person:britt

  • YouTube Executives Ignored Warnings, Let Toxic Videos Run Rampant - Bloomberg
    https://www.bloomberg.com/news/features/2019-04-02/youtube-executives-ignored-warnings-letting-toxic-videos-run-rampant

    Wojcicki’s media behemoth, bent on overtaking television, is estimated to rake in sales of more than $16 billion a year. But on that day, Wojcicki compared her video site to a different kind of institution. “We’re really more like a library,” she said, staking out a familiar position as a defender of free speech. “There have always been controversies, if you look back at libraries.”

    Since Wojcicki took the stage, prominent conspiracy theories on the platform—including one on child vaccinations; another tying Hillary Clinton to a Satanic cult—have drawn the ire of lawmakers eager to regulate technology companies. And YouTube is, a year later, even more associated with the darker parts of the web.

    The conundrum isn’t just that videos questioning the moon landing or the efficacy of vaccines are on YouTube. The massive “library,” generated by users with little editorial oversight, is bound to have untrue nonsense. Instead, YouTube’s problem is that it allows the nonsense to flourish. And, in some cases, through its powerful artificial intelligence system, it even provides the fuel that lets it spread.

    Mais justement NON ! Ce ne peut être une “bibliothèque”, car une bibliothèque ne conserve que des documents qui ont été publiés, donc avec déjà une première instance de validation (ou en tout cas de responsabilité éditoriale... quelqu’un ira en procès le cas échéant).

    YouTube est... YouTube, quelque chose de spécial à internet, qui remplit une fonction majeure... et également un danger pour la pensée en raison de “l’économie de l’attention”.

    The company spent years chasing one business goal above others: “Engagement,” a measure of the views, time spent and interactions with online videos. Conversations with over twenty people who work at, or recently left, YouTube reveal a corporate leadership unable or unwilling to act on these internal alarms for fear of throttling engagement.

    In response to criticism about prioritizing growth over safety, Facebook Inc. has proposed a dramatic shift in its core product. YouTube still has struggled to explain any new corporate vision to the public and investors – and sometimes, to its own staff. Five senior personnel who left YouTube and Google in the last two years privately cited the platform’s inability to tame extreme, disturbing videos as the reason for their departure. Within Google, YouTube’s inability to fix its problems has remained a major gripe. Google shares slipped in late morning trading in New York on Tuesday, leaving them up 15 percent so far this year. Facebook stock has jumped more than 30 percent in 2019, after getting hammered last year.

    YouTube’s inertia was illuminated again after a deadly measles outbreak drew public attention to vaccinations conspiracies on social media several weeks ago. New data from Moonshot CVE, a London-based firm that studies extremism, found that fewer than twenty YouTube channels that have spread these lies reached over 170 million viewers, many who were then recommended other videos laden with conspiracy theories.

    So YouTube, then run by Google veteran Salar Kamangar, set a company-wide objective to reach one billion hours of viewing a day, and rewrote its recommendation engine to maximize for that goal. When Wojcicki took over, in 2014, YouTube was a third of the way to the goal, she recalled in investor John Doerr’s 2018 book Measure What Matters.

    “They thought it would break the internet! But it seemed to me that such a clear and measurable objective would energize people, and I cheered them on,” Wojcicki told Doerr. “The billion hours of daily watch time gave our tech people a North Star.” By October, 2016, YouTube hit its goal.

    YouTube doesn’t give an exact recipe for virality. But in the race to one billion hours, a formula emerged: Outrage equals attention. It’s one that people on the political fringes have easily exploited, said Brittan Heller, a fellow at Harvard University’s Carr Center. “They don’t know how the algorithm works,” she said. “But they do know that the more outrageous the content is, the more views.”

    People inside YouTube knew about this dynamic. Over the years, there were many tortured debates about what to do with troublesome videos—those that don’t violate its content policies and so remain on the site. Some software engineers have nicknamed the problem “bad virality.”

    Yonatan Zunger, a privacy engineer at Google, recalled a suggestion he made to YouTube staff before he left the company in 2016. He proposed a third tier: Videos that were allowed to stay on YouTube, but, because they were “close to the line” of the takedown policy, would be removed from recommendations. “Bad actors quickly get very good at understanding where the bright lines are and skating as close to those lines as possible,” Zunger said.

    His proposal, which went to the head of YouTube policy, was turned down. “I can say with a lot of confidence that they were deeply wrong,” he said.

    Rather than revamp its recommendation engine, YouTube doubled down. The neural network described in the 2016 research went into effect in YouTube recommendations starting in 2015. By the measures available, it has achieved its goal of keeping people on YouTube.

    “It’s an addiction engine,” said Francis Irving, a computer scientist who has written critically about YouTube’s AI system.

    Wojcicki and her lieutenants drew up a plan. YouTube called it Project Bean or, at times, “Boil The Ocean,” to indicate the enormity of the task. (Sometimes they called it BTO3 – a third dramatic overhaul for YouTube, after initiatives to boost mobile viewing and subscriptions.) The plan was to rewrite YouTube’s entire business model, according to three former senior staffers who worked on it.

    It centered on a way to pay creators that isn’t based on the ads their videos hosted. Instead, YouTube would pay on engagement—how many viewers watched a video and how long they watched. A special algorithm would pool incoming cash, then divvy it out to creators, even if no ads ran on their videos. The idea was to reward video stars shorted by the system, such as those making sex education and music videos, which marquee advertisers found too risqué to endorse.

    Coders at YouTube labored for at least a year to make the project workable. But company managers failed to appreciate how the project could backfire: paying based on engagement risked making its “bad virality” problem worse since it could have rewarded videos that achieved popularity achieved by outrage. One person involved said that the algorithms for doling out payments were tightly guarded. If it went into effect then, this person said, it’s likely that someone like Alex Jones—the Infowars creator and conspiracy theorist with a huge following on the site, before YouTube booted him last August—would have suddenly become one of the highest paid YouTube stars.

    In February of 2018, the video calling the Parkland shooting victims “crisis actors” went viral on YouTube’s trending page. Policy staff suggested soon after limiting recommendations on the page to vetted news sources. YouTube management rejected the proposal, according to a person with knowledge of the event. The person didn’t know the reasoning behind the rejection, but noted that YouTube was then intent on accelerating its viewing time for videos related to news.

    #YouTube #Economie_attention #Engagement #Viralité

  • Un ferry dérouté de Saint-Malo à Caen-Ouistreham + Revue de presse
    http://www.lefigaro.fr/actualite-france/2018/12/04/01016-20181204LIVWWW00027-en-direct-gilets-jaunes-philippe-macron-blocages-

    Le navire de la Brittany Ferries assurant la liaison entre Portsmouth (Grande-Bretagne) et Saint-Malo a été dérouté ce mardi vers Ouistreham (Calvados), le port breton étant bloqué par des "gilets jaunes", a indiqué la compagnie maritime. "En raison du mouvement des ’gilets jaunes’, qui bloquent le port de St Malo, le navire, ’Le Bretagne’, a été dérouté sur Ouistreham", a indiqué sur son site la compagnie.

    "En conséquence, votre départ de ce soir, mardi 04/12/18, se fera de Caen-Ouistreham à 20h30. Arrivée à Portsmouth à 07h45", précise la compagnie qui ajoute : "Des blocages étant toujours prévus sur les routes françaises, merci de prévoir un temps de trajet supplémentaire pour vous rendre au port". Selon la compagnie, une navette a quitté la gare maritime de Saint-Malo à 16 heures pour acheminer les passagers non motorisés à Ouistreham, près de Caen, soit à près de 200kms de là.

