organization:university of alabama

  • Neo-Nazis on DeviantArt Radicalized a Woman Who Planned a Mass Shooting - VICE
    https://www.vice.com/en_us/article/zmp5y3/neo-nazis-on-deviantart-radicalized-a-woman-who-planned-a-mass-shooting

    DeviantArt, founded in 2000, is home to millions of users and hundreds of millions of pieces of art. It’s offered a home for marginalized artists and communities to create and share work. If you can visualize it, odds are DeviantArt has it.

    But like many large social media platforms, there exists a small but thriving hive of extremists on DeviantArt, similar to the ones Souvannarath came across. These extremists have created a network of far-right user groups where they create and share far-right propaganda, talk and write about fascism, and recruit vulnerable users.

    The far-right propaganda posted on DeviantArt is then disseminated across the web, which experts say works as a gateway drug to recruitment to neo-Nazi groups.

    Jeremy Blackburn, a professor at the University of Alabama at Birmingham, studies memes and the online spaces of the far-right. Blackburn said that in the far-right ecosystem like 4Chan’s /pol/ board or Gab, images like the ones created and stored on DeviantArt are immensely important.

    "Essentially what is happening is that people’s brains are being hacked, especially in terms of imagery—it’s very digestible, it’s super-duper easy to share,” said Blackburn. “It takes like 15 to 20 seconds, at most, to look at a meme and that’s where I think the danger is. You can become inundated with them and basically read the equivalent of reams of propaganda.”

    When VICE provided spokespeople for DeviantArt with evidence of neo-Nazi content on the site, they referenced the site’s commitment to freedom of artistic expression and its zero tolerance policy for “hate propaganda.”

    “As an art-centric social network, the DeviantArt community has traditionally been allowed a wide range of expression both in comments and in artistic themes,” spokespeople said in an emailed statement. “This is important for a site that aims to represent all artists. However, we draw a hard line when it comes to hate speech that aims to purposely cause pain to others in a hateful way. DeviantArt’s Etiquette Policy clearly states that ‘hate propaganda is met with zero tolerance.’”

    eviantArt was founded at the turn of the millennium by three friends. In 2017, the site was bought by the web development company Wix for $36 million. At the time of purchase, Techcrunch reported that the site had over 40 million members and over 325 million pieces of individual art online.

    While the vast majority of the site is innocuous, if you stumble across the wrong keyword, the website will feed you content ranging from graphic art of neo-Nazis gunning people down to Hitler drawn as an anime girl.

    Fascist groups on DeviantArt have hundreds of members and hundreds of thousands of views. All of the pages are pretty similar, but have a flavour that couldn’t be found anywhere but DeviantArt.

    “We are a group of Fascist, National Socialists, Phalangist, Intergalists, Civic Nationalists, and others who also happen to like anime,” reads the description of one page called Fascist Anime. “The main purpose of the group is to combine fascist propaganda with anime, usually with cute anime girls. Why? Because the internet needed something like this!”

    Souvannarath’s case is one amplified to an extreme degree, but it is an outsized reflection of the way the content economy works. DeviantArt has long been a core source of artwork that powers the rest of the internet’s image and meme-based economy, with original work from DeviantArt spreading throughout the message boards and the rest of the social web. So it goes with DeviantArt’s fascist repositories, with images first posted there later spreading among white supremacist groups on Twitter, Gab, 4Chan, and Reddit.

    Non-hierarchical, but predictable, behaviour from neo-Nazi propagandists is exactly what Blackburn found when researching 4Chan. There, he found that the best art or memes would be curated and shared through a pipeline by power users to other social media sites.

    One propagandist, who goes by the alias “Dark Foreigner” and has been connected to Atomwaffen and its sister groups, has been uploading his propaganda to DeviantArt and cross-linking it to his other accounts for over a year. Dark Foreigner uses the automated DeviantArt system to sell his prints for $4.79 USD a pop. DeviantArt controls the prints section of its website and takes upwards of an 80 percent cut, meaning that if someone buys neo-Nazi propaganda on DeviantArt, the company not only ships it to them, but makes a profit.

