musicgroup:red

Encore une compilation de musique politiquement engagée, un coffret de 4 CDs même, prévu pour février 2019, produit par le Smithonian Institute:

The Social Power of Music
▻https://folkways.si.edu/the-social-power-of-music

From parties to protests to prayer, music is a powerful catalyst for celebration, for change, and for a sense of community. Through making music together, we become bigger than ourselves. Whether singing with our families and friends or with thousands of strangers in an arena, music transforms lives, engages individuals, and connects local and global communities. The Social Power of Music chronicles the vivid, impassioned, and myriad ways in which music binds, incites, memorializes, and moves groups of people. This richly illustrated 124-page book, with 80+ tracks on 4 CDs, invites listeners into musical practices, episodes, and movements throughout the U.S. and beyond. These songs of struggle, devotion, celebration, and migration remind us that music has the potential to change our world.

Countries: Algeria; Angola; Argentina; Brazil; Chile; Congo-Brazzaville; Denmark; Dominican Republic; France; Greece; Indonesia; Italy; Korea, South; Lebanon; Mexico; Nicaragua; Poland; Puerto Rico; Republic of Kosovo; Scotland; South Africa; Thailand; Turkey; United Kingdom; United States; Vietnam

https://folkways-media.si.edu/images/album_covers/SF700/SFW40231.jpg

101 We Shall Overcome The Freedom Singers 2:09
102 This Land is Your Land Woody Guthrie 2:48
103 De colores ([Made] of Colors) Baldemar Velásquez, Aguila Negra 3:02
104 Union Maid Bobbie McGee 2:13
105 If I Had a Hammer Pete Seeger 1:54
106 Reclaim the Night Peggy Seeger 4:33
107 Estoy aquí (I Am Here) Quetzal 5:21
108 Deportees (Plane Wreck at Los Gatos) Sammy Walker 4:57
109 We Are the Children Chris Kando Iijima, Joanne Nobuko Miyamoto, Charlie Chin 2:55
110 I Woke Up This Morning Fannie Lou Hamer 2:36
111 I Feel Like I’m Fixin’ to Die Country Joe McDonald 2:59
112 El pobre sigue sufriendo (The Poor Keep On Suffering) Andrés Jiménez 3:26
113 Ballad of the ERA Kristin Lems 4:11
114 Where Have All the Flowers Gone? Pete Seeger 2:06
115 Blowing in the Wind The New World Singers 2:32
116 Quihubo raza (What’s Happening, People) Agustín Lira and Alma 3:50
117 Solidarity Forever Jim Jackson 2:30
118 Joe Hill Paul Robeson 3:00
119 Joaquin Murrieta Rumel Fuentes 3:35
120 Which Side Are You On? The Almanac Singers 2:10
121 Legal/Illegal Ewan MacColl, Peggy Seeger 4:12
122 It Isn’t Nice Barbara Dane, The Chambers Brothers 4:05

201 Amazing Grace The Old Regular Baptists 2:44
202 Come By Here Barbara Dane, The Chambers Brothers 5:33
203 Will the Circle Be Unbroken The Strange Creek Singers 3:38
204 Peace in the Valley The Paramount Singers 3:50
205 Many Eagle Set Sun Dance Song The Pembina Chippewa Singers 2:11
206 Zuni Rain Dance Members of Zuni Pueblo 4:41
207 Calvary Shape-note singers at Stewart’s Chapel 1:27
208 Northfield The Old Harp Singers of Eastern Tennessee 1:58
209 The Call to Prayer / Adhān Ahmad Al Alawi 2:10
210 Zikr (excerpt) Sheikh Xhemail Shehu, members of the Prizren Rifa’i tekke 2:45
Audio Player
211 Buddhist Chants and Prayers Tu Huyen, Hai Phat, Tam Thu, Hai Dat 4:34
212 Kol Nidre Cantor Abraham Brun 5:05
213 Dayeinu Raasche, Alan Mills 1:47
214 Night Chant Sandoval Begay 2:12
215 Hark, Hark Carolers from the Black Bull, Ecclesfield, UK 3:11
216 Swing Low, Sweet Chariot The Princely Players 2:47
217 The Old Rugged Cross The Paschall Brothers 5:17
218 Madre de Dolores (Mother of Sorrows) Hermanos de la Morada de Nuestra Señora de Dolores del Alto 2:56
219 San Miguel (Saint Michael) Francia Reyes 4:11
220 I’ll Fly Away Rose Maddox 2:32

