▶︎ Violence Unimagined | Cannibal Corpse
▻https://cannibalcorpse.bandcamp.com/album/violence-unimagined
▻https://cannibalcorpse.bandcamp.com/video
#death_metal
#death
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▻https://cannibalcorpse.bandcamp.com/video
#death_metal -
The Death of Asylum and the Search for Alternatives
March 2021 saw the announcement of the UK’s new post-Brexit asylum policy. This plan centres ‘criminal smuggling gangs’ who facilitate the cross border movement of people seeking asylum, particularly in this case, across the English Channel. It therefore distinguishes between two groups of people seeking asylum: those who travel themselves to places of potential sanctuary, and those who wait in a refugee camp near the place that they fled for the lottery ticket of UNHCR resettlement. Those who arrive ‘spontaneously’ will never be granted permanent leave to remain in the UK. Those in the privileged group of resettled refugees will gain indefinite leave to remain.
Resettlement represents a tiny proportion of refugee reception globally. Of the 80 million displaced people globally at the end of 2019, 22,800 were resettled in 2020 and only 3,560 were resettled to the UK. Under the new plans, forms of resettlement are set to increase, which can only be welcomed. But of course, the expansion of resettlement will make no difference to people who are here, and arriving, every year. People who find themselves in a situation of persecution or displacement very rarely have knowledge of any particular national asylum system. Most learn the arbitrary details of access to work, welfare, and asylum itself upon arrival.
In making smugglers the focus of asylum policy, the UK is inaugurating what Alison Mountz calls the death of asylum. There is of course little difference between people fleeing persecution who make the journey themselves to the UK, or those who wait in a camp with a small chance of resettlement. The two are often, in fact, connected, as men are more likely to go ahead in advance, making perilous journeys, in the hope that safe and legal options will then be opened up for vulnerable family members. And what makes these perilous journeys so dangerous? The lack of safe and legal routes.
Britain, and other countries across Europe, North America and Australasia, have gone to huge efforts and massive expense in recent decades to close down access to the right to asylum. Examples of this include paying foreign powers to quarantine refugees outside of Europe, criminalising those who help refugees, and carrier sanctions. Carrier sanctions are fines for airlines or ferry companies if someone boards an aeroplane without appropriate travel documents. So you get the airlines to stop people boarding a plane to your country to claim asylum. In this way you don’t break international law, but you are certainly violating the spirit of it. If you’ve ever wondered why people pay 10 times the cost of a plane ticket to cross the Mediterranean or the Channel in a tiny boat, carrier sanctions are the reason.
So government policy closes down safe and legal routes, forcing people to take more perilous journeys. These are not illegal journeys because under international law one cannot travel illegally if one is seeking asylum. Their only option becomes to pay smugglers for help in crossing borders. At this point criminalising smuggling becomes the focus of asylum policy. In this way, government policy creates the crisis which it then claims to solve. And this extends to people who are seeking asylum themselves.
Arcane maritime laws have been deployed by the UK in order to criminalise irregular Channel crossers who breach sea defences, and therefore deny them sanctuary. Specifically, if one of the people aboard a given boat touches the tiller, oars, or steering device, they become liable to be arrested under anti-smuggling laws. In 2020, eight people were jailed on such grounds, facing sentences of up to two and a half years, as well as the subsequent threat of deportation. For these people, there are no safe and legal routes left.
We know from extensive research on the subject, that poverty in a country does not lead to an increase in asylum applications elsewhere from that country. Things like wars, genocide and human rights abuses need to be present in order for nationals of a country to start seeking asylum abroad in any meaningful number. Why then, one might ask, is the UK so obsessed with preventing people who are fleeing wars, genocide and human rights abuses from gaining asylum here? On their own terms there is one central reason: their belief that most people seeking asylum today are not actually refugees, but economic migrants seeking to cheat the asylum system.
This idea that people who seek asylum are largely ‘bogus’ began in the early 2000s. It came in response to a shift in the nationalities of people seeking asylum. During the Cold War there was little concern with the mix of motivations in relation to fleeing persecution or seeking a ‘better life’. But when people started to seek asylum from formerly colonised countries in the ‘Third World’ they began to be construed as ‘new asylum seekers’ and were assumed to be illegitimate. From David Blunkett’s time in the Home Office onwards, these ‘new asylum seekers’, primarily black and brown people fleeing countries in which refugee producing situations are occurring, asylum has been increasingly closed down.
The UK government has tended to justify its highly restrictive asylum policies on the basis that it is open to abuse from bogus, cheating, young men. It then makes the lives of people who are awaiting a decision on their asylum application as difficult as possible on the basis that this will deter others. Forcing people who are here to live below the poverty line, then, is imagined to sever ‘pull factors’ for others who have not yet arrived. There is no evidence to support the idea that deterrence strategies work, they simply costs lives.
Over the past two decades, as we have witnessed the slow death of asylum, it has become increasingly difficult to imagine alternatives. Organisations advocating for people seeking asylum have, with diminishing funds since 2010, tended to focus on challenging specific aspects of the system on legal grounds, such as how asylum support rates are calculated or whether indefinite detention is lawful.
Scholars of migration studies, myself included, have written countless papers and books debunking the spurious claims made by the government to justify their policies, and criticising the underlying logics of the system. What we have failed to do is offer convincing alternatives. But with his new book, A Modern Migration Theory, Professor of Migration Studies Peo Hansen offers us an example of an alternative strategy. This is not a utopian proposal of open borders, this is the real experience of Sweden, a natural experiment with proven success.
