company:vimeo

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odilon @odilon CC BY-NC-ND 26/03/2019

Electoral Interference: USA vs USSR/Russia on Vimeo
▻https://vimeo.com/319490133
The map displays known instances of U.S. and Soviet/Russian electoral interference from 1946 through 2000.
The underlying data comes from:
Dov H. Levin 2016. “Partisan Electoral Interventions by the Great Powers: Introducing the PEIG Dataset” Conflict Management and Peace Science Early View. The dataset is available by request: dovhlevin.com/datasets
The audio includes speeches from:
– Harry Truman, “A Public Man Must Live in the Present” (1955)
– Ronald Reagan, “Evil Empire” speech (1983)
– George H.W. Bush in response to shoot-down of Iranian passenger flight by US Navy (1988)
Visualization by Will Geary. Made with code using Processing.
#élection #de_quoi_j'me_mêle #visualisation
- #Vimeo
odilon @odilon CC BY-NC-ND
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Reka @reka CC BY-NC-SA 13/03/2019

Denise Scott-Brown: An African Perspective. Interviewed by Jochen Becker (metroZones) on Vimeo
▻https://vimeo.com/312749292
https://i.vimeocdn.com/filter/overlay?src0=https%3A%2F%2Fi.vimeocdn.com%2Fvideo%2F753886985_1280x720.jpg&src1=https%3A%2F%2Ff.vimeocdn.com%2Fimages_v6%2Fshare%2Fplay_icon_overlay.png
The video discusses Denise Scott-Brown’s »African Perspective«: Born in Northern Rhodesia (now Sambia) and grown up in Johannesburg, she entered the London and US-American scene of urban research, architecture and social engagement with a different view. Parts of her family have been Baltic jews, other parts have been strong followers of British colonial rules and the South African Apartheid-state.
The interview, taken at her Philadelphia home which she shares with her professional partner and husband Robert Venturi (who died 2018), was part of a research on their methods of artistic driven urban cultural research on Las Vegas, by us applied on the »Religious Strip« of Prayer Camps along a highway north of Lagos/Nigeria.
More on that you will find in the contributions by Jochen Becker as well as the artists Sabine Bitter/Helmut Weber in the publication »Global Prayers - Contemporary Manifestations of the Religious in the City«, edited by Jochen Becker, Katrin Klingan, Stephan Lanz and Kathrin Wildner.
The original conversation took almost a day until dawn and the video storage was finally exhausted. We want to thank Denise Scott Brown as well as Robert Venturi for that wonderful day.
#architecture #urban_matter
- #Vimeo
Reka @reka CC BY-NC-SA
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Joséphine Crabe @josephine2 CC BY-NC-SA 9/02/2019

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#Counter_Mapping on Vimeo
▻https://vimeo.com/265994601
Jim Enote, a traditional #Zuni farmer and director of the A:shiwi A:wan Museum and #Heritage Center, is working with Zuni artists to create #maps that bring an indigenous voice and perspective back to the land, countering Western notions of place and geography and challenging the arbitrary borders imposed on the Zuni world.
#IndigenousMaps #Cartography #CounterCartography #Decolonialism #TheStoryWeTell
- #Vimeo
Joséphine Crabe @josephine2 CC BY-NC-SA
- CDB_77 @cdb_77 9/02/2019
  
  v. aussi :
  ▻https://seenthis.net/messages/754603
  
  CDB_77 @cdb_77
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Hacker Noon @hackernoon CC BY-SA 6/02/2019

How to Build Your Own Video Sharing App (like #youtube)
▻https://hackernoon.com/how-to-build-your-own-video-sharing-app-like-youtube-f88d234e7bd9?source
https://cdn-images-1.medium.com/max/800/1*5tInCLyrwLR7g3pdqXlN8A.gif
video sharing“YouTube topped with the net worth of $40 billion which is more valuable than any other video sharing websites.”You might have heard the sentence “The massive respiratory of any video content where it is originated was YouTube”. 90% of the world’s video content redistributed to other channels are from YouTube. From entertaining #videos to educational, from White House press release to online worships, YouTube has been the destination of video content.A Wide View on Video Sharing Sites and YouTube’s Monopoly Towards Video Content MarketAs time passes, the value of video sharing websites like YouTube, Vimeo & Netflix is towering its net worth rate due to the trend that is popularizing. It is significantly noticeable that Youtube has taken over the world of video sharing industry (...)
#video-sharing-app #video-sharing #build-video-sharing-app

