person:dorothy

  • Zabou Breitman : « Dès que ça devient trop sérieux, j’ai toujours envie de déconner »
    https://www.lemonde.fr/culture/article/2019/05/26/zabou-breitman-des-que-ca-devient-trop-serieux-j-ai-toujours-envie-de-deconn

    Comédienne, réalisatrice, metteuse en scène, Zabou Breitman, 59 ans, multiplie les projets au théâtre et au cinéma. Son premier film d’animation, Les Hirondelles de Kaboul, d’après le roman de Yasmina Khadra, coréalisé avec Eléa Gobbé-Mévellec, vient d’être présenté au Festival de Cannes dans la sélection Un certain regard. Parallèlement, son spectacle enchanteur, Logiquimperturbabledufou, est actuellement repris au théâtre du Rond-Point. A la rentrée, Zabou Breitman mettra en scène La Dame de chez Maxim, de Feydeau, au Théâtre de la Porte Saint-Martin. Elle fait aussi partie des cinq candidats à la succession d’Irina Brook à la direction du Théâtre national de Nice.


    Je ne serais pas arrivée là si…

    Si je n’avais pas eu des parents si particuliers, si atypiques. Un papa très cultivé, issu d’une famille bourgeoise de médecins originaire de Russie, devenu comédien et scénariste. Une mère originaire du Québec, issue d’une famille pauvre de onze enfants, qui a eu une éducation catholique raide, dure, et avait un désir de se sauver, un désir de liberté. C’était une révoltée. Elle rêvait d’être comédienne, a été premier prix de conservatoire à Québec. Lui, après la guerre, avait envie de voyager. Il est parti au Canada, est tombé amoureux et s’est marié avec ma mère. Tous deux étaient en rébellion contre leur famille, ils se sont échappés. Et tous deux étaient très féministes. Mon père me disait tout le temps : « Je ne vois pas pourquoi tu ne pourrais pas faire les mêmes trucs qu’un garçon. » Grâce à lui, je sais fabriquer plein de choses et j’ai tout lu.

    Tout ?

    Tous les genres : de la science-fiction à la bande dessinée, de Gotlib, Hara Kiri, Charlie Hebdo à la comtesse de Ségur, Les Trois Mousquetaires, Jules Verne, Victor Hugo. Mon père me répétait : « Ce qui compte, ce n’est pas ce que tu lis, mais que tu lises. » Je ne serais pas arrivée là si je ne m’étais pas énormément ennuyée. On avait quitté Paris, je me suis retrouvée dans un prieuré du XIIIe siècle, enfant unique, avec personne. Alors je lisais beaucoup. J’ai tellement lu que je n’arrive plus à lire. Mes parents m’ont fabriquée de tout ce qu’ils étaient : lui plutôt Courteline, Feydeau, Hugo, Racine, Shakespeare, elle, plutôt Goldoni et Tchekhov.

    Lors de votre discours à la cérémonie des Molières en 2018, vous avez dit, en parlant de vos parents, que « le métier les avait abandonnés »…

    Parce que je ne serais pas arrivée là si, après le grand succès qu’ont connu mes parents avec le feuilleton télévisé Thierry la Fronde – écrit par mon père et dans lequel ma mère jouait le rôle de la compagne du héros –, il n’y avait pas eu leur échec. Oui, ils ont été abandonnés. Et cet échec a été fondamental dans ma construction.

    Que s’est-il passé ?

    En 1968, ils ont été extrêmement actifs. A tort ou à raison, ils étaient purs et durs. Ma mère suivait, un peu dans la soumission. Enfant, j’ai baigné dans l’engagement politique. Des organisations comme Secours rouge, Comité Gavroche… J’ai pleuré quand ma mère m’a annoncé que la Sorbonne avait été reprise. Cet élan était beau, mais, quand vous voyez vos parents détruits par ça et que, pour finir, parce qu’ils n’ont plus de travail, vous vous retrouvez à vivre dans un truc pas chauffé, il y a une désillusion. Ils ont lâché et ont été lâchés. Mais je n’en souffrais pas vraiment. Pourtant il y avait des Noëls où il n’y avait rien. J’étais plus triste pour eux que pour moi.

    Ces parents si particuliers, qu’est-ce qu’ils vous ont le plus appris ?

    Mon père me disait : « Ce qui compte, c’est l’histoire horizontale. Quand tu as une date, regarde ailleurs dans le monde à la même date ce qui s’est passé. C’est comme cela que tu comprendras l’histoire. » Ma mère, elle, était plus en retrait. Comme tous les gens qui ont été brimés dans leur enfance, elle ne se sentait pas légitime. Sa beauté était son garde-fou, son arme. Elle me parlait des femmes, lisait les romancières. Je ne me rendais pas compte qu’il fallait lutter, ça m’est apparu bien plus tard. Elle me disait régulièrement : « Tu as de la chance. » Et cela m’exaspérait. Mais oui bien sûr, j’ai de la chance d’avoir toujours été autorisée et libre. Mais je ne l’ai pas compris avant qu’elle meure dans la misère, détruite.

    Quelles étaient vos envies durant votre jeunesse, vous projetiez-vous dans un univers artistique ?

    Non, pas du tout. J’ai été une bonne élève jusqu’à 13 ans, puis j’ai lâché l’affaire. Je m’emmerdais lors des dissertations. Grâce à ma mère, qui gardait tout, j’en ai retrouvé une, dont le sujet était : « Partir, c’est mourir un peu. » A la fin de mon devoir, j’avais écrit une histoire drôle : au Moyen Age, on laissait les gens dans les cachots, on les torturait, et ces martyrs finissaient par mourir, se décomposer. Moralité : « Martyr, c’est pourrir un peu ! » Cela amusait mon père ! Ma mère, c’était plutôt : « Quand même, tu exagères. » Mais j’ai toujours aimé les histoires drôles. Parce que j’adore la disjonction. Dans tout ! La disjonction permet de jouer avec le lecteur ou le spectateur, elle suscite la connivence. Dès que ça devient trop sérieux, j’ai toujours envie de déconner. On a le droit, c’est l’esprit humain.

    Pourquoi être allée passer cette audition pour une émission pour enfants, « Récré A2 » ?

    Parce que je n’avais pas d’argent. J’étais en fac, il me fallait un petit boulot. Une dame qui avait participé à Thierry la Fronde et qui travaillait sur Antenne 2 a dit à mon père que Jacqueline Joubert (directrice de l’unité jeunesse) recrutait. Donc j’y suis allée. Le surnom de Zabou vient de Récré A2. Mes parents l’utilisaient souvent et comme il y avait déjà une Isabelle dans l’émission, on a opté pour Zabou, persuadés que cela plairait aux enfants. Je m’amusais beaucoup à écrire mes sketchs.

    C’est grâce à la télé que vous allez faire du cinéma ?

    Jacky, avec qui je travaillais dans Récré A2, était copain avec Ramon Pipin du groupe Odeurs. C’est lui qui m’a incité à passer l’audition du film Elle voit des nains partout ! (1982). Mais je ne me suis jamais dit que j’avais trouvé ma voie. Tout n’est qu’une succession de choses, tout le temps.

    Mais il y a eu quand même un moment capital, votre rencontre avec Roger Planchon. Ce rôle d’Angélique qu’il vous a donné dans « George Dandin », de Molière, a été, avez-vous dit, un « détonateur »…

    Je ne pense pas qu’il existe de détonateur. Il n’y a que des choses qui font écho. Ce que disait Planchon m’inspirait tellement ! Rétrospectivement, il a été capital. Planchon était venu me voir jouer La Vie à deux, de Dorothy Parker, adaptée par Agnès de Sacy. Après le spectacle, il me propose un rôle. Je lui dis : « Oui, mais c’est pour quoi ? » Il m’explique qu’il s’agit d’Angélique dans George Dandin. Je lui réponds : « Pardon, mais on peut tellement s’emmerder dans le classique, on ne comprend pas toujours ce qui s’y dit. » J’étais totalement inconsciente ! Il me sourit et réplique, la main sur le cœur : « Alors on va faire en sorte de ne pas s’emmerder. » Quelle classe ! Ensuite, j’allais à toutes les répétitions, même celles où je ne travaillais pas. Juste pour l’écouter. Quand je n’y arrivais pas, il me disait : « Ce n’est pas grave, ce n’est pas encore passé au cœur. Laisse faire. » Je comprends encore mieux aujourd’hui à quel point tout ce qu’il disait était fondamental.

    Isabelle Breitman, Zabou et finalement Zabou Breitman, pourquoi avez-vous décidé d’ajouter votre patronyme à votre nom de scène ?

    Mon père avait choisi Jean-Claude Deret, du nom de sa mère, ce que faisaient beaucoup d’acteurs à l’époque. Et puis, au sortir de la guerre, Jean-Claude Deret, cela faisait moins juif que Breitman. En 1983, alors que je tourne l’ineffable Gwendoline, de Just Jaeckin, je fais des photos sur le tournage, et, sur les conseils d’un ami, je les vends à France Soir magazine. Jean-Marie Cavada, alors responsable de Parafrance, le distributeur du film, m’appelle et m’explique qu’il y avait une exclusivité avec une agence photo. Catastrophée, je m’excuse mais il me dit à plusieurs reprises : « Vous avez fait ça pour l’argent. » Je réponds non et je sens un petit venin arriver. Il ajoute : « Ça ne m’étonne pas, c’est quoi votre vrai nom déjà ? » J’ai senti comme un poison dans le corps, j’ai eu mal au ventre. J’ai refusé direct d’être victime, j’ai repensé à mon grand-père paternel juif, mais profondément laïque. Jamais je ne m’étais vue juive, sauf ce jour-là. J’ai rétorqué : « Pardon ? ! » Il a poursuivi : « Je me comprends très bien. »

    Je ne voulais pas en parler. Cela a mis dix ans avant que je le raconte, lors d’une interview, à André Asséo. Quand l’article est paru, Cavada a fait un scandale, des démentis. Je m’en fous. Je sais ce qui s’est passé, ce qui s’est dit très exactement. Et j’ai repris mon nom : Zabou Breitman. Cela a été un acte volontaire, la décision la plus forte que j’ai prise. La première fois que j’ai vu mon nom écrit entièrement sur une affiche a été pour La Jeune Fille et la mort, d’Ariel Dormant.

    Votre carrière est très éclectique, il est difficile de vous ranger dans une case. Est-ce assumé ?

    C’est assumé et involontaire. J’aime faire plein de choses, je n’y peux rien. Au lieu de rester à « ce serait bien de faire ça », je le fais ! Je suis toujours partante et fonctionne beaucoup à l’instinct. Pourquoi ne ferions-nous pas ce qu’on a envie de faire ? Mais le syndrome de la bonne élève, rendre un beau truc, reste très fort. Je lutte et travaille pour y arriver. Je suis bordélique dans ma vie mais obsessionnelle dans le travail.

    « Des gens », « Se souvenir des belles choses », « Logiquimperturbabledufou », d’où vous vient votre attirance pour ces histoires aux êtres fragiles, empêchés ?

    C’est peut-être dû au rythme de ma vie. J’ai eu une enfance extraordinaire, puis la fracture épouvantable vécue par mes parents a sans doute laissé des traces. Par exemple, ce qui me rend dingue, c’est l’approximation dans l’exécution, que les gens ne soient pas extrêmement appliqués à faire bien quelque chose. Parce qu’à ce moment-là on est dans le cynisme, dans l’absence de l’être humain. Pourquoi s’appliquer autant alors qu’on va tous crever ? Mais parce que, précisément, on peut le faire. Le gâchis me lamine. Au « bon, ben, tant pis », je réponds tout le temps, « non, tant pis pas ». J’adore me dire « si, c’est possible » et me battre pour faire les choses.

    Votre premier film en tant que réalisatrice, « Se souvenir des belles choses », vous l’avez écrit avec votre père et avez obtenu le César de la meilleure première œuvre…

    Avec mon père, on a toujours écrit ensemble. Mais quand j’ai reçu le César, je ne l’ai même pas nommé, même pas remercié. Je m’en suis voulu. J’en suis encore malade. Peut-être est-ce parce qu’il disait souvent « Ah, tu es bien ma fille », comme si je ne faisais rien par moi-même. Peut-être ai-je voulu lui mettre une petite pâtée, lui rendre la monnaie de sa pièce !

