Les bienfaits de la musique
Pierre-Etienne Caza, Actualités UQAM, le 1er octobre 2020
▻https://www.actualites.uqam.ca/2020/les-bienfaits-de-la-musique-sur-le-stress
On ne peut qu’encourager les gens à jouer d’un instrument et à joindre un ensemble, affirme la professeure du Département de musique Audrey-Kristel Barbeau. Même en tenant compte de l’inévitable stress lié aux répétitions et aux concerts, les bienfaits de la musique sont évidents.
#Louise_Farrenc : biographie, actualités et musique à écouter
▻https://www.francemusique.fr/personne/louise-farrenc
Avec Fanny Mendelssohn ou Clara Schumann, Louise Farrenc fait partie des grandes compositrices de la période romantique. Avec le soutien de son mari, Aristide Farrenc et d’autres grands musiciens de son temps, elle réussit une carrière de pédagogue et de compositrice. Ses œuvres furent jouées de son vivant, et remportèrent l’admiration du couple Clara-Robert Schumann.
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1849, Louise Farrenc : Création de sa Symphonie n°3 en sol mineur op 36
▻https://www.francemusique.fr/emissions/musicopolis/1849-louise-farrenc-creation-de-sa-symphonie-ndeg3-en-sol-mineur-op-36
Le 22 avril 1849, le public parisien découvre la nouvelle symphonie de Louise Farrenc. Anne-Charlotte Rémond revient aujourd’hui sur le parcours de la compositrice, première femme au 19 ème siècle à s’imposer dans des genres de grande envergure...
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Louise Farrenc : Symphonie n°3 en sol mineur op. 36 par l’Orchestre philharmonique de Radio France
▻https://www.francemusique.fr/concert/interpretation/symphonie-ndeg3-en-sol-mineur-op-36
Louise Farrenc : Symphonie n°3 en sol mineur op. 36 par l’Orchestre philharmonique de Radio France
Sendung vom Mi, 1.7.2020 20:03 Uhr, SWR2 Musik, SWR2 (1h 56 min) ht...
▻https://diasp.eu/p/11604954
Sendung vom Mi, 1.7.2020 20:03 Uhr, SWR2 Musik, SWR2 (1h 56 min)
▻https://www.swr.de/swr2/musik-klassik/swr2-schluesselwerke-100.html
SWR2 Schlüsselwerke genial erklärt: #Violinkonzert D-Dur op. 61
(1h 12 Min. äußerst hörenswerte Erläuterungen, daraufhin das gesamte Violinkonzert)
Sendung vom Mi, 1.7.2020 20:03 Uhr, SWR2 #Musik, SWR2
Schlüsselwerke genial erklärt : #Violinkonzert D-Dur op. 61
Beethovens #Violinkonzert op. 61 gilt als geigerischer Prüfstein, und das, obwohl die Violinstimme vordergründig vor allem auf simplen Tonleitern und Dreiklängen beruht. Virtuosin Carolin Widmann spielte das Werk mit Anfang 20 auf Bitten von Yehudi Menuhin und beschäftigt sich seitdem immer wieder mit der Partitur.In Hörbeispielen historischer Aufnahmen von Bronislaw Huberman, Henryk Szeryng oder David Oistrach werden neuralgische Passagen von ihr unter verschiedenen Gesichtspunkten betrachtet.
#explications sur l’#oeuvre et l’#interpretation 1h 12min.
#auf_deutsch , après Carolin Widmann joue l’oeuvre entier.
In memoty of Julian Bream: Julian Bream at the BBC (►https://www.you...
▻https://diasp.eu/p/11504085
In memoty of Julian Bream: Julian Bream at the BBC
#documentary #guitar #lute #inmemoriam #classical #music #jazz #JulianBream
#MBL (#Musicisti_Basso_Lazio) è il nome sia di un progetto culturale che di un gruppo folk italiano, fondato dal musicista e cantautore #Benedetto_Vecchio, nel 2000. Da oltre quindici anni il gruppo è impegnato nel recupero e promozione della specifica identità regionale del sud Lazio, grazie alla sua attività di ricerca storica e folclorica sia nel settore della musica che della danza. Leggi altro...
#musique #musique_populaire #Italie #Lazio #Latium #pizzica #tarantelle #tarantella
Et une chanson sur l’#émigration
Gueffus Film & Musica del basso Lazio intend to dedicate this videoclip to contemporary Europe that finds hard to cope with and solve the emigration phenomenon.
