• Toujours des claques
▻http://kecebolaphotographie.blogspot.com/2019/12/toujours-des-claques.html
#photographie #presse #capitalisme #rapinerie
#photographie
- #photographies_animées
- #photographies_aériennes
- #photographies_historiques
- #photographies_officielles
- #photographies_satellitaires
- #photographiecouleur
- #photographieurbaine
- #photographie_
- #photographie-culinaire
- #photographier_quelqu'un
- #photographier_un_portrait
- #photographier_en_noir_et_blanc
- #photographiepic.twitter.com/n0x62i97h1
- #photographiepic.twitter.com/qtdourtjpa
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#photographie #presse #capitalisme #rapinerie-
Vu dans une blague la réponse d’une artiste : « Ça tombe bien ! Mon loyer est justement de 800 visibilités par mois ! »
#travail_gratuit #artiste -
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#Spomenik. L’utopie de la #mémoire
Livre de photo signé #Alberto_Campi (@albertocampiphoto)▻https://www.albertocampiphoto.com/presentazione-del-libro-spomenik-lutopie-de-la-memoire
Pour voir quelques clichés sur le site web d’Alberto :
►https://www.albertocampiphoto.com/portfolio/items/38Le livre sera en vente bientôt online au prix de 20 EUR... il faut encore un peu de patience pour la mise en place de la vente (car auto-édition et auto-production)... Mais ça sera prêt pour vos cadeaux de Noël, si jamais ça vous tente...
Le livre est en 4 langues :
– français
– italien
– anglais
– serbo-croate#spomenik #livre #monuments #photographie
ping @philippe_de_jonckheere @visionscarto @isskein @reka @fil @nepthys @simplicissimus
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Bravo @albertocampiphoto !
Combien de campagnes en ex-Yougoslavie ?
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On a beaucoup arpenté l’ex-Yougoslavie... parfois ensemble, parfois Albe tout seul... ça a fait quelques voyages, mais surtout beaucoup et beaucoup de km !
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@simplicissimus
Je dirais au moins une douzaine de voyages, mais j’ai perdu le compte. Je dirais un total de 4 mois de terrain.
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Cile: foto per la resistenza
Légende:Chilean demonstrators resist on the frontline against Police’s water canon behind improvised shields in Plaza Italia (renamed Plade de la Dignidad) on November 28, 2019, Santiago, Chile. The ongoing civil protests started the mid of October against Piñera government in response of the increased cost of living, inequality and privatization.
Il fotoreporter #Fabio_Bucciarelli realizza uno scatto che racconta quanto sta accadendo nel Paese: la ricerca del cambiamento e la richiesta di democrazia
▻https://www.atlanteguerre.it/cile-foto-per-la-resistenza
#photographie #résistance #Chili
ping @albertocampiphoto @philippe_de_jonckheere-
Dans la légende de la photo, on peut lire:
#Plaza_Italia (renamed #Plade_de_la_Dignidad)–-> #toponymie #toponymie_politique
En réalité, probablement #Plaza_de_la_dignidad...
Miles de chilenos volvieron a "La Plaza de la Dignidad” para celebrar un mes de protestas contra el gobierno de Piñera
▻https://www.infobae.com/america/america-latina/2019/11/19/miles-de-chilenos-volvieron-a-la-plaza-de-la-dignidad-para-celebrar-un-mes- -
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Everyday racism : exhibition heading to Glasgow
A NEW photography exhibition aims to shine a light on the every day experiences of racism faced by people of colour in Glasgow and foster conversations on how best to tackle discrimination.
The exhibition, which opens at the Glasgow Museum of Modern Art (GOMA) this week, features 10 photographs by Karen Gordon, taken in collaboration with her subjects. It examines the common place racism experienced by the project’s participants that often went unnoticed by the white population around them.
Participants, who all live in Glasgow, told Gordon about experiences of being stopped and searched at airports and taken aside for questioning by plain clothes police officers.