    En 2012, vous bousculez, avec Laurent Lafitte, l’antenne de France Inter avec l’émission parodique sur la santé « A votre écoute, coûte que coûte ».

    Avec Laurent, on a fait Des Gens, pièce tirée de deux documentaires de Raymond Depardon. Je l’avais repéré lors d’un tournage avec Gilles Lellouche. Il avait beau avoir un tout petit rôle, je me disais : « Mais il est dingue cet acteur ! » Puis il a fait son one-man-show extraordinaire, Laurent Lafitte, comme son nom l’indique. On est devenus très amis et un jour, Philippe Val, alors directeur de France Inter, voit son spectacle et lui propose une carte blanche. Mais Laurent avait une idée autour d’une émission de service et me la propose. Nous avons commencé à écrire. On s’est tout permis ! On a tellement ri ! Le standard a explosé plusieurs fois !

    Avez-vous toujours ce besoin de mener un projet ?

    Oui, absolument. Mon père disait toujours : « Si on n’a pas de projet, on meurt. » A chaque projet, je pense très fort à lui. Particulièrement pour Logiquimperturbabledufou, il aurait adoré.

    Que ce soit contre l’homophobie ou contre les violences conjugales, vous n’hésitez pas à vous engager. Qu’est-ce qui vous pousse ?

    Quand j’étais petite, mon père m’expliquait : « Tu noteras toujours que la xénophobie, l’antisémitisme, l’homophobie et la misogynie ont les mêmes ressorts d’intolérance. » Cela m’a marquée. Si je peux faire quelque chose, il faut être là. Mais à cause de ce que j’ai vécu enfant, confrontée à la politique beaucoup trop jeune, j’aborde les choses différemment. L’engagement c’est aussi jouer, faire un film. Tout compte, tout est politique. L’engagement, c’est une attitude générale.

  • Dorothy Garrod (1892 –1968), archéologue, pionnière du paléolithique


    Dorothy Garrod, c.1913. Photograph by Newnham College, Cambridge

    https://www.strangescience.net/garrod.htm

    Praise has been heaped upon paleoanthropologist Lee Berger for hiring a number of women for crucial roles in the excavation of Homo naledi in South Africa, but archaeologist Dorothy Garrod beat him to that gender-equalizing trick by several decades. Starting in 1929, she oversaw excavations at Mount Carmel, Palestine, and hired many local women to do the fieldwork. She appreciated their work, as well as the fact that their wages helped support their families. In 1996, Mary Kitson Clark, the last of those women still living, then aged 92, remembered Garrod as “small, dark, alive!”
    Garrod was born in England in 1892. In the First World War, her father, Sir Archibald Garrod, was stationed in Malta as the director of war hospitals. Dorothy Garrod spent time in Malta after the Great War, and developed in interest in archaeology. By that time, she had already earned a history degree from Newnham College, Cambridge. Returning to England from Malta, she enrolled at Oxford to study archaeology. She had lost three brothers in WWI, and she wanted to continue her family’s long legacy in academic achievement. After graduating from Oxford, she went on to work with the Abbé Breuil at the Institut de Paleontologié Humaine, Paris. At that time, France was perhaps the epicenter of prehistoric archaeology; archaeologists classified ancient artifacts based on a system devised by 19th-century archaeologist Gabriel de Mortillet. Breuil began to revise Mortillet’s system, and Garrod continued Breuil’s work.
    Breuil and Garrod ranked among the first archaeologists to think globally about human prehistory. That might not sound like much of a breakthrough today, but consider the times. Garrod began working with Breuil in the early 1920s. Anthropologists and paleontologists still believed Piltdown Man to be a valid human ancestor. Eugène Dubois had discovered Java Man (the first recognized specimen of Homo erectus) in the late 19th century, but for a variety of reasons (including Dubois’s own prickly personality), the find hadn’t enjoyed widespread acceptance. Charles Darwin had surmised that early humans arose in Africa, but his astute prediction wasn’t very popular among early-20th-century anthropologists. So after Raymond Dart described Australopithecus africanus in 1925, he had to wait decades for the fossil to be accepted as a human ancestor. In an age of widespread prejudice and eugenic enthusiasms, many Europeans eschewed ancestors outside Europe. For Garrod to excavate elsewhere was an innovation. And excavate elsewhere she did.
    Between 1923 and 1963, Garrod conducted archaeological digs in France, Britain, Gibraltar, Bulgaria, Lebanon, Palestine and Iraq. On Gibraltar, she excavated Neanderthal sites, including a child she nicknamed Abel. Perhaps her most important fieldwork occurred at Mount Carmel, Palestine. Fieldwork there picked up speed ahead of the construction of Haifa Harbor as archaeologists feared that the site would be quarried right out of the harbor’s way. In a Mount Carmel cave named Skhul, she found apparent remains of at least 10 modern Homo sapiens; in a nearby cave named Tabun, she found remains of at least two people with Neanderthal characteristics. She studied and classified some 92,000 artifacts from Mount Carmel, and the sites she oversaw there eventually yielded a nearly continuous succession from the Old Stone Age to the Middle Stone Age.

    https://www.prm.ox.ac.uk/event/a-pioneer-of-prehistory
    https://musee-archeologienationale.fr/objet/dorothy-annie-elizabeth-garrod
    https://dianabuja.wordpress.com/2012/06/16/the-groundbreaking-female-archaeologist

    #Dorothy_Garrod #archéologie

  • Les films de Carole Roussopoulos disponibles sur le site de la Médiathèque Valais - Martigny

    Le F.H.A.R., 1971
    http://xml.memovs.ch/f0199a-002.xml

    Manifestation du Front Homosexuel d’Action Révolutionnaire
    Discours d’une militante sur l’homosexualité (mythique)
    Discours de Guy Hocquenghem sur les rôles sexuels et les relations de pouvoir
    Témoignage de militants
    Evocation des débats sur les homosexuels et l’élite (Cocteau, Marais, Gide...)
    Accusation contre les homosexuels et condamnation ; discrimination ; le journal « Tout »

    Gabrielle Nanchen, 1972
    http://xml.memovs.ch/f0199a-003.xml

    Témoignage de paysans sur le vote des femmes
    Fonctionnement du gouvernement suisse
    Témoignage d’un paysan sur l’élection de Gabrielle Nanchen
    Intérêt pour la politique, parcours professionnel
    Interview de la belle-mère de Gabrielle Nanchen
    Inscription au parti socialiste valaisan, Mai 1968
    Témoignage d’un paysan
    Définition du socialisme, importance de la religion
    Témoignage d’un ecclésiastique et d’une étudiante
    Technique pour transmettre les idées politiques
    Témoignage contre le vote des femmes
    L’électorat, réaction des gens

    Y a qu’à pas baiser, 1973
    http://xml.memovs.ch/f0199a-004.xml

    Générique et publicité
    Journal télévisé I.N.F. 2 consacré à l’avortement : interview du professeur Jérôme Lejeune
    Manifestation pour le droit à l’avortement et témoignage de passants
    Rapports sexuels entre femmes et hommes et plaisir dans la relation
    Avortement selon la méthode karman en temps réel
    Reprise de la manifestation

    Les prostituées de Lyon parlent, 1975
    http://xml.memovs.ch/f0199a-012.xml

    Revendications des prostituées à l’Eglise de Saint-Nizier
    Retransmission des débats à l’extérieur de l’église
    Témoignages de femmes : vie de femmes, de famille et professionnelle, proxénétisme

    La marche du retour des femmes à Chypre, 1975
    http://xml.memovs.ch/f0199a-011.xml

    Camps de réfugiés
    Marche pacifiste
    Discours sur l’application de la résolution de l’ONU ordonnant à la Turquie de permettre le retour des Chypriotes grecs
    Distribution de vêtements et de nourriture
    Témoignages de réfugiées chypriotes
    Discours
    Habitations et conditions de vie rudimentaires des réfugiés, témoignages ; viol des femmes
    Marche pacifiste
    Arrivée et mot de bienvenue du commandant militaire de la section des Nations Unies
    Témoignage

    S.C.U.M. Manifesto, 1976
    http://xml.memovs.ch/f0199a-015.xml

    Lecture du S.C.U.M Manifesto, un texte de Valérie Solanas (1967), par la comédienne Delphine Seyrig
    Manifestation pacifiste de femmes catholiques et protestantes en Irlande contre la guerre
    Reprise de la lecture
    Violence policière en Argentine, manifestation des femmes à Belfast

    Maso et Miso vont en bateau, 1976
    Cinéastes : Carole Roussopoulos, Ioana Wieder, Delphine Seyrig et Nadja Ringart.

    Mythique film de 55’ sur lequel on peut tout savoir grâce à @volt :

    Images de la culture : Maso et Miso vont en bateau
    https://imagesdelaculture.cnc.fr/-/maso-et-miso-vont-en-bateau

    Bernard Pivot invite Françoise Giroud, alors première secrétaire d’Etat à la condition féminine, pour une émission gentiment misogyne : Encore un jour et l’année de la femme, ouf ! c’est fini. Le collectif les Insoumuses recycle l’émission par des interventions pleines d’humour et en fait « la preuve officielle que le secrétariat d’Etat à la condition féminine est une mystification ».

    Des cartons donnent les réponses que Françoise Giroud aurait dû donner ; une interview de Simone de Beauvoir contredit ses propos ; les arrêts sur image soulignent son inaptitude. « Notre propos est de montrer qu’aucune femme ne peut représenter toutes les autres femmes au sein d’un gouvernement patriarcal, quel qu’il soit. Elle ne peut qu’incarner la condition féminine oscillant entre la nécessité de plaire (féminisation-maso) et le désir d’accéder au pouvoir (masculinisation-miso). Quant aux réformes proposées par Françoise Giroud, elles peuvent être proposées directement par les ministères concernés (travail, justice, santé...). Aucune image de la télévision ne veut ou ne peut nous refléter, c’est avec la vidéo que nous nous raconterons. » Une des premières vidéo scratch en France, une vidéo mythique.

    (Nathalie Magnan)

    http://xml.memovs.ch/f0199a-016.xml

    Lip : Monique et Christiane, 1976 (autre film absolument mythique)
    http://xml.memovs.ch/f0199a-017.xml

    Conditions féminines chez Lip ; manifestations des inégalités de genre dans l’organisation syndicale et la prise de parole
    Peur de l’expression chez les femmes ; comité d’organisation (1976)
    Situation des femmes par rapport aux hommes, importance, rôle et préjugés sur les femmes (1976)
    Extrait d’une assemblée générale
    Compte-rendu de l’intervention de Christiane à l’assemblée générale
    Journées portes ouvertes de Lip, lettre sur la condition des femmes
    Stands tenus par les femmes, réaction des hommes
    Invité :
    Suite du compte-rendu de l’assemblée générale ; question du partage du droit d’expression et des tâches
    Invité :
    Vie au chômage

    Le viol : Annie, Corine, Annie, Brigitte, Josyane, Monique et les autres..., 1978
    http://xml.memovs.ch/f0199a-020.xml

    Lecture de coupures de presse
    Correspondance entre Anne et Corinne
    Discussion entre Corinne et Anne
    Emission débat « Les dossiers de l’écran » avec Anne pour invitée
    Discussion entre Corinne et Anne
    Ecoute de l’émission radiophonique d’Etienne Lalou et Igor Barrère sur le viol, témoignage de Brigitte
    Discussion entre Corinne et Anne
    Discussion avec les trois avocates, Monique Antoine, Colette Auger et Josyane Moutet sur la justice et la répression
    Discussion entre Corinne et Anne
    Emission débat « Les dossiers de l’écran » avec Anne pour invitée
    Discussion entre Corinne et Anne
    Discussion avec les trois avocates, Monique Antoine, Colette Auger et Josyane Moutet sur la justice et la répression

    Ça bouge à Vendôme, 1982
    http://xml.memovs.ch/f0199b-003.xml

    Déroulement de l’enquête sur la femme en 1982 et bilan des réponses
    Association pour une école non sexiste
    Opinion des intervenantes sur la parité

    Ça bouge à Mondoubleau, 1982
    http://xml.memovs.ch/f0199b-002.xml

    Explication de l’enquête réalisée sur la différence des rôles masculins et féminins
    Débats entre les élèves et leur professeure sur l’enquête