▻https://www.youtube.com/watch?v=YktkX4BazAA
Petit guide de survie - Fiches pratiques pour entreprendre des projets musicaux
▻https://www.culture.gouv.fr/Regions/Drac-Grand-Est/Actualites/Actualites-Creation/Petit-guide-de-survie-Fiches-pratiques-pour-entreprendre-des-projets-mu
Parution le 15.02.2020
Réalisé sous forme de fiches pratiques, présentées par thématiques, ce guide, disponible gratuitement en version pdf ou papier, a pour ambition de clarifier les informations essentielles à connaitre pour les porteurs de projet musical, afin de leur permettre de développer leur projet en toute sérénité.
Bah ce guide récent est bien fait et relativement complet !
#musiciens #spectacle #intermittence #guso #conventions_collectives #concerts ...
Palestine-based Radio Alhara is organising a three-day worldwide protest starting on the 8th of July, in response to the proposed annexation of the West Bank. The three-day lineup of international artists is being mirrored by radio stations around the world. Tune in on their website to listen.
#palestine #westbank #protest #radio #contemporaryart #activism #solidarity #music #soundart #radiostation #radioalhara #annexation
Radio Alhara emerges in a time of isolation and boredom, a time where the future of the world as we know it remains unknown.
The project is inspired by Radio il Hai Beirut and Radio Alhuma Tunis, which were in turn inspired by Radio Quartiere Milano.
This is a communal radio station/program/project, it begins in Bethlehem and Ramallah, and aims to extend to other places in Palestine and throughout the world, an open platform for listening, adding, discussing, and chatting. So we can all go through this time of solitude while communicating and reminding each other of each other. We hope this is the beginning of a collective space that will continue once this worldwide crisis is over.
We won’t know all the ones who are listening, nor the ones who will be adding and broadcasting, such is this digital situation we are living in now. But we send hope and courage to everyone, and we tell you: See you soon!
Bob Dylan’s “Rough and Rowdy Ways” Hits Hard | The New Yorker
▻https://www.newyorker.com/culture/culture-desk/bob-dylans-rough-and-rowdy-ways-hits-hard
few weeks into quarantine, time became liquid. All the usual markers and routines—waking up and lurching down the block to buy a cup of coffee, dressing carefully for a work meeting, corralling friends for karaoke on a Sunday afternoon—were nullified, and the days assumed a soft, amorphous quality. Then, at midnight on a Friday, Bob Dylan suddenly released “Murder Most Foul,” an elegiac, thickset, nearly seventeen-minute song ostensibly about the assassination of J.F.K., but so laden with cultural allusions that it somehow felt even bigger than that. It was the first piece of original music Dylan had released since his album “Tempest,” in 2012, and, on first listen, I found the song surreal. It went on forever; it was over before I knew it. The instrumentation (piano, bowed bass, faint percussion) is hazy and diffuse. Dylan’s vocal phrasing, always careful, felt particularly mesmeric. Rub-a-dub-dub, Altamont, Deep Ellum, Patsy Cline, Air Force One, Thelonious Monk, Bugsy Siegel, Pretty Boy Floyd. What day was it? What year?
Two months later, “Murder Most Foul” hits different: “We’re gonna kill you with hatred / Without any respect / We’ll mock you and shock you / And we’ll put it in your face,” Dylan sings in the song’s first verse. His voice is withering. “It’s a Murder. Most. Foul.” Dylan has spent decades seeing and chronicling American injustice. Forty-four years ago, on “Hurricane,” he sang frankly about police brutality: “If you’re black, you might as well not show up on the street / ’Less you want to draw the heat.”
This week, Dylan will release “Rough and Rowdy Ways,” a gruesome, crowded, marauding album that feels unusually attuned to its moment. Unlike many artists who reacted to the pandemic with a kind of dutiful tenderness—“Let me help with my song!”—Dylan has decided not to offer comfort, nor to hint at some vague solidarity. Lyrically, he’s either cracking weird jokes (“I’ll take the ‘Scarface’ Pacino and the ‘Godfather’ Brando / Mix ’em up in a tank and get a robot commando”) or operating in a cold, disdainful, it-ain’t-me-babe mode. Dylan’s musicianship is often undersold by critics, but on “Rough and Rowdy Ways” it’s especially difficult to focus on anything other than his voice; at seventy-nine, he sounds warmed up and self-assured. There are moments when he appears to be chewing on his own mortality—he recently told the Times that he thinks about death “in general terms, not in a personal way”—but mostly he sounds elegant and steady, a vocal grace he might have acquired while recording all those standards. “Three miles north of Purgatory, one step from the great beyond,” he sings calmly on “Crossing the Rubicon.”
