person:david carr

Cinema Nova @cinema 21/08/2018

Death Race 2000
▻http://www.nova-cinema.org/prog/2018/167-pleinopenair/weekend-1/article/death-race-2000
http://www.nova-cinema.org/squelettes/img/plus.png
Paul Bartel, 1975, US, 35mm, VO ANG ST FR NL, 79’
Prenez un épisode des « Fous du volants » et « Rollerball », remplacez Satanas et Diabolo par Sylvester Stallone (dans l’un de ses premiers rôles) et David Carradine : vous obtenez cette perle de série B des années 1970. Comme la Rome Antique avait ses combats de gladiateurs, les Provinces-Unies d’Amérique ont la Grande Course Transcontinentale, une course automobile où l’on gagne des points en écrasant des piétons, avec des suppléments lorsqu’on percute femmes, enfants et personnes âgées. Dans cette société qui magnifie le chacun pour soi, la vitesse et la violence : « Si tu veux vaincre, tous les coups sont bons ! » Le plus salaud d’entre tous, celui qui part vainqueur, c’est Frankenstein. Joué par un Carradine en forme, (...)
http://www.nova-cinema.org/IMG/jpg/199081.jpg

Cinema Nova @cinema

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Africa’s a Country [RSS] @africasacountry 2/08/2017

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Hey VICE! Put some respeck on Nollywood’s name!
▻http://africasacountry.com/2017/08/hey-vice-put-some-respeck-on-nollywoods-name
Though VICE has, in some ways, improved its Africa coverage — see, for instance, its reporting on the political crises in the Central African Republic —it continues to offer some familiar, adventurist, Tarzanist tricks. Think of the infamous “cannibals”-in-Liberia episode, which prompted the late New York Times reporter David Carr to pillory VICE executives for their exoticizing methods. Those affiliated with VICE appear to have learned little from Carr’s blistering critique. Among the worst offenders is its correspondent Thomas Morton. Take VICE’s recent television segment on Nollywood — the second half of an…

Africa’s a Country [RSS] @africasacountry
- Fil @fil 3/08/2017
  
  #Nigeria #cinéma @elsa
  
  Fil @fil
- Reka @reka CC BY-NC-SA 3/08/2017
  
  Un petit cadeau pour celles et ceux qui e demande à quoi ressemblent les œuvres cinématographiques de Nollywood...
  ►https://www.dropbox.com/s/fa29putiqfojfso/noliwood.dat?dl=0
  
  Reka @reka CC BY-NC-SA
- CDB_77 @cdb_77 3/08/2017
  
  #Nollywood
  
  CDB_77 @cdb_77
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Vanderling @vanderling 16/03/2016

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JODOROWSKY’S DUNE
En 1975, le #producteur français Michel Seydoux propose à Alejandro #Jodorowsky une adaptation très ambitieuse de Dune au #cinéma. Ce dernier, déjà réalisateur des films cultes El Topo et La Montagne sacrée, accepte. Il rassemble alors ses « guerriers » artistiques, dont Jean Giraud (Moebius), Dan O’Bannon et Hans-Ruedi Giger qui vont être de toutes les aventures cinématographiques de #science-fiction de la fin du siècle (Star Wars, Alien, Blade runner etc.). Le casting réunit Mick Jagger, Orson Welles, Salvador Dali, David Carradine ou Amanda Lear, mais également son jeune fils Brontis Jodorowsky, Pink Floyd et Magma acceptent de signer la musique du film… L’équipe de production recherche 5 millions de dollars pour finaliser le budget et se heurte à la peur des studios hollywoodiens qui craignent le tempérament de Jodorowsky...
Les coulisses fascinantes d’un film-monument de la SF jamais tourné. A travers ce documentaire, Frank Pavich lui donne une existence presque tangible et prouve que de l’échec peut naître une belle leçon de philosophie sur l’art, la vie et l’ambition.
▻https://youtu.be/01cvnGEqYmA

▻https://www.franceculture.fr/cruiser-production/2016/03/6ec90905-33c2-4b7d-a5ff-1ec3cb239d44/x510_2.jpg.pagespeed.ic.33P4sysWAR.webp
▻http://www.franceculture.fr//emissions/ping-pong/jodorowsky-et-son-film-prophete-avec-brontis-jodorowsky-michel-seydoux
#hollywood