    Flo Kennedy, 1982
    http://xml.memovs.ch/f0199b-004.xml

    Waiting and discussion between Margo Jefferson and Ti-Grace Atkinson until arriving of Flo Kennedy
    Flo Kennedy’s family and her life course
    Feminist movement
    Feeling about oppression
    Dressing
    Freedom of women
    Friendly discussion with Margo Jefferson and Ti-Grace Atkinson

    Profession : agricultrice, 1982
    http://xml.memovs.ch/f0199b-005b.xml

    Témoignage de Marie-Cécile Jacquet et Marie-Louise Navet sur leur travail et leur statut
    Marie-Cécile Jacquet déléguée du canton de Rocroi pour la commission féminine
    Témoignage de Roseline Dupont et Martine Guillet sur leur travail et leur statut
    Témoignage d’agricultrices de l’Association Féminine de Développement Agricole (AFDA)
    Discours de la porte-parole de l’AFDA

    Femmes immigrées de Gennevilliers, 1984
    http://xml.memovs.ch/f0199b-013.xml

    Information auprès de la population arabe de la création de l’Association de femmes arabes immigrées en France
    Témoignage
    Animation d’une émission radiophonique par des femmes arabes immigrées, régularisation des situations
    Témoignage de femmes marocaines
    Emission radiophonique à radio Gennevilliers
    Générique

    La mort n’a pas voulu de moi, 1984
    http://xml.memovs.ch/f0199b-014.xml

    Travail avec Werner Herzog
    Lecture du commentaire du film « Fata Morgana »
    Lecture de poème de Verlaine « Gaspard Hauser chante »
    Extrait de « Nosferatu » de F.W. Murnau (1922)
    Parcours de vie
    Extrait de « The Diary Of The Lost Girl » de Pabst, anecdote sur le tournage
    Extrait de « Tabou » de F.W. Murnau, critique du film
    Ascension et prise de pouvoir d’Adolf Hitler
    Fuite à Paris, sauvetage de films muets allemands
    Emprunt du nom Escoffier en référence à Mérimée
    Conservation cachée de films à Figeac, dont « le dictateur de Chaplin »
    Travail avec Henri Langlois
    Générique

    Pionnières et dictionnaires du cinéma : 1900 - 1960, 1984
    http://xml.memovs.ch/f0199b-010.xml

    Dorothy Arzner
    Jacqueline Audry
    Muriel Box
    Esther Schub
    Germaine Dulac
    Marion Frances
    Alice Guy Blaché
    Théa von Harbou
    Ida Lupino
    Elvira Notari
    Lotte Reiniger
    Leni Riefenstahl
    Schlesinger dite Leontine Sagan
    Agnès Varda
    Nicole Vedrès
    Margot Benaceref ; Valentina Broumberg ; Wanda Jakubowska ; Ruth Orkin ; Olga Preobrajiuska ; Wendy Toy ; Hermina Tyrlova
    Générique

    Les travailleuses de la mer, 1985
    http://xml.memovs.ch/f0199b-020.xml

    Présentation du port de pêche
    Témoignage de femmes fileteuses
    Témoignage des ouvrières de la nuit (trieuses)

    L’inceste : la conspiration des oreilles bouchées, 1988
    http://xml.memovs.ch/f0199b-028.xml

    Témoignage de Monique sur le viol commis par son grand-père ; lecture de textes ; articles de presse
    Permanence viols, femmes, informations
    Témoignage de Claudine sur son père incestueux
    Rôle et réaction de mère
    Témoignage d’Anne
    Témoignage d’Emmanuelle et Elisabeth
    Perception et ressenti lors d’abus sexuel
    Réaction de l’entourage : médecin, famille, instituteur, ami
    Soutien médical
    Parler, partager, dénoncer

    Debout !, 1999
    http://xml.memovs.ch/f0199c-021.xml

    Découverte du féminisme ; influence, lutte
    Création de Féminin Masculin Avenir (FMA) et du Mouvement de Libération des Femmes (MLF)
    Découverte et début du féminisme ; front des bonnes femmes, première revendication
    Naissance des groupes du Mouvement de Libération des Femmes (MLF, Emencipi)
    Racisme militant ; rapport au militarisme ; conscience sociologique des groupes
    Libération des femmes ; définition du mouvement
    Grève des femmes à Troyes (1971) : lutte solidaire
    Avortement ; manifestation féministe
    Relations entre homosexuels et hétérosexuels ; Front Homosexuel d’Action Révolutionnaire
    Groupe de conscience ; Le Torchon Brûle (journal) ; rôle de la presse ; droit de vote
    Féminisme chez les jeunes ; mère célibataire ; congrès ; estime de soi
    Grève, manifestation et revendication du Mouvement de Libération des Femmes (MLF)
    Lutte pour l’avortement ; anti-congrès de l’année de la femme (1975) ; mouvement « oui » à la vie
    Mysogisme ; reconnaissance du viol en tant que crime
    Centre pour les femmes ; changements engendrés par le Mouvement de Libération des Femmes (MLF)
    Réafirmation du droit de la femme : avortement, contraception ; grève des femmes

  • 21 Books You Don’t Have to Read | GQ
    https://www.gq.com/story/21-books-you-dont-have-to-read

    C’est bone liste pour la Californie. Et pour la France, l’talie, le Sénégal, le Cameroun, le Congo, l’Égyte, la Russie, l’Inde et la Chine ? Et pour l’Allemagne ?
    Une fois ces listes réunis je me prends un an de vacances avec des amis et on se traduit et s’explique mutuellement le pour et le contre des livres.
    On commence là sur #Seenthis ?

    We’ve been told all our lives that we can only call ourselves well-read once we’ve read the Great Books. We tried. We got halfway through Infinite Jest and halfway through the SparkNotes on Finnegans Wake. But a few pages into Bleak House, we realized that not all the Great Books have aged well. Some are racist and some are sexist, but most are just really, really boring. So we—and a group of un-boring writers—give you permission to strike these books from the canon. Here’s what you should read instead.
    ...

    1. Lonesome Dove by Larry McMurtry
    Instead: The Mountain Lion by Jean Stafford

    2. The Catcher in the Rye by J. D. Salinger
    Instead: Olivia: A Novel by Dorothy Strachey

    3. Goodbye to All That by Robert Graves
    Instead: Dispatches by Michael Herr

    4. The Old Man and the Sea by Ernest Hemingway
    Instead: The Summer Book by Tove Jansson

    5. The Alchemist by Paulo Coelho
    Instead: Near to the Wild Heart by Clarice Lispector

    6. A Farewell to Arms by Ernest Hemingway
    Instead: The Great Fire by Shirley Hazzard

    7. Blood Meridian by Cormac McCarthy
    Instead: The Sisters Brothers by Patrick deWitt

    8. John Adams by David McCullough
    Instead: Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President by Candice Millard

    9 & 10. Adventures of Huckleberry Finn by Mark Twain
    Instead: Narrative of the Life of Frederick Douglass, an American Slave by Fredrick Douglass
    Instead: The Adventures and Misadventures of Maqroll by Alvaro Mutis

    11. The Ambassadors by Henry James
    Instead: The Rise and Fall of the Third Reich by William L. Shirer

    12. The Bible
    Instead: The Notebook by Agota Kristof

    13. Franny and Zooey by J. D. Salinger
    Instead: Death Comes for the Archbishop by Willa Cather

    14. The Lord of the Rings by J. R. R. Tolkien
    Instead: Earthsea Series by Ursula K. Le Guin

    15. Dracula by Bram Stoker
    Instead: Angels by Denis Johnson

    16. Catch-22 by Joseph Heller
    Instead: The American Granddaughter by Inaam Kachachi

    17. Life by Keith Richards
    Instead: The Worst Journey in the World by Apsley Cherry-Garrard

    18. Freedom by Jonathan Franzen
    Instead: Too Loud a Solitude by Bohumil Hrabal

    19. Gravity’s Rainbow by Thomas Pynchon
    Instead: Inherent Vice by Thomas Pynchon

    20. Slaughterhouse-Five by Kurt Vonnegut
    Instead: Veronica by Mary Gaitskill

    21. Gulliver’s Travels by Jonathan Swift
    Instead: The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne

    #USA #littérature #société

  • Islam’s New ‘Native Informants’ | by Nesrine Malik | NYR Daily | The New York Review of Books

    https://www.nybooks.com/daily/2018/06/07/islams-new-native-informants

    Returning from Lebanon and Egypt in 2003, Edward Said wrote an angry dispatch in the London Review of Books on how the Iraq War as reported on Arabic TV channels portrayed a different conflict from the one reported by the American media, in which journalists were “as lost as the English-speaking soldiers they have been living with.” He argued that the stream of Western commentary “has obscured the negligence of the military and policy experts who planned it and now justify it.” The misguided belief that the Iraqis would welcome the Americans with glee after a period of aerial bombardment, a fundamental flaw in the planning of the military mission, he pinned squarely on the out-of-touch exiled Iraqi opposition and the two Middle East experts who, at the time, held the most sway over US foreign policy in the region: Bernard Lewis and Fouad Ajami.

    Said dismissed Bernard Lewis as an Orientalist, a generalist, and an ideologue. But the Lebanese-born Fouad Ajami was damned in fewer words: he was a “native informant.” By that was meant one who deploys “we,” Said wrote, “as an imperial collectivity which, along with Israel, never does anything wrong. Arabs are to blame for everything and therefore deserve ‘our’ contempt and hostility.” In a profile of Ajami written for The Nation that appeared at almost the same time, Adam Shatz observed that Ajami’s failure to predict the Saudi conveyor-belt of radicalization that brought about 9/11 (so focused was he on “the menace of Saddam and the treachery of Arafat) still had not dented his Middle East expert credentials as far as the US media were concerned. “America was going to war with Muslims,” Shatz wrote, “and a trusted native informant was needed.”

    Fifteen calamitous years later, the scorn that the late Ajami received at the time has been vindicated. But the term “native informant” has become a troubling one. As a derogatory description of an indigenous person considered a collaborator with the colonial or invading power, it sits too closely for comfort to slurs such as “house slave” and its derivatives. In the discipline of postcolonial studies, “native informant” was once useful in understanding the way certain cultural brokers from former colonies could benefit from helping more powerful Western authorities objectify their people. In an essay on the Lebanese-American academic Evelyne Accad, the scholar Dorothy Figueira described native informants as “disciplinary gatekeepers providing an authoritative version of history for the upper classes (reformers or nationalists), and the West.” But in a world where these “authoritative versions” are not simply academic, but can also be the ideological underpinnings of military aggression, the native informant’s role is that of enabler.

  • Deep Green: The 1970 concert that launched Greenpeace | Greenpeace International
    http://www.greenpeace.org/archive-international/en/about/deep-green/deep-green-jan-2010
    http://www.greenpeace.org

    In 1969, a United States plan to conduct nuclear bomb tests on Amchitka Island in the Aleutian archipelago ignited the movement in Canada that would become Greenpeace.

    Irving and Dorothy Stowe were American Quakers, who left the US in protest of its military policies, and arrived in Canada, in 1966, with their children Robert and Barbara. The Stowe home became a nexus of action to protest the US nuclear tests. Their Quaker friends Marie and Jim Bohlen first proposed the idea to sail a boat into the test zone. Canadian journalists Bob Hunter and Ben and Dorothy Metcalfe lent media experience, and the small group swelled with volunteers.

    Hunter wrote a newspaper column about the danger of a tsunami from the bomb tests, which provided the group with its first name: The Don’t Make a Wave Committee. Twenty-two year-old Bill Darnell, who organised an ’Ecology Caravan’ in Canada, inspired the name that has endured for four decades. After a meeting, when Irving Stowe said “Peace,” Darnell responded with “Make it a green peace,” and the name stuck.

    The group raised money with tin cans in corner grocery stores, and 25 cent ’Greenpeace’ buttons, but had not raised nearly enough to charter a boat and sail 6,000 kilometres across the Gulf of Alaska. Irving Stowe, a lover of music, decided to stage a rock concert.