Others had gone through their twenties being turned away from pubs and nightclubs by bouncers, although this did not happen to their white friends. One actor with Scottish Asian heritage said that being told he “did not have the right look” at castings was such a common experience that it was a “running joke” amongst BAME actors.One black man spoke about the “dirty looks” and “handbags clutched” if he was wearing a hoodie, while several others spoke of sensing racist judgments being made based on the colour of their skin. One black women recalled when a music tutor she had just met reached out unprompted to touch her hair.
Gordon, who has worked as a photographer with Maryhill Integration Network – which supports refugee and migrant communities – for many years said she was inspired to start the project after realising that even though she had been involved in anti-racism work she was still not aware of the daily nature of racism directed at people of colour.
She said: “As someone who has been trying to tackle racism all my life I realised there was still so much that I was unaware of. What are the insidious things that people don’t talk about? Glasgow can seem quite diverse and welcoming due to that, but when you start to go under the surface its more complicated.
“The most important thing for me was that the participant was happy with the portrayal, so that was a huge part of the project and I worked very closely with people.
“A lot of white people say they don’t see colour and that is only because they have never had to see it. It’s such a huge issue. I see the photographs as a way of starting a bigger conversation about this.”
Nida Akif, a 21-year-old student, who both took part in and worked on the project, said that it had helped her to deepen her own understanding of the structural racism that she had sometimes struggled to name when she was younger.
“For me what is often frustrating is that you experience something that is not outward racism but it’s more that it is an underlying thing,” she said.
The photograph featuring Akif depicts an experience she had in an art gallery.
She and a friend – both of Pakistani heritage and wearing headscarves – were told to stop taking photographs. The white people doing the same around them continued to do so unchecked.
“It’s something that you can’t report because it’s treated as just being a suspicion,” she said. “When I started to speak to others about this I realised that as someone who is brown, who is Asian and wears a hijab I think about [how I am viewed] every day ... when I’m on the train and someone doesn’t sit next to me, when I go for job interviews.”
THE increasing racist attitudes in Britain have also affected Akif and her friends, she claimed, with many of them deciding to remove their hijabs and headscarves because they felt it made them too visible.
She said of the exhibition: “I hope that it will showcase the experiences people are having and will help tackle ignorance.”
Concerns have been growing about the way that racist attitudes are being normalised by the racist and Islamophobic comments made by our most high-profile politicians.
Last August Boris Johnston was widely condemned for saying Muslim women wearing burkas “look like letter boxes”, yet went on to become Prime Minister regardless. Meanwhile the “hostile environment” policies that led to the Windrush scandal have remained a cornerstone of Conservative government strategy.
▻https://www.thenational.scot/news/18071789.everyday-racism-exhibition-heading-goma
#racisme_ordinaire #racisme #xénophobie #Glasgow #photographie #peau #couleur_de_peau #Karen_GordonLe site de la photographe :
▻https://karengordonphotography.blogEt la présentation de son travail #Everyday_racism :
▻https://karengordonphotography.blog/everyday-racism... notamment avec cette photo qui clairement mentionne la question des #cheveux
#cheveux_crépus... ou celle-ci qui aborde la question de la #classe_sociale et du #travail :
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Depuis dix ans, un artiste #photographie les plus belles du monde
L’Allemand #Reinhard_Görner a réalisé une soixantaine de clichés de bibliothèques. Ce #photographe spécialiste de l’#architecture a sillonné l’Europe et les Etats-Unis.
▻https://www.dailymotion.com/video/x67dtak
Source : ▻https://www.lemonde.fr/arts/video/2017/11/02/depuis-dix-ans-un-artiste-photographie-les-plus-belles-bibliotheques-du-mond
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Tourists in #Gran_Canaria are left stunned as 24 migrants including three children and a pregnant woman in a rickety boat land on popular beach on the holiday isle
Tourists in Gran Canaria were left stunned today when 24 migrants including three children and a pregnant woman landed in a rickety boat on a popular beach.