    Il s’agit du premier déroutement d’un ferry de la Brittany Ferries, censé accoster à Saint-Malo, depuis le début du mouvement des "gilets jaunes", a indiqué un membre de la compagnie en charge de l’information du public.

    EN IMAGES - Le saccage du péage de Virsac

    Sur 412 personnes interpellées à Paris samedi dernier, seules 16 étaient fichées ultra-droite ou ultra-gauche
    Le préfet de police, Michel Delpuech, a indiqué devant la commission des lois du Sénat que 412 personnes avaient été interpellées à Paris samedi dernier. Sur ces 412 personnes, seules 16 étaient fichées ultra-droite ou ultra-gauche, a-t-il expliqué.

    Marche pour le climat samedi à Paris : Hulot trouve que ce n’est « pas le moment »
    Ce n’est "pas le bon moment" d’organiser samedi à Paris une marche pour le climat, a estimé sur RTL Nicolas Hulot, y voyant un risque de "confusion" et de "confrontation" dans le contexte de crise des "gilets jaunes".

    "C’est mon avis personnel, ça n’engage que moi, je trouve que ce n’est pas le moment

    Christophe Castaner : « Il faut prévoir le pire » pour la manifestation de samedi
    Lors de son audition au Sénat, le ministre de l’Intérieur, interrogé sur les discussions en cours sur les dispositifs pour samedi prochain, a dit "prévoir le pire". "Il faut faire en sorte que ce qui s’est passé samedi ne se reproduise pas", a-t-il fait remarqué. . . . . .

    Lycées : une centaine d’interpellations dans le Val-d’Oise
    Des incidents ont à nouveau éclaté mardi devant des lycées de la région parisienne, notamment dans le Val-d’Oise avec près de 100 placements en garde à vue, dans un mouvement de contestation réveillé par celui des "gilets jaunes", selon des sources concordantes.

    Dans le Val-d’Oise, 97 personnes ont été placées en garde à vue mardi après des heurts à proximité de quinze lycées. A Enghien-les-Bains, le lycée Gustave-Monod a été victime d’une "tentative d’incendie" lors d’une manifestation qui a rassemblé quelque 200 jeunes, a indiqué le parquet de Pontoise.

    Arrêt temporaire de la production chez Maïsadour
    Le géant de l’agroalimentaire Maïsadour a dû temporairement interrompre sa production en raison des blocages des "gilets jaunes", à quelques semaines des fêtes de fin d’année, rendez-vous important pour ses marques d’épicerie fine, a indiqué ce mardi son président.

    "En raison des blocages par les ’gilets jaunes’, nos camions n’ont pas pu circuler, nous sommes donc restés plusieurs journées sans pouvoir abattre de volailles, et nous avons perdu des livraisons", a déploré Michel Prugue à Mont-de-Marsan, lors d’une conférence de presse en marge de l’assemblée générale du groupe. La société regroupe notamment les enseignes Delpeyrat, Comtesse du Barry ou Sarrade et Delmas, spécialisées dans les produits fins et gastronomiques.

    "Il est encore trop tôt pour chiffrer le préjudice", a ajouté le président de Maïsadour. "Mais nous surveillons le mouvement de près car nous approchons des fêtes de fin d’année. Pour nous, c’est particulièrement sensible. C’est un mois de travail important, et nous surveillons les difficultés que nous pourrions rencontrer dans le transport des marchandises si le mouvement se poursuivait".

    La SPA annule son Noël des animaux prévu ce week-end place de la République
    La SPA a annoncé qu’elle annulait son Noël des animaux prévu à Paris ce week-end place de la République. L’association craint des violences similaires à celles qui se sont déroulées samedi dernier lors de la manifestation des « gilets jaunes ».

    Edouard Philippe : « Il ne faut pas perdre de vue la non-augmentation de la dette publique »

    Jean-Pierre Raffarin plaide pour un accord avec les « gilets jaunes »
    Invité ce matin des « 4 Vérités » sur France 2, l’ancien premier ministre Jean-Pierre Raffarin imagine ce que pourrait être sa feuille de route s’il était toujours à Matignon. 

    Tiens, il existe encore celui là !

    #GiletsJaunes #en_vedette #revue_de_presse

  • Your Dog May Not Be a Genius, After All
    New study finds that canines are not exceptional in the animal world
    https://www.scientificamerican.com/article/your-dog-may-not-be-a-genius-after-all

    In a [previous] study (...) researchers had 137 pet owners rate both their own pet and the average pet on a range of traits, including intelligence. The results revealed that the people rated their pets as above average on desirable traits and below average on undesirable traits.(...)
    British psychologists Stephen Lea and Britta Osthaus found dogs to be unremarkable in their cognitive capabilities compared to wolves, cats, dolphins, chimpanzees, pigeons, and several other species. (...)
    Even more surprising, dogs do not appear to be exceptional in their ability to perceive and use communicative signals from humans.

  • Plus de 140 artistes (dont une vingtaine de français) de 18 pays, dont des participants à l’Eurovision signent une lettre appelant au boycott de l’Eurovision 2019 si elle a lieu en israel:

    Eurovision, ne blanchissez pas l’occupation militaire et les violations des droits humains par Israël
    The Guardian, le 7 septembre 2018
    https://www.bdsfrance.org/plus-de-140-artistes-signent-une-lettre-appelant-au-boycott-de-leurovisio

    Boycott Eurovision Song Contest hosted by Israel
    The Guardian, le 7 septembre 2018
    https://www.theguardian.com/tv-and-radio/2018/sep/07/boycott-eurovision-song-contest-hosted-by-israel

