industryterm:online video

  • YouTube Executives Ignored Warnings, Let Toxic Videos Run Rampant - Bloomberg
    https://www.bloomberg.com/news/features/2019-04-02/youtube-executives-ignored-warnings-letting-toxic-videos-run-rampant

    Wojcicki’s media behemoth, bent on overtaking television, is estimated to rake in sales of more than $16 billion a year. But on that day, Wojcicki compared her video site to a different kind of institution. “We’re really more like a library,” she said, staking out a familiar position as a defender of free speech. “There have always been controversies, if you look back at libraries.”

    Since Wojcicki took the stage, prominent conspiracy theories on the platform—including one on child vaccinations; another tying Hillary Clinton to a Satanic cult—have drawn the ire of lawmakers eager to regulate technology companies. And YouTube is, a year later, even more associated with the darker parts of the web.

    The conundrum isn’t just that videos questioning the moon landing or the efficacy of vaccines are on YouTube. The massive “library,” generated by users with little editorial oversight, is bound to have untrue nonsense. Instead, YouTube’s problem is that it allows the nonsense to flourish. And, in some cases, through its powerful artificial intelligence system, it even provides the fuel that lets it spread.

    Mais justement NON ! Ce ne peut être une “bibliothèque”, car une bibliothèque ne conserve que des documents qui ont été publiés, donc avec déjà une première instance de validation (ou en tout cas de responsabilité éditoriale... quelqu’un ira en procès le cas échéant).

    YouTube est... YouTube, quelque chose de spécial à internet, qui remplit une fonction majeure... et également un danger pour la pensée en raison de “l’économie de l’attention”.

    The company spent years chasing one business goal above others: “Engagement,” a measure of the views, time spent and interactions with online videos. Conversations with over twenty people who work at, or recently left, YouTube reveal a corporate leadership unable or unwilling to act on these internal alarms for fear of throttling engagement.

    In response to criticism about prioritizing growth over safety, Facebook Inc. has proposed a dramatic shift in its core product. YouTube still has struggled to explain any new corporate vision to the public and investors – and sometimes, to its own staff. Five senior personnel who left YouTube and Google in the last two years privately cited the platform’s inability to tame extreme, disturbing videos as the reason for their departure. Within Google, YouTube’s inability to fix its problems has remained a major gripe. Google shares slipped in late morning trading in New York on Tuesday, leaving them up 15 percent so far this year. Facebook stock has jumped more than 30 percent in 2019, after getting hammered last year.

    YouTube’s inertia was illuminated again after a deadly measles outbreak drew public attention to vaccinations conspiracies on social media several weeks ago. New data from Moonshot CVE, a London-based firm that studies extremism, found that fewer than twenty YouTube channels that have spread these lies reached over 170 million viewers, many who were then recommended other videos laden with conspiracy theories.

    So YouTube, then run by Google veteran Salar Kamangar, set a company-wide objective to reach one billion hours of viewing a day, and rewrote its recommendation engine to maximize for that goal. When Wojcicki took over, in 2014, YouTube was a third of the way to the goal, she recalled in investor John Doerr’s 2018 book Measure What Matters.

    “They thought it would break the internet! But it seemed to me that such a clear and measurable objective would energize people, and I cheered them on,” Wojcicki told Doerr. “The billion hours of daily watch time gave our tech people a North Star.” By October, 2016, YouTube hit its goal.

    YouTube doesn’t give an exact recipe for virality. But in the race to one billion hours, a formula emerged: Outrage equals attention. It’s one that people on the political fringes have easily exploited, said Brittan Heller, a fellow at Harvard University’s Carr Center. “They don’t know how the algorithm works,” she said. “But they do know that the more outrageous the content is, the more views.”

    People inside YouTube knew about this dynamic. Over the years, there were many tortured debates about what to do with troublesome videos—those that don’t violate its content policies and so remain on the site. Some software engineers have nicknamed the problem “bad virality.”

    Yonatan Zunger, a privacy engineer at Google, recalled a suggestion he made to YouTube staff before he left the company in 2016. He proposed a third tier: Videos that were allowed to stay on YouTube, but, because they were “close to the line” of the takedown policy, would be removed from recommendations. “Bad actors quickly get very good at understanding where the bright lines are and skating as close to those lines as possible,” Zunger said.

    His proposal, which went to the head of YouTube policy, was turned down. “I can say with a lot of confidence that they were deeply wrong,” he said.

    Rather than revamp its recommendation engine, YouTube doubled down. The neural network described in the 2016 research went into effect in YouTube recommendations starting in 2015. By the measures available, it has achieved its goal of keeping people on YouTube.