During 2015, large numbers of people were displaced as the Syrian civil war escalated. Most stayed within the region, with millions of people being hosted in Turkey, Jordan and Lebanon. A smaller proportion decided to travel onwards from these places to Europe. Because of the fortress like policies adopted by European countries, there were no safe and legal routes aboard aeroplanes or ferries. Horrified by the spontaneous arrival of people seeking sanctuary, most European countries refused to take part in burden sharing and so it fell to Germany and Sweden, the only countries that opened their doors in any meaningful way, to host the new arrivals.
Hansen documents what happened next in Sweden. First, the Swedish state ended austerity in an emergency response to the challenge of hosting so many refugees. As part of this, and as a country that produces its own currency, the Swedish state distributed funds across the local authorities of the country to help them in receiving the refugees. And third, this money was spent not just on refugees, but on the infrastructure needed to support an increased population in a given area – on schools, hospitals, and housing. This is in the context of Sweden also having a welfare system which is extremely generous compared to Britain’s stripped back welfare regime.
As in Britain, the Swedish government had up to this point spent some years fetishizing the ‘budget deficit’ and there was an assumption that spending so much money would worsen the fiscal position – that it would lead both to inflation, and a massive national deficit which must later be repaid. That this spending on refugees would cause deficits and hence necessitate borrowing, tax hikes and budget cuts was presented by politicians and the media in Sweden as a foregone conclusion. This foregone conclusion was then used as part of a narrative about refugees’ negative impact on the economy and welfare, and as the basis for closing Sweden’s doors to people seeking asylum in the future.
And yet, the budget deficit never materialised: ‘Just as the finance minister had buried any hope of surpluses in the near future and repeated the mantra of the need to borrow to “finance” the refugees, a veritable tidal wave of tax revenue had already started to engulf Sweden’ (p.152). The economy grew and tax revenue surged in 2016 and 2017, so much that successive surpluses were created. In 2016 public consumption increased 3.6%, a figure not seen since the 1970s. Growth rates were 4% in 2016 and 2017. Refugees were filling labour shortages in understaffed sectors such as social care, where Sweden’s ageing population is in need of demographic renewal.
Refugees disproportionately ended up in smaller, poorer, depopulating, rural municipalities who also received a disproportionately large cash injections from the central government. The arrival of refugees thus addressed the triple challenges of depopulation and population ageing; a continuous loss of local tax revenues, which forced cuts in services; and severe staff shortages and recruitment problems (e.g. in the care sector). Rather than responding with hostility, then, municipalities rightly saw the refugee influx as potentially solving these spiralling challenges.
For two decades now we have been witnessing the slow death of asylum in the UK. Basing policy on prejudice rather than evidence, suspicion rather than generosity, burden rather than opportunity. Every change in the asylum system heralds new and innovative ways of circumventing human rights, detaining, deporting, impoverishing, and excluding. And none of this is cheap – it is not done for the economic benefit of the British population. It costs £15,000 to forcibly deport someone, it costs £95 per day to detain them, with £90 million spent each year on immigration detention. Vast sums of money are given to private companies every year to help in the work of denying people who are seeking sanctuary access to their right to asylum.
The Swedish case offers a window into what happens when a different approach is taken. The benefit is not simply to refugees, but to the population as a whole. With an economy to rebuild after Covid and huge holes in the health and social care workforce, could we imagine an alternative in which Sweden offered inspiration to do things differently?
▻https://discoversociety.org/2021/04/07/the-death-of-asylum-and-the-search-for-alternatives
#asile #alternatives #migrations #alternative #réfugiés #catégorisation #tri #réinstallation #death_of_asylum #mort_de_l'asile #voies_légales #droit_d'asile #externalisation #passeurs #criminalisation_des_passeurs #UK #Angleterre #colonialisme #colonisation #pull-factors #pull_factors #push-pull_factors #facteurs_pull #dissuasion #Suède #déficit #économie #welfare_state #investissement #travail #impôts #Etat_providence #modèle_suédois
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ajouté au fil de discussion sur le lien entre économie et réfugiés/migrations :
►https://seenthis.net/messages/705790-
A Modern Migration Theory. An Alternative Economic Approach to Failed EU Policy
The widely accepted narrative that refugees admitted to the European Union constitute a fiscal burden is based on a seemingly neutral accounting exercise, in which migrants contribute less in tax than they receive in welfare assistance. A “fact” that justifies increasingly restrictive asylum policies. In this book Peo Hansen shows that this consensual cost-perspective on migration is built on a flawed economic conception of the orthodox “sound finance” doctrine prevalent in migration research and policy. By shifting perspective to examine migration through the macroeconomic lens offered by modern monetary theory, Hansen is able to demonstrate sound finance’s detrimental impact on migration policy and research, including its role in stoking the toxic debate on migration in the EU. Most importantly, Hansen’s undertaking offers the tools with which both migration research and migration policy could be modernized and put on a realistic footing.
In addition to a searing analysis of EU migration policy and politics, Hansen also investigates the case of Sweden, the country that has received the most refugees in the EU in proportion to population. Hansen demonstrates how Sweden’s increased refugee spending in 2015–17 proved to be fiscally risk-free and how the injection of funds to cash-strapped and depopulating municipalities, which received refugees, boosted economic growth and investment in welfare. Spending on refugees became a way of rediscovering the viability of welfare for all. Given that the Swedish approach to the 2015 refugee crisis has since been discarded and deemed fiscally unsustainable, Hansen’s aim is to reveal its positive effects and its applicability as a model for the EU as a whole.