Sunbathers in the Canary Islands joined forces with emergency workers to give water, food and clothes to migrants who arrived unexpectedly on the rocky shores of Aguila beach, in San Bartolome de Tirajana.
Exhausted, cold and some seemingly in a state of shock after weathering the Atlantic, the two dozen migrants were given thermal blankets and towels by rescue workers as they were finally able to rest on the beach.
Red Cross officials said the migrants, who were from northern and sub-Saharan Africa, told them of six days spent navigating at times rough waters. ’It was a really tough journey,’ Jose Antonio Rodriguez of the Red Cross said.
The group included 12 men, eight women and three children - six of whom were treated at a local hospital. None were reported to be in serious condition.
Sunseekers, who ranged from tourists visiting the island to locals, sprang into action after the boat arrived, he said.
’They were the first ones to help out, giving them food, water and milk for the babies after they saw how hungry they were,’ he said. ’They also gave clothing as the migrants were soaking wet.’
In the extraordinary incident, one woman cradled a weary migrant in her lap as another swimsuit-clad woman gave her water. Another used his beach towel to keep her feet warm.
Photographs show the migrants wrapped in gold emergency blankets and laying on the rocky beach as rescue service members work to provide them with bottles of water and sandwiches.
British holidaymakers Gavin and Bernadette Rodgers witnessed the landing while on a dolphin watching trip during their pre-Christmas break to the island, which is located off the northwest coast of Africa.
The pair had paid 30 euros for the trip, which set off from Puerto Rica on Gran Canaria with a small group of German and British tourists. An hour and a half into the two hour trip, the tour hadn’t seen a single dolphin.
’We were all scanning the sea, almost giving up hope. Suddenly a crew member came up on deck and said we had drifted very close to the coast of Africa,’ Mrs Rodgers said. ’They had been alerted by the coast guard that we needed to be vigilant in case we encountered a boat from there.
’Strangely my first thought was we might be about to be kidnapped by armed pirates. But the crewman said no, it was a boatful of immigrants heading for Europe who may have been drifting for days. I was relieved and gratified. We can rescue help these people and bring them to safety.’
Some 27,594 migrants had arrived in Spain this year by mid-November, according to data from the Interior Ministry, a decrease of more than 50 per cent from the same period last year.
The popular tourist destination of the Canary Islands, however, has seen an increase of 22 per cent in arrivals, with 1,493 migrants arriving so far this year by mid-November.
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https://i.imgur.com/pJF0Eid.jpg ▻https://www.dailymail.co.uk/news/article-7739717/Tourists-Gran-Canaria-left-stunned-24-migrants-rickety-boat-land-popula
#tourisme #migrations #photographie #route_atlantiqueJ’ajoute du coup à cette métaliste sur le lien entre migrations et tourisme:
►https://seenthis.net/messages/770799-
Bañistas de una playa de Gran Canaria auxilian a 24 inmigrantes que desembarcaron en patera
Las llegadas de inmigrantes a las Islas Canarias han aumentado un 22% en 2019 y ya rozan las 1.500.
Las imágenes de inmigrantes en pateras son habituales en la costa española, aunque a veces la tragedia deja un hueco para la esperanza. Este viernes desembarcaron 24 personas en la playa del Águila, en el sur de Gran Canaria, y los bañistas que disfrutaban del sol de la isla se lanzaron a socorrerlas. Entre los viajeros, que llegaron todos con vida, había seis menores de edad y dos mujeres embarazadas. Las llegadas a las costas canarias han aumentado más de un 20% en 2019.