Vanderling @vanderling
- Fil @fil 16/03/2016
  
  oui !
  ▻http://seenthis.net/messages/287836
  @elsa a écrit un mémoire là-dessus :)
  
  Fil @fil
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filmsforaction [RSS] @filmsforaction 24/02/2015

War on Whistleblowers (2015) (ft. Edward Snowden & David Carr)
▻http://www.filmsforaction.org/watch/war-on-whistleblowers
War on Whistleblowers highlights recent cases where American government employees and contractors took to the media to expose fraud and abuse. In all cases the whistle-blowing was to the...
filmsforaction [RSS] @filmsforaction
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filmsforaction [RSS] @filmsforaction 24/02/2015

War on Whistleblowers (2015) (ft. Edward Snowden & David Carr)
▻http://www.filmsforaction.org/watch/war-on-whistleblowers-ft-edward-snowden-and-david-carr-2015-full-doc
War on Whistleblowers highlights recent cases where American government employees and contractors took to the media to expose fraud and abuse. In all cases the whistle-blowing was to the...
filmsforaction [RSS] @filmsforaction
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tbn @thibnton PUBLIC DOMAIN 27/10/2014

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Shane Smith, de #Vice : « Je passe la moitié de mon temps à faire des affaires et l’autre moitié à produire du contenu [un terme qu’il semble préférer au verbe « informer », ndlr]. (…) »
▻http://www.telerama.fr/medias/vice-ou-la-trajectoire-d-un-ovni-de-l-info,118342.php
#information ?
Dans le reportage sur le NYT ▻http://www.imdb.com/title/tt1787777, il y a une scène assez savoureuse où David Carr vient dans les locaux de Vice pour évoquer « an unlikely partnership between CNN and Vice magazine ». Passe d’armes (vers 16’40) où le pas-encore-si-fameux Shane (qui a encore la gueule de bois, semble-t-il) parle de ses reportages au Libéria sur le cannibalisme, en tant que « regular guy » reporting « insane shit » to a « young audience » :
- And “The New York Times” meanwhile is writing about surfing. I’m sitting there going, "You know what? I’m not going to talk about surfing. I’m going to talk about cannibalism because that fucks me up.
– Just a sec. Time out. Before you ever went there, we’ve had reporters there reporting on genocide after genocide. And just because you put on a fuckin’ safari helmet and went and looked at some poop doesn’t give you the right to insult what we do. So continue, continue.
– Sorry. I’m just saying that I’m not a journalist. I’m not there to report.
– Obviously. Go ahead.
– I’m sorry. I’m just talking about, you know, look what I saw there.
tbn @thibnton PUBLIC DOMAIN
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Reka @reka CC BY-NC-SA 27/08/2014

Mapping the point where art meets nature in Provincetown - News - Wicked Local Provincetown - Provincetown, MA
▻http://provincetown.wickedlocal.com/article/20140806/NEWS/140807896
Mark Adams — painter, printmaker and cartographer — is showing his newest piece, “Provincetown Quad,” in a group show with artists Amy Arbus, David Carrino, Richard Klein and Sarah Lutz at The Schoolhouse Gallery, 494 Commercial St., Provincetown. The show, which opens with a reception from 7 to 10 p.m. Friday, Aug. 8, runs through Aug. 27.
“Provincetown Quad” is a beautifully conceived map of the tip of Cape Cod. The 8-by-10-foot installation is created with 20 distinct cradled birch panels, each one 18-by-24 by 1.5 inches. Within the grid, Adams has placed two lithe swimmers at Long Point, a crazy group of crows in the middle of Provincetown, and plant studies. Each panel is part of a greater whole, but can also stand alone or work together within a smaller grouping of the grid. Made with acrylic and oil paints, ink and other materials, some of the individual images are highly representational, others are abstractions and still others are marks of the mapmaker.
#cartographie #art
- #Cartographer
- #painter
Reka @reka CC BY-NC-SA
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Articles repérés par Hervé Le Crosnier @hlc CC BY 21/08/2014

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View of #Ferguson Thrust Michael Brown Shooting to National Attention - NYTimes.com
▻http://www.nytimes.com/2014/08/18/business/media/view-of-ferguson-thrust-michael-brown-shooting-to-national-attention.html?s
But nothing much good was happening in Ferguson until it became a hashtag.
Article passionnant de David Carr sur le journalisme et twitter, à partir de l’xemple de Ferguson
Articles repérés par Hervé Le Crosnier @hlc CC BY
- Fil @fil 21/08/2014
  
  While much of mainstream media leaves communities of color unmoved — these are audiences that are underrepresented in terms of broadband access as well — Twitter is a place many black users rely on for information.
  