▻https://cup.columbia.edu/book/a-modern-migration-theory/9781788210553
#livre #Peo_Hansen
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"Bete für mich"
Am 23. Oktober 2019 entdeckte die britische Polizei östlich von London einen Lkw mit 39 Toten, alle stammten aus Vietnam. Wer waren diese Menschen? Und wie kamen sie nach England? Die Geschichte zweier Zwillingsschwestern – von denen eine in dem Laster starb▻https://www.zeit.de/2020/20/migration-vietnamesen-leichenfund-kuehllaster-essex-grossbritannien
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@cdb_77, je pense me rappeller que t’as cherché les infos par rapport à cela - peut-être intéressant (malheureusement pas en libre accès...)
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voici le fil de discussion y dédié :
►https://seenthis.net/messages/807727–-> j’ajoute l’article que tu viens de signaler.
#merci
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Causes of Death - Our World in Data (▻https://ourworldindata.org/cau...
▻https://diasp.eu/p/12176022Causes of Death - Our World in Data | #demography #dataviz #causes #death
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Des nouilles ! Des nouilles ! Des nouilles !
J’espère vraiment que Anne Sylvestre a su combien elle nous a fait du bien tous les midis pendant la guerre...
▻https://www.flickr.com/photos/valkphotos/50668463123
ValK. a posté une photo :
A écouter par ici ▻https://www.youtube.com/watch?v=KVsp_aBYRF4&list=PLC37271C6C0A12BD3&index=1
... avec plein d’autres cailloux pour ne pas se perdre en chemin...
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[Les petites photos]
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#hommage #tribute #homenaje
#Anne_Sylvestre #AnneSylvestre
#mort #death #muerte
#nouilles #noddles #tallarines #nourriture
#soeurcellerie #syncretisme
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#photo : ValK.
☆ autres photos : ►https://frama.link/valk
☆ infos / audios : ►https://frama.link/karacole
☆ oripeaux : ►https://frama.link/kolavalk
☆ me soutenir : ►https://liberapay.com/ValK -
🖤 Merci d’avoir vécu.
Merci pour la tendresse
Et tant pis pour vos fesses
Qui ont fait ce qu’elles ont pu... 🎶
▻https://www.flickr.com/photos/valkphotos/50668307431
ValK. posted a photo :
[Les Petites Photos] :: : Pour Anne Sylvestre
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#hommage #tribute #homenaje #mort #death #muerte #escargot #snail #caracol #rouille #rust #óxido #orange #naranja #automne #autumn #fall #otoño #syncrétisme #syncretism #sincretismo #arttherapie #arttherapy #arteterapia #soeurcellerie #femmesartistes #womensartist #mujeresartistas
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☆ autres photos : ►https://frama.link/valk
☆ infos / audios : ►https://frama.link/karacole
☆ oripeaux : ►https://frama.link/kolavalk
☆ me soutenir : ►https://liberapay.com/ValK-
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Ah, Macron annonce du coup un jour de deuil national le 9 décembre... (ah non, c’est pas pour Anne Sylvestre...)
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Anne Sylvestre - Disparition d’une sorcière comme les autres
#radio Zinzine ►http://www.zinzine.domainepublic.net/?ref=5399Anne Sylvestre nous a quitté ! Nous sommes le 1er décembre 2020 et en ce jour de deuil nous sommes des centaines de milliers de sorcières à nous envoler avec elle vers d’autres cieux retrouver toutes celles qui y sont déjà et qui nous ont ouvert les voies de la résistance au système patriarcal responsable de millions de féminicides !
Tricoteuse de mots ; c’est avec la poésie et la musique que Anne Sylvestre a sensibilisé nos conscience et attisé nos désirs de libertés.
Dans l’ombre des grands médias pendant des décennies, elle a refusé d’adapter son discours et ses poèmes révoltés et poétiques pour cédé aux appels des sirènes du show bisness. Aucune compromission n’était possible et c’est sans humilité qu’elle a revendiqué son statut d’autrice, de chanteuse, de poétesse féministe, même si le mot ne lui convenait pas toujours refusant obstinément d’être « encartée » sous quelques formes d’idéologies que ce soit « ce ne sont pas des idées que je cherche, ce sont des histoires, les histoires des gens... ». Voilà ce qui composaient la substance de c’est textes, de ses chansons de ses colères parfois.
Des histoires singulières pour parler de la Grande Histoire, telles étaient les histoires que Anne racontait.
En hommage à Anne Sylvestre, nous vous rediffusons un entretien réalisé aux villages des Magnans à Pierrerue dans les Alpes de hautes-Provence où elle est venue donner des ateliers d’écritures à des chansonnier.ères apprenti.es qui auront eu l’immense chance de partager ces moment intenses et riches d’exigences et de tendresse, de rires et de grognements.
Cette émission est donc réalisée sur la base de cette entretien et des quelques émissions faites en direct de ces semaines de stage.
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Un monde obèse
En 2030, on estime que la moitié de la planète sera obèse ou en surpoids, entraînant une explosion du diabète, des maladies cardio-vasculaires et de certains cancers. Enquête sur un fléau planétaire.