    L-FRESH The LION, musician, Eurovision 2018 national judge (Australia)
    Helen Razer, broadcaster, writer (Australia)
    Candy Bowers, actor, writer, theatre director (Australia)
    Blak Douglas, artist (Australia)
    Nick Seymour, musician, producer (Australia)
    DAAN, musician, songwriter (Belgium)
    Daan Hugaert, actor (Belgium)
    Alain Platel, choreographer, theatre director (Belgium)
    Marijke Pinoy, actor (Belgium)
    Code Rouge, band (Belgium)
    DJ Murdock, DJ (Belgium)
    Helmut Lotti, singer (Belgium)
    Raymond Van het Groenewoud, musician (Belgium)
    Stef Kamil Carlens, musician, composer (Belgium)
    Charles Ducal, poet, writer (Belgium)
    Fikry El Azzouzi, novelist, playwright (Belgium)
    Erik Vlaminck, novelist, playwright (Belgium)
    Rachida Lamrabet, writer (Belgium)
    Slongs Dievanongs, musician (Belgium)
    Chokri Ben Chikha, actor, theatre director (Belgium)
    Yann Martel, novelist (Canada)
    Karina Willumsen, musician, composer (Denmark)
    Kirsten Thorup, novelist, poet (Denmark)
    Arne Würgler, musician (Denmark)
    Jesper Christensen, actor (Denmark)
    Tove Bornhoeft, actor, theatre director (Denmark)
    Anne Marie Helger, actor (Denmark)
    Tina Enghoff, visual artist (Denmark)
    Nassim Al Dogom, musician (Denmark)
    Patchanka, band (Denmark)
    Raske Penge, songwriter, singer (Denmark)
    Oktoberkoret, choir (Denmark)
    Nils Vest, film director (Denmark)
    Britta Lillesoe, actor (Denmark)
    Kaija Kärkinen, singer, Eurovision 1991 finalist (Finland)
    Kyösti Laihi, musician, Eurovision 1988 finalist (Finland)
    Kimmo Pohjonen, musician (Finland)
    Paleface, musician (Finland)
    Manuela Bosco, actor, novelist, artist (Finland)
    Noora Dadu, actor (Finland)
    Pirjo Honkasalo, film-maker (Finland)
    Ria Kataja, actor (Finland)
    Tommi Korpela, actor (Finland)
    Krista Kosonen, actor (Finland)
    Elsa Saisio, actor (Finland)
    Martti Suosalo, actor, singer (Finland)
    Virpi Suutari, film director (Finland)
    Aki Kaurismäki, film director, screenwriter (Finland)
    Pekka Strang, actor, artistic director (Finland)
    HK, singer (France)
    Dominique Grange, singer (France)
    Imhotep, DJ, producer (France)
    Francesca Solleville, singer (France)
    Elli Medeiros, singer, actor (France)
    Mouss & Hakim, band (France)
    Alain Guiraudie, film director, screenwriter (France)
    Tardi, comics artist (France)
    Gérard Mordillat, novelist, filmmaker (France)
    Eyal Sivan, film-maker (France)
    Rémo Gary, singer (France)
    Dominique Delahaye, novelist, musician (France)
    Philippe Delaigue, author, theatre director (France)
    Michel Kemper, online newspaper editor-in-chief (France)
    Michèle Bernard, singer-songwriter (France)
    Gérard Morel, theatre actor, director, singer (France)
    Daði Freyr, musician, Eurovision 2017 national selection finalist (Iceland)
    Hildur Kristín Stefánsdóttir, musician, Eurovision 2017 national selection finalist (Iceland)
    Mike Murphy, broadcaster, eight-time Eurovision commentator (Ireland)
    Mary Black, singer (Ireland)
    Christy Moore, singer, musician (Ireland)
    Charlie McGettigan, musician, songwriter, Eurovision 1994 winner (Ireland)
    Mary Coughlan, singer (Ireland)
    Luka Bloom, singer (Ireland)
    Robert Ballagh, artist, Riverdance set designer (Ireland)
    Aviad Albert, musician (Israel)
    Michal Sapir, musician, writer (Israel)
    Ohal Grietzer, musician (Israel)
    Yonatan Shapira, musician (Israel)
    Danielle Ravitzki, musician, visual artist (Israel)
    David Opp, artist (Israel)
    Assalti Frontali, band (Italy)
    Radiodervish, band (Italy)
    Moni Ovadia, actor, singer, playwright (Italy)
    Vauro, journalist, cartoonist (Italy)
    Pinko Tomažič Partisan Choir, choir (Italy)
    Jorit, street artist (Italy)
    Marthe Valle, singer (Norway)
    Mari Boine, musician, composer (Norway)
    Aslak Heika Hætta Bjørn, singer (Norway)
    Nils Petter Molvær, musician, composer (Norway)
    Moddi, singer (Norway)
    Jørn Simen Øverli, singer (Norway)
    Nosizwe, musician, actor (Norway)
    Bugge Wesseltoft, musician, composer (Norway)
    Lars Klevstrand, musician, composer, actor (Norway)
    Trond Ingebretsen, musician (Norway)
    José Mário Branco, musician, composer (Portugal)
    Francisco Fanhais, singer (Portugal)
    Tiago Rodrigues, artistic director, Portuguese national theatre (Portugal)
    Patrícia Portela, playwright, author (Portugal)
    Chullage, musician (Portugal)
    António Pedro Vasconcelos, film director (Portugal)
    José Luis Peixoto, novelist (Portugal)
    N’toko, musician (Slovenia)
    ŽPZ Kombinat, choir (Slovenia)
    Lluís Llach, composer, singer-songwriter (Spanish state)
    Marinah, singer (Spanish state)
    Riot Propaganda, band (Spanish state)
    Fermin Muguruza, musician (Spanish state)
    Kase.O, musician (Spanish state)
    Soweto, band (Spanish state)
    Itaca Band, band (Spanish state)
    Tremenda Jauría, band (Spanish state)
    Teresa Aranguren, journalist (Spanish state)
    Julio Perez del Campo, film director (Spanish state)
    Nicky Triphook, singer (Spanish state)
    Pau Alabajos, singer-songwriter (Spanish state)
    Mafalda, band (Spanish state)
    Zoo, band (Spanish state)
    Smoking Souls, band (Spanish state)
    Olof Dreijer, DJ, producer (Sweden)
    Karin Dreijer, singer, producer (Sweden)
    Dror Feiler, musician, composer (Sweden)
    Michel Bühler, singer, playwright, novelist (Switzerland)
    Wolf Alice, band (UK)
    Carmen Callil, publisher, writer (UK)
    Julie Christie, actor (UK)
    Caryl Churchill, playwright (UK)
    Brian Eno, composer, producer (UK)
    AL Kennedy, writer (UK)
    Peter Kosminsky, writer, film director (UK)
    Paul Laverty, scriptwriter (UK)
    Mike Leigh, writer, film and theatre director (UK)
    Ken Loach, film director (UK)
    Alexei Sayle, writer, comedian (UK)
    Roger Waters, musician (UK)
    Penny Woolcock, film-maker, opera director (UK)
    Leon Rosselson, songwriter (UK)
    Sabrina Mahfouz, writer, poet (UK)
    Eve Ensler, playwright (US)
    Alia Shawkat, actor (US)

    #Palestine #BDS #Boycott_culturel #Eurovision

  • Inside Cambridge Analytica’s Virtual Currency Plans - The New York Times
    https://www.nytimes.com/2018/04/17/technology/cambridge-analytica-initial-coin-offering.html

    SAN FRANCISCO — The embattled political data firm Cambridge Analytica quietly sought to develop its own virtual currency in recent months through a so-called initial coin offering, a novel fund-raising method that has come under growing scrutiny by financial regulators around the world.

    The offering was part of a broader, but still very private push that the firm was making into the nascent world of cryptocurrencies over the last year.

    Much like its acquisition of Facebook data to build psychological profiles of voters, the new business line pushed the firm into murky ethical and legal situations. Documents and emails obtained by The New York Times show that Cambridge Analytica’s efforts to help promote another group’s digital token, the Dragon Coin, associated the firm with a famous gangster in Macau who has gone by the nickname Broken Tooth.

    The goal of Cambridge Analytica’s own coin offering? Raise money that would pay for the creation of a system to help people store and sell their online personal data to advertisers, Brittany Kaiser, a former Cambridge Analytica employee, said in an interview. The idea was to protect information from more or less what the firm did when it obtained the personal data of up to 87 million Facebook users.

    “Who knows more about the usage of personal data than Cambridge Analytica?” Ms. Kaiser said. “So why not build a platform that reconstructs the way that works?”

    Mais Cambridge Analytica ne perd pas ses bonnes habitudes

    She also remembers they spoke about an array of potential campaigns. The most unusual idea involved sending virtual currencies to people in far-flung regions of Mexico. The payments would give people incentive to fill out surveys and get data that could then be used to help design campaigns for Mexican political candidates .