Video From The New Yorker
Janelle Monáe on Growing Up Queer and Black
It’s sometimes hard to think of Dylan doing normal, vulnerable things like falling in love, though he sings about heartache—his compulsion toward it, his indulgence of its wounds—constantly. My favorite track on “Rough and Rowdy Ways” is “I’ve Made Up My Mind to Give Myself to You,” a gentle ballad about deliberately resigning oneself to love and its demands. It’s not the album’s richest or most complicated song—“Key West (Philosopher Pirate)” is Shakespearean—but I’ve been listening to it constantly, mostly for its evocation of a certain kind of golden-hour melancholy. Imagine sitting on a porch or on the front steps of an apartment building, nursing a big drink in a stupid glass, and reluctantly accepting your fate: “Been thinking it all over / And I thought it all through / I’ve made up my mind / To give myself to you.” It’s not quite romantic, but, then again, neither is love. The song’s emotional climax comes less than halfway through, when Dylan announces, “From Salt Lake City to Birmingham / From East L.A. to San Antone / I don’t think I could bear to live my life alone!” Ever so briefly, his voice goes feral.
Dylan is a voracious student of United States history—he can, and often does, itemize the various atrocities that have been committed in service to country—and “Rough and Rowdy Ways” could be understood as a glib summation of America’s outlaw origins, and of the confused, dangerous, and often haphazard way that we preserve democracy. He seems to understand instinctively that American history is not a series of fixed points but an unmoored and constantly evolving idea that needs to be reëstablished each day—things don’t happen once and then stop happening. In this sense, linear time becomes an invention; every moment is this moment. This is why, on “Murder Most Foul,” Buster Keaton and Dickey Betts and the Tulsa race massacre of 1921 and Lindsey Buckingham and Stevie Nicks and the Birdman of Alcatraz can coexist, harmoniously, in a single verse. That Dylan named another dense, allusive song on the album, “I Contain Multitudes,” after a much-quoted stanza from Walt Whitman’s “Song of Myself”—“Do I contradict myself? / Very well then I contradict myself, / (I am large, I contain multitudes.)”—also seems to indicate some reckoning with the vastness and immediacy of American culture. (Dylan’s interests are so wonderfully obtuse and far-ranging that it’s sometimes hard to discern precisely what he’s referring to: Is the “Cry Me a River” that he mentions on “Murder Most Foul” a reference to the jazz standard made famous by the actress Julie London, in 1955, or to the dark, cluttered revenge jam that Justin Timberlake supposedly wrote about Britney Spears, in 2002? My money is on the latter.)
Now thirty-nine albums in, it’s tempting to dismiss Dylan as sepia-toned—a professor emeritus, a museum piece, a Nobel laureate coasting through his sunset years, the mouthpiece of some bygone generation but certainly not this one. (It’s hard, admittedly, to imagine bars of “I Contain Multitudes” finding viral purchase on TikTok.) The sheer volume of writing about his life and music suggests a completed arc, which makes it easy to presume that there’s nothing useful, interesting, or pertinent left to say. Yet, for me, Dylan’s vast and intersectional understanding of the American mythos feels so plainly and uniquely relevant to the grimness and magnitude of these past few months. As the country attempts to metabolize the murder of George Floyd, it is also attempting to reckon with every crooked, brutal, odious, or unjust murder of a black person—to understand a cycle that began centuries ago and somehow continues apace. What is American racism? It’s everything, Dylan insists. Indiana Jones and J.F.K. and Elvis Presley and Jimmy Reed—nothing exists without the rest of it. None of us are absolved, and none of us are spared.
Amanda Petrusich is a staff writer at The New Yorker and the author of “Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World’s Rarest 78rpm Records.”
Reggae Britannia documentary
Part 1 : ▻https://www.youtube.com/watch?v=wQXyK1uxTps
Merci, je vais regarder ça si je trouve le temps, mais dans le même genre, Babylon (Franco Rosso, 1980, 95 minutes) :
►https://www.youtube.com/watch?v=dIw12GCEkhA
Et d’autres trucs intéressants ici :
►https://seenthis.net/messages/773832
le doc est bien jusqu’à l’arrivée de la #police. Roxanne, cette catastrophe, sting ce baltringue, le rock qui se mélange au reggae, ça peut aussi ne pas se digérer... voilà mon opinion.