    “It’s an addiction engine,” said Francis Irving, a computer scientist who has written critically about YouTube’s AI system.

    Wojcicki and her lieutenants drew up a plan. YouTube called it Project Bean or, at times, “Boil The Ocean,” to indicate the enormity of the task. (Sometimes they called it BTO3 – a third dramatic overhaul for YouTube, after initiatives to boost mobile viewing and subscriptions.) The plan was to rewrite YouTube’s entire business model, according to three former senior staffers who worked on it.

    It centered on a way to pay creators that isn’t based on the ads their videos hosted. Instead, YouTube would pay on engagement—how many viewers watched a video and how long they watched. A special algorithm would pool incoming cash, then divvy it out to creators, even if no ads ran on their videos. The idea was to reward video stars shorted by the system, such as those making sex education and music videos, which marquee advertisers found too risqué to endorse.

    Coders at YouTube labored for at least a year to make the project workable. But company managers failed to appreciate how the project could backfire: paying based on engagement risked making its “bad virality” problem worse since it could have rewarded videos that achieved popularity achieved by outrage. One person involved said that the algorithms for doling out payments were tightly guarded. If it went into effect then, this person said, it’s likely that someone like Alex Jones—the Infowars creator and conspiracy theorist with a huge following on the site, before YouTube booted him last August—would have suddenly become one of the highest paid YouTube stars.

    In February of 2018, the video calling the Parkland shooting victims “crisis actors” went viral on YouTube’s trending page. Policy staff suggested soon after limiting recommendations on the page to vetted news sources. YouTube management rejected the proposal, according to a person with knowledge of the event. The person didn’t know the reasoning behind the rejection, but noted that YouTube was then intent on accelerating its viewing time for videos related to news.

    #YouTube #Economie_attention #Engagement #Viralité

  • Can You Build Your Own Movie #streaming Website Like Netflix and Hulu With Zero Coding?
    https://hackernoon.com/can-you-build-your-own-movie-streaming-website-like-netflix-and-hulu-wit

    “The global online video viewers will reach more than 2.51 billion viewers by 2020”With the age of television growing old and the millennial generation set forgoes cable network altogether. The digital transformation gaining more momentum and hooking up the online movie streaming websites like Netflix, Hulu, Amazon Prime TV that are making their options under $10 bucks.Let us consider fortunate to avail such an irreproachable movie streaming website & app that hit the mankind to make our lives more coziness, without the establishment of this service, our daily life would be more arduous. Statista says, In 2020, the number of digital video viewers in the United States is projected to surpass 236 million.Let’s take a look at the factors that made movie streaming platform more (...)

    #streaming-video #movie-streaming #zero-coding #tech

  • Two companies soon to control one fifth of global content spend
    https://www.ampereanalysis.com/blog/40493941-7f03-467d-9b90-723752e04499

    Following the massive mergers of Comcast/Sky and Disney/Fox, one in every five dollars spent on content worldwide will now be spent by these two entities alone. And this concentration of spend becomes even more stark when focusing purely on the US - the proportion of US content spend controlled by Comcast/Sky and Disney/Fox jumps to nearly two in five content dollars.

    Once the dust has settled from the mergers, overall spend on content will be almost even between the two new companies. By Ampere’s estimates, the combined projected content spend between the two is set reach $43bn – with Disney/Fox spending $22bn per year on originated and acquired content and Comcast/Sky spending $21bn by the end of 2018. This is more than the combined outlay of the next ten largest content spenders in the US including OTT platforms Netflix and Amazon.

    To some extent, the increasingly level of consolidation is a reaction to the increasing power of online video platforms. Companies such as Netflix and Amazon continue to invest significantly in content, a trend which shows no signs of slowing down. We expect Netflix to spend over $8bn on a P&L basis by the end of 2018, and the streaming giant has repeatedly stated it will continue to increase its content budget. Prior to the recent mergers, Netflix was on course to catch and overtake the top Hollywood studios in terms of content spend - however, in light of the two new combined entities, Netflix would now be required to nearly triple its spend to achieve this.

    This added financial might for the incumbent broadcast and studio groups helps strengthen both entities’ positions in the global market, as well as adding protection against the rising strength of online video. Each entity controls an increasingly vast library of original content ready to be exploited through direct-to-consumer offers. Disney has already indicated it will stop licencing content to Netflix in favour of its own direct to consumer offer, a service which will have even greater appeal with the addition of Fox assets. 

    However, one other implication of this consolidation is the effect it could have on independent producers. With a shrinking number of content acquirers in the market, the competition for rights diminishes – this in turn will impact the indie sector’s ability to negotiate favourable deals.

