#cover

#The_Clash #reprise #cover

Merci, je viens de passer une super demi heure, plus une autre demi heure sur Youtube à en écouter d’autres, dont une avec #Ben_L'Oncle_Soul :

▻https://www.youtube.com/watch?v=9KtkssZAiTo

▻https://www.youtube.com/watch?v=RqJ6bqHEyx8

▻https://www.youtube.com/watch?v=Hw_gwBakosg

▻https://www.youtube.com/watch?v=cT0noyHfS8M

▻https://www.youtube.com/watch?v=2kxC_L5ZOEI

▻https://www.youtube.com/watch?v=uUeErPLzwzY

Et la #playlist de chanteuses de #reggae de @mad_meg est là :
►https://seenthis.net/messages/451823

#merci

Yeah ça fait plaisir :)
C’est vraiment des super musiciens, leurs arrangements sont top, en choristes ils sont très bons aussi, bref ça met super bien en valeur les voix qu’ils invitent. Et en concert ça a toujours été génial, c’est vraiment un groupe de live (ce qui est le cas pendant toutes ces vidéos).

Pour celleux qui veulent suivre ce que fait Laurène, qui vient de Nantes et donc joue surtout dans ce coin :
▻https://www.facebook.com/laurene.jeanpierremagnani

Pour Joss Bari (qui prépare un album)
▻https://www.facebook.com/jossbarimusic
Avec un medley reggae lors d’un live du Booboozzz
▻https://www.facebook.com/jossbarimusic/videos/1061464084006897

Naë, et son petit EP
▻https://www.facebook.com/naesongs
▻https://www.deezer.com/fr/artist/55841112
▻https://www.youtube.com/watch?v=NM3IOH4jzBk

#merci

Superbe voix celle de Laurène. Qui fait partie a priori d’un groupe punk rock TIBIA dont voici la dernière sortie

Les Loups - Tibia
▻https://vimeo.com/308482490

The song and movie talks about political power abuse on the people. We tell this story with the help of the band’s legendary lightweighted sarcasm.

Music by Tibia
Film by Justin Dutilh

Les paroles :
Les loups sont entrés dans nos rue, ils sont déguisés en condés.
Prends garde à toi, ils sont juste là, en rang d’oignons serrés, venu pour te sauver, sauver, saigner !! Prends garde à toi, ils sont tous là, en rang d’oignons serrés, venu pour te saigner !!
Les loups, sont entrés dans ta rue, ils sont protégés par le roi !

Tibia, autoproclamé « Punk à Chattes » !

Merci pour Les Loups à rajouter sur ma compil consacrée aux flics, keufs, condés, poulets, cognes, porcs, cafards et argousins :
►https://seenthis.net/messages/576637

#Tibia #Musique #Musique_et_politique #brutalité_policière #violence_policière #France #punk

Mais aussi #gilets_jaunes ici, non ? (ce n’est pas explicite, mais je crois que la date correspond...)

Mais aussi #gilets_jaunes ici, non ?

carrément oui!!

Merci pour le complément @ze_dach !
(avec le masque de loup c’est à Bordal)

Alors aussi pour la compilation #Gilets_Jaunes et #Musique :
►https://seenthis.net/messages/743558

playlists de plus de 150 chansons
►https://seenthis.net/messages/576637

#Musique #Musique_et_politique #Brutalité_policière

Dans une US Navy qu’il décrit comme étant commandée essentiellement par des aviateurs – et un sous-marinier, des hommes, blancs, Joseph Konrad déplore le non recours à l’expérience maritime (de navigation et de commandement à la mer) d’une amirale, femme, afro-américaine qu’on préfère employer à inaugurer les chrysanthèmes en Europe…

Michelle Howard — Wikipédia
▻https://fr.wikipedia.org/wiki/Michelle_Howard

https://upload.wikimedia.org/wikipedia/commons/thumb/e/e1/Admiral_Michelle_J._Howard_VCNO.jpg/480px-Admiral_Michelle_J._Howard_VCNO.jpg

Michelle Janine Howard, née le 30 avril 1960 sur la March Air Reserve Base (Californie), est une amirale américaine. Elle est la première femme afro-américaine à commander un navire militaire (1999), première femme à devenir amiral quatre étoiles, à devenir femme vice-chef des Opérations navales (2014-2016), à diriger l’United States Naval Forces Europe (depuis 2016) puis l’Allied Joint Force Command Naples (depuis 2016).