    He wrote to activist musicians Joan Baez, Phil Ochs, and others. Ochs and the popular Canadian band Chilliwack agreed to appear. Baez could not attend, but sent a $1000 check and connected Stowe with Joni Mitchell, who agreed to perform and brought her friend James Taylor. Stowe booked Vancouver’s Pacific Coliseum for the event on16 October, 1970. Sound engineer Dave Zeffertt, recorded the concert on quarter-inch tape, and gave a copy to Stowe for his personal use only: it is a testament to Irving Stowe’s integrity that this historic recording never leaked out as a bootleg.

    #écologie #politique #histoire #greenpeace

  • Sharon Wood, Johnie, Dan Stevenson, Yvette Horton, Stormy Daniels (dont j’ai entendu parler), Fred Roberts Kare Ramirez, Marian Turner, Lucille, Frederik McDaniel, Amanda Lewis, Jackie Patrick, Brandon, Kimberly K, Dorothy Mills, Santiago Adkins, Phyllis Collins, Elois Sims, m’ont écrit cette nuit, pour me dire qu’en une semaine je pouvais faire repousser mes cheveux, que je pourrais ne plus avoir de problème d’érection (traitement en un jour), que le contenu de ce qui suit est explicite et donc réservé aux hommes de plus de trente ans seulement (c’est Stormy qui parle), qu’il existe un remède secret en deux minutes contre la chute des cheveux (confirmé par des études), que grâce à ce truc toutes mes verrues pourraient disparaître, et que grâce à cet autre truc toutes mes verrues ET tous mes boutons pourraient disparaître rapidement (ce serait donc plus avantageux que le remède contre les verrues seulement, en revanche je n’ai ni verrues ni boutons, seulement des problèmes d’érection classique à mon âge et une calvitie conquérante, ce qui est également de mon âge, je vais donc pouvoir supprimer ces deux pourriels), et que Lucille a retrouvé ses cheveux en démarrant ce traitement révolutionnare le 15 avril dernier (nous sommes le 11 mai), qu’il existe un truc en cinq minutes pour retrouver ses cheveux ce week-end (nous sommes vendredi), que je pourrais ne plus avoir de problèmes d’érection avec ce remède en une seule journée (c’est tentant), que cet été je pourrais me débarrasser de toutes ces verrues honteuses, que je pourrais bander et rester ithyphallique pendant des heures (ça me tente déjà un peu moins le priapisme), qu’il vaut mieux prendre ceci plutôt que du Viagra, qu’une association de cardiaques a identifié trois signes immanquables d’une attaque éminente, que grâce à ceci, décidément, finies les verrues, que cette nouvelle recette lui en a fait perdre vingt (je pense que ce sont des livres et non des pierres, mais on ne sait jamais) et qu’une association médicale a trouvé le remède définitif à l’obésité et que j’ai l’air d’un porc et que je devrais essayer cette recette plutôt.

    #les_poètes_du_spam

  • The Selfless Servant Leadership of the African-American Women of the Civil-Rights Movement | The Nation
    https://www.thenation.com/article/the-selfless-servant-leadership-of-the-african-american-women-of-the-civi

    During the civil-rights movement, African Americans led the fight to free this country from the vestiges of slavery and Jim Crow. Though they all too often were—and remain—invisible to the public, African-American women played significant roles at all levels of the movement. Some led causes and organizations, such as Dorothy Height, the president of the Delta Sigma Theta Sorority and the National Council of Negro Women.

    #états-unis #racisme #droits_civiques #droit_des_femmes #droits_humains

  • How the “Heart Balm Racket” Convinced America That Women Were Up to No Good | History | Smithsonian
    https://www.smithsonianmag.com/history/how-heart-balm-racket-convinced-america-women-were-no-good-180968144

    By Tori Telfer
    smithsonian.com
    February 13, 2018

    She was 27, with a “winning smile” and a penchant for hanging around ocean liners. He was 45, a widower with an 18-year-old daughter, and they were sailing to Europe for the summer. The two girls became fast friends and spent a delightful trip together, innocent as could be.

    But all along, this “Siren on Ocean Liner”—as the Washington Post called her—was plotting. After traveling through Europe with the family, the woman, also referred to as Myrtle MaGee by the papers, visited them back in the States (where she secretly destroyed all the letters she’d written to the widower’s daughter, effectively erasing the platonic nature of her relationship to the family). She then blithely launched a lawsuit against the widower, claiming that he had promised to marry her and was now trying to back out of it.

    This case, reported breathlessly by the Washington Post in 1915, was not an isolated incident. In fact, it was only one in a long line of scandalous, seedy, and over-reported cases in which unscrupulous women tried to blackmail wealthy men out of large sums of money, helped along by a weird little piece of legislation that allowed people to sue their exes after a broken engagement. These ladies were “gold-diggers,” “schemers” and “adventuresses,” and what they were doing, the papers crowed, was nothing short of a racket.

    The legislation in question was something called the “breach of promise” or “heart balm” suit, and it was based on the premise that an engagement was a binding contract between two people. If one person were to break off the contract without consulting the other, the law could step in and award damages to the brokenhearted party.

    Granted, no one was terribly happy about these laws in the first place—feminists thought they made women look dependent, while misogynists thought they allowed women to tap into their naturally devious natures—but as controversial, high-profile breach of promise suits kept making the papers, the public grew increasingly paranoid about the implications of such legislation. By 1935, the paranoia had grown so extreme that lawmakers were calling for a wholesale elimination of heart balm laws, and soon enough states were abolishing them right and left—abolishing them so quickly, in fact, that the constitutionality of some of the reform statues was later called into question. Still, the message had been made clear: it was no longer possible to sue over a shattered heart, real or false.

    The idea that people should be punished for trying to back out of an engagement was nothing new in 1935. For centuries, it was possible to take action—first through the church, and then in the courtroom—against the one who loved and left you. (The earliest successful breach of promise suit took place in 1638; men could—and occasionally did—sue their ex-fiancées, but the legislation was mostly used by women.) Opponents of these suits mocked them as either “blackmail or vulgarity unspeakable,” but there was nothing silly or saccharine about the underlying premise, at least not at first. For most of human history, marriage was an extraordinarily practical arrangement, one with significant financial and social benefits, especially for women. Getting engaged meant you could start anticipating those benefits—and you might change your actions accordingly. You might, for example, begin spending money on an expensive trousseau. You might enjoy a change in social status. You would almost certainly break it off with all other marriage prospects. And you might finally decide to sleep with your fiancéé.

    A bride’s virginity was still a pretty big deal in the 1920s and 1930s (and remained that way until at least the 1950s), but engagement provided something of a loophole. Women who were intent on remaining virgins until marriage might consider engagement close enough—and so, if their fiancé suddenly broke things off, they found themselves dealing with a literal drop in value. A broken engagement didn’t just mean a loss of future income, but it could damage a woman’s reputation and make it harder for her to get engaged again. Even if she’d never actually had sex, there was a chance she’d be tainted by association.

    Into this land of hearts and hymens, the law strode bravely. These heart balm laws were unusual, to say the least: no matter how many times you argued financial loss, or tried to put virginity into a legal box, the core of these suits was something uncomfortably personal. “Clearly the principal ground of the action is disappointed hope, and the injury complained of is a violation of faith,” wrote one lawyer in 1906.

    The question was how to turn “disappointed hope” and “violation of faith” into cold hard cash. Juries found themselves compensating plaintiffs for things like, “loss of social and worldly advancement,” “disappointment and incidental suffering,” injury to future marriage prospects, and even emotions like experiencing humiliation “in the social circles in which she moves.” The fact that these compensations all seemed to rely on “emotional sympathy and moral indignation,” as another lawyer wrote in 1935, made some people uncomfortable—especially as all-male juries seemed to be passing down awfully lucrative settlements when the plaintiff was a very pretty woman and the defendant was a very rich man.

    Naturally, these lucrative settlements—with their whiff of sex and drama—were big news, especially when women were walking out of the courtroom with $100,000, $200,000, or even $450,000 from their former suitors. This wasn’t justice, the papers said. This wasn’t restitution. This was a racket—a heart balm racket. And they weren’t entirely wrong.

    ********

    “Fair Sirens Who Seek to Blackmail Rich Men Weave Cunning Webs Which Enmesh Innocent in Hopeless Tangle,” crowed that Washington Post report on that “Siren on Ocean Liner” and all sorts of other nefarious females who used the slipperiness of heart balm laws to con upstanding men out of hundreds of thousands of dollars. The article claimed that female blackmailers were lurking around restaurants, cafes, hotels and other affluent watering holes, where they would pick up wealthy, unsuspecting men, go on a few dates with them (ensuring that they’d be spotted by witnesses or even secretly photographed), and then slap them with a breach of promise suit. As far as the innocent widower from the ocean liner? Upon receiving notice of the lawsuit against him, the article reported that he was “stunned almost out of his senses.”

    Polite society, too, was stunned out of their senses by the idea that women with winning smiles were wreaking havoc on men with the aid—nay, with the blessing of the legal system. These dodgy lawsuits played perfectly on people’s fears, tapping into the worst possible clichés of the battle of the sexes: dumb men seduced into trouble, wicked women using their looks for evil. It wasn’t that people thought all jilted women were evil; they just thought that innocent women didn’t sue.

    “A woman whose heart is really broken doesn’t take it into court,” wrote the popular advice columnist Dorothy Dix in 1915, and this sentiment was shared by many. A woman shrewd enough to save love letters as future evidence surely wasn’t the bruised, delicate flower she claimed to be.

    To be fair, the public’s hysteria had some basis in reality. A particularly bold lady blackmailer who went by the name Chicago May ran so many heart balm rackets that she boasted about them in her 1928 memoir. One involved a wealthy suitor who started sending her dirty drawings out of nowhere—the perfect evidence for a fake heart balm suit. (“The drawing was fairly good, but the subject matter was revolting,” she noted.) At one point, she was even conducting her blackmail business intercontinentally: living in London but occasionally popping back over to New York to check up on a heart balm racket or two. She referred to these as her “American investments.”

    Still, the angry editorials and cries for abolishment were mostly fueled by paranoia, not practicality. “Reading the editorials…one would conclude that there had seldom been an actual contract of engagement to marry that was unjustifiably broken,” one lawyer wrote in the Fordham Law Review. “The experience of practicing lawyers is decidedly otherwise.” It was “undue newspaper publicity,” another lawyer argued in the Michigan Law Review, that led to this impassioned public outcry against breach of promise suits. While there were plenty of ordinary suits led by ordinary jilted women (and occasionally a jilted man), it was the sleazy, salacious, high-profile cases that convinced people that these breach of promise laws had to go, and go fast.

    It wasn’t just the sleaziness that bothered people, though. Women’s roles were changing, and the core premise behind the breach of promise laws—that a broken engagement could wreck a woman’s future—was weakening. A woman dumped by her fiancé in 1930 wasn’t ruined the way she might have been a mere generation earlier. “There are many, many ways in which a girl can now earn her own living,” one journalist noted in The Hartford Courant. By the mid-1930s, public sympathy for the brokenhearted had mostly drained away, and the breach of promise suit was on its deathbed.

    ********

    In 1935, a young state legislator named Roberta West Nicholson introduced an anti-heart balm bill in Indiana. Other states quickly followed her lead, and by 1945, 16 states had abolished the breach of promise laws. Today, only a few jurisdictions still cling to them. (You’ll have to move to, say, North Carolina if you want to sue an ex-fiancé.)

    Some violently opposed Nicholson’s bill—one senator noted that it removed women’s civil rights “against philanderers and men who prey upon them.” Others praised her, while misunderstanding her reasons for writing the bill. To this day, certain men’s rights activists love Nicholson for leading the charge against what they see as a war on men; an “Anti-Misandry Legislator,” they call her. The irony is that Nicholson wrote the bill not to protect men, but because she thought women were better than heart balm. “I was pretty young and didn’t realize at first I was challenging a basic common law, that the woman was a chattel and that the man, in marrying her, was saying, ‘I buy you and agree to feed and clothe you,’” she told a journalist decades later. “I was an early woman’s libber and didn’t know it.”

    Yes, the outcry against the so-called heart balm racket wasn’t just from people convinced that unscrupulous women were abusing the system. There was an odd feminism to it. “It is gallantry gone to seed,” wrote Dix. “Moreover, it is not justice, for a woman capable of bringing suit is perfectly able to take care of herself in a love affair or any other business deal.”