    #industrie_culturelle #attention

  • How to start an online video streaming business | 3 profitable ideas for video content creators
    https://hackernoon.com/how-to-start-an-online-video-streaming-business-3-profitable-ideas-for-v

    With the internet in its full-fledged, now seems a good time to start an online video streaming business. When online videos will make up more than 80% of internet traffic by 2022, why would not anyone think of starting a video streaming service like Netflix, Hulu, YouTube, and Amazon Prime?Now, one can ask, if giants like Netflix, Hulu, etc. are already ruling the video streaming market, would it be practical to start your own video streaming business and expect a survival?Indeed, Yes!Considering the latest entry by Disney streaming service (which is yet to be released), it is impractical to think that you cannot claim your share of audience and revenue if these giants are already in the market. Like every other new entrant, if you have some interesting content to show, people will (...)

    #online-business #content-creators #netflixclone #streaming-video #video-streaming-online

  • Is a billion-dollar opportunity “hogging” your bandwidth?
    https://hackernoon.com/is-a-billion-dollar-opportunity-hogging-your-bandwidth-b0c08eecdc0c?sour

    By Joseph FlahertyYesterday, VentureBeat reported that more than 50 billion hours of video games were watched on YouTube in 2018, roughly the same amount of time spent binge-watching the entire Netflix catalog.It’s an extraordinary number and reflects a massive generational shift in pop culture preferences, but what’s even more interesting is how unlikely it seemed a decade ago when the major online video platforms were hostile to video game uploads.In 2008, Vimeo banned video game uploads — outright. In retrospect, this might have been a company defining decision. YouTube hadn’t yet achieved breakout success with the “Lazy Sunday” clip from Saturday Night Live, and was just one of many viable video hosts. Picking up on the popularity of gaming might have changed Vimeo’s trajectory. To be fair, (...)

    #technology #esport #venture-capital #entrepreneurship #startup

  • Autoplay Videos Are Not Going Away. Here’s How to Fight Them. - The New York Times
    https://www.nytimes.com/2018/08/01/technology/personaltech/autoplay-video-fight-them.html

    Nobody seems to likes autoplay videos — not even people I’ve talked to in the ad industry. The indiscreet videos demand your attention while burning through your mobile data plan and sucking up your batteries. Yet they have become a necessary evil for many media publishers trying to survive in the digital age.

    “I think we’ve ended up in a really crappy user experience right now with video advertising,” said Dave Morgan, the chief executive of Simulmedia, which works with advertisers on targeted television ads. “Video has been pushed into every user experience whether or not it fits, because it’s a way to make more money.”

    Over the last decade, fast wired and wireless connections spread, as did computers and smartphones. Consumers also became acclimated to streaming video services like Netflix and YouTube. Serving an online video became easy. So advertising firms like BrightRoll and Tremor Video, along with tech companies like Facebook, began testing video ads.

    Once they got started, there was no turning back. Video ads generated 20 to 50 times more revenue than traditional display ads, and the best way to get money was to make the videos play automatically, Mr. Morgan said. Tech platforms like Facebook and Twitter liked autoplay videos, too, because they were effective at getting people to stick around on their sites, said Taylor Wiegert, a director of user experience strategy for the Martin Agency. Automatically playing videos went from a rarity a decade ago to a prominent online advertising medium today.

    #Vidéo #Web #Publicité

  • How to Enable Picture in Picture Mode in Google Chrome
    https://www.omgubuntu.co.uk/2018/07/enable-google-chrome-picture-in-picture

    Google is bringing picture in picture mode to Chrome on the desktop — and in this post we’re going to show you how to enable it right now. Picture in picture mode (often abbreviated to PiP) is a feature that allows you to watch online video in a floating, resizable window outside of a web […] This post, How to Enable Picture in Picture Mode in Google Chrome, was written by Joey Sneddon and first appeared on OMG! Ubuntu!.

  • Egypt Sami Anan’s whereabouts unknown: Son | MadaMasr

    https://www-madamasr-com.cdn.ampproject.org/c/s/www.madamasr.com/en/2018/01/24/news/u/sami-anans-whereabouts-unknown-son/amp/?platform=hootsuite

    The whereabouts of former Chief of Staff Sami Anan, who was arrested and brought before the military prosecution after announcing his presidential bid, remain unknown, his son Samir Anan told Mada Masr on Wednesday.

    After attending a six-hour interrogation with Anan on Tuesday, his lawyer from the Dina Hussein Law Firm was told that he would be released and sent home. However, Anan’s family has been unable to reach him since, according to Samir.