301 Party Down at the Blue Angel Club Clifton Chenier and His Red Hot Louisiana Band 4:51
302 San Antonio Rose Los Reyes de Albuquerque 2:38
303 Jolie blonde (Pretty Blonde) Austin Pitre 2:47
304 Shake Your Moneymaker John Littlejohn 4:19
305 Beer-Drinking Polka Flaco Jiménez, Max Baca 2:25
306 In Heaven There Is No Beer The Goose Island Ramblers 2:32
307 SAM (Get Down) Sam Brothers Five 4:10
308 Golden Slippers / The Butterfly Whirl Lester Bradley and Friends 4:31
309 Sligo Indians / Paddy Clancy’s / Larry Redican’s / The Rambling Pitchfork Tony DeMarco 4:21
310 La entrega de los novios (The Delivery of the Newlyweds) Lorenzo Martínez 3:46
311 Rock Dance Song (Cree/Metis) The Pembina Chippewa Singers 2:20
312 Pow Wow Song Chippewa Nation 2:52
313 Mary Mack Lilly’s Chapel School, Alabama 1:58
314 Johnny Cuckoo Janie Hunter and children at home 1:15
315 Rooster Call John Henry Mealing and group 4:00
316 Joy to the World Elizabeth Mitchell 3:06
317 Oylupnuv Obrutch (The Broken Hoop Song) The Golden Gate Gypsy Orchestra 2:01
318 Liberty Funeral March The Liberty Brass Band 4:51
319 Junkanoos #1 Key West Junkanoo Band 3:07
320 The Star Spangled Banner Unknown orchestra 1:16
321 Mardi Gras Medley (excerpt) ReBirth Jazz Band 4:33

401 Viva la Quince Brigada (Long Live the 15th Brigade) Pete Seeger 3:04
402 Bella ciao (Goodbye Beautiful) Singers of the “Bella Ciao” production of Spoleto 1:35
403 A desalambrar (Tear Down the Fences) Expresión Joven 5:07
404 Muato mua N’Gola (Women of Angola) Lilly Tchiumba 2:34
405 Un gigante que despierta (An Awakening Giant) Luis Godoy, Grupo Mancotal 4:03
406 Hasret (Longing) Melike Demirag 3:10
407 Prisioneros somos (We Are All Prisoners) Suni Paz 2:19
408 Funeral do lavrador (Funeral of a Worker) Zelia Barbosa 1:59
409 Izakunyatheli Afrika Verwoerd (Africa is Going to Trample on You, Verwoerd) South African refugees in Tanganyika 1:52
410 The Boy with the Sunlit Smile Mikis Theodorakis 2:48
411 Hidup di Bui (Life in Jail) Gambang Kromong Slendang Betawi, Kwi Ap 5:34
412 Man and Buffalo (Kon Gap Kwai) Caravan 3:40
413 Why Need We Cry? Cantor Abraham Brun 2:32
414 El palomo (The Dove) Grupo Raíz 4:06
415 Hvem sidder dér bag skærmen (The Roadmaker) Inger Nielsen 3:08
416 Mon’ etu ua Kassule Musician supporters of the MPLA 5:35
417 Le temps des cerises (Cherry Blossom Time) Yves Montand 4:37
418 Chongsun Arirang Singer from Central Korea 4:03
419 The Passport Marcel Khalifé 9:23
420 Inno della Resistenza (Hymn of the Resistance) Choir of FLN fighters 1:28

#Musique #Musique_et_politique

FREQ #16: Amber Galloway Gallego: Turning Music into Sign Language
▻https://feministfrequency.com/2017/07/07/freq-16-amber-galloway-gallego-turning-music-into-sign-language