Dans le troisième épisode, un petit bout de Bank Robber par #The_Clash et , live en 1980 aux USA :
▻https://www.youtube.com/watch?v=MKJGYYi7HFY
Et aussi la version longue de Ghost Town de #The_Specials, avec le solo de trombone de :
▻https://www.youtube.com/watch?v=eXP5psBaOO8
Episode 4, le #Lovers'_Rock, je ne savais pas que ça s’appelait comme ça, et ça fait plein de chanteuses pour la liste de @mad_meg :
►https://seenthis.net/messages/451823
Avec une chanson toujours dans l’air du temps, du groupe féminin #Brown_Sugar : Black Pride
Mais aussi Pass the Dutchie de #Musical_Youth (je ne savais pas qu’ils étaient anglais !), clip réalisé par :
▻https://www.youtube.com/watch?v=Ak93pjr2mew
Pas beaucoup de mention de la génération #Windrush ...
[Drache Musicale] Episode #166
▻http://www.radiopanik.org/emissions/drache-musicale/episode-166
La #pelle du 8 juin, du 18 et de plein d’autres jours.
#music #maloya #world #musicien #pelleteuse #moustique #music,maloya,world,musicien,pelle,pelleteuse,moustique
▻http://www.radiopanik.org/media/sounds/drache-musicale/episode-166_09231__1.mp3
[Memento] S05 E09 - #live #music
▻http://www.radiopanik.org/emissions/memento/s05-e09-live-music
Les concerts nous manquent un peu, et même beaucoup. Alors toute la memento family s’est concertée pour vous faire écouter des extraits de leurs concerts préférés.
#covid #live,music,covid
▻http://www.radiopanik.org/media/sounds/memento/s05-e09-live-music_09125__1.mp3
[peaswave fm] peaswave_200419
▻http://www.radiopanik.org/emissions/peaswave/peaswave_200419
pop #music
#pop #pop,music
▻http://www.radiopanik.org/media/sounds/peaswave/peaswave_200419_08741__1.mp3
[Fruit Radio] #fruit Radio : groovy spring
▻http://www.radiopanik.org/emissions/fruit-radio/fruit-radio-groovy-pomegranate
Resident DJ Preach. vous apporte une heure de vitamines musicales !
#music #djset #music,djset,fruit
▻http://www.radiopanik.org/media/sounds/fruit-radio/fruit-radio-groovy-pomegranate_08702__1.mp3
Q&A with Baloji, dir. Zombies - Clermont 2020 PRIX #Festivals CONNEXION AUVERGNE-RHÔNE-ALPES
▻https://www.mydylarama.org.uk/Q-A-with-Baloji-dir-Zombies-Clermont-2020-Grand-Prize
The film “Zombie” is a journey between hope and dystopia in a hallucinated Kinhsasa, from the culture of the hair salon to futuristic solitary clubbing, from the urban parade to the glory of a dictator in campaign (Papa Bollo) to modern western in the Takeshi Kitano style. In parallel, the film is based on the almost carnal relationship we have with our phones. The device becoming like an outgrowth of the hand and giving us the talent of digital ubiquity... Baloji is a multidisciplinary (...) Festivals
/ #Film_Africa, #Short, #Music, #experimental
[Drache #musicale] Episode #158
▻http://www.radiopanik.org/emissions/drache-musicale/episode-158
Plongeon dans les nouvelles du monde aqueux de la musique internationale.
#bass #beat #world #fistule #poli #franklin #musicale,bass,beat,world,fistule,poli,franklin
▻http://www.radiopanik.org/media/sounds/drache-musicale/episode-158_08149__1.mp3
Louise Farrenc - Cello Sonata in B Flat Major, Op.46 : 2. Andante Sostenuto - YouTube
Juste pour vous dire que ce soir, tout à fait par hasard je découvre une compositrice contemporaine de Schubert et de Schumann :
Jeanne-Louise Dumont, dite Louise Farrenc
Ça fait 45 ans que j’explore le XIXe siècle et tout ce que cette période a pu héberger comme musiciens et musiciennes, et je ne connaissais pas cette compositrice dont le deuxième mouvement de sa sonate pour violoncelle et piano est un chef d’œuvre inouï de subtilité, de simplicité, d’élégance et de beauté.
▻https://www.youtube.com/watch?v=lOqdl1sdE0k&list=RD_dterkHJ0dg&index=45
▻https://fr.wikipedia.org/wiki/Louise_Farrenc
Louise Farrenc - Cello Sonata in B Flat Major, Op.46: 2. Andante Sostenuto
[Fade to Pleasure ] #57.2 Feat #snooba
▻http://www.radiopanik.org/emissions/ftp/-57-2-feat-snooba
It will improve your physical, mental and spiritual well being ..