    The former chief of staff was arrested from his car and brought before the military prosecution early on Tuesday, right before the Armed Forces’ statement on Anan’s “violations and crimes” was broadcast, Mostafa al-Shal, the head of his personal office, previously told Mada Masr.

    Samir’s comments follow Tuesday evening media reports that the National Elections Authority (NEA) removed Anan’s name from the national electoral register due to his contested military status, citing an NEA statement, rendering the former chief of staff ineligible to participate in the 2018 electoral process as a candidate or as a voter. The NEA spokesperson confirmed in statements to the media that Anan’s name had been removed from the register, adding that copes of the statement in question were not available to the press.

    In its televised statement broadcast on Tuesday afternoon, the Armed Forces accused the presidential candidate of announcing his bid for office without first acquiring a permit from the military, aiming to incite a rift between the Armed Forces and the public, as well as forging his end of service documents. A few hours after the statement was aired, Anan’s official campaign Facebook page announced that the campaign was suspended until further notice. 

    The Cairo Court of Urgent Matters ruled on Tuesday in favor of lawsuit filed by lawyer Samir Sabry requesting the release of documents proving that Anan is enlisted as a military reserve officer, according to the privately owned Al-Shorouk newspaper.

    Anan formally announced his intent to run for presidency via an online video on Friday night, released on the heels of President Abdel Fattah al-Sisi’s announcement that he intends to seek a second term in office. In the video, Anan demanded that civilian and military state institutions refrain from showing an “unconstitutional bias toward a president who might leave his chair in a few months.”

    Ousted President Mohamed Morsi forcibly retired Anan from his position as chief of staff of the Armed Forces in August 2012, using the same decree which saw Sisi replace former Defense Minister Hussein Tantawi.

    Presidential candidates have until 2 pm on January 29 to submit the necessary paperwork to be officially recognized as candidates by the NEA. To be eligible to run in the 2018 presidential election, Egypt’s Constitution and presidential elections law stipulate that candidates must collect endorsements from at least 20 members of Parliament, or from 25,000 eligible voters from 15 different governorates, with a minimum of 1,000 endorsements from each governorate.

    Tags: 2018 presidential electionsArmed Forces statements

  • UAE says Qatar fighter jets intercept flight ; Doha denies it - ABC News
    http://abcnews.go.com/International/wireStory/uae-claims-qatar-fighter-jet-intercepts-commercial-flight-52351549

    aujourd’hui

    The United Arab Emirates on Monday claimed that Qatari fighter jets intercepted one of its commercial airliners in international airspace on the way to Bahrain, an allegation promptly denied by a Doha official.

    hier
    Qatar says Emirati plane violated airspace, UAE denies
    https://www.reuters.com/article/us-gulf-qatar-emirates/qatar-says-emirati-plane-violated-airspace-uae-denies-idUSKBN1F035W

    Je précise à ceux qui ne suivent pas l’actualité du monde arabe qu’il ne s’agit pas de foot !

    Je pense qu’on est toujours dans #nuit_torride

    • Deux (?) incidents avec des avions militaires émiratis,

      Recently, Qatar accused Emirati military jets of violating its air space in December and January in two incidents, filing a complaint to the United Nations.

      Celui de décembre est décrit, mais je ne trouve pas trace de celui de janvier. Peut-être s’agit-il du dépôt de plainte ?

    • Mais il y a aussi l’info sur le prince qatari dont MbS a pu, un temps, penser qu’il pouvait l’utiliser comme pion …

      On Sunday night, an exiled Qatari ruling family member once promoted by Saudi Arabia amid its ongoing dispute with Doha appeared in an online video, claiming he’s being held against his will in the United Arab Emirates, an allegation denied by Abu Dhabi.

      The video of Sheikh Abdullah bin Ali Al Thani, a little-known ruling family member until the Qatar crisis, also offered new fuel to the stalemated dispute. It also recalled the bizarre, now-reversed resignation of Lebanese Prime Minister Saad Hariri while on a trip Riyadh, a Nov. 4 decision that was widely perceived as Saudi-orchestrated at the time.

      (info bien détaillée dans la légende de la photo dans ton billet)

      Exiled Sheikh Abdullah, once promoted by Saudi Arabia amid its ongoing dispute with Doha, appeared in an online video posted Sunday, Jan. 14, 2018, and aired by Doha-based satellite news network Al-Jazeera, claiming he’s being held against his will in the United Arab Emirates, an allegation denied by an Abu Dhabi official.