Mêmes conclusions ici. Avec extension à la dépendance globale de la société aux technologies…

USS Fitzgerald and USS John S. McCain Mishaps Reveal Vulnerability | Observer
▻http://observer.com/2017/08/navy-uss-john-s-mccain-collision

First, neither the Naval Academy nor OCS produces naval officers qualified to fill seagoing billets without further training. The Surface Officer Warfare School that conducted this preparation was eliminated and ensigns were sent to sea in large numbers. Commanding officers and distance learning means were put in place to conduct this training. That did not work.

Technology is also a culprit. The bridge of a modern warship is loaded with super technology. Radars and sonars have been augmented with infrared sensors and night vision devices. Computers navigate by GPS (global positioning system) and alert watch standers of potential dangers of collision or when in restricted waters. Seaman’s eye and good seamanship have been partially replaced by technology. As a result, traditional mariners’ skills have atrophied.

Each of the services faces potential similar problems mandated by judgments at the time that made sense given the pressures and demands. These institutional decisions have vulnerabilities of their own. For example, American military forces are entirely dependent today on the network and GPS that provide the life’s blood of C3I (command, control and intelligence) to logistics and from firing precision ordinance against the enemy to supplying cheeseburgers and smart phones to forward operation bases.

Similarly, society at large is dependent on the Internet, cell phones and electronic everything from depositing money in banks to paying bills and having intimate conversations with friends. Cyber attacks and hacking are the most well known disrupters that exploit these vulnerabilities.

The Pentagon is well aware of many of these vulnerabilities. Naval officers are oiling ancient sextants to navigate by the sun and stars. Soldiers and marines are reading maps instead of iPads. And “distributed operations” that assume the “net” no longer works are being practiced.

Given that the other services may face issues similar to the Navy’s, the Pentagon would be well advised to conduct a major review of these potential vulnerabilities created by institutional choices. Two topics are less visible although possibly more important. The first has to do with preparing flag and general officer for higher command and geopolitical and strategic issues. The second has to do with civilian control of the military.

Maybe today’s Navy is just not very good at driving ships
▻https://www.navytimes.com/news/your-navy/2017/08/27/navy-swos-a-culture-in-crisis

In the wake of two fatal collisions of Navy warships with commercial vessels, current and former senior surface warfare officers are speaking out, saying today’s Navy suffers from a disturbing problem: The SWO community is just not very good at driving ships.

The two collisions — and a total of 17 sailors lost at sea this summer — have raised concerns about whether this generation of surface fleet officers lack the basic core competency of their trade.

The problem is years in the making. Now, the current generation of officers rising into command-level billets lacks the skills, training, education and experience needed to operate effectively and safely at sea, according to current and former officers interviewed by Navy Times.
[…]
For nearly 30 years, all new surface warfare officers spent their first six months in uniform at the Surface Warfare Officer’s School in Newport, Rhode Island, learning the theory behind driving ships and leading sailors as division officers.

But that changed in 2003. The Navy decided to eliminate the “SWOS Basic” school and simply send surface fleet officers out to sea to learn on the job. The Navy did that mainly to save money, and the fleet has suffered severely for it, said retired Cmdr. Kurt Lippold.

“The Navy has cut training as a budgetary device and they have done it at the expense of our ability to operate safely at sea,” said Lippold, who commanded the destroyer Cole in 2000 when it was attacked by terrorists in Yemen.

After 2003, each young officer was issued a set of 21 CD-ROMs for computer-based training — jokingly called “SWOS in a Box” — to take with them to sea and learn. Young officers were required to complete this instructor-less course in between earning their shipboard qualifications, management of their divisions and collateral duties.