    #Cambridge_analytica #Cryptomonnaies #ICO #Données_personnelles

  • Facebook : le témoignage embarrassant d’une ancienne cadre de Cambridge Analytica
    http://www.lemonde.fr/pixels/article/2018/04/17/facebook-le-temoignage-embarrassant-d-une-ancienne-cadre-de-cambridge-analyt

    Brittany Kaiser estime que les données collectées sur Facebook pourraient être plus nombreuses qu’annoncé. Et pourraient avoir servi lors de la campagne sur le Brexit. Les derniers chiffres annoncés par Facebook donnaient le vertige : jusqu’à 87 millions d’utilisateurs auraient pu voir leurs données siphonnées, indirectement, par Cambridge Analytica, une entreprise britannique spécialiste de l’influence politique. Mardi 17 avril, une ancienne responsable de l’entreprise, Brittany Kaiser, a laissé (...)

    #CambridgeAnalytica #Facebook #algorithme #thisisyourdigitallife #élections #manipulation #électeurs #données #BigData #domination #prédictif #marketing (...)

    ##profiling

  • What Happens When We Let Tech Care For Our Aging Parents | WIRED
    https://www.wired.com/story/digital-puppy-seniors-nursing-homes

    Arlyn Anderson grasped her father’s hand and presented him with the choice. “A nursing home would be safer, Dad,” she told him, relaying the doctors’ advice. “It’s risky to live here alone—”

    “No way,” Jim interjected. He frowned at his daughter, his brow furrowed under a lop of white hair. At 91, he wanted to remain in the woodsy Minnesota cottage he and his wife had built on the shore of Lake Minnetonka, where she had died in his arms just a year before. His pontoon—which he insisted he could still navigate just fine—bobbed out front.

    Arlyn had moved from California back to Minnesota two decades earlier to be near her aging parents. Now, in 2013, she was fiftysomething, working as a personal coach, and finding that her father’s decline was all-consuming.

    Her father—an inventor, pilot, sailor, and general Mr. Fix-It; “a genius,” Arlyn says—started experiencing bouts of paranoia in his mid-eighties, a sign of Alzheimer’s. The disease had progressed, often causing his thoughts to vanish mid-sentence. But Jim would rather risk living alone than be cloistered in an institution, he told Arlyn and her older sister, Layney. A nursing home certainly wasn’t what Arlyn wanted for him either. But the daily churn of diapers and cleanups, the carousel of in-home aides, and the compounding financial strain (she had already taken out a reverse mortgage on Jim’s cottage to pay the caretakers) forced her to consider the possibility.

    Jim, slouched in his recliner, was determined to stay at home. “No way,” he repeated to his daughter, defiant. Her eyes welled up and she hugged him. “OK, Dad.” Arlyn’s house was a 40-minute drive from the cottage, and for months she had been relying on a patchwork of technology to keep tabs on her dad. She set an open laptop on the counter so she could chat with him on Skype. She installed two cameras, one in his kitchen and another in his bedroom, so she could check whether the caregiver had arrived, or God forbid, if her dad had fallen. So when she read in the newspaper about a new digi­tal eldercare service called CareCoach a few weeks after broaching the subject of the nursing home, it piqued her interest. For about $200 a month, a human-powered avatar would be available to watch over a homebound person 24 hours a day; Arlyn paid that same amount for just nine hours of in-home help. She signed up immediately.

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    A Google Nexus tablet arrived in the mail a week later. When Arlyn plugged it in, an animated German shepherd appeared onscreen, standing at attention on a digitized lawn. The brown dog looked cutesy and cartoonish, with a bubblegum-pink tongue and round, blue eyes.

    She and Layney visited their dad later that week, tablet in hand. Following the instructions, Arlyn uploaded dozens of pictures to the service’s online portal: images of family members, Jim’s boat, and some of his inventions, like a computer terminal known as the Teleray and a seismic surveillance system used to detect footsteps during the Vietnam War. The setup complete, Arlyn clutched the tablet, summoning the nerve to introduce her dad to the dog. Her initial instinct that the service could be the perfect companion for a former technologist had splintered into needling doubts. Was she tricking him? Infantilizing him?

    Tired of her sister’s waffling, Layney finally snatched the tablet and presented it to their dad, who was sitting in his armchair. “Here, Dad, we got you this.” The dog blinked its saucer eyes and then, in Google’s female text-to-speech voice, started to talk. Before Alzheimer’s had taken hold, Jim would have wanted to know exactly how the service worked. But in recent months he’d come to believe that TV characters were interacting with him: A show’s villain had shot a gun at him, he said; Katie Couric was his friend. When faced with an onscreen character that actually was talking to him, Jim readily chatted back.

    Jim named his dog Pony. Arlyn perched the tablet upright on a table in Jim’s living room, where he could see it from the couch or his recliner. Within a week Jim and Pony had settled into a routine, exchanging pleasantries several times a day. Every 15 minutes or so Pony would wake up and look for Jim, calling his name if he was out of view. Sometimes Jim would “pet” the sleeping dog onscreen with his finger to rustle her awake. His touch would send an instantaneous alert to the human caretaker behind the avatar, prompting the CareCoach worker to launch the tablet’s audio and video stream. “How are you, Jim?” Pony would chirp. The dog reminded him which of his daughters or in-person caretakers would be visiting that day to do the tasks that an onscreen dog couldn’t: prepare meals, change Jim’s sheets, drive him to a senior center. “We’ll wait together,” Pony would say. Often she’d read poetry aloud, discuss the news, or watch TV with him. “You look handsome, Jim!” Pony remarked after watching him shave with his electric razor. “You look pretty,” he replied. Sometimes Pony would hold up a photo of Jim’s daughters or his inventions between her paws, prompting him to talk about his past. The dog complimented Jim’s red sweater and cheered him on when he struggled to buckle his watch in the morning. He reciprocated by petting the screen with his index finger, sending hearts floating up from the dog’s head. “I love you, Jim!” Pony told him a month after they first met—something CareCoach operators often tell the people they are monitoring. Jim turned to Arlyn and gloated, “She does! She thinks I’m real good!”

    About 1,500 miles south of Lake Minnetonka, in Monterrey, Mexico, Rodrigo Rochin opens his laptop in his home office and logs in to the CareCoach dashboard to make his rounds. He talks baseball with a New Jersey man watching the Yankees; chats with a woman in South Carolina who calls him Peanut (she places a cookie in front of her tablet for him to “eat”); and greets Jim, one of his regulars, who sips coffee while looking out over a lake.

    Rodrigo is 35 years old, the son of a surgeon. He’s a fan of the Spurs and the Cowboys, a former international business student, and a bit of an introvert, happy to retreat into his sparsely decorated home office each morning. He grew up crossing the border to attend school in McAllen, Texas, honing the English that he now uses to chat with elderly people in the United States. Rodrigo found CareCoach on an online freelancing platform and was hired in December 2012 as one of the company’s earliest contractors, role-playing 36 hours a week as one of the service’s avatars.

    After watching her dad interact with Pony, Arlyn’s reservations about outsourcing her father’s companionship vanished.

    In person, Rodrigo is soft-spoken, with wire spectacles and a beard. He lives with his wife and two basset hounds, Bob and Cleo, in Nuevo León’s capital city. But the people on the other side of the screen don’t know that. They don’t know his name—or, in the case of those like Jim who have dementia, that he even exists. It’s his job to be invisible. If Rodrigo’s clients ask where he’s from, he might say MIT (the CareCoach software was created by two graduates of the school), but if anyone asks where their pet actually is, he replies in character: “Here with you.”