    • ويوم أمس، انتشر مقطع مصور يظهر آل ثاني وهو يتهم ولي عهد أبو ظبي، محمد بن زايد، باحتجازه، محملاً الأخير المسؤولية عن أي أذى يلحق به. وقال آل ثاني، في التسجيل، «(إنني) كنت ضيفاً عند الشيخ محمد، (إلا أنني) الآن لم أعد في وضع ضيافة وإنما في وضعية احتجاز»، مضيفاً أن الإماراتيين أوعزوا إليه بعدم مغادرة المكان الذي يقيم فيه. وأعرب عن خشيته من أن «يحصل لي مكروه، ويقوموا بإلقاء اللوم على قطر»، مشدداً على أنه «إذا حدث لي شيء، فأهل قطر بريئون منه، والشيخ محمد هو من يتحمل المسؤولية».

  • Mapping the slums | Erica Hagen | TEDxGateway - YouTube

    https://www.youtube.com/watch?v=lVkyBf_TM9s

    Mapping the slums | Erica Hagen | TEDxGateway

    Ajoutée le 10 mars 2015
    In her talk Erica Hagen describes how slums around the world are absent from maps online and on paper. She works towards empowering communities through open data, open mapping, citizen media and participatory processes.

    Erica is co-founder of Map Kibera, which created the first free and open map of the Kibera slum in Nairobi in 2009. Map Kibera has evolved to include Voice of Kibera, a website that maps stories citizen reporters; the online video initiative Kibera News Network; and more. She is also director of GroundTruth Initiative, in Washington, DC, using digital technologies, citizen media and mapping for greater citizen voice and impact around the world.

    Websites:

    www.mapkibera.org
    www.groundtruth.in
    Twitter: @ricaji

    This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at http://ted.com/tedx

    #slums #cartographie #bidonvilles

  • Why Some Online Video Stars Opt for Facebook Over YouTube - The New York Times
    https://www.nytimes.com/2017/07/09/technology/facebook-video-stars.html

    Ne dites plus « youtubeur, youtubeuse »...

    As an early participant in Facebook’s video revenue-sharing program, Ms. Clery is one of its first stars to receive YouTube-like payments. Developing native stars is part of Facebook’s ambition to challenge YouTube as the internet’s primary destination for video by getting users to see it as more than a repository of one-off hits.

    To capture and retain the attention of its two billion monthly users with more than short, viral clips, Facebook is now delivering live sports as well as creating its own serialized programs and exclusive shows. It is also courting performers who can build a passionate audience and keep them coming back.

    Such stars have been critical to YouTube’s success because they have fiercely loyal fans and appeal to audiences underserved by traditional media companies. Popular personalities like Jake Paul on YouTube have millions of subscribers who return daily to watch video diaries and music videos.

    Most online video creators are not exclusive to any platform, but the biggest stars publish most consistently on YouTube because its ad revenue-sharing typically provides the biggest payouts.

    While most creators post videos to Facebook, it is sometimes treated as an afterthought or a marketing tool to redirect users back to their YouTube page. At last month’s VidCon, the online video industry’s annual trade show, Facebook unleashed a charm offensive to creators, highlighting its fledgling video ad programs and introducing a new app featuring tools to help creators make videos look more professional.

    #YouTube #Facebook #Youtubeurs #vidéo

  • Taking binge watching to the next level : speed watching

    Don’t have the time to watch 50 minutes episodes? Watch them accelerated!

    https://www.nytimes.com/2016/12/12/technology/favorite-shows-high-speed.html

    Netflix, Hulu and HBO, however, don’t offer higher speeds on their players, but there are workarounds available. It’s possible to speed up online video through a Google Chrome extension, and an open-source media player called VLC will play many formats of digital media. Some set-top boxes like TiVo allow high-speed playback of recorded programs.

    A thorough article about this phenomenon (with some tl;dr danger, but it’s worth reading it all) that delves deeper into the matter :
    https://www.washingtonpost.com/news/wonk/wp/2016/06/22/i-have-found-a-new-way-to-watch-tv-and-it-changes-everything

    x1

    https://www.youtube.com/watch?v=GrueALgA9Dc

    x1.2

    https://www.youtube.com/watch?v=_3XPQIiLv9g

    x2

    https://www.youtube.com/watch?v=0dlNXSaxmK8

    http://tempsreel.nouvelobs.com/rue89/rue89-nos-vies-connectees/20161219.RUE6033/pour-gagner-du-temps-ils-matent-des-films-ou-des-series-en-acce

    Il est aussi possible de télécharger une extension de Google Chrome, Video Speed Controller, qui peut être utilisée sur Netflix, Vimeo et Amazon Prime, ou de télécharger Overcast, qui réduit les silences pour gagner du temps. L’appli de podcasts d’Apple ou Audible, une appli de livres audio, le propose aussi directement.

    http://www.liberation.fr/futurs/2016/12/26/speed-watching-des-series-a-grande-vitesse_1537518