Hacker Noon @hackernoon CC BY-SA

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jean michel @tintin 30/01/2019

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The Sound of Drowning on Vimeo
►https://vimeo.com/314213169
THE SOUND OF DROWNING
Poem Written and Performed by Amyra León
Featuring Amyra León and Queen G.C.M.H.
Directed by Renee Mao
Cinematography by Alex Levin
- #Vimeo
jean michel @tintin
- jean michel @tintin 30/01/2019
  
  #poésie
  
  jean michel @tintin
- Dror@sinehebdo @sinehebdo 31/01/2019
  
  C’est ça que tu voulais poster ?
  The Sound of Drowning
  Renee Mao, Vimeo, le 12 septembre 2018
  ▻https://vimeo.com/289579623
  ou ça :
  (Nous attendons) La Fin De Leur Monde
  La Fin de leur Monde, Vimeo, le 30 janvier 2019
  ►https://vimeo.com/314213169
  
  Dror@sinehebdo @sinehebdo
- jean michel @tintin 12/02/2019
  
  la prem’s, j’avais pas vu que ça a disparu, merci
  
  jean michel @tintin
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klaus++ @klaus 14/12/2018

American Holocaust of Native American Indians (FULL Documentary) on Vimeo
▻https://vimeo.com/34893835
initialement découvert ici : ►https://seenthis.net/messages/336319
#USA #american_holocaust
- #Vimeo
klaus++ @klaus
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Hacker Noon @hackernoon CC BY-SA 12/12/2018

Is a billion-dollar opportunity “hogging” your bandwidth?
▻https://hackernoon.com/is-a-billion-dollar-opportunity-hogging-your-bandwidth-b0c08eecdc0c?sour
https://cdn-images-1.medium.com/max/1024/1*vBzOip_DDc0FE5fNge61MQ.jpeg
By Joseph FlahertyYesterday, VentureBeat reported that more than 50 billion hours of video games were watched on YouTube in 2018, roughly the same amount of time spent binge-watching the entire Netflix catalog.It’s an extraordinary number and reflects a massive generational shift in pop culture preferences, but what’s even more interesting is how unlikely it seemed a decade ago when the major online video platforms were hostile to video game uploads.In 2008, Vimeo banned video game uploads — outright. In retrospect, this might have been a company defining decision. YouTube hadn’t yet achieved breakout success with the “Lazy Sunday” clip from Saturday Night Live, and was just one of many viable video hosts. Picking up on the popularity of gaming might have changed Vimeo’s trajectory. To be fair, (...)
#technology #esport #venture-capital #entrepreneurship #startup
- #Netflix
- #VentureBeat
Hacker Noon @hackernoon CC BY-SA
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Simplicissimus @simplicissimus 1/12/2018

WWF Hungary - Paper World on Vimeo
▻https://vimeo.com/149578442

(publié le 20/12/2015)
Paper World is an image film for WWF Hungary where the values that WWF stands for become visible metaphorically on the level of a micro-world.
#origami
- #Vimeo
Simplicissimus @simplicissimus
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unagi @unagi CC BY-NC 5/10/2018

