person:marshall mcluhan

  • The Washington Post’s ‘three Pinocchios’ for AOC shows how incoherent mainstream ‘fact-checking’ really is – Alternet.org
    https://www.alternet.org/2019/02/the-washington-posts-three-pinocchios-for-aoc-shows-how-incoherent-mainstr

    But there’s something more complex happening here too, that’s probably best understood in terms of press scholar Daniel Hallin’s three-sphere model of how the media functions, from his 1986 book The Uncensored War. At the center is the sphere of consensus, mom-and-apple-pie country. Surrounding that, like a donut, is the sphere of legitimate debate, where journalists’ attention is usually focused, where there are two sides to every story and a need for objectivity and balance to be maintained.

    Beyond that, though, is the sphere of deviance, the outer darkness in which dwell “political actors and views which journalists and the political mainstream of society reject as unworthy of being heard.” The shoddy fact-checking directed at Ocasio-Cortez reflects a boundary-policing instinct, and an outdated one, considering that the entire political landscape has been irrevocably changed.

    To understand how shoddy it is — and the unspoken agenda involved — we need to take a closer look at the totality of what went down. Kessler was quoting from a snippet of AOC’s response to a question by Ta-Nehisi Coates in an MLK Day interview. The context is important, because context is everything in political discourse: What’s radical in one context is mom-and-apple-pie material in another.

    King, paradoxically, is both. The question asked and the answer given were both in King’s spirit — but not the mom-and-apple-pie version of him the media (and much of America) loves to celebrate. It more reflected the actual, radical Martin Luther King Jr., who spoke out against the “the giant triplets of racism, extreme materialism, and militarism,” and said, “True compassion is more than flinging a coin to a beggar. It comes to see that an edifice which produces beggars needs restructuring.”

    So, read in context, everything AOC said was true, even if we accept Kessler’s factual counterclaims! The entire fact-checking ritual was a charade. As I suggested earlier, it was really a boundary-policing episode, meant to keep her “radical” ideas outside the sphere of legitimate debate by portraying her as untrustworthy. Further, it was meant to deter others from similar infractions while trying to break through the barriers excluding them from legitimacy. (See AOC’s related Twitter thread on “gravitas” here.)

    But the problem is that Kessler’s implied boundaries are not worth policing, or even recognizing. The whole system is in crisis, and the mainstream media’s assessment of what is deviant, what reflects normative consensus and what represents legitimate debate bears little or no relationship to reality. Take two other examples AOC has been associated with — raising top marginal tax rates to 70 percent and a Green New Deal. The first idea drew immediate majority support — 59 percent in a poll for the Hill, including 56 percent of rural voters and 45 percent of Republicans—and scorn from the 1 percent at Davos.

    Dell Technologies CEO Michael Dell laughed at the idea (video here), and said he thought it would be bad for economic growth. “Name a country where that’s worked,” he responded. “Ever.” Sitting there with him was MIT economist Erik Brynjolfsson, who supplied the example: the United States, throughout most of its post-World War II expansion. It was a rare, Marshall McLuhan-in-“Annie Hall” moment. Usually, when the super-rich or their sycophants spout off like that, truth does not intrude. Certainly not from the fact-checking media.

    But the media’s failure is even more striking when it comes to climate change and the Green New Deal. It’s still a rarity for the media to treat climate science as firmly within the sphere of consensus, where all reputable researchers say it belongs.

    #Fact_checking #Médias

  • “What do you think Marshall McLuhan would have said about ebooks?How do they change the message of books?” | Edge.org
    https://www.edge.org/conversation/eva_wisten-what-do-you-think-marshall-mcluhan-would-have-said-about-ebookshow-

    Nicholas G. Carr (Author, Utopia is Creepy) :
    McLuhan pointed out the initial content of a new medium is the old medium it replaces, and we seem to be in that phase with ebooks—the content of today’s ebooks is print books. What that also means is that we don’t yet know what an ebook really is, because it has yet to take its true shape. But there is an important hint: we can see in the web itself what a computerized, networked, screen medium looks like, and that’s likely to be a closer model for the ultimate form of an ebook than an old printed book is. So if a printed book served as, to borrow Robert Frost’s phrase, “a momentary stay against confusion,” an ebook will likely serve as a further indulgence in confusion. (And I mean “confusion” in all its meanings: a mingling together, a jumble, bafflement.)