Alors que l’obésité charrie son lot de clichés, des gènes tout-puissants aux volontés individuelles défaillantes, et que les industriels comme les autorités publiques continuent de pointer du doigt le manque d’activité physique ("Manger moins, bouger plus"), ce fléau ne serait-il pas le fruit d’un échec collectif mitonné dans nos assiettes ?
Puis les des voix s’élèvent pour dénoncer les conséquences funestes de cette révolution, les multinationales de l’agroalimentaire, jamais rassasiées, dépensent des milliards en lobbying pour préserver leur pré carré, tout en répandant le poison de la malbouffe et des boissons sucrées à travers le globe.Il faut des citoyens engagés pour dresser un état des lieux édifiant de cette épidémie planétaire, qui constitue le problème de santé le plus grave au monde. Mais si les constats, étayés de chiffres, se révèlent effrayants, le documentaire en expose les causes de manière limpide, et explore des solutions pour stopper cette bombe à retardement.
▻https://www.youtube.com/watch?v=LLsMeZFf5yA
#obésité #choix #responsabilité #volonté_individuelle #volonté_personnelle #épidémie #industrie_agro-alimentaire #système_alimentaire #alimentation #exercice_physique #coca-cola #calories #culpabilité #culpabilisation #honte #métabolisme #graisse #sucre #céréales #produits_transformés #manipulation_des_ingrédients #aliments_artificialisés #hormones #déséquilibre_hormonal #insuline #glucides #satiété #flore_intestinale #microbiote #grignotage #multinationales #économie #business #prix #pauvres #désert_alimentaire #marketing #manipulation #publicité #santé_publique #diabète #suicide_collectif #prise_de_conscience
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vers minute 32’20 :
"#Death_Recipe" by#Erica_McMath_Sheppard speaks on growing up in a family and an environment haunted by Type 2 Diabetes in her piece, DEATH RECIPE, directed by Jamie DeWolf.
▻https://www.youtube.com/watch?v=Xe69WNbNS0g
#chanson #musique #rapping @sinehebdo
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Une personne interviewée dans le film ayant mis en place la #campagne :
« Ce qui a le plus d’impact, c’est quand je montre aux jeunes un plan de San Francisco avec les #statistiques par quartier du nombre d’#hospitalisation pour des #amputations, des #insuffisances_rénales et du #diabète. Ensuite je leur montre les dépenses pour les campagnes de pub dans ces mêmes quartiers, pour coca-cola, les #sodas, les #sucreries etc.
Au premier atelier qu’on a organisé une jeune fille noire m’a regardé et m’a dit : ’Pourquoi ils nous font ça ?’
Je lui ai répondu : ’Voilà le thème de ton poème’ »–-> #cartographie_radicale #cartographie_critique
Le voici :
#Tassiana_Willis : #The_Longest_Mile
Tassiana Willis, 24, is a poet, singer, and actor from San Francisco. “The Longest Mile,” is bookended with an anecdote about running the mile in school, but what Tassiana really wants you to take away from the piece is reflecting on the “tragic traditions” low income families are often forced to practice when some of the most marketed and accessible sources of joy are unhealthy foods.
▻https://www.youtube.com/watch?v=r7MH08Yf-Gk&feature=emb_logo
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site web de la campagne :
The Bigger Picture (a partnership with UCSF’s Center for Vulnerable Populations at Zuckerberg San Francisco General Hospital) inspires young people to change the conversation about Type 2 diabetes by exposing the environmental and social conditions that lead to its spread.
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● NEWS ● #CommonDreams #deathcult ☞ « He’s Describing a Massacre » : #...
▻https://diasp.eu/p/11661061● NEWS ● #CommonDreams #deathcult ☞ “He’s Describing a Massacre”: #Trump Touts #HerdImmunity Approach to Covid That Experts Warn Would Kill Millions ▻https://www.commondreams.org/news/2020/09/16/hes-describing-massacre-trump-touts-herd-immunity-approach-covid-exper
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#Loveparade - Die Verhandlung
Am 24. Juli 2010 kommt es bei der Loveparade in Duisburg zur Katastrophe: 21 Menschen sterben im Gedränge, 652 werden verletzt. Erst mehr als sieben Jahre später, im Dezember 2017, beginnt die juristische Aufarbeitung der Katastrophe. Chronologisch folgt der Dokumentarfilm dem Prozess.
Eine gigantische Rave-Party endete in Tod und Verzweiflung. Wer ist für die Tragödie verantwortlich? 21 Jahre nach ihrer Gründung war die Loveparade in Duisburg angekommen. Was einst als Kleinstparade im Westberlin der Wendezeit begann, war längst zu einem Millionenspektakel von weltweiter Anziehungskraft geworden. An diesem 24. Juli 2010 kommt es in Duisburg zur Katastrophe: Auf den Zu- und Abgangswegen zum Festgelände stauen sich Zehntausende Menschen. 21 Menschen sterben im Gedränge, über 600 werden verletzt. Die Opfer stammen aus Deutschland, China, Australien, Spanien, Italien und den Niederlanden. Erst mehr als sieben Jahre später, im Dezember 2017, beginnt die juristische Aufarbeitung der Katastrophe. Der Loveparade-Prozess war ein Mammut-Verfahren, das am 4. Mai 2020 nach 184 Verhandlungstagen ohne Urteil zu Ende ging. Das Landgericht Duisburg stand unter enormen Erwartungsdruck und sollte auch eine Aufarbeitung der Katastrophe leisten. Chronologisch folgt die Dokumentation dem Prozess. Was das Gericht verhandelt, verhandelt der Film – mit dem Personal, das auch im Gericht eine Rolle hat. Der Film navigiert durch die schweren Wasser von „Recht“ und „Gerechtigkeit“, ohne dabei zu moralisieren.