The Murder of Pavlos Fyssas (Full Investigation; English) on Vimeo
▻https://vimeo.com/293623169
Shortly after midnight on 18 September 2013, Pavlos Fyssas, a young Greek anti-fascist rapper, was murdered in his home neighbourhood of Keratsini, Athens. The killer and others who participated in the attack were members of the neo-Nazi organisation Golden Dawn.
Golden Dawn have brutally attacked migrants and political opponents ever since their formation in the late ‘80s, with most of their crimes going unpunished through the silent support of the Greek police aligned to their nationalist cause. Following the murder of Fyssas, a Greek citizen, the government was finally forced to make a series of arrests. Sixty-nine members of Golden Dawn, including all of their fifteen parliamentarians, were brought to trial. Charges in the trial, relating to events as far back as 2008, allege that even while holding seats in the Greek parliament, Golden Dawn operated as a criminal organisation. Even as the ongoing trial threatens the existence of Golden Dawn as a political party, the Greek courts remain reluctant to investigate the role of the police in covering up these crimes.
Forensic Architecture was commissioned by the Fyssas family and their legal representatives to reconstruct the events of the night from the audio and video material made available to the court. The resulting video investigation and accompanying report, presented to the Athens courtroom on 10 and 11 September 2018, brings together CCTV footage, recordings of communications between police and emergency services, and witness testimony. We established a precise timeline and reconstruction of the events that led to the murder.
The investigation established that members of Golden Dawn, including senior officials, acted in a co-ordinated manner in relation to the murder, and that DIAS officers were present at the scene before, during and after the murder, and failed to intervene.
unagi @unagi CC BY-NC
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odilon @odilon CC BY-NC-ND 19/07/2018

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The United States of Arms on Vimeo
▻https://vimeo.com/279923192?quality=1080p
U.S. weapons exports from 1950 to 2017. Data from the Stockholm International Peace Research Institute’s Arms Transfers Database. Units are expressed in trend indicator values (TIV). Each dot on the map = one TIV. Visualization by Will Geary.
et la France ? #armes #commerce_des_armes #industrie_de_la_mort
- #Vimeo
odilon @odilon CC BY-NC-ND
- gonzo @gonzo CC BY-NC 19/07/2018
  
  ▻https://seenthis.net/messages/709063
  
  gonzo @gonzo CC BY-NC
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Framasoft.org @framasoft CC BY 31/05/2018

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#PeerTube : vers la version 1, et au-delà !
▻https://framablog.org/2018/05/31/peertube-vers-la-version-1-et-au-dela
PeerTube est un logiciel libre permettant d’héberger et de partager des vidéos. Ses principales différences avec YouTube, Dailymotion, Vimeo & co ? PeerTube est libre : son code est un « commun » numérique, partagé avec tous et toutes, et non une recette secrète … Lire la suite
#Communs #Contributopia #Dégooglisons_Internet #Fédération #Framasoft #Libres_Services #Crowdfunding #Developpement #Donation #financement_participatif #Planet #RezoTIC #Video

Framasoft.org @framasoft CC BY

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unagi @unagi CC BY-NC 18/02/2018

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New City : Taobao Village on Vimeo
▻https://vimeo.com/251790092
For the Shenzhen Biennale a New City skyline has been developed that exaggerates the contemporary Chinese phenomena of Taobao Villages and imagines a hyper dense urban region built entirely around the economies of the internet shopping giant. The structure of the Taobao website becomes the structure of the city and regions are organised based around the production of particular commodities. No longer hidden away in massive warehouses on the periphery the logistics infrastructure, factory floors and distribution centres of Taobao is now exploded into an entire urban landscape. Apartments overflow with goods spilling of the conveyor belts, automated robots rumble through the streets ferrying products from domestic assembly lines to storage and sorting towers before they are packaged up and dispersed across the planet. An entire city dances to the beat of our online clicks and internet shopping dreams.
New City is a series of animated skylines of the near future. In intricate detail they depict a speculative urbanism, an exaggerated version of the present, in which we can project new cultural trends, environmental, political and economic forces. Photographs taken on expeditions around the world with nomadic studio Unknown Fields documenting these emerging phenomena and weak signals have been meticulously stitched together and extrapolated to form a new city skyline. In this way ‘New City’ slips between the real and the imagined, between the documentary and the visionary, where speculative fictions become a way of exploring a world that the everyday struggles to grasp.
NEW CITY
▻https://vimeo.com/channels/newcity
New City, 2014
Multiple channel video installation
New City is a series of animated skylines of the near future. In intricate detail they depict a speculative urbanism, an exaggerated version of the present, in which we can project new cultural trends, environmental, political and economic forces. Photographs taken on expeditions around the world with nomadic studio Unknown Fields, to document these emerging phenomena and weak signals have been meticulously stitched together and extrapolated to form each city skyline. In this way ‘New City’ slips between the real and the imagined, between the documentary and the visionary, where speculative fictions become a way of exploring a world that the everyday struggles to grasp. To accompany the animations the authors Jeff Noon, Pat Cadigan and Tim Maughan have been invited to inhabit each skyline, to breathe life into its characters and cultures and give form to its streets and spaces through a suggestive narrative fragment. Original New City soundscapes have been developed by Coldcut.
- #New City
- #Vimeo
unagi @unagi CC BY-NC
- vide @touti 19/02/2018
  