  Fil @fil
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Quad @ Tokyo @quad 22/06/2014

6月22日のツイート
▻http://twilog.org/ChikuwaQ/date-140622
http://img.twi-log.com/img-dir/r/rt-icon.gif
Outside the Box: David Carrier on the Legacy of Shaped Canvases / artcritical www.artcritical.com/2014/06/18/sha… posted at 20:00:05
Kubrick’s Total Cinema | A Piece of Monologue: Literature, Philosophy, Criticism www.apieceofmonologue.com/2014/06/kubric… posted at 19:30:07
What’s meow ? : tmblr.co/ZWXySyn5C6yQ posted at 19:00:11
RT @Elverojaguar: pic.twitter.com/kwbbaLSXt0 posted at 16:42:37
My Tweeted Times tweetedtimes.com/ChikuwaQ - top stories by RichardDawkins, therourke, catvincent posted at 12:00:03
Top story: Twitter / SaifRRahman: Pascal’s Wager pic.twitter.com/vhgSPHe3nq ▻http://t.co/LJtDI8TELx, see more tweetedtimes.com/ChikuwaQ
posted at 11:06:21
Papier is out! paper.li/ChikuwaQ/13277… Stories via @filmstudiesff @LuizSantosMusic @sz_duras posted at (...)
- #Twitter
- #RT
Quad @ Tokyo @quad
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hubertguillaud @hubertguillaud CC BY 25/03/2014

Les journalistes et leur trafic - NYTimes.com
▻http://mobile.nytimes.com/2014/03/24/business/media/risks-abound-as-reporters-play-in-traffic.html?smid=tw-share&_r=1&re
Le journaliste David Carr revient sur l’annonce par plusieurs journaux et plateformes d’information de payer leurs journalistes au clic. Le risque bien sûr, que les journalistes ne s’intéressent qu’au plus facile. L’accent mis sur la productivité et le nombre de pages vues fait oublier certainement trop rapidement les effets d’agrégation, de mise en avant et de masse qui se jouent en ligne. Tags : internetactu2net fing internetactu #media #journalisme
- #David Carr
hubertguillaud @hubertguillaud CC BY
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tbn @thibnton PUBLIC DOMAIN 16/07/2013

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Journalism, Even When It’s Tilted - NYTimes.com
By David Carr
June 30, 2013
▻http://www.nytimes.com/2013/07/01/business/media/journalism-is-still-at-work-even-when-its-practitioner-has-a-slant.html?pag
#Journaliste ou #militant ? | Courrier international
▻http://www.courrierinternational.com/article/2013/07/16/journaliste-ou-militant #whistleblower
Tous les militants ne sont pas journalistes, mais tous les vrais journalistes sont des militants. Il existe une valeur, un but propres au journalisme : servir de contre-pouvoir.”
tbn @thibnton PUBLIC DOMAIN
- tbn @thibnton PUBLIC DOMAIN 17/07/2013
  
  Journalism On Trial as #Bradley_Manning Case Nears Moment of Truth - The Daily Beast
  by Alexa O’Brien Jul 16, 2013
  ▻http://www.thedailybeast.com/articles/2013/07/16/journalism-on-trial-as-bradley-manning-case-nears-moment-of-truth.htm
  In a historic elocution in court last week, Prof. Yochai Benkler, co-director of the Berkman Center for Internet and Society at Harvard Law School, told Lind that “the cost of finding Pfc. Manning guilty of aiding the enemy would impose” too great a burden on the “willingness of people of good conscience but not infinite courage to come forward,” and “would severely undermine the way in which leak-based investigative journalism has worked in the tradition of [the] free press in the United States.”
  ▻https://pressfreedomfoundation.org/blog/2013/07/transcript-yochai-benkler-testifies-bradley-manning-trial
  “[I]f handing materials over to an organization that can be read by anyone with an internet connection, means that you are handing [it] over to the enemy—that essentially means that any leak to a media organization that can be read by any enemy anywhere in the world, becomes automatically aiding the enemy,” said Benkler. “[T]hat can’t possibly be the claim,” he added.
  Benkler testified that WikiLeaks was a new mode of digital journalism that fit into a distributed model of emergent newsgathering and dissemination in the Internet age, what he termed the “networked Fourth Estate.”
  Par ailleurs (#free_bradley) :
  “We were told [the impact of WikiLeaks revelations] was embarrassing but not damaging,” a congressional aide told Reuters.
  ▻http://www.huffingtonpost.com/2011/01/19/us-official-wikileaks-rev_n_810778.html
  