    Where once marriage was something that gave women some semblance of power, now—the critics said—women had power of their own, married or not. They could make their own money. They could work on their own American investments. They were no longer defenseless, and so they did not need the law to defend them. In the midst of all the paranoia about blackmail and “vulgarity unspeakable,” a surprisingly modern portrait of marriage was emerging: a union of two people who could make up their own minds about each other and didn’t need the law to save them from themselves.

  • What Happens When We Let Tech Care For Our Aging Parents | WIRED
    https://www.wired.com/story/digital-puppy-seniors-nursing-homes

    Arlyn Anderson grasped her father’s hand and presented him with the choice. “A nursing home would be safer, Dad,” she told him, relaying the doctors’ advice. “It’s risky to live here alone—”

    “No way,” Jim interjected. He frowned at his daughter, his brow furrowed under a lop of white hair. At 91, he wanted to remain in the woodsy Minnesota cottage he and his wife had built on the shore of Lake Minnetonka, where she had died in his arms just a year before. His pontoon—which he insisted he could still navigate just fine—bobbed out front.

    Arlyn had moved from California back to Minnesota two decades earlier to be near her aging parents. Now, in 2013, she was fiftysomething, working as a personal coach, and finding that her father’s decline was all-consuming.

    Her father—an inventor, pilot, sailor, and general Mr. Fix-It; “a genius,” Arlyn says—started experiencing bouts of paranoia in his mid-eighties, a sign of Alzheimer’s. The disease had progressed, often causing his thoughts to vanish mid-sentence. But Jim would rather risk living alone than be cloistered in an institution, he told Arlyn and her older sister, Layney. A nursing home certainly wasn’t what Arlyn wanted for him either. But the daily churn of diapers and cleanups, the carousel of in-home aides, and the compounding financial strain (she had already taken out a reverse mortgage on Jim’s cottage to pay the caretakers) forced her to consider the possibility.

    Jim, slouched in his recliner, was determined to stay at home. “No way,” he repeated to his daughter, defiant. Her eyes welled up and she hugged him. “OK, Dad.” Arlyn’s house was a 40-minute drive from the cottage, and for months she had been relying on a patchwork of technology to keep tabs on her dad. She set an open laptop on the counter so she could chat with him on Skype. She installed two cameras, one in his kitchen and another in his bedroom, so she could check whether the caregiver had arrived, or God forbid, if her dad had fallen. So when she read in the newspaper about a new digi­tal eldercare service called CareCoach a few weeks after broaching the subject of the nursing home, it piqued her interest. For about $200 a month, a human-powered avatar would be available to watch over a homebound person 24 hours a day; Arlyn paid that same amount for just nine hours of in-home help. She signed up immediately.

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    A Google Nexus tablet arrived in the mail a week later. When Arlyn plugged it in, an animated German shepherd appeared onscreen, standing at attention on a digitized lawn. The brown dog looked cutesy and cartoonish, with a bubblegum-pink tongue and round, blue eyes.

    She and Layney visited their dad later that week, tablet in hand. Following the instructions, Arlyn uploaded dozens of pictures to the service’s online portal: images of family members, Jim’s boat, and some of his inventions, like a computer terminal known as the Teleray and a seismic surveillance system used to detect footsteps during the Vietnam War. The setup complete, Arlyn clutched the tablet, summoning the nerve to introduce her dad to the dog. Her initial instinct that the service could be the perfect companion for a former technologist had splintered into needling doubts. Was she tricking him? Infantilizing him?

    Tired of her sister’s waffling, Layney finally snatched the tablet and presented it to their dad, who was sitting in his armchair. “Here, Dad, we got you this.” The dog blinked its saucer eyes and then, in Google’s female text-to-speech voice, started to talk. Before Alzheimer’s had taken hold, Jim would have wanted to know exactly how the service worked. But in recent months he’d come to believe that TV characters were interacting with him: A show’s villain had shot a gun at him, he said; Katie Couric was his friend. When faced with an onscreen character that actually was talking to him, Jim readily chatted back.

    Jim named his dog Pony. Arlyn perched the tablet upright on a table in Jim’s living room, where he could see it from the couch or his recliner. Within a week Jim and Pony had settled into a routine, exchanging pleasantries several times a day. Every 15 minutes or so Pony would wake up and look for Jim, calling his name if he was out of view. Sometimes Jim would “pet” the sleeping dog onscreen with his finger to rustle her awake. His touch would send an instantaneous alert to the human caretaker behind the avatar, prompting the CareCoach worker to launch the tablet’s audio and video stream. “How are you, Jim?” Pony would chirp. The dog reminded him which of his daughters or in-person caretakers would be visiting that day to do the tasks that an onscreen dog couldn’t: prepare meals, change Jim’s sheets, drive him to a senior center. “We’ll wait together,” Pony would say. Often she’d read poetry aloud, discuss the news, or watch TV with him. “You look handsome, Jim!” Pony remarked after watching him shave with his electric razor. “You look pretty,” he replied. Sometimes Pony would hold up a photo of Jim’s daughters or his inventions between her paws, prompting him to talk about his past. The dog complimented Jim’s red sweater and cheered him on when he struggled to buckle his watch in the morning. He reciprocated by petting the screen with his index finger, sending hearts floating up from the dog’s head. “I love you, Jim!” Pony told him a month after they first met—something CareCoach operators often tell the people they are monitoring. Jim turned to Arlyn and gloated, “She does! She thinks I’m real good!”

    About 1,500 miles south of Lake Minnetonka, in Monterrey, Mexico, Rodrigo Rochin opens his laptop in his home office and logs in to the CareCoach dashboard to make his rounds. He talks baseball with a New Jersey man watching the Yankees; chats with a woman in South Carolina who calls him Peanut (she places a cookie in front of her tablet for him to “eat”); and greets Jim, one of his regulars, who sips coffee while looking out over a lake.

    Rodrigo is 35 years old, the son of a surgeon. He’s a fan of the Spurs and the Cowboys, a former international business student, and a bit of an introvert, happy to retreat into his sparsely decorated home office each morning. He grew up crossing the border to attend school in McAllen, Texas, honing the English that he now uses to chat with elderly people in the United States. Rodrigo found CareCoach on an online freelancing platform and was hired in December 2012 as one of the company’s earliest contractors, role-playing 36 hours a week as one of the service’s avatars.

    After watching her dad interact with Pony, Arlyn’s reservations about outsourcing her father’s companionship vanished.

    In person, Rodrigo is soft-spoken, with wire spectacles and a beard. He lives with his wife and two basset hounds, Bob and Cleo, in Nuevo León’s capital city. But the people on the other side of the screen don’t know that. They don’t know his name—or, in the case of those like Jim who have dementia, that he even exists. It’s his job to be invisible. If Rodrigo’s clients ask where he’s from, he might say MIT (the CareCoach software was created by two graduates of the school), but if anyone asks where their pet actually is, he replies in character: “Here with you.”

    Rodrigo is one of a dozen CareCoach employees in Latin America and the Philippines. The contractors check on the service’s seniors through the tablet’s camera a few times an hour. (When they do, the dog or cat avatar they embody appears to wake up.) To talk, they type into the dashboard and their words are voiced robotically through the tablet, designed to give their charges the impression that they’re chatting with a friendly pet. Like all the CareCoach workers, Rodrigo keeps meticulous notes on the people he watches over so he can coordinate their care with other workers and deepen his relationship with them over time—this person likes to listen to Adele, this one prefers Elvis, this woman likes to hear Bible verses while she cooks. In one client’s file, he wrote a note explaining that the correct response to “See you later, alligator” is “After a while, crocodile.” These logs are all available to the customer’s social workers or adult children, wherever they may live. Arlyn started checking Pony’s log between visits with her dad several times a week. “Jim says I’m a really nice person,” reads one early entry made during the Minnesota winter. “I told Jim that he was my best friend. I am so happy.”

    After watching her dad interact with Pony, Arlyn’s reservations about outsourcing her father’s companionship vanished. Having Pony there eased her anxiety about leaving Jim alone, and the virtual dog’s small talk lightened the mood.

    Pony was not only assisting Jim’s human caretakers but also inadvertently keeping an eye on them. Months before, in broken sentences, Jim had complained to Arlyn that his in-home aide had called him a bastard. Arlyn, desperate for help and unsure of her father’s recollection, gave her a second chance. Three weeks after arriving in the house, Pony woke up to see the same caretaker, impatient. “Come on, Jim!” the aide yelled. “Hurry up!” Alarmed, Pony asked why she was screaming and checked to see if Jim was OK. The pet—actually, Rodrigo—later reported the aide’s behavior to CareCoach’s CEO, Victor Wang, who emailed Arlyn about the incident. (The caretaker knew there was a human watching her through the tablet, Arlyn says, but may not have known the extent of the person’s contact with Jim’s family behind the scenes.) Arlyn fired the short-tempered aide and started searching for a replacement. Pony watched as she and Jim conducted the interviews and approved of the person Arlyn hired. “I got to meet her,” the pet wrote. “She seems really nice.”

    Pony—friend and guard dog—would stay.
    Grant Cornett

    Victor Wang grew up feeding his Tama­got­chis and coding choose-your-own-­adventure games in QBasic on the family PC. His parents moved from Taiwan to suburban Vancouver, British Columbia, when Wang was a year old, and his grandmother, whom he called Lao Lao in Mandarin, would frequently call from Taiwan. After her husband died, Lao Lao would often tell Wang’s mom that she was lonely, pleading with her daughter to come to Taiwan to live with her. As she grew older, she threatened suicide. When Wang was 11, his mother moved back home for two years to care for her. He thinks of that time as the honey-­sandwich years, the food his overwhelmed father packed him each day for lunch. Wang missed his mother, he says, but adds, “I was never raised to be particularly expressive of my emotions.”

    At 17, Wang left home to study mechanical engineering at the University of British Columbia. He joined the Canadian Army Reserve, serving as an engineer on a maintenance platoon while working on his undergraduate degree. But he scrapped his military future when, at 22, he was admitted to MIT’s master’s program in mechanical engineering. Wang wrote his dissertation on human-machine interaction, studying a robotic arm maneuvered by astronauts on the International Space Station. He was particularly intrigued by the prospect of harnessing tech to perform tasks from a distance: At an MIT entrepreneurship competition, he pitched the idea of training workers in India to remotely operate the buffers that sweep US factory floors.

    In 2011, when he was 24, his grandmother was diagnosed with Lewy body dementia, a disease that affects the areas of the brain associated with memory and movement. On Skype calls from his MIT apartment, Wang watched as his grandmother grew increasingly debilitated. After one call, a thought struck him: If he could tap remote labor to sweep far-off floors, why not use it to comfort Lao Lao and others like her?

    Wang started researching the looming caretaker shortage in the US—between 2010 and 2030, the population of those older than 80 is projected to rise 79 percent, but the number of family caregivers available is expected to increase just 1 percent.

    In 2012 Wang recruited his cofounder, a fellow MIT student working on her computer science doctorate named Shuo Deng, to build CareCoach’s technology. They agreed that AI speech technology was too rudimentary for an avatar capable of spontaneous conversation tailored to subtle mood and behavioral cues. For that, they would need humans.

    Older people like Jim often don’t speak clearly or linearly, and those with dementia can’t be expected to troubleshoot a machine that misunderstands. “When you match someone not fully coherent with a device that’s not fully coherent, it’s a recipe for disaster,” Wang says. Pony, on the other hand, was an expert at deciphering Jim’s needs. Once, Pony noticed that Jim was holding onto furniture for support, as if he were dizzy. The pet persuaded him to sit down, then called Arlyn. Deng figures it’ll take about 20 years for AI to be able to master that kind of personal interaction and recognition. That said, the CareCoach system is already deploying some automated abilities. Five years ago, when Jim was introduced to Pony, the offshore workers behind the camera had to type every response; today CareCoach’s software creates roughly one out of every five sentences the pet speaks. Wang aims to standardize care by having the software manage more of the patients’ regular reminders—prodding them to take their medicine, urging them to eat well and stay hydrated. CareCoach workers are part free­wheeling raconteurs, part human natural-­language processors, listening to and deciphering their charges’ speech patterns or nudging the person back on track if they veer off topic. The company recently began recording conversations to better train its software in senior speech recognition.