  Part of an Installation for Human+ Exhibition at CCCB Barcelona- ▻http://www.cccb.org/en/exhibitions/file/human-/129032
  
  vide @touti
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Kassem @kassem CC BY-NC-SA 2/01/2018

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Australian film ‘Stone Cold Justice’ on Israel’s torture of Palestinian children on Vimeo
▻https://vimeo.com/86575949

https://i.vimeocdn.com/filter/overlay?src0=https%3A%2F%2Fi.vimeocdn.com%2Fvideo%2F464309312_1280x720.jpg&src1=https%3A%2F%2Ff.vimeocdn.com%2Fimages_v6%2Fshare%2Fplay_icon_overlay.png
Il y a 4 ans
- #Israel
Kassem @kassem CC BY-NC-SA
- Korba Champlain @benkorba 3/01/2018
  
  Nice Palywood fake news.
  What about the reality on the ground ? :
  –> ▻http://www.israeltoday.co.il/NewsItem/tabid/178/nid/23904/Default.aspx?article=related_stories
  Israel, and in particular Hadassah Hospital in Jerusalem, is joining forces with Christians in Australia to provide life-giving medical care to Palestinian Arab children.
  Project Rozana is a collaboration between Hadassah Australia, Anglican Overseas Aid and Hadassah Hospital, which has two locations in Jerusalem. The project has the full support and assistance of the Palestinian Authority health minister.
  The project was inspired by the recent case of 5-year-old Rozana Ghannam, a Palestinian girl from Ramallah. About a year ago, Rozana fell out the window of her 9th-floor apartment.
  “I didn’t expect that Rozana was still alive. I was shouting and weeping, asking anybody to help,” wrote Rozana’s mother, Maysa Ghannam, in a statement read aloud at the launch of Project Rozana in Melbourne, Australia.
  Naturally, first responders wanted to take little Rozana to nearby Ramallah Hospital. But her mother refused, insisting that the broken little girl be rushed to Hadassah Hospital, widely regarded as one of the finest medical facilities in the region.
  Doctors at Hadassah were indeed able to save little Rozana’s life. “Rozana is now a miracle of life, a Palestinian girl who returned to life at the hands of doctors - Jews and Arabs,” wrote her mother.
  Those behind project Rozana, including the Israeli Foreign Ministry, hope via Jewish and Christian outreach arms in Australia to raise at least $500,000 a year. The entirety of the funds will be used to cover the treatment of Palestinian Arab children at Hadassah Hospital, as well as to provide training to Palestinian doctors and specialists.
  