    Rodrigo is one of a dozen CareCoach employees in Latin America and the Philippines. The contractors check on the service’s seniors through the tablet’s camera a few times an hour. (When they do, the dog or cat avatar they embody appears to wake up.) To talk, they type into the dashboard and their words are voiced robotically through the tablet, designed to give their charges the impression that they’re chatting with a friendly pet. Like all the CareCoach workers, Rodrigo keeps meticulous notes on the people he watches over so he can coordinate their care with other workers and deepen his relationship with them over time—this person likes to listen to Adele, this one prefers Elvis, this woman likes to hear Bible verses while she cooks. In one client’s file, he wrote a note explaining that the correct response to “See you later, alligator” is “After a while, crocodile.” These logs are all available to the customer’s social workers or adult children, wherever they may live. Arlyn started checking Pony’s log between visits with her dad several times a week. “Jim says I’m a really nice person,” reads one early entry made during the Minnesota winter. “I told Jim that he was my best friend. I am so happy.”

    After watching her dad interact with Pony, Arlyn’s reservations about outsourcing her father’s companionship vanished. Having Pony there eased her anxiety about leaving Jim alone, and the virtual dog’s small talk lightened the mood.

    Pony was not only assisting Jim’s human caretakers but also inadvertently keeping an eye on them. Months before, in broken sentences, Jim had complained to Arlyn that his in-home aide had called him a bastard. Arlyn, desperate for help and unsure of her father’s recollection, gave her a second chance. Three weeks after arriving in the house, Pony woke up to see the same caretaker, impatient. “Come on, Jim!” the aide yelled. “Hurry up!” Alarmed, Pony asked why she was screaming and checked to see if Jim was OK. The pet—actually, Rodrigo—later reported the aide’s behavior to CareCoach’s CEO, Victor Wang, who emailed Arlyn about the incident. (The caretaker knew there was a human watching her through the tablet, Arlyn says, but may not have known the extent of the person’s contact with Jim’s family behind the scenes.) Arlyn fired the short-tempered aide and started searching for a replacement. Pony watched as she and Jim conducted the interviews and approved of the person Arlyn hired. “I got to meet her,” the pet wrote. “She seems really nice.”

    Pony—friend and guard dog—would stay.
    Grant Cornett

    Victor Wang grew up feeding his Tama­got­chis and coding choose-your-own-­adventure games in QBasic on the family PC. His parents moved from Taiwan to suburban Vancouver, British Columbia, when Wang was a year old, and his grandmother, whom he called Lao Lao in Mandarin, would frequently call from Taiwan. After her husband died, Lao Lao would often tell Wang’s mom that she was lonely, pleading with her daughter to come to Taiwan to live with her. As she grew older, she threatened suicide. When Wang was 11, his mother moved back home for two years to care for her. He thinks of that time as the honey-­sandwich years, the food his overwhelmed father packed him each day for lunch. Wang missed his mother, he says, but adds, “I was never raised to be particularly expressive of my emotions.”

    At 17, Wang left home to study mechanical engineering at the University of British Columbia. He joined the Canadian Army Reserve, serving as an engineer on a maintenance platoon while working on his undergraduate degree. But he scrapped his military future when, at 22, he was admitted to MIT’s master’s program in mechanical engineering. Wang wrote his dissertation on human-machine interaction, studying a robotic arm maneuvered by astronauts on the International Space Station. He was particularly intrigued by the prospect of harnessing tech to perform tasks from a distance: At an MIT entrepreneurship competition, he pitched the idea of training workers in India to remotely operate the buffers that sweep US factory floors.

    In 2011, when he was 24, his grandmother was diagnosed with Lewy body dementia, a disease that affects the areas of the brain associated with memory and movement. On Skype calls from his MIT apartment, Wang watched as his grandmother grew increasingly debilitated. After one call, a thought struck him: If he could tap remote labor to sweep far-off floors, why not use it to comfort Lao Lao and others like her?

    Wang started researching the looming caretaker shortage in the US—between 2010 and 2030, the population of those older than 80 is projected to rise 79 percent, but the number of family caregivers available is expected to increase just 1 percent.

    In 2012 Wang recruited his cofounder, a fellow MIT student working on her computer science doctorate named Shuo Deng, to build CareCoach’s technology. They agreed that AI speech technology was too rudimentary for an avatar capable of spontaneous conversation tailored to subtle mood and behavioral cues. For that, they would need humans.

    Older people like Jim often don’t speak clearly or linearly, and those with dementia can’t be expected to troubleshoot a machine that misunderstands. “When you match someone not fully coherent with a device that’s not fully coherent, it’s a recipe for disaster,” Wang says. Pony, on the other hand, was an expert at deciphering Jim’s needs. Once, Pony noticed that Jim was holding onto furniture for support, as if he were dizzy. The pet persuaded him to sit down, then called Arlyn. Deng figures it’ll take about 20 years for AI to be able to master that kind of personal interaction and recognition. That said, the CareCoach system is already deploying some automated abilities. Five years ago, when Jim was introduced to Pony, the offshore workers behind the camera had to type every response; today CareCoach’s software creates roughly one out of every five sentences the pet speaks. Wang aims to standardize care by having the software manage more of the patients’ regular reminders—prodding them to take their medicine, urging them to eat well and stay hydrated. CareCoach workers are part free­wheeling raconteurs, part human natural-­language processors, listening to and deciphering their charges’ speech patterns or nudging the person back on track if they veer off topic. The company recently began recording conversations to better train its software in senior speech recognition.

    CareCoach found its first customer in December 2012, and in 2014 Wang moved from Massachusetts to Silicon Valley, renting a tiny office space on a lusterless stretch of Millbrae near the San Francisco airport. Four employees congregate in one room with a view of the parking lot, while Wang and his wife, Brittany, a program manager he met at a gerontology conference, work in the foyer. Eight tablets with sleeping pets onscreen are lined up for testing before being shipped to their respective seniors. The avatars inhale and exhale, lending an eerie sense of life to their digital kennel.

    CareCoach conveys the perceptiveness and emotional intelligence of the humans powering it but masquerades as an animated app.

    Wang spends much of his time on the road, touting his product’s health benefits at medical conferences and in hospital executive suites. Onstage at a gerontology summit in San Francisco last summer, he deftly impersonated the strained, raspy voice of an elderly man talking to a CareCoach pet while Brittany stealthily cued the replies from her laptop in the audience. The company’s tablets are used by hospitals and health plans across Massachusetts, California, New York, South Carolina, Florida, and Washington state. Between corporate and individual customers, CareCoach’s avatars have interacted with hundreds of users in the US. “The goal,” Wang says, “is not to have a little family business that just breaks even.”

    The fastest growth would come through hospital units and health plans specializing in high-need and elderly patients, and he makes the argument that his avatars cut health care costs. (A private room in a nursing home can run more than $7,500 a month.) Preliminary research has been promising, though limited. In a study conducted by Pace University at a Manhattan housing project and a Queens hospital, CareCoach’s avatars were found to reduce subjects’ loneliness, delirium, and falls. A health provider in Massachusetts was able to replace a man’s 11 weekly in-home nurse visits with a CareCoach tablet, which diligently reminded him to take his medications. (The man told nurses that the pet’s nagging reminded him of having his wife back in the house. “It’s kind of like a complaint, but he loves it at the same time,” the project’s lead says.) Still, the feelings aren’t always so cordial: In the Pace University study, some aggravated seniors with dementia lashed out and hit the tablet. In response, the onscreen pet sheds tears and tries to calm the person.