“The elimination of SWOS Basic was the death knell of professional SWO culture in the United States Navy,” Hoffman said. “I’m not suggesting that … the entire surface warfare community is completely barren of professionalism. I’m telling you that there are systemic problems, particularly at the department head level, where they are timid, where they lack resolve and they don’t have the sea time we expect.”

“There is a growing suspicion among a small circle of current and former COs that chickens may be coming home to roost,” retired Capt. Kevin Eyer, who commanded three Aegis cruisers, wrote in Proceedings Magazine online after the McCain collision.

’The chickens come home to roost’ - the meaning and origin of this phrase
▻http://www.phrases.org.uk/meanings/chickens-come-home-to-roost.html

The notion of bad deeds, specifically curses, coming back to haunt their originator is long established in the English language and was expressed in print as early as 1390, when Geoffrey Chaucer used it in The Parson’s Tale:

And ofte tyme swich cursynge wrongfully retorneth agayn to hym that curseth, as a bryd that retorneth agayn to his owene nest.

The allusion that was usually made was to a bird returning to its nest at nightfall, which would have been a familiar one to a medieval audience. Other allusions to unwelcome returns were also made, as in the Elizabethan play The lamentable and true tragedie of Arden of Feversham, 1592:

For curses are like arrowes shot upright, Which falling down light on the suters [shooter’s] head.

Chickens didn’t enter the scene until the 19th century when a fuller version of the phrase was used as a motto on the title page of Robert Southey’s poem The Curse of Kehama, 1810:

“Curses are like young chicken: they always come home to roost.”

This extended version is still in use, notably in the USA.

The notion of the evil that men create returns to their own door also exists in other cultures. Buddhists are familiar with the idea that one is punished by one’s bad deeds, not because of them. Samuel Taylor Coleridge revived the imagery of a bird returning to punish a bad deed in The Rime of the Ancient Mariner, 1798. In the poem the eponymous mariner kills an albatross, which was regarded as an omen of good luck, and is punished by his shipmates by having the bird hung around his neck:

Ah! well a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.

#femmes #médias

forcément, y a ça :

▻http://www.youtube.com/watch?v=ji1p1kHNC1c

J’aime beaucoup les deux versions, et la deuxième peut être un bon appui (la première fait + jazz). Par contre, là où on va s’amuser aussi, c’est qu’il faudra adapter les accords à la tonalité de la voix, hahaha ! Mais c’est faisable : je l’ai déjà fait pour d’autres chansons au piano, et au uku, je l’ai fait pour « Here with me » de Dido ;-)

Au passage, je découvre ça

▻http://www.tribute-to.net

Les « tributes », ou encore « groupes hommages » sont des formations musicales qui s’attachent à reproduire le répertoire, le son et les mises en scène d’un groupe mythique. Pink Floyd, Genesis, AC/DC, Queen, Beatles (et bien d’autres…) font partie des artistes les plus « tributés » et le succès de leurs fidèles héritiers grossit à vue d’oeil.
Certains tributes se produisent désormais à l’international et remplissent les salles de concerts qu’ils avaient eux même fréquentés en tant que « fans ».
Les tributes, ce sont aussi ces groupes locaux, ces passionnés qui se retrouvent toutes les semaines dans un petit espace de répèt pour rejouer sans se lasser les morceaux qui ont fait la bande originale de leur vie. Et rassembler ne serait-ce que 200 personnes est aussi un beau succès.
Internationaux, nationaux ou régionaux, les tributes perpétuent la magie, les émotions et les partitions de ces artistes intemporels, contribuant ainsi eux-même à l’histoire de la musique…

Mary L est même dans #One_Piece !

http://static2.wikia.nocookie.net/__cb20130525100355/onepiece/fr/images/9/97/Kurehadfgefges.png

#musique (sic) #cover #extraordinaire :)

Alala, ça faisait longtemps :p Comme d’habitude ils ont géré !! :D