  ❞
  –> ▻http://www.palwatch.org/main.aspx?fi=157&doc_id=9049
  Official PA daily acknowledges
  Israeli hospital’s medical care
  for Palestinian children and training of doctors
  by Itamar Marcus and Nan Jacques Zilberdik
  The official PA daily reported on a visit by the PA Minister of Health, Hani Abdeen, to Israel’s Hadassah Hospital in Jerusalem. The daily noted that 30% of the child patients in Hadassah are Palestinians and that the Israeli hospital is training “60 Palestinian medical interns and specialist physicians who will be returning to the [Palestinian] Authority areas to carry out their work.” The hospital has a special program to train Palestinian doctors to treat cancer among children, reported the PA daily.
  The following is the report:
  “[PA] Minister of Health, Hani Abdeen visited the [Israeli] Hadassah Hospital yesterday [May 5, 2013]. This is the first visit by a Palestinian minister to one of the most important Israeli hospitals, according to the hospital’s announcement.
  Minister Abdeen who was accompanied by a delegation that included senior officials of the ministry and of the PA, met with the Director of Ein Karem Hadassah Hospital, Yuval Weiss. He [the minister] visited Palestinian patients being treated in the hospital, and he distributed gifts. [Hospital director] Weiss said: ’We relate to patients without regard to nationality and religion. We treat Muslims, Christians, Jews, and other nationalities without bias, and 30% of the patients who are children are Palestinians.’
  He went on to say: ’We’ve begun cooperating with the Palestinians. We now train teams of physicians from the hospital in Beit Jala in the southern West Bank, to treat cancer among children. We have about 60 Palestinian medical interns and specialist physicians who will be returning to the [Palestinian] Authority areas to carry out their work.’”
  [Al-Hayat Al-Jadida, May 6, 2013]
  
  This article documenting Israel’s medical care for Palestinian children is a change from common PA accusations that Israel intentionally tries to hurt Palestinians, for example by spreading drugs intentionally among Palestinian youth.
  
  Korba Champlain @benkorba
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Reka @reka CC BY-NC-SA 7/12/2017

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Liquid Traces - The Left-to-Die Boat Case on Vimeo
►https://vimeo.com/89790770
Pour ne pas oublier, les protagonistes surtout, et le remarquable travail d’enquête des auteurs au sein du groupe « Forensic Architecture » du Goldsmiths Institute à Londres
Directed by Charles Heller and Lorenzo Pezzani, 17 min, 2014
Liquid Traces offers a synthetic reconstruction of the events concerning what is known as the “left-to-die boat” case, in which 72 passengers who left the Libyan coast heading in the direction of the island of Lampedusa on board a small rubber boat were left to drift for 14 days in NATO’s maritime surveillance area, despite several distress signals relaying their location, as well as repeated interactions, including at least one military helicopter visit and an encounter with a military ship. As a result, only 9 people survived.
In producing this reconstruction, our research has used against the grain the “sensorium of the sea” – the multiple remote sensing devises used to record and read the sea’s depth and surface. Contrary to the vision of the sea as a non-signifying space in which any event immediately dissolves into moving currents, with our investigation we demonstrated that traces are indeed left in water, and that by reading them carefully the sea itself can be turned into a witness for interrogation.
#mourir_en_mer #migrations #asile #crie_d_etat
- #Vimeo
- #Lampedusa
Reka @reka CC BY-NC-SA
- Reka @reka CC BY-NC-SA 7/12/2017
  
  Avec un très long texte paru dans Open Democraty, qui vient éclairer utilement la vidéo :
  Time to end the EU’s left-to-die policy | openDemocracy
  ▻http://www.opendemocracy.net/can-europe-make-it/charles-heller-lorenzo-pezzani/time-to-end-eu%E2%80%99s-lefttodie-policy
  https://cdn.opendemocracy.net/files/P14%20-%207E%20Main%20image1100.png
  Time to end the EU’s left-to-die policy
  Charles Heller and Lorenzo Pezzani 25 June 2014
  Researchers participating in the reconstruction of the 2011 “Left-to-die boat” case in which 63 migrants lost their life under NATO’s eyes, summarize three years of inconclusive demands for disclosure and justice. As the European Council addresses the EU’s long-term migration policy, they say deaths of migrants at sea will continue short of ending the EU’s policy of closure towards non-European migrants.
  Two years ago, we published a report on what came to be known as the “left-to-die” boat case.
  Two years ago, we published a report on what came to be known as the “left-to-die” boat case. Co-authored with the architectural office SITU Studio, the report used imaging, mapping, and modelling technologies in order to produce a visual and spatial picture of how, in March 2011, sixty-three migrants lost their lives in the Central Mediterranean while attempting to reach the small Italian island of Lampedusa from the coast of Libya.
  