#Germany #Duisburg #arte #film #documentary #death #trial
▻https://www.arte.tv/de/videos/080967-000-A/loveparade-die-verhandlung
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Estimates of the severity of #coronavirus disease 2019: a model-based analysis - The Lancet Infectious Diseases
▻https://www.thelancet.com/journals/laninf/article/PIIS1473-3099(20)30243-7/fulltext#+Using data on 24 #deaths that occurred in mainland China and 165 recoveries outside of China, we estimated the mean duration from onset of symptoms to death to be 17·8 days (95% credible interval [CrI] 16·9–19·2) and to hospital discharge to be 24·7 days (22·9–28·1). In all laboratory confirmed and clinically diagnosed cases from mainland China (n=70 117), we estimated a crude case fatality ratio (adjusted for censoring) of 3·67% (95% CrI 3·56–3·80). However, after further adjusting for demography and under-ascertainment, we obtained a best estimate of the case fatality ratio in China of 1·38% (1·23–1·53), with substantially higher ratios in older age groups (0·32% [0·27–0·38] in those aged <60 years vs 6·4% [5·7–7·2] in those aged ≥60 years), up to 13·4% (11·2–15·9) in those aged 80 years or older. Estimates of case fatality ratio from international cases stratified by age were consistent with those from China (parametric estimate 1·4% [0·4–3·5] in those aged <60 years [n=360] and 4·5% [1·8–11·1] in those aged ≥60 years [n=151]). Our estimated overall infection fatality ratio for China was 0·66% (0·39–1·33), with an increasing profile with age. Similarly, estimates of the proportion of infected individuals likely to be hospitalised increased with age up to a maximum of 18·4% (11·0–7·6) in those aged 80 years or older.
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The case fatality ratio is likely to be strongly influenced by the availability of health-care facilities. However surprisingly, although health-care availability in Wuhan was stretched, our estimates from international cases are of a similar magnitude, suggesting relatively little difference in health outcome. Finally, as clinical knowledge of this new disease accrues, it is possible that outcomes will improve. It will therefore be important to revise these estimates as epidemics unfold.
The world is currently experiencing the early stages of a global pandemic. Although China has succeeded in containing the disease spread for 2 months, such containment is unlikely to be achievable in most countries. Thus, much of the world will experience very large community epidemics of COVID-19 over the coming weeks and months. Our estimates of the underlying infection fatality ratio of this virus will inform assessments of health effects likely to be experienced in different countries, and thus decisions around appropriate mitigation policies to be adopted.
Le deuxième paragraphe est important parce que certains ont cru comprendre que cette révision de chiffres à la baisse était une sous-estimation des conséquences du Covid-19.
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Although China has succeeded in containing the disease spread for 2 months, such containment is unlikely to be achievable in most countries.
Mon biais de perception à moi : ne serait-ce pas une forme politiquement correcte de dire qu’ils n’y croient pas ? Sans doute non : nulle part ne sont ne serait-ce qu’évoquées d’éventuelles précautions à prendre avec les données chinoises et leur interprétation.
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Figure 3 Estimates of case fatality ratio by age, obtained from aggregate data from mainland China
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L’indignation obligatoire du jour, c’est contre « ces cons » de parisiens « irresponsables » qui sont allés se promener au parc dimanche (et qu’à cause d’eux on va être obligés de déployer l’armée pour tirer sur les récalcitrants).
Alors que toute la soirée on a pu voir de bien belles images de gens, pas cons et pas irresponsables, réunis pour le dépouillement du vote, « dans les conditions de sécurité adaptées » comme tu sais…
https://cdn-s-www.lejsl.com/images/CA54D978-48AF-4793-86FF-E370C51C948C/NW_raw/savez-vous-compter-les-bulletins-a-la-mode-autunoise-alice-emorine-1584306983.jpg 
https://cdn-s-www.lejsl.com/images/0BABC72D-B4B1-4B02-8281-386993331286/NW_raw/il-y-a-du-monde-pour-le-depouillement-salle-colone-l-eveque-alice-emorine-1584306983.jpg 
https://cdn-s-www.lejsl.com/images/FDD4B77F-6189-4D33-A8E7-7C065E44A7ED/NW_raw/on-echange-sur-les-procedes-pour-mieux-travailler-alice-emorine-1584306983.jpg 
https://cdn-s-www.lejsl.com/images/A1371287-BAC8-4774-88DF-5BEDCFFD7162/NW_raw/a-autun-les-candiadts-en-tete-arrivent-a-58-voix-de-difference-les-bulletins-ont-ete-bien-compte-des-l-ouverture-de-l-urne-alice-emorine-1584306983.jpg 
https://images.ladepeche.fr/api/v1/images/view/5e6efe218fe56f33cf161ea8/large/image.jpg 
https://images.midilibre.fr/api/v1/images/view/5e6e83183e454657ba134814/large/image.jpg -
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tout-à-fait (pour le 1er message, pour le culte satanique, je laisse les experts s’exprimer) : l’allocution de Macron à cet égard était un sommet : juste après avoir remercié tous les républicains ayant voté pour leur sens du devoir civique (se rassemblant par centaines dans des lieux confinés), il blâme les inconséquents irresponsables qui se baladent dans les parcs ou boivent un verre en terrasse.... !!???