    #Edition #E_books

  • Tip of the Week #148: Overload Sets
    https://abseil.io/tips/148

    Originally posted as TotW #148 on May 3, 2018

    by Titus Winters, (titus@google.com)

    One of the effects of living with electric information is that we live habitually in a state of information overload. There’s always more than you can cope with. –Marshall McLuhan

    In my opinion, one of the most powerful and insightful sentences in the C++ style guide is this: “Use overloaded functions (including constructors) only if a reader looking at a call site can get a good idea of what is happening without having to first figure out exactly which overload is being called.”

    On the surface, this is a pretty straightforward rule: overload only when it won’t cause confusion to a reader. However, the ramifications of this are actually fairly significant and touch on some interesting issues in modern API (...)

  • The Lost Tetrads of #Marshall_McLuhan | OR Books

    http://www.orbooks.com/catalog/lost-tetrads-marshall-mcluhan

    Je mets ça ici pour qu’on se souvienne d’acheter ce bouquin quand on aura un peu d’argent

    Marshall McLuhan was the visionary theorist best known for coining the phrase “the medium is the message.” His work prefigures and underlies the themes of writers and artists as disparate and essential as Andy Warhol, Nam June Paik, Neil Postman, Seth Godin, Barbara Kruger, and Douglas Rushkoff, among countless others.

    Shortly before his death, together with his media scholar son Eric, McLuhan worked on a new literary/visual code–almost a cross between hieroglyphics and poetry–that he called “the tetrads.” This was the ultimate theoretical framework for analyzing any new medium, a koan-like poetics that transcends traditional means of discourse. Some of the tetrads were published, but only a few. Now Eric McLuhan has recovered all the “lost” tetrads that he and his father developed, and accompanies them here with accessible explanations of how they function.

    274 pages • Paperback ISBN 978-1-682190-96-8 • E-book 978-1-682190-97-5

    #bibliographie #media #visualisation #sémiologie

  • ROLAND BARTHES - How to Read the Signs in the News
    https://www.youtube.com/watch?time_continue=45&v=FeF6O6E9RQ8

    NOAM CHOMSKY - The 5 Filters of the Mass Media Machine
    https://www.youtube.com/watch?time_continue=5&v=34LGPIXvU5M

    MARSHALL MCLUHAN - Digital Prophecies: The Medium is the Message
    https://www.youtube.com/watch?v=09ML9n5f1fE

    STUART HALL - Race, Gender, Class in the Media
    https://www.youtube.com/watch?v=FWP_N_FoW-I

    EDWARD SAID - Framed: The Politics of Stereotypes in News
    https://www.youtube.com/watch?v=4QYrAqrpshw

  • PROBES
    http://rwm.macba.cat/en/probes_tag

    Curated by Chris Cutler, PROBES takes Marshall McLuhan’s conceptual contrapositions as a starting point to analyse and expose the search for a new sonic language made urgent after the collapse of tonality in the twentieth century. The series looks at the many probes and experiments that were launched in the last century in search of new musical resources, and a new aesthetic; for ways to make music adequate to a world transformed by disorientating technologies.

    #musique #histoire #audio #radio

  • Le #média, c’est le #message : comment #Mastodon peut (peut-être) réussir là où #Twitter a échoué… – Page 42
    https://page42.org/le-media-cest-le-message-comment-mastodon-peut-peut-etre-reussir-la-ou-twitt
    https://i1.wp.com/page42.org/wp-content/uploads/2017/04/kate-serbin-31030.jpg?fit=1200%2C572&ssl=1

    Marshall McLuhan, philosophe des médias canadien, avait une théorie : « Le média est le message ». Chaque média possède ses propres caractéristiques et induit donc un usage, qui devient le message. Par exemple, un livre fait plusieurs centaines de pages là où un tweet se contente de 140 caractères espaces comprises : on ne peut donc pas y articuler sa pensée de la même manière, ni avec la même efficacité. En schématisant un peu, cela veut dire que pour un même sujet, les utilisateurs de Twitter auront plus facilement recours à l’usage de « punchlines » (des phrases-choc, des blagues percutantes) que celles et ceux qui écriront un livre. Cela favorisera ou pénalisera certaines pratiques ou certains sentiments : comme il n’est pas possible de se faire bien comprendre en 140 caractères et d’exprimer une pensée nuancée, on va plus facilement se tourner vers la colère, l’insulte, le cynisme et l’ironie. Le média a un impact direct sur le message.