El otoño no existe en las playas de Maspalomas. Mientras los bañistas disfrutaban de unos agradables 27 grados, una embarcación con inmigrantes magrebíes y subsaharianos alcanzó la pedregosa costa. Los integrantes de la patera, un grupo de tres bebés, tres niños, 10 varones y ocho mujeres, desembarcaron por sus propios medios en la orilla. Los bañistas, que observaban la escena estupefactos, ayudaron de inmediato, incluso antes de que los servicios de emergencia llegasen para entregar agua, alimentos y ropa de abrigo a los inmigrantes. Algunos de los usuarios de la playa se pusieron de acuerdo para ir a un supermercado cercano y comprar leche y biberones para los más pequeños, y embutidos, pan y yogures para los demás.
Aunque no se produjeron víctimas, 13 inmigrantes fueron derivados a distintos centros sanitarios porque presentaban síntomas de deshidratación, mareos o cuadros de vómitos, según informó Efe. Los viajeros pasaron cinco días en el mar y algunos de ellos trataron de huir al alcanzar la playa, con escaso éxito. Uno de los bebés tuvo que ser evacuado al Hospital Materno-infantil de Las Palmas de Gran Canaria.
Más de 27.000 inmigrantes han llegado a España en lo que va de 2019, menos de la mitad que el año pasado, según el Ministerio del Interior. Sin embargo, Canarias ha experimentado un aumento del 22%. A principios de noviembre, nueve inmigrantes murieron tras volcar una patera en Lanzarote. El archipiélago, que durante el otoño y el invierno supone una opción muy atractiva para muchos turistas españoles y extranjeros que escapan del frío continental, se ha convertido en una ruta al alza entre quienes se echan al mar con la ilusión de alcanzar suelo europeo. No todos lo consiguen.
▻https://elpais.com/politica/2019/11/29/actualidad/1575040711_248908.html
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• Tbilissi la nuit, l’avenir d’une illusion, par Arnaud Contreras
▻https://lintervalle.blog/2019/11/29/tbilissi-la-nuit-lavenir-dune-illusion-par-arnaud-contreras-photographTbilissi n’est pas que la capitale de la Géorgie, c’est un état d’esprit.
C’est une auberge ouverte à tous les vents, un vitalisme, une ironie, une joie malgré les nombreuses difficultés des jours.
On rentre dans le flou, comme on passe sous une arche de reconnaissance, comme on se fait baptiser par les ténèbres.
On est à Berlin peut-être, mais plus à l’est.
Projections, gros sons, la musique fracasse la tête, c’est bon.
Ville de derviches tourneurs, Tbilissi réinvente le hip-hop.
Dark city est sainte et underground.
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Des images en toute légalité, en veux-tu en voilà
« Pas toujours simple d’illustrer un billet de blog quand on n’a pas
sa propre collection de photos ! Voici quelques petites astuces pour
savoir où les trouver en toute légalité et comment les insérer dans sa
prose. »▻https://blogs.mediapart.fr/communautes-de-mediapart/blog/271119/des-images-en-toute-legalite-en-veux-tu-en-voila
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• On the barricades
▻https://morelbooks.com/collections/bookshop/products/on-the-barricadesRe-published in collaboration with City Lights, San Francisco - On The Barricades was originally published on Bastille Day 1968.
“I think here there is a common ground between the American movement and the French Movement. It is a total protest, not only against specific evils and against specific shortcomings, but at the same time, a protest against the entire system of values, against the entire system of objectives, against the entire system of performances required and practiced in the established society. In other words, it is a refusal to continue to accept and abide by the culture of the established society. They reject not only the economic conditions, not only the political institutions, but the entire system of values which they feel is rotten at the core.
And in this sense I think one can indeed speak of a cultural revolution in the sense that the protest is directed against the entire cultural establishment, including the morality of the existing society.”