    More troubling, perhaps, were the people who grew too fiercely attached to their digi­tal pets. At the conclusion of a University of Washington CareCoach pilot study, one woman became so distraught at the thought of parting with her avatar that she signed up for the service, paying the fee herself. (The company gave her a reduced rate.) A user in Massachusetts told her caretakers she’d cancel an upcoming vacation to Maine unless her digital cat could come along.

    We’re still in the infancy of understanding the complexities of aging humans’ relationship with technology. Sherry Turkle, a professor of social studies, science, and technology at MIT and a frequent critic of tech that replaces human communication, described interactions between elderly people and robotic babies, dogs, and seals in her 2011 book, Alone Together. She came to view roboticized eldercare as a cop-out, one that would ultimately degrade human connection. “This kind of app—in all of its slickness and all its ‘what could possibly be wrong with it?’ mentality—is making us forget what we really know about what makes older people feel sustained,” she says: caring, interpersonal relationships. The question is whether an attentive avatar makes a comparable substitute. Turkle sees it as a last resort. “The assumption is that it’s always cheaper and easier to build an app than to have a conversation,” she says. “We allow technologists to propose the unthinkable and convince us the unthinkable is actually the inevitable.”

    But for many families, providing long-term in-person care is simply unsustainable. The average family caregiver has a job outside the home and spends about 20 hours a week caring for a parent, according to AARP. Nearly two-thirds of such caregivers are women. Among eldercare experts, there’s a resignation that the demographics of an aging America will make technological solutions unavoidable. The number of those older than 65 with a disability is projected to rise from 11 million to 18 million from 2010 to 2030. Given the option, having a digital companion may be preferable to being alone. Early research shows that lonely and vulnerable elders like Jim seem content to communicate with robots. Joseph Coughlin, director of MIT’s AgeLab, is pragmatic. “I would always prefer the human touch over a robot,” he says. “But if there’s no human available, I would take high tech in lieu of high touch.”

    CareCoach is a disorienting amalgam of both. The service conveys the perceptiveness and emotional intelligence of the humans powering it but masquerades as an animated app. If a person is incapable of consenting to CareCoach’s monitoring, then someone must do so on their behalf. But the more disconcerting issue is how cognizant these seniors are of being watched over by strangers. Wang considers his product “a trade-off between utility and privacy.” His workers are trained to duck out during baths and clothing changes.

    Some CareCoach users insist on greater control. A woman in Washington state, for example, put a piece of tape over her CareCoach tablet’s camera to dictate when she could be viewed. Other customers like Jim, who are suffering from Alzheimer’s or other diseases, might not realize they are being watched. Once, when he was temporarily placed in a rehabilitation clinic after a fall, a nurse tending to him asked Arlyn what made the avatar work. “You mean there’s someone overseas looking at us?” she yelped, within earshot of Jim. (Arlyn isn’t sure whether her dad remembered the incident later.) By default, the app explains to patients that someone is surveilling them when it’s first introduced. But the family members of personal users, like Arlyn, can make their own call.

    Arlyn quickly stopped worrying about whether she was deceiving her dad. Telling Jim about the human on the other side of the screen “would have blown the whole charm of it,” she says. Her mother had Alzheimer’s as well, and Arlyn had learned how to navigate the disease: Make her mom feel safe; don’t confuse her with details she’d have trouble understanding. The same went for her dad. “Once they stop asking,” Arlyn says, “I don’t think they need to know anymore.” At the time, Youa Vang, one of Jim’s regular in-­person caretakers, didn’t comprehend the truth about Pony either. “I thought it was like Siri,” she said when told later that it was a human in Mexico who had watched Jim and typed in the words Pony spoke. She chuckled. “If I knew someone was there, I may have been a little more creeped out.”

    Even CareCoach users like Arlyn who are completely aware of the person on the other end of the dashboard tend to experience the avatar as something between human, pet, and machine—what some roboticists call a third ontological category. The care­takers seem to blur that line too: One day Pony told Jim that she dreamed she could turn into a real health aide, almost like Pinoc­chio wishing to be a real boy.

    Most of CareCoach’s 12 contractors reside in the Philippines, Venezuela, or Mexico. To undercut the cost of in-person help, Wang posts English-language ads on freelancing job sites where foreign workers advertise rates as low as $2 an hour. Though he won’t disclose his workers’ hourly wages, Wang claims the company bases its salaries on factors such as what a registered nurse would make in the CareCoach employee’s home country, their language proficiencies, and the cost of their internet connection.

    The growing network includes people like Jill Paragas, a CareCoach worker who lives in a subdivision on Luzon island in the Philippines. Paragas is 35 years old and a college graduate. She earns about the same being an avatar as she did in her former call center job, where she consoled Americans irate about credit card charges. (“They wanted to, like, burn the company down or kill me,” she says with a mirthful laugh.) She works nights to coincide with the US daytime, typing messages to seniors while her 6-year-old son sleeps nearby.

    Even when Jim grew stubborn or paranoid with his daughters, he always viewed Pony as a friend.

    Before hiring her, Wang interviewed Paragas via video, then vetted her with an international criminal background check. He gives all applicants a personality test for certain traits: openness, conscientiousness, extroversion, agreeableness, and neuroticism. As part of the CareCoach training program, Paragas earned certifications in delirium and dementia care from the Alzheimer’s Association, trained in US health care ethics and privacy, and learned strategies for counseling those with addictions. All this, Wang says, “so we don’t get anyone who’s, like, crazy.” CareCoach hires only about 1 percent of its applicants.

    Paragas understands that this is a complicated business. She’s befuddled by the absence of family members around her aging clients. “In my culture, we really love to take care of our parents,” she says. “That’s why I’m like, ‘She is already old, why is she alone?’ ” Paragas has no doubt that, for some people, she’s their most significant daily relationship. Some of her charges tell her that they couldn’t live without her. Even when Jim grew stubborn or paranoid with his daughters, he always viewed Pony as a friend. Arlyn quickly realized that she had gained a valuable ally.
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    As time went on, the father, daughter, and family pet grew closer. When the snow finally melted, Arlyn carried the tablet to the picnic table on the patio so they could eat lunch overlooking the lake. Even as Jim’s speech became increasingly stunted, Pony could coax him to talk about his past, recounting fishing trips or how he built the house to face the sun so it would be warmer in winter. When Arlyn took her dad around the lake in her sailboat, Jim brought Pony along. (“I saw mostly sky,” Rodrigo recalls.)

    One day, while Jim and Arlyn were sitting on the cottage’s paisley couch, Pony held up a photograph of Jim’s wife, Dorothy, between her paws. It had been more than a year since his wife’s death, and Jim hardly mentioned her anymore; he struggled to form coherent sentences. That day, though, he gazed at the photo fondly. “I still love her,” he declared. Arlyn rubbed his shoulder, clasping her hand over her mouth to stifle tears. “I am getting emotional too,” Pony said. Then Jim leaned toward the picture of his deceased wife and petted her face with his finger, the same way he would to awaken a sleeping Pony.

