person:leonardo da vinci

Suite de ma série de dessins « Le Tartare »- Le #bitcoin

Je rassemble les éléments qui m’ont servi pour ce montage pour pas les perdre ou les oublier.

https://3.bp.blogspot.com/-a0OotJNrqTU/Wtd6ngGQe9I/AAAAAAAAGok/jDRWz1UbLBAwUOxcpcXDi1-mpG3DDh8GwCEwYBhgL/s1600/04-Bitcoin1-test.jpg

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A partir du billets de 1 rouble de 1937

https://c7.alamy.com/comp/D40EY3/1-chervonetz-banknote-vladimir-lenin-russia-1937-D40EY3.jpg

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https://entrelacsknots.files.wordpress.com/2012/02/leonardo-da-vinci-early-16th-cent-bodleian-library.jpg?w=412&h=460&zoom=2

Cette partie représente une carte d’internet inspirée d’une des propositions de Louis Drulhe que m’a conseillé @fil
►http://internet-atlas.net
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Le paysage est une mine de bitcoin au tibet, près d’une centrale hydroéléctrique

https://seenthis.net/local/cache-vignettes/L600xH335/tibetjpg-98e98ed-e44b4.jpg

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En dessous de la ferme/mine à bitcoin il y a un steve ( avatar des joueureuses dans minecraft)
▻https://minecraft.novaskin.me/skin/1404133393/Steve-Miner-Test
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Dans les angles les symboles évoquent certains aspects des bitcoin,
Le nucléair pour signalé que le bitcoin est de l’éléctricité convertie en argent.
Le mot en chinois c’est le province de Shenzhen (深圳市) où sont assemblés la plus part des composantes éléctroniques dans des conditions de travail indignes.
En bas à gauche c’est l’atome du Tantale, un metal fait à partir de Coltan, pour évoqué les terres rares
En bas à droite, un symbole des Panama paper pour évoqué la facilité que procure le bitcoin pour échappé aux impots.

Au Verso les QRcode sont des petites phrases qui m’ont marqués par rapport aux bitcoins :
Money is memory (rapport aux registes des bitcoin)
Convert electricity into money
make money with money
Cryprological gold - celle là faut que je l’améliore. Peut être quelquechose à propos des 21 millions d’unités - peut être : 21000000 cryptological ingots

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Le gris du verso est un texte converti en binaire :

En aucun cas la création de ces nouveaux outils n’entend traiter des causes des problèmes politiques et sociaux. À chaque fois, il s’agit de renforcer par force protocoles un idéal de sécurité. Avec l’apparition du Bitcoin, il ne s’agit donc pas tellement de l’éclosion d’une nouvelle manière de faire du business ni d’un nouveau type de relation économique. Il s’agit bien plutôt de la diffusion généralisée d’une forme de relation sociale et politique, alimentée depuis plusieurs décennies par la jonction de l’idéologie cybernétique et du capitalisme. Aussi, si certaines applications de la Blockchain peuvent paraître constituer un progrès c’est d’abord parce que notre monde a été bureaucratisé à outrance, organisé en un vaste réseau de flux, aseptisé pour être d’autant mieux surveillé, designé pour être fonctionnaliste et individualiste. « Le désert croît », disait Nietzsche. La Blockchain sculpte et organise les dunes pour qu’il devienne davantage praticable.

source : ▻https://seenthis.net/messages/677623

le texte converis donne :

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▻http://www.supportduweb.com/convertisseur-textes-binaire-code-ascii-numerique-ordinateur-secret-en
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#zuckerberk #mad_meg