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The Black Death plague just reappeared in China (▻https://bgr.com/20...
▻https://diasp.eu/p/9990453The Black Death plague just reappeared in China | #black #china #death #plage
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Both Lord and Christ – Forthright Magazine
▻http://forthright.net/2019/04/21/both-lord-and-christJesus raised his friend Lazarus from the dead so that his followers and others might believe he is the son of God. But they hadn’t seen anything, yet. Not too many days after Jesus raised Lazarus from the dead the Jews finally had the Lord killed as they wanted.
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Album opener “More Dead” is a rousing wake up call, with a hypnotic guitar riff and an intoxicating blown-out solo underscoring Bloomgarden’s proclamation that you’re “more dead than alive.” The pace builds with “(One Less Thing) Before I Die”, a distillate of Detroit’s proto-punk sound. At track three, Death Valley Girls hit their stride with “Disaster (Is What We’re After)”, a rager that takes the most boisterous moments off Exile On Main Street and injects it with Zeppelin’s devil’s-note blues. Darkness Rains retains its intoxicating convocations across ten tracks, climaxing with the hypnotic guitar drones and cult-like chants of “TV In Jail On Mars”.
▻https://deathvalleygirls.bandcamp.com/track/disaster-is-what-were-after
#rock'n'roll #bandcamp-
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“My 1965 Fender Mustang was stolen from me six years ago. I bought her when I was 14 and wrote every song on her. I wanted to mourn her and sing in tribute to her to let her know she is still in my heart, and I believe one day we will be reunited. From now on, I’ll only wear black (guitars) until I get her back. This video by Brendan McKnight has lots of live footage from our last New York show, interspersed with occult imagery to bewitch the guitar back to me.”
Bonnie Bloomgarden.
▻https://larecord.com/news/2019/10/30/video-premiere-death-valley-girls-wear-black
▻https://suicidesqueeze.bandcamp.com -
Breakthrough - Death valley Girls
▻https://deathvalleygirls.bandcamp.com/album/breakthrough
Les Death Valley Girls de Los Angeles se sont fait un nom en produisant un mélange désertique de proto-punk tapageur et de heavy metal primitif imprégné d’idéalisme cosmique et de conscience du troisième oeil. Leur première nouvelle offre depuis qu’ils ont fait un trou dans le ciel avec leur album Darkness Rains en 2018 se présente sous la forme d’un deux chansons de sept pouces, « Breakthrough ». La chanson titre est une reprise d’Atomic Rooster, bien que le groupe ait découvert le morceau grâce à une interprétation du groupe nigérian The Funkees. Avec ses riffs de guitare crasseux, son orgue de feu et de soufre et son refrain combatif, c’est comme si la chanson avait été écrite à l’origine en pensant au rock transcendantal des Death Valley Girls. Mais ce n’est pas seulement le rythme et la mélodie qui ont attiré le groupe sur cette chanson. « Elle m’a interpellée à cause des paroles qui parlent de s’échapper d’une prison invisible... nous avons tous des prisons invisibles ou visibles dans lesquelles nous sommes piégés », dit la chanteuse et multi-instrumentiste Bonnie Bloomgarden. La découverte de la chanson a coïncidé avec l’intérêt du groupe pour Damien Echols de West Memphis 3 et sa capacité à endurer son emprisonnement en apprenant à se projeter dans l’astral par la méditation. La face B est une autre reprise, une version accélérée de l’hymne « Rock ’N’ Roll / EGA » de Daniel Johnston, très calme et très fort. C’est un véritable rager, mais c’est aussi une chanson douce-amère pour les Death Valley Girls, qui ont eu le rare privilège de servir brièvement de groupe de soutien à Johnston. En fin de compte, les deux chansons ont un lien profond avec les Death Valley Girls, tant dans leur esprit que dans leur alignement sonore. #Suicide_Squeeze_Records est fier d’offrir la « Breakthrough » de sept pouces dans une édition limitée de 750 copies sur un vinyle coloré moitié violet et moitié noir le 12 juin 2020.
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Abus narcissique. GPA forcée. Fantasmes de vengeance. Ce ne sont là que quelques-uns des sujets abordés par Larissa Stupar dans son rôle de chanteuse pour le groupe britannique de #death_metal Venom Prison . Stupar hurle, rugit et crache un vitriol déchirant contre les forces largement masculines qui oppriment les femmes dans le monde entier. Mais ne vous y trompez pas : sa position est inclusive.
« Je m’identifie en tant que féministe, mais je pense que le féminisme n’est pas réservé aux femmes »
Larissa Stupar▻https://daily.bandcamp.com/2019/03/25/venom-prison-samsara-interview
▻https://venomprison.bandcamp.com/track/perpetrator-emasculation
After ‘Animus’, Venom Prison were already being listed as one of metal’s biggest hopes. With ‘Samsara’ impending–and superior to its predecessor in every way–it’s becoming more and more likely that this band will achieve great things. When you see the world in as horrid a light as Venom Prison do, a little hope can go a long way.