  Reka @reka CC BY-NC-SA
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mad meg @mad_meg CC BY 25/11/2017

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Squid for Aeon Video on Vimeo
▻https://vimeo.com/239650004
Edited (shortened) version of the original “Squid: Coming to Life version” for Aeon Video
@sinehebdo
- #Aeon
- #Vimeo
mad meg @mad_meg CC BY
- Dror@sinehebdo @sinehebdo 26/11/2017
  
  beau ! et même la musique est pas mal !
  
  Dror@sinehebdo @sinehebdo
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nicod_ @nicod_ 22/11/2017

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IN-SHADOW : A Modern Odyssey on Vimeo
►https://vimeo.com/242569435

https://i.vimeocdn.com/video/667001739_1280x720.jpg
Embark on a visionary journey through the fragmented unconscious of the West, and with courage face the Shadow. Through Shadow into Light.
“No tree, it is said, can grow to heaven unless its roots reach down to hell.”
–C.G. Jung
#court_métrage #animation
#beau (malgre le sujet) et même #superbe
Le site du projet :
▻https://www.inshadow.net
- #Vimeo
nicod_ @nicod_
- marcimat @marcimat 6/12/2017
  
  C’est graphiquement / esthétiquement impressionnant.
  Par contre j’ai pour ainsi dire rien compris à l’histoire !
  
  marcimat @marcimat
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Taxi @taxi 13/11/2017

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Berlin Wall Animations on Vimeo
▻https://vimeo.com/24785974

▻https://i.vimeocdn.com/video/162991883_1280x720.webp
Quick journey through the building history of the berlin wall:
Built in 1961, extended in four stages until its fall in 1989.
Animations of the Berlin Wall created by frameboX / Till Nowak for the productions “FLUCHT IN DIE FREIHEIT” / “BUSTING THE WALL” by ZDF ENTERPRISES and ZDF / LOOPFILM AND HISTORY-MEDIA directed by Oliver HALMBURGER and JÖRG MÜLLNER
MUSIC for this showreel:
ANDREAS UND MATTHIAS HORNSCHUH
#Berlin #Video #Mauer #Animation #Geschichte
- #Vimeo
Taxi @taxi
- Reka @reka CC BY-NC-SA 13/11/2017
  
  #mur #frontières #ddr
  
  Reka @reka CC BY-NC-SA
- CDB_77 @cdb_77 13/11/2017
  
  #murs #histoire #reconstitution #barrières_frontalières #film #vidéo
  cc @albertocampiphoto
  
  CDB_77 @cdb_77
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Taxi @taxi 13/11/2017

airbnb berlin on Vimeo
▻https://vimeo.com/111657503

▻https://i.vimeocdn.com/video/496353534_1280x720.webp
#Berlin #Video #Kitsch #Werbung
- #Vimeo
Taxi @taxi
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Taxi @taxi 12/11/2017

Berlin Berlin on Vimeo
▻https://vimeo.com/55454512

▻https://i.vimeocdn.com/video/383918830_1280x720.webp
Directors:
Diego Agullo and Dmitry Paranyushkin
paragullo.com
Cast:
Dmitry Paranyushkin, Adam, Enya Mommsen, Diego Agullo, David Guenther, Baby G, Jessica Cooke, Felix Mathias Ott and others
Camera:
Diego Agullo
Places: Alexanderplatz, Bradenburger Tor, Reichstag, Hauptbahnhof, Kufustendam, Holocaust Memorial, Warschauer Bruecke, Construction Site, Empty Site, Graffiti Courtyard, Zoo S-Bahn, Lichtenberg, Rosenthaler Platz U-Bahn, Hauptbahnhof S-Bahn, Sankt Oberholz, betahaus, Mitte, Made in Berlin, Humana, Acne, Voo, American Apparel, LIDL, ALDI, Netto Ghetto, a Kreuzberg bio shop, a Turkish shop, Bauhaus, Spaeti, Skalitzer Strasse, Felix Restaurant, Le Bateau Ivre, Nest, Risani Kebab, King of Falafel, Felix, Max Und Moritz, Ice Cream Shop, Starbucks, Goerlitzer Park, Tempelhof Airport, Boxhagener Platz Market, Kreuzbuerg Market, Paul-Linke Ufer, West Berlin, Goerlitzer Park U Bahn, BMW 3er 1997, Teuffelsberg, Prenzlauer Berg, Hackescher Markt, Scientology Church stall on Potsdamer Platz, Kurfustendamm, Flutgraben, Berghain, Berghain toilets, West Germany, Club der Visionaere, Agora, Kater Holzig, Kneipe, Wilde Renate, Loftus Hall, Warschauer Strasse Hof, LEAP Gallery, White Trash, Toilets, Unknown, Maybachufer in Neukoelln
Shot on location in Berlin in 2012
#Berlin #Video
- #Berlin
Taxi @taxi
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Taxi @taxi 12/11/2017