    When Arlyn first signed up for the service, she hadn’t anticipated that she would end up loving—yes, loving, she says, in the sincerest sense of the word—the avatar as well. She taught Pony to say “Yeah, sure, you betcha” and “don’t-cha know” like a Minnesotan, which made her laugh even more than her dad. When Arlyn collapsed onto the couch after a long day of caretaking, Pony piped up from her perch on the table:

    “Arnie, how are you?”

    Alone, Arlyn petted the screen—the way Pony nuzzled her finger was weirdly therapeutic—and told the pet how hard it was to watch her dad lose his identity.

    “I’m here for you,” Pony said. “I love you, Arnie.”

    When she recalls her own attachment to the dog, Arlyn insists her connection wouldn’t have developed if Pony was simply high-functioning AI. “You could feel Pony’s heart,” she says. But she preferred to think of Pony as her father did—a friendly pet—rather than a person on the other end of a webcam. “Even though that person probably had a relationship to me,” she says, “I had a relationship with the avatar.”

    Still, she sometimes wonders about the person on the other side of the screen. She sits up straight and rests her hand over her heart. “This is completely vulnerable, but my thought is: Did Pony really care about me and my dad?” She tears up, then laughs ruefully at herself, knowing how weird it all sounds. “Did this really happen? Was it really a relationship, or were they just playing solitaire and typing cute things?” She sighs. “But it seemed like they cared.”

    When Jim turned 92 that August, as friends belted out “Happy Birthday” around the dinner table, Pony spoke the lyrics along with them. Jim blew out the single candle on his cake. “I wish you good health, Jim,” Pony said, “and many more birthdays to come.”

    In Monterrey, Mexico, when Rodrigo talks about his unusual job, his friends ask if he’s ever lost a client. His reply: Yes.

    In early March 2014, Jim fell and hit his head on his way to the bathroom. A caretaker sleeping over that night found him and called an ambulance, and Pony woke up when the paramedics arrived. The dog told them Jim’s date of birth and offered to call his daughters as they carried him out on a stretcher.

    Jim was checked into a hospital, then into the nursing home he’d so wanted to avoid. The Wi-Fi there was spotty, which made it difficult for Jim and Pony to connect. Nurses would often turn Jim’s tablet to face the wall. The CareCoach logs from those months chronicle a series of communication misfires. “I miss Jim a lot,” Pony wrote. “I hope he is doing good all the time.” One day, in a rare moment of connectivity, Pony suggested he and Jim go sailing that summer, just like the good old days. “That sounds good,” Jim said.
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    That July, in an email from Wang, Rodrigo learned that Jim had died in his sleep. Sitting before his laptop, Rodrigo bowed his head and recited a silent Lord’s Prayer for Jim, in Spanish. He prayed that his friend would be accepted into heaven. “I know it’s going to sound weird, but I had a certain friendship with him,” he says. “I felt like I actually met him. I feel like I’ve met them.” In the year and a half that he had known them, Arlyn and Jim talked to him regularly. Jim had taken Rodrigo on a sailboat ride. Rodrigo had read him poetry and learned about his rich past. They had celebrated birthdays and holidays together as family. As Pony, Rodrigo had said “Yeah, sure, you betcha” countless times.

    That day, for weeks afterward, and even now when a senior will do something that reminds him of Jim, Rodrigo says he feels a pang. “I still care about them,” he says. After her dad’s death, Arlyn emailed Victor Wang to say she wanted to honor the workers for their care. Wang forwarded her email to Rodrigo and the rest of Pony’s team. On July 29, 2014, Arlyn carried Pony to Jim’s funeral, placing the tablet facing forward on the pew beside her. She invited any workers behind Pony who wanted to attend to log in.

    A year later, Arlyn finally deleted the CareCoach service from the tablet—it felt like a kind of second burial. She still sighs, “Pony!” when the voice of her old friend gives her directions as she drives around Minneapolis, reincarnated in Google Maps.

    After saying his prayer for Jim, Rodrigo heaved a sigh and logged in to the CareCoach dashboard to make his rounds. He ducked into living rooms, kitchens, and hospital rooms around the United States—seeing if all was well, seeing if anybody needed to talk.

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    Des guerrières, la scène musicale en manque-t-elle ? C’est un fait : les artistes féminines sont peu visibles dans les musiques actuelles, comme dans la musique classique, le théâtre ou le cinéma, à quelques nuances près.

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    Quel point commun entre la Brittany Ferries (Roscoff, Finistère) et PBM Import, une filiale du leader européen d’importation de bois Wolseley (Pacé, Ille-et-Vilaine) ? Ces deux sociétés bretonnes ont été victimes d’une arnaque aux faux ordres de virements internationaux (FOVI). Dans les deux cas, une personne se faisant passer pour le P-DG est parvenue à convaincre le service comptabilité de se faire verser, fin 2011, puis fin 2012, 1,1 million d’euros, puis 14 millions. Dans les deux cas encore, l’argent a transité par des comptes à l’étranger, via Chypre, la Bulgarie, la Chine (...). Destination finale ? Israël.

    72 commissions rogatoires adressées à Israël, aucun retour

    Ces quatre dernières années, l’Office central de répression de la grande délinquance financière (OCRGDF) a recensé plus de 700 faits commis ou tentés en France. Plus de 360 entreprises ont été victimes de cette carambouille (dite aussi « arnaque au président »), pour un préjudice dépassant désormais les 300 millions d’euros. En Bretagne et en Loire-Atlantique, plus de 80 faits ont été signalés. Dans le collimateur des escrocs : les multinationales, comme la société de Vincent Bolloré, victime, dans le Finistère, d’une tentative à 350.000 euros en juin dernier, mais aussi les établissements plus modestes : abattoirs, laboratoires, établissements bancaires, assurances, offices HLM...

    Quand ils ont contacté leurs homologues d’Interpol et Europol, les organismes internationaux de coopération policière, les enquêteurs français n’en ont pas cru leurs oreilles. Les escroqueries aux faux ordres de virements internationaux ? Les deux offices internationaux... ne connaissaient pas ! Et pour cause. « Vous êtes le seul pays touché », leur ont répondu un peu plus tard, Interpol et Europol. C’était juste avant que la Belgique, la Suisse et le Luxembourg ne soient à leur tour pris pour cibles. Leur point commun ? On y parle français. « Tout simplement parce que les auteurs de ces arnaques sont français », explique un enquêteur, spécialiste des FOVI. Des Franco-Israéliens, réfugiés en Israël, dont certains sont « bien connus des services », pour avoir fait leurs armes en France dans les arnaques aux faux annuaires et fausses publicités, l’affaire du Sentier ou encore les fraudes à la TVA et à la taxe carbone.

    « On a des noms, et même les sociétés qui blanchissent l’argent détourné », assurent des enquêteurs. Mais en Israël, où le fil de l’enquête se brise, aucune procédure n’aboutit. Selon nos informations, pas moins de 72 commissions rogatoires internationales ont été adressées à l’État hébreu depuis 2010. Aucune n’a été suivie d’effet.(...)