▻https://www.stereoboard.com/content/view/222791/9
►http://venomprison.tumblr.com
#bandcamp #tumblr-
Perpetrator Emasculation de l’album Animus par #Venom_Prison (14 octobre 2016)
Rapist, fucking die
You deserve to die in agony
Waste of lifeI fucking hate your guts
You worthless piece of shit
You rape, beat and degrade
The time to pay has come
No escape, no escapeYour kind deserves decimation
Castration
Genital mutilation
Perpetrator elimination
Fucking dieYou think you’re strong?
I will hear you cry
When I amputate your genitalia
Force-fed, choke on your own crime
Blunt objects forced into the craniumDone with being victimized
And misogynistic cultureCastration
Genital mutilation
Perpetrator elimination
Fucking die#viol
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Announcing Guess the Throne | A Game of Thrones Death Pool
▻https://hackernoon.com/announcing-guess-the-throne-a-game-of-thrones-death-pool-897737cfb285?soIntroducing Guess the Throne: A Game of Thrones Death PoolSpoilers ahead! Please don’t visit the website or read this post if you’re not caught up.The final season of Game of Thrones is here, and we couldn’t be more excited about it. After hearing for years that winter is coming, it’s finally time to watch the carnage of season 8 unfold. What better way to celebrate the final season than creating a death pool for you and your friends to join.My friends and I live all over the country so a paper pool wasn’t an option, and we couldn’t find what we needed online, so we just up and created Guess the Throne! Create your group, submit your picks, and invite your friends. We handle the scoring, rules, and everything else for free!You may be asking yourself, “What’s a death pool?” Much like it sounds, (...)
#death-pools #react #javascript #march-madness #game-of-thrones
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Bande annonce du colloque « La musique et le son à travers le prisme des sound studies » - YouTube
▻https://www.youtube.com/watch?time_continue=92&v=Bc0gzZYjWrY
ça décoiffe :)Le colloque se déroulera le 24-25-26 janvier 2019 à Paris (EHESS-Reid Hall) Réalisation : Momoko Seto Musique : Simon Garrette
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Excellente cette présentation ! souvent ce genre de voix me gonfle assez vite, déjà parce que souvent c’est en anglais mais là je comprends les paroles.
▻https://www.ehess.fr/fr/conference-sound-studies -
Enjoy The Violence - Teaser
▻https://www.youtube.com/watch?v=lMuCmARpE-w"Enjoy The Violence" , une Histoire Orale des Origines de la Scène Thrash et Death en France. Les scènes nord américaines, anglaises, scandinaves ont très largement été documentées dans des ouvrages analysant en détail les premières secousses de ce que l’on nomme aujourd’hui le Metal Extrême. Swedish Death Metal, Choosing Death, Extremity Retained, Glorious Times, Murder in the Front Row, Metalion : The Slayer Mag Diaries, ainsi que quelques autres livres indispensables pour les metalheads les plus insatiables, ont en effet archivé avec minutie les racines de cette révolution stylistique qui poussait la violence musicale dans ses ultimes retranchements. Style souvent incompris et montré du doigt par les autres sphères musicales plus calibrées, le #Thrash et le #Death_Metal étaient, à leurs balbutiements, en complète opposition avec ce qui se faisait dans les couches dominantes et convenues de la culture et du music-business. Remettant même en cause la plupart des codes du Classic Rock, du Hard Rock et même du Heavy Metal traditionnel - perçus alors par les jeunes hordes assoiffées de brutalité sonore comme des genres dépassés, boursouflés et engourdis. Enjoy The Violence est une bible de 400 pages qui revient en détail sur les prémices du microcosme Thrash/Death hexagonal (années 1980/90), narré sur le mode de « l’histoire orale », avec des interviews fleuves et inédites de nombreux acteurs de l’époque (groupes, activistes, labels, journalistes, éditeurs de fanzines, tape-traders, illustrateurs, etc.). Plus qu’un livre compilant les témoignages de ceux qui ont défriché le terrain, Enjoy The Violence est un véritable guide pour mieux comprendre l’évolution qu’a connu le Metal (sous toutes ses formes les plus extrêmes) durant ces trente dernières années. Troisième et dernier tirage disponible !
▻https://www.la-petroleuse.com/livres-punk-rock/4562-enjoy-the-violence.html
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Show #374: I Laughed When Lennon Got #shot...
▻http://www.radiopanik.org/emissions/l-etranger/show-374-i-laughed-when-lennon-got-shot-“When beggars die, there are no comets seen; The heavens themselves blaze forth the #death of princes.” - William Shakespeare - Julius Caesar, Act II, scene 2, line 30.
Part 1 - #john_lennon (d. 08/12/80 - murder, by shooting)
1. The National Cynical Network & Negativland - Conversation with Death from ‘To Be, Or What?’ digital, 2012 2. V/Vm – Imagine from ‘Sick Love’ CD (V/Vm Test Records, UK, 2000) 3. John Oswald - Way/ Sfield from ‘69 Plunderphonics 96’ CD (Seeland, USA, 2001) 4. Muslimgauze - Death of Saint Jarnaii Singh Bindranwale from ‘Blinded Horses’ LP (Limited Editions, UK, 1985) 5. The Plain People Of England - An Irish Airhead Foresees His Death from ‘The Gab-Gift Or Curse?’ digital, 1999 6. Anthony Pasquarosa - On The Death Of Humanity X from ‘Morning Meditations’ LP (Vin Du (...)
