• Blue Origin’s First All-Female Spaceflight Stunt - The New York Times
    https://www.nytimes.com/2025/04/14/arts/blue-origin-lauren-sanchez-katy-perry.html

    Blue Origin’s all-female flight proves that women are now free to enjoy capitalism’s most extravagant spoils alongside rich men.

    Bezos’ company has promoted this as the “first all-woman spaceflight” since the Soviet Union cosmonaut Valentina Tereshkova became the first woman in space when she made a solo trip to the Earth’s orbit in 1963. Tereshkova spent three days in space, circled the Earth 48 times and landed an international celebrity and feminist icon. The Blue Origin flight attempted to reverse-engineer that historic moment: By taking established celebrities and activists and launching them into space, it applied a feminist sheen to Blue Origin and made its activities feel socially relevant by association.

    Blue Origin pitched the flight as a gambit to encourage girls to pursue STEM (science, technology, engineering and mathematics) careers and to, as Sánchez put it in an Elle cover story on the trip, inspire “the next generation of explorers.” But the flight was recreational, and its passengers are not space professionals but space tourists. Their central mission was to experience weightlessness, view the Earth from above, and livestream it. They are like payload specialists with a specialty in marketing private rockets. If the flight proves anything, it is that women are now free to enjoy capitalism’s most decadent spoils alongside the world’s wealthiest men.

    Though women remain severely underrepresented in the aerospace field worldwide, they do regularly escape the Earth’s atmosphere. More than 100 have gone to space since Sally Ride became the first American woman to do so in 1983. If an all-women spaceflight were chartered by, say, NASA, it might represent the culmination of many decades of serious investment in female astronauts. (In 2019, NASA was embarrassingly forced to scuttle an all-women spacewalk when it realized it did not have enough suits that fit them.) An all-women Blue Origin spaceflight signifies only that several women have amassed the social capital to be friends with Lauren Sánchez.

    Sánchez arranged for her favorite fashion designers to craft the mission’s suits, leveraging it into yet another branding opportunity. Souvenirs of the flight sold on Blue Origin’s website feature a kind of yassified shuttle patch design. It includes a shooting-star microphone representing King, an exploding firework representing Perry and a fly representing Sánchez’s 2024 children’s book about the adventures of a dyslexic insect. Each woman was encouraged to use her four minutes of weightlessness to practice a different in-flight activity tailored to her interests. Nguyen planned to use them to conduct two vanishingly brief science experiments, one of them related to menstruation, while Perry pledged to “put the ‘ass’ in astronaut.”

    The message is that a little girl can grow up to be whatever she wishes: a rocket scientist or a pop star, a television journalist or a billionaire’s fiancée who is empowered to pursue her various ambitions and whims in the face of tremendous costs. In each case, she stands to win a free trip to space. She can have it all, including a family back on Earth. “Guess what?” Sánchez told Elle. “Moms go to space.” (Fisher, the first mother in space, went there in 1984.)

    The whole thing reminds me of the advice Sheryl Sandberg passed on to women in “Lean In,” her memoir of scaling the corporate ladder in the technology industry. When Eric Schmidt, then the chief executive of Google, offered Sandberg a position that did not align with her own professional goals, he told her: “If you’re offered a seat on a rocket ship, don’t ask what seat. Just get on.” It is the proximity to power that matters, not the goal of the mission itself.

    As Blue Origin loudly celebrates women as consumers of private space travel, it has elided the experiences of professional female astronauts — including the little details that humanized their own flights. Elle suggested that the Blue Origin flight “will be the first time anybody went to space with their hair and makeup done.” As Perry put it, “Space is going to finally be glam.” But in fact, female astronauts have long brought their beauty work into space with them. Life magazine published an image of Tereshkova at the hairdresser, explaining that she was “primping for orbit.” The astronaut Rhea Seddon, who first flew to space in 1985, took NASA-tested cosmetics onboard, knowing that she would be heavily photographed and the images widely circulated.

    #Espace #Tourisme #Féminisme_de_pacotille #Jeff_Bezos #Blue_Origin #Amazon

  • Crowdsourcing : quand les foules retournent aux sources ...

    Our RoboCop Remake
    http://ourrobocopremake.com/about.html

    http://vimeo.com/85903713

    Our RoboCop Remake is a crowd-sourced film project based on the 1987 Paul Verhoeven classic. Connected through various filmmaking channels (including Channel 101) we’re 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop into individual pieces and have remade the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene retelling. As big fans of the original RoboCop, and as filmmakers and film fans admittedly rolling our eyes at the Hollywood remake machine, we’ve elected to do this remake thing our own way.
    ...
    Because if anyone is going to ruin RoboCop, it’s us.

    Protect the innocent - Scene 27 (Attention : cette séquence est déconseillée pour les moins de 80 ans qui n’ont pas fait la guerre)
    http://vimeo.com/86014703

    Vue de Berlin on pourrait avoir l’impression que cette séquence ait éte sponsorisée par notre féministe préférée qui a sérieusement besoin de détourner l’attention publique de ses histoires de fraude fiscale.

    Hat Alice Schwarzer die Wahrheit gesagt ?
    http://www.heise.de/tp/blogs/8/155824

    Wenn es stimmt, was der Spiegel aus nicht näher genannten Quellen erfahren haben will, dann sieht es für Alice Schwarzers Glaubwürdigkeit nicht gut. Sie hatte behauptet, dass über ihre Selbstanzeige und die Nachzahlung von 200.000 Euro steuerrechtlich Fall abgeschlossen sei: „Inzwischen ist alles legal. Ich gehöre nicht zu den tausenden, die Schwarzgeld in der Schweiz haben, das bis heute nicht versteuert ist. Meine Steuern sind gezahlt“, schrieb sie letzte Woche, um dann den Spiegel des Rufmords und der Denunanziation zu bezichtigen.

    Der Spiegel hat offenbar den Fehdehandschuh aufgenommen und berichtet nun, dass die Finanzbehörden angeblich noch prüfen würden, ob ihre Selbstanzeige vollständig ist. Erst dann wäre sie vor Strafverfolgung geschützt.

    Après avoir systématiquement collaboré avec les journaux les plus réactionnaires pour faire avancer la cause des femmes A.S. s’est faite prendre en flagrant délit de fraude fiscale qui a révélé qu’elle a amassé et caché en suisse plusieurs millions d’Euros. Les mobiles de son engagement et sa sincérité se trouvent alors discrédités auprès d’un public plus large que les milieux conservateurs ou d’extrème gauche qui ne l’ont jamais apprécié.

    #gore #féminisme_de_pacotille