would like to suggest a code ban (please note this doesn’t concern LLM-based code reviews) · curl/curl · Discussion #20972 · GitHub
    https://github.com/curl/curl/discussions/20972

    I’m concerned about #generative #AI #LLM #code in #curl, including AI auto completion use in editors, and I’m wondering whether the project should adopt a policy to ban it. Please note this doesn’t involve “passive” uses of generative AI where no output of the AI is committed into the code base and potentially “tainting” the code base, e.g. having the AI comment on potential issues with a commit using natural language.

    Avec une réponse de badger/Daniel.

    • Curl ont été les premiers à se rendre compte de la misère que peut apporter les détections de faille de sécurité dans leur code.

      Comme ils sont présents sur des plateformes de détection de faille contre rémunération, ça attire de nombreux opportunistes, qui utilisent totalement l’IA. Et ca a donné naissance à de fausses detection, carrément hilarantes.

      Action A = totalement de la merde
      Action B = utiliser curl
      Conclusion = curl fait de la merde.

      Tellement risible.

  • Zen of AI Coding - Nonstructured
    https://nonstructured.com/zen-of-ai-coding

    - Software development is dead
    – Code is cheap
    – Refactoring easy
    – So is repaying technical debt
    – All bugs are shallow
    – Create tight feedback loops
    – Any stack is your stack
    – Agents are not just for coding
    – The context bottleneck is in your head
    – Build for a changing world
    – When considering Buy vs. Build, the answer, more often, is build
    – Fast rubbish is still rubbish
    – Software is a liability, a product is an asset
    – Moats are more expensive
    – Build for agents
    – Anticipate modes of failure

    Alors, tu vois, maintenant, tu arrêtes tout, et tu laisses faire les machines.

  • The end of the science as we know it
    https://www.youtube.com/watch?v=PctlBxRh0p4

    Cool Worlds Podcast

    Conversations between Professor David Kipping and guests, spanning astronomy, technology, science and engineering. This is the official podcast of the Cool Worlds Lab at Columbia University and their popular YouTube channel ”Cool Worlds”. Podcast episodes are filmed and can be found online through our YouTube channels.
    Links

    Cool Worlds Website
    https://www.coolworldslab.com

    #intelligence_artificielle #science #IA #astrophysique #publication #communication #coding #refactoring #code_informatique #recherche

  • [2601.15494v1] Vibe Coding Kills Open Source
    https://arxiv.org/abs/2601.15494

    #Generative_AI is changing how software is produced and used. In vibe coding, an #AI #agent builds software by selecting and assembling #open-source software (#OSS), often without users directly reading documentation, reporting bugs, or otherwise engaging with maintainers. We study the equilibrium effects of #vibe_coding on the OSS ecosystem. We develop a model with endogenous entry and heterogeneous project quality in which OSS is a scalable input into producing more software. Users choose whether to use OSS directly or through vibe #coding. Vibe coding raises #productivity by lowering the cost of using and building on existing code, but it also weakens the #user_engagement through which many maintainers earn returns. When OSS is #monetized only through direct user engagement, greater adoption of vibe coding lowers entry and sharing, reduces the availability and quality of OSS, and reduces welfare despite higher productivity. Sustaining OSS at its current scale under widespread vibe coding requires major changes in how maintainers are paid.

    #oups