    CareCoach found its first customer in December 2012, and in 2014 Wang moved from Massachusetts to Silicon Valley, renting a tiny office space on a lusterless stretch of Millbrae near the San Francisco airport. Four employees congregate in one room with a view of the parking lot, while Wang and his wife, Brittany, a program manager he met at a gerontology conference, work in the foyer. Eight tablets with sleeping pets onscreen are lined up for testing before being shipped to their respective seniors. The avatars inhale and exhale, lending an eerie sense of life to their digital kennel.

    CareCoach conveys the perceptiveness and emotional intelligence of the humans powering it but masquerades as an animated app.

    Wang spends much of his time on the road, touting his product’s health benefits at medical conferences and in hospital executive suites. Onstage at a gerontology summit in San Francisco last summer, he deftly impersonated the strained, raspy voice of an elderly man talking to a CareCoach pet while Brittany stealthily cued the replies from her laptop in the audience. The company’s tablets are used by hospitals and health plans across Massachusetts, California, New York, South Carolina, Florida, and Washington state. Between corporate and individual customers, CareCoach’s avatars have interacted with hundreds of users in the US. “The goal,” Wang says, “is not to have a little family business that just breaks even.”

    The fastest growth would come through hospital units and health plans specializing in high-need and elderly patients, and he makes the argument that his avatars cut health care costs. (A private room in a nursing home can run more than $7,500 a month.) Preliminary research has been promising, though limited. In a study conducted by Pace University at a Manhattan housing project and a Queens hospital, CareCoach’s avatars were found to reduce subjects’ loneliness, delirium, and falls. A health provider in Massachusetts was able to replace a man’s 11 weekly in-home nurse visits with a CareCoach tablet, which diligently reminded him to take his medications. (The man told nurses that the pet’s nagging reminded him of having his wife back in the house. “It’s kind of like a complaint, but he loves it at the same time,” the project’s lead says.) Still, the feelings aren’t always so cordial: In the Pace University study, some aggravated seniors with dementia lashed out and hit the tablet. In response, the onscreen pet sheds tears and tries to calm the person.

    More troubling, perhaps, were the people who grew too fiercely attached to their digi­tal pets. At the conclusion of a University of Washington CareCoach pilot study, one woman became so distraught at the thought of parting with her avatar that she signed up for the service, paying the fee herself. (The company gave her a reduced rate.) A user in Massachusetts told her caretakers she’d cancel an upcoming vacation to Maine unless her digital cat could come along.

    We’re still in the infancy of understanding the complexities of aging humans’ relationship with technology. Sherry Turkle, a professor of social studies, science, and technology at MIT and a frequent critic of tech that replaces human communication, described interactions between elderly people and robotic babies, dogs, and seals in her 2011 book, Alone Together. She came to view roboticized eldercare as a cop-out, one that would ultimately degrade human connection. “This kind of app—in all of its slickness and all its ‘what could possibly be wrong with it?’ mentality—is making us forget what we really know about what makes older people feel sustained,” she says: caring, interpersonal relationships. The question is whether an attentive avatar makes a comparable substitute. Turkle sees it as a last resort. “The assumption is that it’s always cheaper and easier to build an app than to have a conversation,” she says. “We allow technologists to propose the unthinkable and convince us the unthinkable is actually the inevitable.”

    But for many families, providing long-term in-person care is simply unsustainable. The average family caregiver has a job outside the home and spends about 20 hours a week caring for a parent, according to AARP. Nearly two-thirds of such caregivers are women. Among eldercare experts, there’s a resignation that the demographics of an aging America will make technological solutions unavoidable. The number of those older than 65 with a disability is projected to rise from 11 million to 18 million from 2010 to 2030. Given the option, having a digital companion may be preferable to being alone. Early research shows that lonely and vulnerable elders like Jim seem content to communicate with robots. Joseph Coughlin, director of MIT’s AgeLab, is pragmatic. “I would always prefer the human touch over a robot,” he says. “But if there’s no human available, I would take high tech in lieu of high touch.”

    CareCoach is a disorienting amalgam of both. The service conveys the perceptiveness and emotional intelligence of the humans powering it but masquerades as an animated app. If a person is incapable of consenting to CareCoach’s monitoring, then someone must do so on their behalf. But the more disconcerting issue is how cognizant these seniors are of being watched over by strangers. Wang considers his product “a trade-off between utility and privacy.” His workers are trained to duck out during baths and clothing changes.

    Some CareCoach users insist on greater control. A woman in Washington state, for example, put a piece of tape over her CareCoach tablet’s camera to dictate when she could be viewed. Other customers like Jim, who are suffering from Alzheimer’s or other diseases, might not realize they are being watched. Once, when he was temporarily placed in a rehabilitation clinic after a fall, a nurse tending to him asked Arlyn what made the avatar work. “You mean there’s someone overseas looking at us?” she yelped, within earshot of Jim. (Arlyn isn’t sure whether her dad remembered the incident later.) By default, the app explains to patients that someone is surveilling them when it’s first introduced. But the family members of personal users, like Arlyn, can make their own call.

    Arlyn quickly stopped worrying about whether she was deceiving her dad. Telling Jim about the human on the other side of the screen “would have blown the whole charm of it,” she says. Her mother had Alzheimer’s as well, and Arlyn had learned how to navigate the disease: Make her mom feel safe; don’t confuse her with details she’d have trouble understanding. The same went for her dad. “Once they stop asking,” Arlyn says, “I don’t think they need to know anymore.” At the time, Youa Vang, one of Jim’s regular in-­person caretakers, didn’t comprehend the truth about Pony either. “I thought it was like Siri,” she said when told later that it was a human in Mexico who had watched Jim and typed in the words Pony spoke. She chuckled. “If I knew someone was there, I may have been a little more creeped out.”

    Even CareCoach users like Arlyn who are completely aware of the person on the other end of the dashboard tend to experience the avatar as something between human, pet, and machine—what some roboticists call a third ontological category. The care­takers seem to blur that line too: One day Pony told Jim that she dreamed she could turn into a real health aide, almost like Pinoc­chio wishing to be a real boy.

    Most of CareCoach’s 12 contractors reside in the Philippines, Venezuela, or Mexico. To undercut the cost of in-person help, Wang posts English-language ads on freelancing job sites where foreign workers advertise rates as low as $2 an hour. Though he won’t disclose his workers’ hourly wages, Wang claims the company bases its salaries on factors such as what a registered nurse would make in the CareCoach employee’s home country, their language proficiencies, and the cost of their internet connection.

    The growing network includes people like Jill Paragas, a CareCoach worker who lives in a subdivision on Luzon island in the Philippines. Paragas is 35 years old and a college graduate. She earns about the same being an avatar as she did in her former call center job, where she consoled Americans irate about credit card charges. (“They wanted to, like, burn the company down or kill me,” she says with a mirthful laugh.) She works nights to coincide with the US daytime, typing messages to seniors while her 6-year-old son sleeps nearby.

    Even when Jim grew stubborn or paranoid with his daughters, he always viewed Pony as a friend.

    Before hiring her, Wang interviewed Paragas via video, then vetted her with an international criminal background check. He gives all applicants a personality test for certain traits: openness, conscientiousness, extroversion, agreeableness, and neuroticism. As part of the CareCoach training program, Paragas earned certifications in delirium and dementia care from the Alzheimer’s Association, trained in US health care ethics and privacy, and learned strategies for counseling those with addictions. All this, Wang says, “so we don’t get anyone who’s, like, crazy.” CareCoach hires only about 1 percent of its applicants.

    Paragas understands that this is a complicated business. She’s befuddled by the absence of family members around her aging clients. “In my culture, we really love to take care of our parents,” she says. “That’s why I’m like, ‘She is already old, why is she alone?’ ” Paragas has no doubt that, for some people, she’s their most significant daily relationship. Some of her charges tell her that they couldn’t live without her. Even when Jim grew stubborn or paranoid with his daughters, he always viewed Pony as a friend. Arlyn quickly realized that she had gained a valuable ally.
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    As time went on, the father, daughter, and family pet grew closer. When the snow finally melted, Arlyn carried the tablet to the picnic table on the patio so they could eat lunch overlooking the lake. Even as Jim’s speech became increasingly stunted, Pony could coax him to talk about his past, recounting fishing trips or how he built the house to face the sun so it would be warmer in winter. When Arlyn took her dad around the lake in her sailboat, Jim brought Pony along. (“I saw mostly sky,” Rodrigo recalls.)

    One day, while Jim and Arlyn were sitting on the cottage’s paisley couch, Pony held up a photograph of Jim’s wife, Dorothy, between her paws. It had been more than a year since his wife’s death, and Jim hardly mentioned her anymore; he struggled to form coherent sentences. That day, though, he gazed at the photo fondly. “I still love her,” he declared. Arlyn rubbed his shoulder, clasping her hand over her mouth to stifle tears. “I am getting emotional too,” Pony said. Then Jim leaned toward the picture of his deceased wife and petted her face with his finger, the same way he would to awaken a sleeping Pony.

    When Arlyn first signed up for the service, she hadn’t anticipated that she would end up loving—yes, loving, she says, in the sincerest sense of the word—the avatar as well. She taught Pony to say “Yeah, sure, you betcha” and “don’t-cha know” like a Minnesotan, which made her laugh even more than her dad. When Arlyn collapsed onto the couch after a long day of caretaking, Pony piped up from her perch on the table:

    “Arnie, how are you?”

    Alone, Arlyn petted the screen—the way Pony nuzzled her finger was weirdly therapeutic—and told the pet how hard it was to watch her dad lose his identity.

    “I’m here for you,” Pony said. “I love you, Arnie.”

    When she recalls her own attachment to the dog, Arlyn insists her connection wouldn’t have developed if Pony was simply high-functioning AI. “You could feel Pony’s heart,” she says. But she preferred to think of Pony as her father did—a friendly pet—rather than a person on the other end of a webcam. “Even though that person probably had a relationship to me,” she says, “I had a relationship with the avatar.”

    Still, she sometimes wonders about the person on the other side of the screen. She sits up straight and rests her hand over her heart. “This is completely vulnerable, but my thought is: Did Pony really care about me and my dad?” She tears up, then laughs ruefully at herself, knowing how weird it all sounds. “Did this really happen? Was it really a relationship, or were they just playing solitaire and typing cute things?” She sighs. “But it seemed like they cared.”

    When Jim turned 92 that August, as friends belted out “Happy Birthday” around the dinner table, Pony spoke the lyrics along with them. Jim blew out the single candle on his cake. “I wish you good health, Jim,” Pony said, “and many more birthdays to come.”

    In Monterrey, Mexico, when Rodrigo talks about his unusual job, his friends ask if he’s ever lost a client. His reply: Yes.

    In early March 2014, Jim fell and hit his head on his way to the bathroom. A caretaker sleeping over that night found him and called an ambulance, and Pony woke up when the paramedics arrived. The dog told them Jim’s date of birth and offered to call his daughters as they carried him out on a stretcher.

    Jim was checked into a hospital, then into the nursing home he’d so wanted to avoid. The Wi-Fi there was spotty, which made it difficult for Jim and Pony to connect. Nurses would often turn Jim’s tablet to face the wall. The CareCoach logs from those months chronicle a series of communication misfires. “I miss Jim a lot,” Pony wrote. “I hope he is doing good all the time.” One day, in a rare moment of connectivity, Pony suggested he and Jim go sailing that summer, just like the good old days. “That sounds good,” Jim said.
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    That July, in an email from Wang, Rodrigo learned that Jim had died in his sleep. Sitting before his laptop, Rodrigo bowed his head and recited a silent Lord’s Prayer for Jim, in Spanish. He prayed that his friend would be accepted into heaven. “I know it’s going to sound weird, but I had a certain friendship with him,” he says. “I felt like I actually met him. I feel like I’ve met them.” In the year and a half that he had known them, Arlyn and Jim talked to him regularly. Jim had taken Rodrigo on a sailboat ride. Rodrigo had read him poetry and learned about his rich past. They had celebrated birthdays and holidays together as family. As Pony, Rodrigo had said “Yeah, sure, you betcha” countless times.