Each month, FREQ will bring you the latest news and updates from Feminist Frequency, as well as interviews with some of the most inspiring women in media, activism, and beyond. This month, we’re talking to Amber Galloway Gallego. An ASL interpreter by trade, her vibrant, impassioned translations of concerts by artists like Kendrick Lamar and The Red Hot Chili Peppers have gone viral more than once, and even earned her a spot […]

http://femfreq2.files.wordpress.com/2017/07/amber-illo.png

Welcome to the Halluci Nation - A Tribe Called Red and Yasiin Bey Drop Dope New Track
▻http://www.filmsforaction.org/watch/halluci-nation%C2%A0

First Nations electronic DJ trio A Tribe Called Red’s new album, We Are the Halluci Nation is led by the track “R.E.D.,” which features Yasiin Bey (Mos Def), Canadian-Iraqi MC Narcy, and Black...

Glamorizing the Hospital: Why the Red Band Society Does Harm - Inglourious Fiction
▻http://www.inglouriousfiction.com/2014/09/glamorizing-hospital-red-band-society-harm

http://upload.wikimedia.org/wikipedia/en/0/05/Red_Band_Society_%28American_TV_Series%29_Logo.jpg

The Red Band Society is the same kind of fodder. Not only does it play into all of the tropes about disability and illness that many of us in the disability activism community have been attempting to eradicate, or at least educate others about, so they can help us eradicate it, but it also plays into the ” black hero(ine)” trope. This trope explores the idea that a nonwhite person, typically someone who is black, basically serves as a person who sees to the needs of the primarily white, (rest of the) cast of characters. In this case, Octavia Spencer, as the nurse to this wily group of kids, plays the hero role. We often see Denzel Washington playing these kinds of roles, where the character is desexualized, and has little else going on for them beyond serving the needs of the white folk, in the film or television show. Why do we relegate black people to take care of or do the bidding of primarily white people? It’s just not cool. I digress.

For many people with chronic illnesses, this kind of exploitation is disturbing. For me, it is a reminder of the fish bowl syndrome, many of us who spend a significant amount time at the hospital experience. With each new doctor that comes in, we are poked and prodded. We are made to perform, so the new doctor can see the most visible of our symptoms. We are in a fish bowl, on display,for the able-bodied world to see, to gawk, to stare, and to marvel in wonderment. We are not yours, to put on display. Our stories are not yours to exploit. Often, what happens, is that allows able-bodied people to ultimately feel better about themselves and their own situations, because at least they don’t have it as bad as we do, or at least that is what they think.

We need to stop our fascination with lives we think we understand. Instead of able-bodied or non-sick individuals writing what they think our experiences are, maybe they should consult with us or let us write our experiences, in our own words.

▻http://en.wikipedia.org/wiki/Red_Band_Society

#handicap #iatrocratie

Grrls can rock : Shonen Knife live 2009 : a cure for depression

▻https://www.youtube.com/watch?v=tynk9WzvGxM

Shonen Knife, written in Japanese as 少年ナイフ, which transliterates as Shōnen Naifu, literally “Boy Knife,” is an all-female Japanese pop-punk band formed in Osaka, Japan, in 1981.[1] Heavily influenced by 1960s girl groups, pop bands, The Beach Boys, and early punk rock bands, such as the Ramones, the trio crafts stripped-down songs expressing infectious melodies and simplistic, exuberant lyrics sung both in Japanese and English.[2]
Despite their pop-oriented nature, the trio maintains a distinctly underground garage rock sound rooted in edgy instrumentation and D.I.Y. aesthetics, which over the course of their long career has earned them a solid, worldwide cult following and made avid fans out of seminal ’90s alternative rock bands such as Sonic Youth, Nirvana, and Redd Kross.[3] The band has been credited with making “the international pop underground more international” by “opening it up to bands from Japan”.[4] They have also performed as a Ramones tribute band under the name The Osaka Ramones.