ArtScience has become a buzzword and a battlefield for institutions which seek for some audience and legitimacy. One of the main fields of exploration of art is the infinite facets of the relations between humans and the livings in general. In this respect, there is a certain danger that ArtScience appears as a elephant in a porcelain shop, i.e. that ArtScience turns into an institutional motto at the expense of practitioners of art or science who work deeply and diligently without using such a big word. ArtScience may be seen as something similar to the “Fruit and Vegetable double-slit experiment” [Hampton, 1988; Aerst & Sozzo, 2012] that unfolded the quantum nature of language. As the best example of a fruit is, let say an apple, the best example of art would be, let say Picasso. The best example of a vegetable is, let say broccoli, and the best example of science is, let say Einstein. Then, if we unite Fruit and Vegetable and we try to find the best example of this semantic mixture, we don’t get apple nor broccoli but a set of fruits and vegetables affected by a certain probabilities. The output is something like fringes of interferences. The same will probably happen with ArtScience. It won’t be Picasso nor Einstein, but at first a galaxy of concepts and people. Indeed, tomato, olive, garlic and mushroom fit well in Fruits-Vegetables, but it seems that there is some socio-political phenomena that sort all of them after a certain time. Think that this experiment had a precedent during the Renaissance. The output was Leonardo da Vinci. He overwhelmed Filippo Brunelleschi (my favorite), Giovanni Pico della Mirandola, Piero della Francesca and so many others. That is how this first historical ArtScience experiment converged toward a peculiar figure. Hence we could try to climb on a meta level by considering that art and science are at first concerned by the dynamics of language that frames the relationships between humans. In that sense, ArtScience could be seen just as another language experiment of the Human Symbolic Evolution.
▻http://perspective-numerique.net/wakka.php?wiki=ArtScience

Very simple artificial neural network (400 neurons) learning to paint the famous Leonardo Da Vinci’s Mona Lisa
▻https://www.youtube.com/watch?v=X434w-pIwAM

et une version avec des #algorithmes_génétiques :
▻http://rogeralsing.com/2008/12/07/genetic-programming-evolution-of-mona-lisa

http://rogeralsing.files.wordpress.com/2008/12/evolutionofmonalisa1.gif

( dérive web passant par ▻http://gameoflife-algorithms.tumblr.com )

Charting culture

This animation distils hundreds of years of culture into just five minutes. A team of historians and scientists wanted to map cultural mobility, so they tracked the births and deaths of notable individuals like David, King of Israel, and Leonardo da Vinci, from 600 BC to the present day. Using them as a proxy for skills and ideas, their map reveals intellectual hotspots and tracks how empires rise and crumble

The information comes from Freebase, a Google-owned database of well-known people and places, and other catalogues of notable individuals. The visualization was created by Maximilian Schich (University of Texas at Dallas) and Mauro Martino (IBM).

▻https://www.youtube.com/watch?v=4gIhRkCcD4U&app=desktop

#visualisation #animation #culture #histoire #mobilité
cc @reka

A Brief History of the To-Do List and the Psychology of Its Success | Brain Pickings

▻http://www.brainpickings.org/index.php/2012/02/09/willpower-to-do-list

“The list is the origin of culture,” Umberto Eco famously proclaimed. (Leonardo da Vinci, John Lennon, and Woody Guthrie would have all agreed.) But the list, it turns out, might also be the origin of both our highest happiness and our dreariest dissatisfaction. So argue New York Times science writer John Tierney and psychologist Roy F. Baumeister in Willpower: Rediscovering the Greatest Human Strength. While the book is fascinating in general — an unconventional “self-help” tome that, much like Timothy Wilson’s Redirect, grounds its insights and advice in thirty years of serious academic research into willfulness and self-control — its third chapter, titled “A Brief History of the To-Do List, From God to Drew Carey,” is particularly interesting. In it, Tierney and Baumeister dissect the sociocultural anatomy of our favorite organizational tool, from the storytellers who crafted the Bible and wrote the Genesis myth with its six-step world-creation plan, to Benjamin Franklin’s fastidious pursuit of virtue bound by goal-setting lists, to comedian Drew Carey’s quest for supreme personal productivity.

#to_do_list #organisation #utopie etc.. et #procrastination

http://24.media.tumblr.com/tumblr_m3y313oiKf1rrn0iso1_500.jpg

Brodsky and Utkin

via ▻http://mapsinchoate.tumblr.com