    Après l’indigestion d’épisodes d’une même série regardés à la queue leu-leu, la tendance est maintenant à la consommation en accéléré. Quelques applications permettent désormais de visionner en augmentant de 20% à 50% le défilement des images.

    http://www.20minutes.fr/television/1989799-20170105-speed-watching-trop-series-tele-matez-accelere

    #speed_watching #speed_listening
    #series

  • Why Are People Losing the Blissful Tingles of ASMR? - Facts So Romantic
    http://nautil.us/blog/why-are-people-losing-the-blissful-tingles-of-asmr

    In more ways than one, the tingles seem to be fading. Just a few years ago, autonomous sensory meridian response (ASMR), a puzzling and blissful sensation, became the sudden focal point for a sizable Internet community. Practitioners liken it to a current of electricity running down the scalp and spine. Audiences marveled at online videos, the community’s primary artifacts, featuring earnest amateurs performing whispered role-plays and small, repetitive gestures designed to invoke the sensation in others. Specific triggers varied, but larger patterns emerged: haircuts, visits to doctors, even the gentle-hearted painting lessons of Bob Ross. Enthusiasts and bystanders alike speculated at length on the nature of this community, how and why it came to be. More recently, our collective (...)

  • Philae found !

    / Rosetta / Space Science / Our Activities / ESA mobile
    http://m.esa.int/Our_Activities/Space_Science/Rosetta/Philae_found

    Less than a month before the end of the mission, Rosetta’s high-resolution camera has revealed the Philae lander wedged into a dark crack on Comet 67P/Churyumov–Gerasimenko.

    The images were taken on 2 September by the OSIRIS narrow-angle camera as the orbiter came within 2.7 km of the surface and clearly show the main body of the lander, along with two of its three legs.

    The images also provide proof of Philae’s orientation, making it clear why establishing communications was so difficult following its landing on 12 November 2014.

  • The Problem with Nature Therapy - Issue 32: Space
    http://nautil.us/issue/32/space/the-problem-with-nature-therapy

    In a popular online video, Nature Rx, a depthless-eyed, rakishly bearded man prescribes nature as the drug of choice for your stress, cynicism, narcissism, and other “crippling symptoms of modern life.” There are scenes of campfires, mist-covered lakes, and much denim. “Golf is not nature,” admonishes one bit of onscreen text. A send-up of pharmaceutical ads, Nature Rx is a genuine shoestring project, put together without major backers by four friends led by filmmaker Justin Bogardus. A former New Yorker and self-described “city guy,” Bogardus first felt the transformative power of nature on family wilderness trips as a child. He earned a master’s degree in contemplative psychotherapy at Naropa University, a Buddhism-infused institute in Boulder, Colorado, where he is a teaching assistant. (...)

  • Slate’s podcast audience has tripled in a year, and its bet on audio over video continues to pay off » Nieman Journalism Lab
    http://www.niemanlab.org/2015/02/slates-podcast-audience-has-tripled-in-a-year-and-its-bet-on-audio-over-v

    Slate’s podcast audience has tripled in a year, and its bet on audio over video continues to pay off
    With 6 million downloads a month and a growing set of live events, Slate is showing one potential path for publishers in the post-Serial world: using conversation to build connection.

    Slate made a very early bet, long before the mainstream adoption of podcasting was a forgone conclusion, by investing heavily in the audio format, positioning itself to ride the wave as millions of new consumers purchased smartphones and eventually realized that they could download audio files for on-demand listening.

    It made that bet while many of its news media competitors shifted much of their focus to online video.

    its podcast offerings are much more substantial, having developed fervent, almost fanatical followings from listeners, many of whom are willing to line up around the block just to attend a live recording. So why did Slate see so much success while other news outlets, like The New York Times and Boston Globe, scaled back their audio offerings in favor of video?

    “John and his colleagues in Washington had hilarious conversations that sounded like how I was used to hearing reporters talk at the bar or after they appeared on the Sunday talk shows,” he said. “And I thought, ‘If I just put microphones in the conference room, this would be really entertaining. People would hear the honest conversation that reporters have.’” That insight eventually became the Political Gabfest, an hour-long show — hosted by Dickerson, former editor David Plotz, and Emily Bazelon — that’s among Slate’s most popular podcasts.

    “We decided to do a live show thinking there would be a lot of people in town for the inauguration. So we booked a venue and we literally had no idea if 10 people or 100 people would show up. It ended up having a line around the block.”