  • Watching the Birth of a New Breed: the Werewolf Cat - Facts So Romantic
    http://nautil.us/blog/watching-the-birth-of-a-new-breed-the-werewolf-cat

    A Lykoi kitten next to its normal-coated brother, who carries just one version of the Lykoi gene. It’s no accident that Lykois are bred with black cats. “If they have black as their base coats, they really have that werewolf look. Other base coats don’t look quite as striking,” he says. “An orange Lykoi cat just kind of looks like a cat that’s missing hair on its face.”Brittney Gobble Looking at a Lykoi cat for the first time, one can be forgiven for thinking it might be sick. Lykois bear a mutant gene variation that interferes with their hair growth, robbing the animals of much of their undercoat and leaving them with hair follicles that are either unable to produce hair at all, or that can produce it but not maintain it. While they do have hair, it is sparse, and often missing entirely (...)

  • The Health Costs of our Late-Night Light Addiction - Facts So Romantic
    http://nautil.us/blog/the-health-costs-of-our-late_night-light-addiction

    A study at RPI’s Lighting Research Center tested the effects of digital tablets and different colors of light on subjects’ circadian rhythms.Brittany Wood et al. / RPI In the summer of 2012, the American Medical Association (AMA) adopted a new policy stating that nighttime light exposure is hazardous to human health. “The primary human concerns with nighttime lighting include disability glare [the reduction of visibility caused by bright light, and a major driving risk]... and various health effects,” a summary of the AMA’s policy (pdf) read. “Among the latter are potential carcinogenic effects related to melatonin suppression, especially breast cancer.” Even low levels of light, the report said, could suppress the production of melatonin, a hormone that’s secreted at night, which signals (...)

  • Plexifilm — 13 Most Beautiful... Songs for Andy Warhol’s Screen Tests
    http://www.plexifilm.com/title.php?id=36

    Released in conjunction with The Andy Warhol Museum, 13 Most Beautiful...Songs for Andy Warhol’s Screen Tests features 13 of Warhol’s classic silent film portraits. Subjects include Nico, Lou Reed, Edie Sedgwick, Dennis Hopper, and more. Shot between 1964 and 1966 at Warhol’s Factory studio in New York City, the Screen Tests are presented with newly commissioned soundtracks performed by Dean Wareham and Britta Phillips. This is the first ever authorized DVD release of films by Andy Warhol.

    Between 1964 and 1966, Andy Warhol shot nearly 500 Screen Tests, beautiful and revealing portraits of hundreds of different individuals, from the famous to the anonymous, all visitors to his studio, the Factory. Subjects were captured in stark relief by a strong keylight, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film. The resulting two-and-a-half-minute film reels were then screened in slow motion, resulting in a fascinating collection of four-minute masterpieces that startle and entrance, mesmerizing in the purest sense of the word.

    Songwriters Dean Wareham and Britta Phillips, formerly of the band Luna and currently recording as Dean & Britta, incorporated original compositions as well as cover songs to create new soundtracks for the 13 films.

    The 13 Screen Tests included are Paul America, Susan Bottomly, Ann Buchanan, Freddy Herko, Jane Holzer (Toothbrush), Dennis Hopper, Billy Name, Nico, Richard Rheem, Lou Reed (Coke), Edie Sedgwick, Ingrid Superstar and Mary Woronov.

    #dvd #warhol #history #film #mediaart #portrait

  • Elève chercheur, enseignant médiateur
    http://charmeux.fr/blog/index.php?2013/05/01/218-eleve-chercheur-enseignant-mediateur

    Quand on aide, comme c’est mon cas, des étudiants à préparer un concours qui leur permettra d’enseigner, on est extrêmement inquiet de voir à quel point est ancrée dans les têtes l’idée qu’il suffit d’expliquer aux élèves ce qu’ils ont à apprendre pour qu’ils l’acquièrent, étant bien entendu que si cela ne fonctionne pas, ce ne peut être que mauvaise volonté de leur part et manque de motivation.
    Le livre de Britt-Mary Barth est tout entier au service de la démolition de cette idée, au profit d’une définition précise, argumentée et illustrée de ce qu’il convient de faire pour que les élèves apprennent. Sa réponse à l’interprétation habituelle de l’échec scolaire désarme le raisonnement connu : « J’ai fini par me demander si ce qu’on appelle motivation ne pouvait pas être vu comme la conséquence d’un apprentissage réussi, plutôt que comme une condition préalable ». Et elle ajoute : « construire la motivation au fil d’expériences qui permettraient aux élèves d’avoir confiance dans leurs capacités d’apprendre. »

    • Le summum de l’antipédagogie se trouve dans l’enseignement supérieur, avec ses légendaires enseignants-chercheurs qui passent sans transition du labo aux monologues dans les amphis, ou dans les classes prépa, une sorte de Koh Lanta pour les intellos. Résidu de l’élitisme républicain instituant la motivation comme condition préalable.

      Il s’agira d’ailleurs d’être honnête. L’enseignement élitiste n’est pas en fait une discipline visant à partager du savoir, mais à opérer une sélection sociale pour faire vivre une hiérarchie sur la seule base du potentiel intellectuel.
      Faire bouffer la théorie de la mécanique quantique à un étudiant qui sort de chez ses parents, c’est un peu comme vouloir apprendre l’anglais à un enfant qui ne sait pas encore bien lire en lui foutant entre les mains un pavé de Shakespeare, à traduire par ses propres moyens. C’est sûr ça opère la sélection, mais en terme de transmission du savoir, le rendement est catastrophique...

  • Google+ adds support for animated GIF profile pictures
    http://www.slashgear.com/google-adds-support-for-animated-gif-profile-pictures-25275254

    A quick search will show endless Facebook users seeking out ways to use animated GIFs as their profile picture, and while that social network still doesn’t allow it, Google+ has stepped forward to fill that void. As of today, users of Google’s social network can now set animated GIFs as their profile picture, which plays on the account’s …

    Source: SlashGear - Feeding Your Gadget and Tech Obsessions - Brittany Hillen

  • Elle se nourrit grâce à son #jardin planté dans son minuscule appartement de New-York ! | L’Humanosphère
    http://www.humanosphere.info/2011/12/elle-se-nourrit-grace-a-son-jardin-plante-dans-son-minuscule-appartem

    http://www.windowfarms.org/images/newprod-Abi-Opener580x930.jpg

    Britta Riley possède un petit appartement à New-York et un jour, se rendant compte de sa dépendance alimentaire, elle décide de mettre au point un jardin vertical.
    Avec ses amis, elle a développé – peu à peu – un système pour faire pousser des plantes dans de vieilles bouteilles en plastique… en les accrochant sur ses fenêtres… Avec le temps, le système s’est édulcoré. Ils ont vaqué à de nombreuses modifications jusqu’à obtenir des tomates cerises et des concombres…

    conférence #TED et sites internet sympas
    http://our.windowfarms.org
    http://rndiy.org

    #diy

  • La couverture, un objet culturel | Britt Sas (L’Atelier des icônes)
    http://culturevisuelle.org/icones/1818

    Ce travail commencera par établir les origines de la couverture, ainsi que sa fonction originelle. Puis nous nous intéresserons plus précisément aux fonctions et attributs des couvertures de livre dans le contexte socioculturel actuel, plus spécifiquement par rapport à l’avènement des e-books. (...)

  • New evidence about Amina, the "Gay Girl in Damascus" hoax | The Electronic Intifada
    http://electronicintifada.net/blog/ali-abunimah/new-evidence-about-amina-gay-girl-damascus-hoax

    The information presented below connects the “Amina” blogger to two people in real life: Thomas (Tom) J MacMaster and Britta Froelicher who are married to each other.

    Electronic Intifada ne digère pas non plus le hoax « Gay Girl in Damascus », et fournit ses conclusions.