    That day, for weeks afterward, and even now when a senior will do something that reminds him of Jim, Rodrigo says he feels a pang. “I still care about them,” he says. After her dad’s death, Arlyn emailed Victor Wang to say she wanted to honor the workers for their care. Wang forwarded her email to Rodrigo and the rest of Pony’s team. On July 29, 2014, Arlyn carried Pony to Jim’s funeral, placing the tablet facing forward on the pew beside her. She invited any workers behind Pony who wanted to attend to log in.

    A year later, Arlyn finally deleted the CareCoach service from the tablet—it felt like a kind of second burial. She still sighs, “Pony!” when the voice of her old friend gives her directions as she drives around Minneapolis, reincarnated in Google Maps.

    After saying his prayer for Jim, Rodrigo heaved a sigh and logged in to the CareCoach dashboard to make his rounds. He ducked into living rooms, kitchens, and hospital rooms around the United States—seeing if all was well, seeing if anybody needed to talk.

  • La Cinémathèque française met à l’honneur Roman Polanski et provoque l’indignation
    http://www.lefigaro.fr/cinema/2017/10/21/03002-20171021ARTFIG00109-la-cinematheque-francaise-met-a-l-honneur-roman-p

    En pleine affaire Harvey Weinstein et-récemment- Gilbert Rozon, la dernière rétrospective de la Cinémathèque française tombe mal. Samedi 30 octobre, l’organisme privé prévoit de consacrer sa soirée au cinéaste Roman Polanski, proposant pour l’occasion la projection de son dernier film adapté du best-seller de Delphine de Vingan, D’après une histoire vraie . Une séance de Chinatown et une master-class autour de The Ghost Writer sont également prévus dans les jours qui suivent.

    Bravo la cinémathèque française ! pour mémoire l’année dernière la cinémathèque faisait un hommage lesbophobe (c’est à dire une combo homophobe et misogyne) à une des seuls réalisatrices dont illes ont organisé la rétrospective : Dorothy Arzner

    depuis l’ouverture de ses nouveaux locaux en 2005, sur un total de 805 programmes, seuls 22 ont été consacrés à des femmes (réalisatrices, actrices ou archivistes) et sur ces 22, seuls 12 ont été centrés sur des réalisatrices, dont 6 seulement sont connues comme réalisatrices uniquement, plutôt que comme actrices/réalisatrices

    https://www.genre-ecran.net/?Scandale-Dorothy-Arzner-a-Paris
    22 sur 805 ca fait 2,73% de femmes et 12 sur 805 ca fait 1,4% de réalisatrices.

    #polansky #grand_homme #lesbophobie #culture_du_viol #la_cinémathèque_française

  • COOKIE MUELLER « FEMALE TROUBLE »
    https://laspirale.org/photo-534-cookie-mueller- female-trouble.html

    Muse de John Waters et de Nan Goldin, cette reine de l’underground fut décrite par le cinéaste comme « un écrivain, une mère, une hors-la-loi, une actrice, une styliste, une go-go danseuse, une sorcière-guérisseuse, une harpie des arts, et par dessus tout, une déesse ».

    Native de Baltimore, une ville ruinée, minée par les conflits raciaux, la drogue et la criminalité, #Cookie_Mueller a croisé sur son parcours chaotique Jim Morrisson, Jimi Hendrix, la Manson Family, Anton LaVey, Basquiat, Keith Haring, les Ramones, Klaus Nomi, Patti Smith, Blondie, Sonic Youth et le photographe Robert Mapplethorpe. Ses écrits cultes, enfin traduits en français, sont publiés chez Finitude, l’occasion de revenir sur la légende de cette icône méconnue.

    Portraits de Cookie Mueller par Nan Goldin, Robert Mapplethorpe, John Waters, Lawrence Irvine, Anthony Scibelli, Don Herron.

    #laspirale


    Cookie in Tin Pan Alley, New York City, 1983
    #photographie #Nan_Goldin http://www.artnet.fr/artistes/nan-goldin/cookie-in-tin-pan-alley-new-york-city-a-fQImYOIP8D1UeutFdmwt2w2
    http://www.artnet.fr/artistes/nan-goldin/3
    “Cochonneries” nouvelle de Dorothy Karen “Cookie” Mueller dans Ladyland - anthologie de #littérature féminine américaine des regretté 13E Note éditions.
    https://laisseparlerlesfilles.com/2014/05/12/ladyland-anthologie-de-la-litterature-feminine-americaine-fut

    Dreamland news is a site devoted to the life and work of filmmaker #John_Waters.
    Here you’ll find the latest news about Waters personal appearances, films, books, DVDs, his vigilant Fans, and a tribute to the one and only Divine.
    http://dreamlandnews.com

  • Mb6- Multum enim artes recognition (Sort pour la reconnaissance de nos compétences )

    Nous invoquons Dorothy Vaughan, Katherine Johnson, Mary Jackson et Christine Darden et toutes celles qui nous ont ouvert les portes !
    Nous invoquons vos puissances par les connaissances, par les compétences, Nos sœurs : illuminatrices et glorieuses !
    Au nom des quatre forces dispersées aux quatre vents : Mathématiques, Coding, Business et Finances ! Qu’aucune ne nous résiste !
    Que nous soyons ouvertes ou couvertes, jaunes, blanches ou noires, faites que nos compétences professionnelles soient reconnues pour ce qu’elles sont et non pour ce que l’on porte !
    Dans ce cercle fermé du travail, ne permettez pas aux harceleurs de nous railler et de nous avilir !
    Dans ce cercle privilégié aux hommes, ne laissez pas aux assaillants le pouvoir de nous faire taire et de nous humilier !
    Que nos compétences brillent aux firmaments des connaissances, qu’il s’agisse de chimie, d’astrologie, d’industrie, de médecine... Qu’aucun domaine ne nous soit étranger !
    Prenons place Mesdames dans le monde des sciences et des audaces de tout type !
    Sentons-nous-y en terre familière !
    Aucune conquête ne peut être remise entre les mains de l’oppresseur !
    Nos compétences, nos réussites !

    Le texte de l’invocation est de @dora_ellen

    Cette fois je me suis inspirée des arbres logiques ou algorythmiques, je ne sais pas comment ca s’appelle :

    Dorothy Vaughan, Katherine Johnson et Mary Jackson sont des femmes noires scientifiques ayant travaillé à la NASA. Un film sorti il y a peu et que je n’ai pas encore vu rétablie peur postérité.


    Le film est fait d’après un livre et Christine Darden y est aussi cité.

    Voici ce que ca donne avant l’encrage :

    #mégèrisme #mad_meg #workinprogress #femmes #féminisme #discrimination #travail #historicisation

  • La liberté de s’exprimer sur Israël en butte à des attaques dans les universités britanniques
    The Guardian, le 27 février 2017
    http://www.aurdip.fr/la-liberte-de-s-exprimer-sur.html

    Signatures (plus de 200 profs britanniques): Prof Jonathan Rosenhead, Prof Conor Gearty, Prof Malcolm Levitt, Tom Hickey, Prof Dorothy Griffiths, Prof Moshé Machover, Sir Iain Chalmers, Prof Steven Rose, Prof Gilbert Achcar, Prof Penny Green, Prof Bill Bowring, Mike Cushman, Jim Zacune, Dr Jethro Butler, Dr Rashmi Varma, Dr John Moore, Dr Nour Ali, Prof Richard Hudson, Dr Tony Whelan, Dr Dina Matar, Prof Marian Hobson, Prof Tony Sudbery, Prof John Weeks, Prof Graham Dunn, Dr Toni Wright, Dr Rinella Cere, Prof Ian Parker, Dr Marina Carter, Dr Shirin M Rai, Andy Wynne, Prof David Pegg, Prof Erica Burman, Dr Nicola Pratt, Prof Joanna Bornat, Prof Richard Seaford, Dr Linda Milbourne, Dr Julian Saurin, Dr Nadia Naser-Najjab, Prof Elizabeth Dore, Prof Colin Eden, Dr Neil Davidson, Jaime Peschiera, Catherine Cobham, Prof Haim Bresheeth, Dr Uriel Orlow, Dr Saladin Meckled-Garcia, Dr Abdul B Shaikh, Dr Mark Leopold, Prof Michael Donmall, Prof Hamish Cunningham, Prof David Johnson, Dr Reem Abou-El-Fadl, Dr Luke Cooper, Prof Peter Gurney, Dr Adi Kuntsman, Prof Matthew Beaumont, Dr Teodora Todorova, Prof Natalie Fenton, Prof Richard Bornat, Dr Jeremy Landor, Dr John Chalcraft, Milly Williamson, David Mabb, Dr Judit Druks, Dr Charlie McGuire, Dr Gholam Khiabany, Glynn Kirkham, Dr Deirdre O’Neill, Dr Gavin Williams, Prof Marsha Rosengarten, Dr Debra Benita Shaw, Dr João Florêncio, Prof Stephen Keen, Dr Anandi Ramamurthy, Dr Thomas Mills, Dr Don Crewe, Prof Robert Wintemute, Andy Gossett, Prof Mark Boylan, Angela Mansi, Dr Paul Taylor, Tim Martin, Keith Hammond, Karolin Hijazi, Dr Kevin Hearty, Prof Daniel Katz, Dr Richard Pitt, Prof Ray Bush, Prof Glenn Bowman, Prof Craig Brandist, Prof Virinder S Kalra, Dr Yasmeen Narayan, Prof Michael Edwards, John Gilmore-Kavanagh, Prof Nadje Al-Ali, Prof Mick Dumper, Graham Topley, Dr Shuruq Naguib, Prof David Whyte, Peter Collins, Dr Andrew Chitty, Prof David Mond, Prof Leon Tikly, Dr Subir Sinha, Dr Mark Berry, Dr Gajendra Singh, Prof Elizabeth Cowie, Dr Richard Lane, Prof Martin Parker, Dr Aboobaker Dangor, Dr Siân Adiseshiah, Prof Dennis Leech, Dr Owen Clayton, Dr John Cowley, Prof Mona Baker, Dr Navtej Purewal, Prof Mica Nava, Prof Joy Townsend, Dr Alex Bellem, Dr Nat Queen, Gareth Dale, Prof Yosefa Loshitzky, Dr Rudi Lutz, Dr Oliver Smith, Tim Kelly, Prof Laleh Khalili, Prof Aneez Esmail, Fazila Bhimji, Prof Hilary Rose, Dr Brian Tweedale, Prof Julian Petley, Prof Richard Hyman, Dr Paul Watt, Nisha Kapoor, Prof Julian Townshend, Prof Roy Maartens, Dr Anna Bernard, Prof Martha Mundy, Prof Martin Atkinson, Dr Claude Baesens, Dr Marijn Nieuwenhuis, Dr Emma Heywood, Dr Matthew Malek, Prof Anthony Milton, Dr Paul O’Connell, Prof Malcolm Povey, Dr Jason Hickel, Dr Jo Littler, Prof Rosalind Galt, Prof Suleiman Shark, Dr Paula James, Dr Linda Pickard, Pat Devine, Dr Jennifer Fortune, Prof Chris Roberts, Dr Les Levidow, Dr Carlo Morelli, Prof David Byrne, Dr Nicholas Cimini, Prof John Smith, Prof Arshin Adib-Moghaddam, Dr Peter J King, Prof Bill Brewer, Prof Patrick Williams, Prof Daphne Hampson, Dr Wolfgang Deckers, Cliff Jones, Prof Luis Pérez-González, Prof Patrick Ainley, Dr Paul Kelemen, Prof Dee Reynolds, Dr Enam Al-Wer, Prof Hugh Starkey, Dr Anna Fisk, Prof Linda Clarke, Prof Klim McPherson, Cathy Malone, Prof Graham Dawson, Prof Colin Green, Prof Clément Mouhot, Prof S Sayyid, Prof William Raban, Prof Peter Hallward, Prof Chris Rust, Prof Benita Parry, Prof Andrew Spencer, Prof Philip Marfleet, Prof Frank Land, Dr Peter E Jones, Dr Nicholas Thoburn, Tom Webster, Dr Khursheed Wadia, Dr Philip Gilligan, Dr Lucy Michael, Prof Steve Hall, Prof Steve Keen, Dr David S Moon, Prof Ken Jones, Dr Karen F Evans, Dr Jim Crowther, Prof Alison Phipps, Dr Uri Horesh, Dr Clair Doloriert, Giles Bailey, Prof Murray Fraser, Prof Stephen Huggett, Dr Gabriela Saldanha, Prof Cahal McLaughlin, Ian Pace, Prof Philip Wadler, Dr Hanem El-Farahaty, Dr Anne Alexander, Dr Robert Boyce, Dr Patricia McManus, Prof Mathias Urban, Dr Naomi Woodspring, Prof David Wield, Prof Moin A Saleem, Dr Phil Edwards, Dr Jason Hart, Dr Sharon Kivland, Dr Rahul Rao, Prof Ailsa Land, Dr Lee Grieveson, Dr Paul Bagguley, Dr Rosalind Temple, Dr Karima Laachir, Dr Youcef Djerbib, Dr Sarah Perrigo, Bernard Sufrin, Prof James Dickins, John Burnett, Prof Des Freedman, Dr David Seddon, Prof Steve Tombs, Prof Louisa Sadler, Dr Leon Sealey-Huggins, Dr Rashné Limki, Dr Guy Standing, Dr Arianne Shahvisi, Prof Neil Smith, Myriam Salama-Carr, Dr Graham Smith, Dr Peter Fletcher

    #Palestine #Grande-Bretagne #Liberté_d'expression #Liberté_académique #Universités #Semaine_contre_l'apartheid_israélien #Israeli_Apartheid_Week #BDS #Boycott_universitaire

  • Cinémathèque française : une rétrospective Dorothy Arzner au parfum rétro-macho - Culture / Next
    http://next.liberation.fr/culture-next/2017/02/24/cinematheque-francaise-une-retrospective-dorothy-arzner-au-parfum-re

    La vénérable institution voulant mettre à l’honneur une réalisatrice, fait rare, se prend les pieds dans le tapis et continue de démontrer la phallocratie ambiante dans le milieu du cinéma.