    VICE asked DeviantArt questions regarding Dark Foreigner’s business selling propaganda but did not receive any responses. His work remains for sale on the website.

    #Faschosphère #DeviantArt #Wix #Economie_numérique

  • Ukraine’s Complicated History | World Affairs Journal
    http://www.worldaffairsjournal.org/blog/alexander-j-motyl/ukraine%E2%80%99s-complicated-history

    The following is an interview with George Liber, a professor of history at the University of Alabama at Birmingham.

    MOTYL: Your forthcoming book, Total Wars and the Making of Modern Ukraine, 1914–1954, promises to revise much of the conventional wisdom about Ukraine. What are your main arguments?
    […]

    MOTYL: Most students of nationalism assume that nationalists form nations. You’re arguing the opposite: that cataclysms do. Is it time to rethink our general understanding of how and why nations form?

    LIBER: Not exactly. My point is that wars and revolutions are social accelerators of ideas and political movements. I believe in human agency. In periods of historical flux, individuals often have some options—not a full range of options, just some. Oftentimes they pick what they consider the best of several bad ones.

    MOTYL: Several bad options? That doesn’t sound like a ringing endorsement of human agency.

    LIBER: Although we are all constrained by our environment, we make choices in that environment. Human agency exists. During these total wars, people had the choice to stay or flee. Those who stayed had the choice to fight or submit. Collaboration or resistance did not constitute the only possible responses to foreign occupation. Other possible responses included passivity, withdrawal, neutrality, passive resistance, passive cooperation, alliance-seeking, or merely the hope to survive. Sometimes people responded with a contingent mix of these reactions. Not everyone could consistently or consciously resist over a long, brutal occupation. Most people do not and did not engage in heroics; most sought to do the best they could in dangerous circumstances. Under conditions of such widespread violence, anyone who stood out could be arbitrarily detained or shot. 

    MOTYL: How does your thesis connect with events in today’s Ukraine?

    LIBER: The current Russian war against Ukraine and the problems of the Donbas are not a recent phenomenon, but the product of a long evolution, dating back to the late czarist period, if not before.

  • New study questions the accuracy of satellite atmospheric temperature estimates
    http://www.theguardian.com/environment/climate-consensus-97-per-cent/2014/nov/07/new-study-disputes-satellite-temperature-estimates

    In fact, for the time period 1987–2006, the [increase in] temperatures among the four groups that collect satellite data ranges from 0.086°C per decade to 0.22°C per decade. In more recent years, the trend is much reduced, and for two of the leading satellite groups (University of Alabama at Huntsville and Remote Sensing Systems), temperatures are basically flat.

    The recent flatness in satellite temperatures as surface temperatures continue to rise has presented a quandary for scientists. Are both results real? Is there some reason they diverge? Is one measurement more accurate than the other? This is one of the areas of very active research.

    A contribution to this question appeared last week by researcher Fuzhong Weng and his colleagues. The paper, published in Climate Dynamics, claimed to find the reason for much of that difference – the authors report that the satellite trends could be off (too cold) by perhaps 30%. If true, this work would go a long way toward reconciling the differences between surface and satellite measurements.

    [...] Of course, whenever a study that is this significant is published, there is deserved skepticism. We have to be guarded in our acceptance until further work is done and until other teams have had a chance to review the findings.

    #climat #satellites

  • Zombies! The Living Dead in Literature / Sean Hoade and the University of Alabama - iTunes
    http://itunes.apple.com/fr/itunes-u/zombies-the-living-dead-in/id394644389

    One of the more unusual and popular classes that has been offered during UA’s Interim Term, Zombies! The Living Dead in Literature offers insight into the roles zombies play in the modern psyche and its art. These podcasts were originally recorded by Sean Hoade, instructor of the #zombies class, and interviewer Matt Scalici of filmnerds.com and with their kind permission have been reposted here.