– Herbert Marcuse*
*In the Los Angeles Free Press
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Image du monde flottant
▻http://liminaire.fr/derives/article/image-du-monde-flottant▻https://www.flickr.com/photos/liminaire/49073777966
Pendant quinze jours, nous avons traversé le Japon, passant par #Osaka, Hiroshima, Miyajima, Okayama, Nara, Himeji, Kobe, pour terminer notre périple à #Tokyo. Ce n’est pas la première que nous nous rendons au Japon, c’est la huitième fois pour Caroline, la quatrième pour moi, mais ce séjour représente un tournant dans notre approche du Japon, avec l’envie d’y passer un temps plus long que ces brefs mais passionnants séjours. C’est aussi la première fois où nous parvenons à créer ensemble un carnet de (...) #Dérives / #Art, #Architecture, #Inventaire, #Photographie, #Voyage, #Écriture, #Numérique, #Regard, #Ville, Osaka, #Cimetière, #Paysage, (...)
▻https://imagedumondeflottant.tumblr.com/tagged/Osaka
▻https://imagedumondeflottant.tumblr.com/tagged/hiroshima
▻https://imagedumondeflottant.tumblr.com/tagged/miyajima
▻https://imagedumondeflottant.tumblr.com/tagged/okayama
▻https://imagedumondeflottant.tumblr.com/tagged/nara
▻https://imagedumondeflottant.tumblr.com/tagged/himeji
▻https://imagedumondeflottant.tumblr.com/tagged/kobe
▻https://imagedumondeflottant.tumblr.com/tagged/Tokyo
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À Java, les poubelles débordent, un reportage d’Aude Vidal
▻https://visionscarto.net/java-dechets-plastiquesL’emploi de matières plastiques s’accroît inexorablement sur la planète. Cependant, les pays consommateurs des produits manufacturés ou emballés se trouvent incapables de limiter et recycler leurs #déchets. Les plus riches se débarrassent du problème en exportant ces #plastiques — recyclables ou non — vers les pays d’Asie. Depuis que la #Chine a fermé ses frontières en 2018, ce sont les pays les plus pauvres, comme la #Malaisie, la #Thaïlande, ou encore l’#Indonésie, qui héritent de ce marché mondial.
Transboundary Trade in Plastic Waste, maps by Levi Westerveld & Philippe Rivière
▻https://visionscarto.net/transboundary-trade-in-plastic-waste-
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RIVER OF TRASH — How Plastic Pollution Is Making Central American Communities Uninhabitable
▻https://theintercept.com/2019/10/27/plastic-pollution-guatemala
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Photo of the week by #Frontex...
Frontex sea operations
▻https://twitter.com/Frontex/status/1190635286990077955?s=19
#no_comment #coucher_de_soleil #levé_de_soleil #WTF #photo #photographie... je ne sais pas quels autres tags utiliser...
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#beau_comme_frontex sinon y a aussi #frontex_grosse_bouse_de_merde_chiassique mais bon.
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“Hub City” by Photographer Casey Bennett
▻https://www.booooooom.com/2019/10/31/hub-city-by-photographer-casey-bennett
Photographer Casey Bennett explores the intersection where landscape, architecture and human presence meet. Originally from Grand Forks, British Columbia, Bennett now resides in the small town of Williams Lake, which is the backdrop of his newest series, “Hub City”.
“Located in the Central Cariboo Interior, where individuals’ collective livelihoods and lifestyles have been, and are currently heavily dependent upon certain industries— particularly the logging and mining industries, which have experienced some unstable periods over the last few years, leading to shut downs and increased unemployment. Generations of families have committed their lives and passed on an identity of working these jobs, becoming culturally bound to these careers.”
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Former Yugloslavia’s brutalist beauty – a photo essay
►https://www.theguardian.com/artanddesign/2019/oct/31/former-yugloslavia-brutalist-beauty-a-photo-essayAfter the second world war, socialist Yugoslavia set out to reconstruct a land destroyed by fighting. Concrete residential blocks, hotels, civic centres and monuments shot up across the country in a show of power from a state between two worlds, western democracy and the communist east. Photographs by Marko Đurica/Reuters. Written by Ivana Sekularac.