#darby_crash #overdose #heroin #obsession #celebrity #darby_crash,shot,john_lennon,overdose,heroin,obsession,celebrity,death
▻http://www.radiopanik.org/media/sounds/l-etranger/show-374-i-laughed-when-lennon-got-shot-_05953__1.mp3 -
#Repression & . Policiers après un contrôle d’identité des soutiens à la personne incarcérée à la #Manif9octobre à #Nantes pour arrêter l’enfarineur de #Johanna_Rolland. Avec un sweat aux paroles d’un hommage à... #Sankara !
▻https://www.flickr.com/photos/valkphotos/30287841787
ValK. a posté une photo :
Commissariat Central Waldeck Rousseau, Nantes, le 10 octobre 2018. Groupe d’intervention de la Police Nationale en pleine enquête pour retrouver l’enfarineur de Johanna Rolland. Voir les différents articles et le communiqué du groupe F.A.R.I.N.E. (Front Amidoné Revolutionnaire Intersectionnel NantaisEs-ExiléEs) au sujet des raison COLLECTIVES de l’enfarinage sur nantes.indymedia.org . La phrase sur le sweat : « This Life, This Future, we’ll build a new foudation » est issue de la chanson « Land of the Upright Ones » de Heaven Shall Burn, groupe de deathcore, chanson dédiée à #Thomas_Sankara... un comble !
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Hurricane Maria’s uncounted disaster
Thousands of people were killed by Hurricane Maria. But the Puerto Rican government has only publicly identified 64 victims.
An investigation by Quartz, Puerto Rico’s Center for Investigative Journalism, and the Associated Press has identified 487 victims of Maria. It is the most extensive record yet of who died and why. Many families say that the real cause of death was government inaction.
Explore the database of victims in English and Spanish here.
►https://qz.com/1390559/how-many-people-died-in-hurricane-maria-an-investigation
#Puerto_Rico #hurricane #désastre #deaths #emergency #inaction #US #Health #Maria
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TRACES, le nouveau #Framabook qui vous invite à vivre et mourir au temps des #IA
▻https://framablog.org/2018/09/13/traces-le-nouveau-framabook-qui-vous-invite-a-vivre-et-mourir-au-temps-deMourir en #Picardie, ça vous dit ? Pour traverser l’étroit passage de vie à #Mort, suffit de s’exercer un peu en se concentrant sur ses meilleurs souvenirs. Pour les éprouver post-mortem indéfiniment. Drôle de deal… Écouter les voix des disparus ? Il … Lire la suite
#Interview #Libres_Cultures #Âmes #Anticipation #Crozat #Deathhackers #dystopie #Fendoir #Partage #Punkardie #roman #Thanatoprogrammeurs
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Japon : un puissant typhon seul responsable de l’exploitation destructrice de la nature
Le capitalisme fonce sur la région déjà dévastée par des inondations
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@vanderling Je suis presque arrivé au bout de l’écoute de ce morceau. Presque. Pour moi c’est très bien. Tu n’imagines pas à quel point. J’avais mis fort en plus. Me doutant que c’était comme ça que c’était prévu. Merci quand même. Pas sûr de le réécouter.
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si tu changes d’avis @philippe_de_jonckheere l’album est disponible sur . Succumb, une découverte pour moi, j’aime bien. J’écoutais ça quand @ericw a pondu sa merveilleuse dyslexie creative et je trouve que The Flood l’illustre parfaitement. Heureusement il reste la musique avant de finir noyé par le capitalisme.
▻https://succumb.bandcamp.com/album/succumbA boire et à manger ... et à écouter aussi peut-être.
The New Face of Death Metal
▻https://daily.bandcamp.com/2018/06/27/new-death-metal-bands-list▻https://listen.20buckspin.com/album/coffin-birth
Oakland’s Extremity burst like a pustule onto the Death Metal scene in 2017 with their Mini-LP ‘Extremely Fucking Dead’. Five ferocious tracks gave the first taste of what was to come, and now the band returns with its debut full length album ‘Coffin Birth’, a hideous ode to Death Metal’s past and present.
Right from the start of the menacing opening intro / track of ‘Coffin Birth / A Million Witches’, Extremity brutalize with a hammer of pulverizing devastation and a defined melodic sensibility. Memorable and outright catchy songs that seamlessly veer from grinding speed to crushingly mid-paced unfold via a sordid concept that may reveal itself with careful attention.
Once again recorded at Oakland’s Earhammer Studios, the birthplace for so many of today’s standout Death Metal releases, ‘Coffin Birth’ boasts both surgical clarity and pummeling raw aggression. In combination with the attention to detail in both song and lyric writing, Extremity exhume a debut album born straight from a coffin.
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@vanderling Ouh là, tout un album, je suis un peu intimidé. D’un autre côté j’ai une montagne de linge à plier, trier et ranger, c’est peut-être cela qu’il me faut !
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C’est l’idéal, très efficace. J’écoute parfois du #death_metal en faisant le ménage.
Bon, ensuite faut pas trop regarder dans les coins, hein ! -
@vanderling Bon je n’ai pas tenu très longtemps, j’ai vite remplacé par des choses plus, comment dire ? familières. Mais le temps que je l’ai enduré, je me senti un peu différent de d’habitude.
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@philippe_de_jonckheere je n’écoute pas que ce genre de musique, j’écoute un peu de tout mais je reviens souvent au death metal. Rien de tel pour me remettre les idées en place.
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The Flood aussi mais par Tony Joe White
▻https://tonyjoewhite.bandcamp.com/track/the-flood
#bandcamp #Tony_Joe_White
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