    #cinéma #sexisme

  • J’en parlerai à mon cheval • Feminist texts written by women of color
    http://mamie-caro.tumblr.com/post/137474500134/feminist-texts-written-by-women-of-color

    This list is stil a work in progress, but I really wanted to get it posted. I have either read parts of/all of the texts below or they have been recommended to me. Please reblog and add your own suggestions to the list. Each time someone adds something new, I’ll go back to this original post and make sure to include them. Thanks and enjoy!

    Books

    Women, Race, and Class by Angela Davis
    Women Culture and Politics by Angela Davis
    Black Feminist Thought by Patricia Hill Collins
    Borderlands/La frontera: The New Mestiza by Gloria Anzaldua
    Aint I a Woman: Black Women and Feminism by bell hooks
    Feminism is for Everybody by bell hooks
    Feminist Theory from Margin to Center by bell hooks
    Sister Outsider by Audre Lorde
    Feminism without Borders: Decolonizing Theory, Practicing Solidarity by Chandra Talpade Mohanty
    Medicine Stories by Aurora Levins Morales
    Reimagining Equality: Stories of Gender, Race, and Finding Home by Anita Hill
    Killing the Black Body: Race, Reproduction, and the Meaning of Liberty by Dorothy Roberts
    Conquest: Sexual Violence and American Indian Genocide by Andrea Smith
    Pilgrimages/Peregrinajes: Theorizing Coalition Against Multiple Oppressions (Feminist Constructions) by Maria Lugones (submitted by oceanicheart)
    Feminism FOR REAL: Deconstructing the Academic Industrial Complex of Feminism by Jessica Yee (submitted by oceanicheart)
    Communion: The Female Search for Love by bell hooks (via easternjenitentiary)
    Nervous Conditions by Tsisti Dangarembga (via easternjenitentiary)
    A Taste of Power by Elaine Browne (via tinajenny)
    Talkin’ Up to the White Woman: Indigenous Women and Feminism by Aileen Moreton-Robinson (via jalwhite)
    I Am Woman: A Native Perspective on Sociology and Feminism by Lee Maracle (via jalwhite)
    Shadowboxing: Representations of Black Feminist Politics by Joy James (via jalwhite)
    Re-Creating Ourselves by Molara Ogundipe-Leslie (via reallifedocumentarian)
    Chicana Feminist Thought by Alma M. Garcia (via eggplantavenger)
    Queer Latinidad by Juana Maria Rodriguez (via eggplantavenger)
    The Truth That Never Hurts by Barbara Smith (via sisteroutsider)
    Pilgrimages/Peregrinajes: Theorizing Coalition Against Multiple Oppressions by Maria Lugones (via guckfender)
    Consequence: Beyond Resisting Rape by Loolwa Khazzoom (via galesofnovember)
    The Autobiography of My Mother by Jamaica Kincaid (via wherethewildthingsmoved)

    Anthologies

    Companeras: Latina Lesbians by Juanita Ramos and the Lesbian History Project
    Colonize This! Young Women of Color on Today’s Feminism edited by Daisy Hernandez
    This Bridge Called My Back edited by Cherríe Moraga and Gloria Anzaldúa
    this bridge we call home: radical visions for transformation edited by Gloria Anzaldúa and AnaLouise Keating
    Making Face, Making Soul/Haciendo Caras: Creative and Critial Perspectives by Feminists of Color edited by Gloria Anzaldua
    Women Writing Resistance: Essays from Latin America and the Caribbean edited by Jennifer Browdy de Hernandez
    Unequal Sisters edited by Ellen DuBois and Vicki Ruiz
    Chicana Feminist Thought: The Basic Historical Writings edited by Alma M. Garcia (submitted by oceanicheart)
    Undivided Rights: Women of Color Organize for Reproductive Justice (submitted by oceanicheart)
    The Color of Violence: The Incite! Anthology
    I Am Your SIster by Audre Lorde (via marlahangup)
    Indigenous Women and Feminism: Politics, Activism, Culture edited by Cheryl Suzack, Shari M. Huhndorf, Jeanne Perreault, Jean Barman (via jalwhite)
    Dragon Ladies: Asian American Feminists Breathe Fire edited by Sonia Shah (via jalwhite)
    Pinay Power: Feminist Critical Theory: Theorizing the Filipina/American Experience edited by Melinda L. de Jesus (via titotibok)
    Dragon Ladies: Asian American Feminists Breathe Fire edited by Sonia Shah (via titotibok)
    MOONROOT: An Exploration of Asian Womyn’s Bodies (more Asian Pacific Islander American ones here) (via titotibok)
    Making Space for Indigenous Feminism edited by Joyce Green via jalwhite)
    All the Women are White, All the Blacks are Men, But Some of Us are Brave: Black Women’s Studies, more commonly known as But Some of Us Are Brave: Black Women’s Studies edited by Gloria T. Hull, Patricia Bell Scot, and Barbara Smith (via jalwhite)
    Homegirls: A Black Feminist Anthology edited by Barbara Smith (viasisteroutsider)
    Theorizing Black Feminisms: The Visionary Pragmatism of Black Women edited by Stanlie James and Abena Busia (via sisteroutsider)
    Black Woman edited by Toni Cade Bambara (via ancestryinprogress)

    Essays

    “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color.” by Kimberle Crenshaw
    The Combahee River Collective Statement
    “Tomboy, Dyke, Lezzie, and Bi: Filipina Lesbian and Bisexual Women Speak Out” by Christine T. Lipat and others (via titotibok)
    “Rizal Day Queen Contests, Filipino Nationalism, and Feminity” by Arleen De Vera (via titotibok)
    “Pinayism” by Allyson G. Tintiangco-Cubales (via titotibok)
    “Practicing Pinayist Pedagogy” by Allyson G. Tintiangco-Cubales and Jocyl Sacramento (via titotibok)
    “Asian Lesbians in San Francisco: Struggle to Create a Safe Space, 1970s – 1980s” by Trinity Ordona (via titotibok)
    “A Black Separatist” by Anna Lee (via girlsandgifs)
    “For the Love of Separatism” by Anna Lee (via girlsandgifs)
    “Separation in Black: A Personal Journey” by Jacqueline Anderson (via girlsandgifs)
    “Separatism is not a Luxury: Some Thoughts on Separatism and Class” by C. Maria (via girlsandgifs)
    “Coming Out Queer and Brown” by Naomi Littlebear Morena (via girlsandgifs)
    “Internalising the Lesbian Body of Color” by Jamie Lee Evans (via girlsandgifs)
    “In Search of Our Mother’s Garden” by Alice Walker (via wherethewildthingsmoved)

    Other authors and poets you should know

    Maya Angelou
    Toni Morrison
    Alice Walker
    Nawaal El Sadaawi
    Mary Crow Dog
    Zora Neale Hurston
    Arundhati Roy
    Zadie Smith
    Dorothy Roberts
    Nikki Giovanni(submitted by my bff maskofmaterials)
    Lucille Clifton (submitted by my bff maskofmaterials)
    Gwendolyn Brooks (submitted by soemily)
    Octavia Butler (submitted by soemily)
    Nalo Hopkison (submitted by soemily)
    Trinh T. Minh-Ha (via eggplantavenger)
    Ananya Roy (via eggplantavenger)
    Paola Bacchetta (via eggplantavenger)
    Gayatri Chakravorty Spivak (via pitcherplant)
    Andrea Smith (via crankyindian)
    Ashley Love (via guckfender)
    Linda Martin Alcoff (via guckfender)
    Oyèrónké Oyěwùmí (via guckfender)
    Staceyann Chin (via guckfender)

    Tumblr authors of color who are woc that you can follow:

    Tayari Jones ( @tayarijones)
    Roxane Gay ( @roxanegay)
    Ijeoma Umebinyuo (@theijeoma)
    Janet Mock ( @janetmock)
    Maza Dohta (@maza-dohta)
    @nudiemuse

    literally so many others

    #féminisme #blackféminisme #antiracisme #lecture #liste

  • Peau : A propos de sexe, de classe et de littérature - Dorothy Allison

    Les éditions Cambourakis te font casser la tirelire. Deux rééditions indispensables, coup sur coup .

    Enfin, l’intégrale du texte

    Dans ce recueil de 24 essais, Dorothy Allison raconte son enfance, son engagement féministe, sa sexualité et les « Sex Wars » des années 1980. Elle y aborde notamment les thèmes de l’inceste et de la lesbophobie, et partage ses réflexions sur la littérature : comment écrire l’extrême misère sociale, comment écrire sur le sexe ? Un livre tout à la fois intime, décapant et profondément politique. Cette réédition propose l’intégralité du recueil de Dorothy Allison, soit 7 textes inédits en français.


    #must_read #livres #écriture #classe #genre

  • Yale Showcases 170,000 Incredible Photos of Depression-Era America

    The photos taken by Farm Security Administration photographers in the 1930s are some of the most iconic images in American history. We’re all familiar with some of the snapshots of craggy-faced farmers, but unseen photos in government archives tell a more complex story of a struggling country. Yale just released a terrific database of 170,000 of them.

    The wonderfully smooth design of Yale’s so-called Photogrammer is a pleasure to browse. It’s just a map of the United States where each county is clickable. Simply find the area you want to explore, just as you might on Google Maps, and the interactive database will show you photos spanning from 1935 to 1945. That means you get a glimpse of everything from Depression recovery to war preparations. You can also sort by photographer, including legends like Dorothy Lange and Walker Evans.

    The photos made available by Photogrammer were originally available through the Farm Security Administration/Office of War Information Black-and-White Negatives collection at the Library of Congress. However, Yale’s project makes the images easier to browse and explore.

    Welcome!

    Photogrammar is a web-based platform for organizing, searching, and visualizing the 170,000 photographs from 1935 to 1945 created by the United States Farm Security Administration and Office of War Information (FSA-OWI).
    http://photogrammar.yale.edu

    Interactive Map

    The map plots the approximately 90,000 photographs that have geographical information. Customize your search by by photographer, date, and place.

    #photographie #dépression #usa #carte

  • Obama’s role model to journalists — Dorothy Thompson — turned on Zionism and saw her career tank
    http://mondoweiss.net/2015/04/journalists-thompson-silenced

    There’s a supreme irony in Obama quoting Thompson, whose truly stellar career ended in charges of antisemitism from Zionists, to a crowd of journalists who quake in fear of having their careers destroyed by Israel supporters who more recently smeared Helen Thomas, Rick Sanchez, Octavia Nasr, and Jim Clancy for off-hand, ill-conceived remarks.