BERLIN 35 on Vimeo
▻https://vimeo.com/182309080

▻https://i.vimeocdn.com/video/609774519_1280x720.webp
#Berlin #Video
- #Vimeo
Taxi @taxi
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Taxi @taxi 12/11/2017

Berlin Block Tetris on Vimeo
▻https://vimeo.com/6736261
#Berlin #Video
- #Vimeo
Taxi @taxi
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Taxi @taxi 12/11/2017

Little Big Berlin on Vimeo
▻https://vimeo.com/14014317

▻https://i.vimeocdn.com/video/81618558_1280x616.webp
I dedicate this film to Berlin where I have been living for 19 years now. While the architecture of Berlin is stunningly beautiful, only its inhabitants make Berlin the unique city that it is. In every corner there is something new to discover. And the best thing to do is to film it.
Filmed with my beloved Sony HC9. Edited with Sony Vegas Pro 9.The miniature effect is called tilt-shift, which originates from a particular lens that was used to photograph architecture. The miniature effect is a by-product of that. It can also be achieved by digital postprocessing.
Music: “Hungarian Rhapsody No. 2” by Franz Liszt
pilpopPLUS, Filmkunst aus Berlin contact@pilpop.de
#Berlin #Video
- #Vimeo
Taxi @taxi
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klaus++ @klaus 12/11/2017

CRETINO - CLEO on Vimeo
▻https://vimeo.com/219592138

https://i.vimeocdn.com/filter/overlay?src0=https%3A%2F%2Fi.vimeocdn.com%2Fvideo%2F637487248_1280x720.webp&src1=https%3A%2F%2Ff.vimeocdn.com%2Fimages_v6%2Fshare%2Fplay_icon_overlay.png
- #Vimeo
klaus++ @klaus
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Fil @fil 17/10/2017

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Goodbye Uncanny Valley on Vimeo
▻https://vimeo.com/237568588
It’s 2017 and computer graphics have conquered the Uncanny Valley, that strange place where things are almost real... but not quite. After decades of innovation, we’re at the point where we can conjure just about anything with software. The battle for photoreal CGI has been won, so the question is... what happens now?
CREDITS:
Written and animated by Alan Warburton with the support of Tom Pounder and Wieden + Kennedy.
Music by Cool 3D World (cool3dworld.com/)
Special thanks to: Leanne Redfern, Nico Engelbrecht, Iain Tait, Indiana Matine, Katrina Sluis, David Surman, Jacob Gaboury and Daniel Rourke.
Animated backgrounds generously provided by:
• Quixel (quixel.se/)
• Katarina Markovic (youtube.com/channel/UCcr4QTtAK9N96pf_Z_zVqWg)
• Roman Senko (vimeo.com/rendan)
Featuring work by:
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Fil @fil 28/09/2017

Timnit Gebru - 2017 Entrepreneurial Computer Vision Challenge Finalist Presentations on Vimeo
▻https://vimeo.com/227931600

▻https://i.vimeocdn.com/video/650146711_1280x720.webp
#computer_vision #machine_learning #modélisation #populations #voitures
- #Vimeo
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