  tbn @thibnton PUBLIC DOMAIN
- tbn @thibnton PUBLIC DOMAIN 27/07/2013
  
  ▻http://seenthis.net/messages/160235
  ▻http://boingboing.net/2013/07/25/journalists-at-bradley-manning.html
  ▻http://www.nydailynews.com/opinion/truth-trial-press-armed-guard-article-1.1416500
  @carwinb Alexa O’Brien toujours, très énervée contre cette culture du #secret qui s’impose tranquillement.
  But perhaps most important was the absence of a public court record. That meant reporters unable to dedicate weeks or months to following the proceeding’s ins and outs had no way to cover or even properly assess it — even as military prosecutors appeared to try and craft a “State Secrets Act,” something Congress has never passed.
  For months last year, there was no media operations center for the first journalists covering the pretrial hearing, and we reported from the courtroom itself — where electronic devices were prohibited! Using pen and paper, I did my best to keep up with 120-word-a-minute recitations . It was 18 months after the legal proceedings began, 1,103 days into Manning’s confinement and three days after the trial began when the press and the public were allowed to read some of what was by then more than 30,000 pages of documents.
  
  tbn @thibnton PUBLIC DOMAIN
- tbn @thibnton PUBLIC DOMAIN 6/08/2013
  
  Pour les Congressmen and women non plus, ça n’a pas l’air facile :
  ▻http://www.theguardian.com/commentisfree/2013/aug/04/congress-nsa-denied-access
  Documents provided by two House members demonstrate how they are blocked from exercising any oversight over domestic surveillance
  
  tbn @thibnton PUBLIC DOMAIN
- tbn @thibnton PUBLIC DOMAIN 24/10/2013
  
  On the Record: Benkler on NSA, the Manning Trial, and the Future of Journalism | The Record
  ▻http://hlrecord.org/?p=19546
  
  tbn @thibnton PUBLIC DOMAIN
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Reka @reka CC BY-NC-SA 11/05/2013

The Sweet Spot: Everyone’s Nostalgia
▻http://www.nytimes.com/video/2013/05/10/arts/100000002218643/the-sweet-spot-everyones-nostalgia.html?nl=todaysheadlines&emc=edit_th_2013
The Sweet Spot: Everyone’s Nostalgia
May 10, 2013By Gabe Johnson
David Carr and A. O. Scott talk about how we’re permanently nostalgic for everything: music, clothing, our own lives, and now, the World Wide Web.
#internet #ordinateur #internet #nostalgie
Reka @reka CC BY-NC-SA
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Reka @reka CC BY-NC-SA 23/03/2013

The Sweet Spot | Binge Viewing
▻http://www.nytimes.com/video/2013/03/01/arts/100000002093901/the-sweet-spot-march-1-2013.html?nl=todaysheadlines&emc=edit_th_20130323
The Sweet Spot | Binge Viewing
March 1, 2013By Gabe Johnson
A. O. Scott and David Carr talk about Netflix’s “House of Cards” and other shows for “binge-viewing.” How do you watch TV?
Reka @reka CC BY-NC-SA
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Reka @reka CC BY-NC-SA 10/09/2012

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Innovation in Journalism Goes Begging for Support - NYTimes.com
Le journalisme manque de tout, y compris de lecteurs... Son bien le plus précieux : l’innovation.
►http://www.nytimes.com/2012/09/10/business/media/homicide-watch-web-site-venture-struggles-to-survive.html?nl=todaysheadline
By DAVID CARR
Published : September 9, 2012
Journalism has a shortage of many things: capital, advertisers and, in some instances, readers. But certainly its most precious commodity is innovation.
Again and again, the business struggles to get out of the rut that put it on a road to ruin in the first place. Consider the fate of the Web site Homicide Watch DC. When it popped up out of nowhere with a way of tracking every murder in Washington, it seemed likely that a big news organization would snap it up or that foundations would trip over themselves to shove money at them.
#journalisme #médias #internet #création #innovation #communication #presse #nyt

Reka @reka CC BY-NC-SA

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