    This fervent fandom is why Slate and other podcast networks are able to charge such high advertising rates, much higher than what you could typically demand for online display advertising. Because the ads are often read out by the hosts themselves, often in a creative way, listeners don’t feel the urge to skip ahead. “During one of our earliest live shows that had been sponsored by Audible.com, David Plotz was doing the Audible ad in front of the audience,” said Bowers. “He said, ‘Political Gabfest is sponsored by…well, you know who it’s sponsored by,’ and the whole audience yelled ‘Audible.com!’ When that happened I was like, OK, that’s pretty effective advertising.”

    Any consistent listener of podcasts has likely noticed that most podcast sponsors are direct-response advertisers — it’s easy to track the ROI of their sponsorships because listeners are encouraged to plug in a special promo code to receive discounts. The challenge Slate has now is to lure brand advertisers — the kind trying to raise brand awareness rather than direct sales. According to Bowers, Slate is in a unique position to attract these companies because, unlike other podcast networks, Slate’s is affiliated with an established media entity. “Because we’re connected to a larger website, for many years we have had advertisers who were on the Slate site and on the podcasts.” For instance, Acura sponsored a recent live tour of Gabfest, in some cases offering test drives to audience members. Another podcast hosted by Plotz was sponsored by Delta.

    http://www.slate.com/articles/podcasts/podcasts/2005/07/slates_podcasting_guide.html
    http://www.slate.com/articles/podcasts.html

    #site_de_presse #audio

  • Feminist video game critic forced to leave her home after online rape and death threats
    http://www.rawstory.com/rs/2014/08/27/feminist-video-game-critic-forced-to-leave-her-home-after-online-rape-and-

    Anita Sarkeesian, creator of an online video series analyzing problematic representations of women in video games, was forced to leave her home on Tuesday after death threats made online against herself and her family, Polygon reported.

    “Some very scary threats have just been made against me and my family,” Sarkeesian posted on Tuesday. “Contacting authorities now.”

    After confirming she had found a safe place to stay, Sarkeesian posted a screengrab of the threats, posted by a Twitter account calling itself “Kevin Dobson,” which identified her address and her parents, as well as several vulgar threats, including one to “ram a hot tire iron up [her] c*nt”:

    #harcèlement #masculinisme #Video_games #feminisme #culture_du_viol

  • Syrian #rebels kidnap rejected presidential hopeful
    http://english.al-akhbar.com/content/syrian-rebels-kidnap-rejected-presidential-hopeful

    Syrian rebels from the southern province of #Daraa have kidnapped a presidential hopeful whose bid was turned down by the constitutional court, according to an online video distributed Tuesday. The video shows three armed, bearded rebels wearing fatigues in a room with Mohammed Kanaan, a military officer who had registered to run in June 3 elections that are widely expected to return President Bashar al-Assad to power. In a video filmed by the rebel brigade and distributed online by opposition media activists, he is shown wearing a suit, seated on an armchair. read more

    #presidential_elections #syria #Top_News

  • Toujours cet exemple de #Youtube... qui « lag ».

    (Faudrait que je retrouve des exemples datant du début des années 2000 lorsqu’on s’inquiétait de savoir si on aurait assez de bande passante pour supporter la consommation de vidéos en ligne.)

    Cet exemple sert de prétexte à un article fouillé sur les accords de #peering et les histoires d’#interconnexion entre #FAI et fournisseurs de service (aux USA et en France surtout) - #neutralité (illusoire) des #réseaux garantissant la #connectivité (déjà relevé par @louije, suivre |>)

    Why YouTube buffers : The secret deals that make—and break—online video | Ars Technica
    http://arstechnica.com/information-technology/2013/07/why-youtube-buffers-the-secret-deals-that-make-and-break-online-video
    http://arstechnica.com/information-technology/2013/07/why-youtube-buffers-the-secret-deals-that-make-and-break-online-video/2
    http://arstechnica.com/information-technology/2013/07/why-youtube-buffers-the-secret-deals-that-make-and-break-online-video/3
    http://arstechnica.com/information-technology/2013/07/why-youtube-buffers-the-secret-deals-that-make-and-break-online-video/4

    http://arstechnica.com/features/2008/09/peering-and-transit (2008)

    “The funny thing” about these disputes is how little money is involved, van der Berg said. The French telecom regulator #ARCEP has found that money changing hands between operators for peering and transit, plus the amount paid to third parties that host Internet exchange points, is equal to just 0.2 percent to 0.5 percent of revenue generated by the supply of Internet access to end users.

    En tout cas un sujet pas du tout tabou...