#music #berlin #house #brussels #madrid #deep #london #lumumbashi #hambourg #Koln #kinchasa #music,berlin,house,snooba,brussels,madrid,deep,london,lumumbashi,hambourg,Koln,kinchasa
▻http://www.radiopanik.org/media/sounds/ftp/-57-2-feat-snooba_07948__1.mp3
A-WA: “Hana Mash Hu Al Yaman” at the Tiny Desk
Ah, l’horodateur (10mn15s) ne fonctionne pas dans la vidéo incrustée.
Bien sympa mais j’en ai un peu marre des Israéliens qui « inventent » la musique arabe après avoir déjà pillé bien d’autres choses (la cuisine notamment pour rester dans ce registre)... Comme disait le regretté LIli Boniche : ‘Est-ce qu’on dit d’un musicien musulman qu’il joue de la musique islamo-arabe ? Je joue de la musique arabe, un point c’est tout’
Mais je crains fort que nos amies yéménites ne puissent pas dire en Israël qu’elle font « de la musique arabe, un point c’est tout »...
A Little Song on the Breeze, Che soave zeffiretto (▻https://invidio....
▻https://diasp.eu/p/9896384
A Little Song on the Breeze, Che soave zeffiretto
On the breeze What a gentle little zephir A little zephir This evening will sigh This evening will sigh Under the pines in the little grove. Under the pines… Under the pines in the little grove Under…the pines…in the little grove And the rest he’ll understand Certainly, certainly he’ll understand.
Sull’aria...che soave zeffiretto Sull’aria... Che soave zeffiretto... Zeffiretto... Questa sera spirerà... Questa sera spirerà... Sotto i pini del boschetto Sotto i pini... Sotto i pini del boschetto. Sotto i pini del boschetto. Ei già il resto capirà. Certo, certo il capirà.
#music (...)
And now for something completely different. German title, French ly...
▻https://diasp.eu/p/9251757
And now for something completely different. German title, French lyrics, and amazing accordion. Lead vocals by a young girl (same one who nails the 1930s Cuban song below, in a new vid). I’m a fan! They’re a phenomenon!
Seems a bit to me like an Austrian-French barn burner of “It don’t mean a thing if it ain’t got that swing”. Speechless.
Bei mir bistu shein
#music #musik #musica #musique #accordion #trumpet #guitar #horns #vocalist #francais
Is #blockchain the Answer for Musicians fed up with the industry?
▻https://hackernoon.com/is-blockchain-the-answer-for-musicians-fed-up-with-the-industry-4226aa8b
Musicians are fed up with how the current industry controls and exploits their #music. That’s why many are flocking to blockchain platforms, with the hope of making the industry more just and transparentBefore the 1990s, record labels tightly controlled all facets of the music industry from musician funding to distribution and even royalty payment collection.This all changed with the rise of the internet and file sharing platforms such as Napster and Limewire, who made music available anywhere, anytime, and to top it all off, for free.The rise of file sharing platforms crippled the record labels control over the music industry because they no longer controlled the distribution networks of new music, nor did they have time to recover as consumers moved on to digital music distribution.The (...)
Country Blues • Lyrics & Song Clip (free mp3)
▻https://toneway.com/songs/country-blues
When I had plenty of money, good people
My friends were all standing around
Just as soon as my pocket book was empty
Not a friend on earth to be found
Un week-end off qui commence par un #concert :purple_heart : des @OgresDeBarback : ça fait du bien un peu de bonheur-remember !!! Vivent la Joie et l’Anarchie !.Par contre mention maussade pour « La Carrière » : pas un seul siège dispo pour les "station debo
ValK. a posté une photo :
A Tableau of Talent at the 2019 #sxsw Hackathon — Where Collaboration & Artistry Meet
▻https://hackernoon.com/a-tableau-of-talent-at-the-2019-sxsw-hackathon-where-collaboration-artis
A Tableau of Talent at the 2019 SXSW Hackathon — Where Collaboration & Artistry MeetSXSW’s annual Hackathon has crowned its championsThe Notable Winners of SXSW’s 7th Annual Hackathon — Credit: Kenneth EkeReaching new heights has never been a problem during SXSW®’s #hackathons, especially after hosting it for the sixth time in a row. The event, which ran for 24 hours from March 12 to the 13, brought in a multitude of creative and innovative ideas on stage with no project being short of impressive.Hosted by facilitators Travis Laurendine of ShowSparker.com and Luann Williams of SXSW, and presented by root9B (R9B), the competition brought 29 submissions to life. With hacker projects spanning from interactive phone apps to engaging software, sponsors like Universal #music Group (UMG), Native (...)