    • Sauf que Mastodon ne change (pour le moment) à peu près rien à l’utilisation par rapport à Twitter vu que justement ça le copie quasiment complètement, mis à part 3 caractères supplémentaires (avec des citations c’est rapide d’atteindre 500). Bref, c’est justement toute la réflexion sur ici, où Seenthis induit des comportements vraiment vraiment différents.

  • De la littérature à la TV, aller et retour…
    http://www.internetactu.net/2016/09/22/de-la-litterature-a-la-tv-aller-et-retour

    Dans son livre Pour comprendre les médias, Marshall McLuhan remarquait que très souvent, les premières manifestations d’un nouveau média étaient des reproductions du contenu réalisé avec un média plus ancien : ainsi le cinéma a-t-il commencé comme du théâtre filmé, avant d’établir ses propres règles ; la radio a d’abord été utilisée (...)

    #Articles #Usages #culture #humanités_numériques

  • 4月2日のツイート
    http://twilog.org/ChikuwaQ/date-150402

    鳥が鳴く鳥が鳴くゥ、鳥が鳴いては大変だ blog.goo.ne.jp/kuru0214/e/d79… posted at 14:45:33

    Top story: California Imposes First-Ever Water Restrictions to Deal With Drought www.nytimes.com/2015/04/02/us/…, see more tweetedtimes.com/ChikuwaQ?s=tnp posted at 12:10:44

    My Tweeted Times tweetedtimes.com/ChikuwaQ?s=rgp - top stories by @jjn1 posted at 12:00:01

    Top story: Marshall McLuhan’s Strange Reading Habit: "I Read Only the Right-Han… www.openculture.com/2015/04/marsha…, see more tweetedtimes.com/ChikuwaQ?s=tnp posted at 10:20:05

    What’s Wrong with the Economy—and with Economics? | The Gallery | The New York Review of Books www.nybooks.com/blogs/gallery/… posted at 09:16:17

    Papier is out! paper.li/ChikuwaQ/13277… Stories via @gotanda6 posted at 09:15:46

    RT @Peepsqueak: Damien Hirst - ’Mickey’ | @phillipsauction @Mr_Mustard rt (...)

  • Armer l’esprit : livres et autres nourritures nécessaires

    Comme l’année dernière, je consacrerai les dernières chroniques avant changement de chiffre (ou avant la fin de ce monde, c’est selon) à des livres, revues, films ou BD en lien avec les thèmes habituellement traités ici. Pour cette première livraison, trois livres autour de l’art, des sciences et techniques et deux revues de poésie....

    ... Les Éditions è®e viennent de sortir un très bel ouvrage (avec les 65 illustrations d’origine), la Mariée mécanique de Marshall McLuhan. Inédit en français, cet ouvrage datant de 1951 est une collection de textes critiques analysant la culture et les médias de l’homme moderne des années 1950. Il combine techniques médiatiques pervasives, et art de l’écriture aussi. C’est, dixit l’auteur, une critique décapante de ceux qui prétendent « s’introduire dans les consciences à des fins de manipulation, d’exploitation et de contrôle ». Dans le chapitre « Le cadavre comme nature morte », par exemple, il établit un parallèle entre la technique du récit policier et celle du peintre, tous deux composant le tableau des éléments tangibles, pour permettre au lecteur/spectateur de se projeter dans le temps de cette scène et de la revivre. À venir chez è®e en mars 2013, un autre ouvrage-manifeste inédit de McLuhan : Counterblast.

  • La Mariée mécanique - Folklore de l’homme industriel | Marshall McLuhan (1951)
    http://networkedblogs.com/CxEVX

    Incroyable mais vrai. The Mechanical Bride : Folklore of Industrial Man, de Marshall McLuhan n’avait encore jamais été traduit en français. (...) ce texte de 1951 manquait à l’appel. Et pourtant, quel texte ! Grâce aux éditions è®e et à la traduction d’Emilie Notéris, nous avons enfin sous les yeux l’essai détonant du sulfureux Canadien. Imaginez un scrap-book piégé, imaginez un livre d’heures subversif, imaginez une glose qui pétille et tacle. Ecrit en pleine guerre froide, alors que le « contrôle des esprits » bat son plein, La Mariée Mécanique fait preuve d’une lucidité incomparable

    #livre #publicité #télévision #presse #propagande #médias