    Verizon declined repeated interview requests from Ars, however, as did the majority of companies involved in these disputes. Comcast, Time Warner Cable, and CenturyLink did not answer questions or make anyone available for interviews. Google and Netflix both declined to say anything on the record. AT&T did not respond to e-mails. Three European players involved in disputes—Free, Orange, Deutsche Telekom—did not reply to e-mails. Telefónica responded that “we can’t comment on regulatory cases that are ongoing except to say that Telefónica is cooperating fully.” The FCC did not make anyone available for an interview or answer our questions.

    Aussi question de #CDN et du Google Global Cache (GGC) etc.

    What he didn’t comment on is whether Time Warner accepts Google’s YouTube caches into its network. But as noted earlier, Time Warner has refused to accept Netflix’s caching equipment. #Netflix may still be hosting its own caches throughout the country, but if they’re not in Time Warner data centers, Time Warner customers get worse performance than they otherwise might.

    Et de #chiffres #internet_traffic

    According to FCC data, 86 percent of American households have a choice of at least two wired Internet providers offering 3Mbps download speed and 768Kbps upload—but that’s not even fast enough to qualify as broadband. Only 34 percent of US households have a choice of Internet providers offering at least 6Mbps down and 1.5Mbps up. The FCC defines broadband as 4Mbps down and 1Mbps up.

    “I’ve been hoping for a while that these guys would realize they could enter the over-the-top market,” Bergmayer said. “But we’ve just seen things like TV Everywhere where it’s essentially each ISP runs service just for its own customers and they sort of divide up the country like that.”

  • Weapons Experts Raise Doubts About Israel’s Antimissile System - NYTimes.com
    http://www.nytimes.com/2013/03/21/world/middleeast/israels-iron-dome-system-is-at-center-of-debate.html?pagewanted=all

    The senior Israeli official who defended Iron Dome said he understood the skepticism because the world’s first antimissile war — which erupted over Israel in 1991 during the gulf war — did produce exaggerated claims of success. But he rejected the idea that Iron Dome was missing or deflecting most of its targets. The images of online videos, he suggested, lacked the sharpness to reliably see kills within the glowing fireballs.

    Enemy warheads, the official stressed, were “destroyed — not engaged — destroyed.” But as the interview unfolded, he offered examples of partial rocket destruction that seemed to contradict the portrayals of total annihilation. Falling debris, he conceded, could sometimes destroy a car or damage a house. But he dismissed reports of wide damage on the ground as rumors.

    The Obama administration has cited the videos as testimonials to the system’s importance. “Everybody gets it,” Vice President Joseph R. Biden Jr. recently told the annual meeting of the American Israel Public Affairs Committee, prompting thousands to break into applause. “Everybody saw.”

  • CIA admits Full Monitoring of Facebook and other Social Networks
    http://www.cyberwarzone.com/cia-admits-full-monitoring-facebook-and-other-social-networks

    Most people use social media like Facebook and Twitter to share photos of friends and family, chat with friends and strangers about random and amusing diversions, or follow their favorite websites, bands and television shows …

    Source: Cyberwarzone - Bigs

    • #surveillance #facebook

      #In-Q-Tel, the investment arm of the #CIA and the wider intelligence community, is putting cash into Visible Technologies, a software firm that specializes in monitoring social media. It’s part of a larger movement within the spy services to get better at using “open source intelligence” - information that’s publicly available, but often hidden in the flood of TV shows, newspaper articles, blog posts, online videos and radio reports generated every day.

      Visible crawls over half a million web 2.0 sites a day, scraping more than a million posts and conversations taking place on blogs, online forums, Flickr, YouTube, Twitter and Amazon. (It doesn’t touch closed social networks, like Facebook, at the moment.) Customers get customized, real-time feeds of what’s being said on these sites, based on a series of keywords.

      “That’s kind of the basic step - get in and monitor,” says company senior vice president Blake Cahill.

      un passage aussi sur les #personas utilisées pour manipuler l’#information sur les #réseaux_sociaux

  • Mozilla Webmaker Popcorn
    https://webmaker.org/en-US/tools/#popcorn

    https://webmaker.org/media/img/tools/popcorn-poster.jpg

    Mozilla Popcorn turns boring old online video into dynamic “hyper-video”, rich with interactivity and context. It lets you link the rest of the web directly to your video’s playback, pulling in social media, news feeds, data visualizations and other content in real time. Create your own pop-up videos, multimedia reports, guided web tours and more.

    An expanding ecosystem

    Popcorn is the core behind a growing number of sister projects and libraries. For example

    Seriously.js, a webGL effects library for video
    sequencer.js, a method for chaining multiple media objects to a single sequence
    Instapoppin, a user friendly approach to designing Popcorn user experience.
    butter.js, an API supporting our Popcorn Maker app and any other apps that use popcorn
    Popcorn Kernel, a simple web server for client-server popcorn experiences