▻https://i.guim.co.uk/img/media/1514517c4b256231a360c977f7346f37ffb4f4c8/645_0_2547_2333/master/2547.jpg?width=1225&quality=85&auto=format&fit=max&s=142afd792c11fa81386d5
Karaburma Housing Tower, also known as the Toblerone building, in Belgrade, Serbia
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Detroit: Evolution of a City
▻http://www.detroiturbex.com/content/ba/feat/index.htmlAn interactive look at the growth, decline, and revival of the city of Detroit through historic and present-day pictures.
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• Yosigo’s warm photography takes a look at where nature and civilisations meet
▻https://www.itsnicethat.com/articles/yosigo-photography-251019
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Spy Photos From Communist Czechoslovakia
▻https://www.rferl.org/a/the-communist-spy-photographers-of-czechoslovakia/30236411.html?ltflags=mailerThese are some of the thousands of images snapped by Czechoslovakia’s secret police during the 1970s and 1980s using tiny hidden cameras.
Czechoslovakia at the time was in the “normalization period” that followed the 1968 invasion of the country by Soviet-led forces. The military takeover was ordered by the Kremlin after Czechoslovakia’s government attempted to ease restrictions on speech and implement other political reforms. For ordinary citizens, “normalization” meant a revived effort by the regime to assert extreme police control.
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Mikroma - Camera-wiki.org - The free camera encyclopedia
▻http://camera-wiki.org/wiki/MikromaThe Mikroma is a tiny viewfinder camera for 16 mm film. It was made from about 1949 by Meopta in Prerov (then in Czechoslovakia; now the Czech Republic). It measures 75×43×40 mm and weighs 230 g (the Mikroma II).[1] It is based on an earlier camera the Mikronette, made when the company was still called Optikotechna, before it was nationalised.
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https://live.staticflickr.com/7856/47412464141_bb16d9327e_b.jpg Home | Meopta :: Better view of the world
▻https://www.meopta.com/enMeopta is an international company with a long rich tradition of developing, manufacturing and assembling world class optical, opto-mechanical and optoelectronic products.
Meopta‘s state of the art design, engineering, manufacturing and assembly capabilities enable it to provide the highest quality products and services to the industrial, military and consumer markets.
Mikroma 16mm Variations
▻http://www.submin.com/16mm/collection/mikroma/index.htmThe beginning of Meopta lies in the year 1933. At that time, the production plant Optikotechna was founded in Prerov by Dipl. Ing. Benes. Since that time, the optico-mechanical production in Prerov has passed through a long development and Meopta’s products found their way to many countries worldwide. See ▻http://www.meopta.cz/history/products/History.html for more details.
1933 - Dipl.Ing. Alois Benes established company Optikotechna in Prerov. Dr. Mazurek constructed the first Czechoslovak enlarging lens.
1934-1937 - Optikotechna focused on darkroom equipment (mainly enlargers and lenses).
1937 - Optikotechna built new facilities for production in suburb of Prerov.
1939-1945 - Optikotechna was forced to supply military optical equipment for German army (rangefinders, periscopes, binoculars, riflescopes). Optikotechna was renamed to “Herrmann Goering Optische Verzeuge”.
1946 - Optikotechna renamed to Meopta national enterprise.
1947-1970 - Meopta became one of the biggest enlarger manufacturers worldwide and the only cinema projector manufacturer in Central/East Europe.
1953 - The Institute for Research and Development of Optics and Precision Mechanics was established in Prerov.
1971 - There was a rapid increase of military production for Warsaw Pact (up to 75% of total turnover).
1988 - Meopta renewed riflescopes production, decreasing military production.
1990 - Meopta military programme decreased to 0%, Meopta Prerov, a.s became separate subsidiary join stock companies.
1992 - Meopta is fully privatised and remains the only optical enterprise in Czech Republic. Became a supplier of major optical companies worldwide.
#photographie #Tchécoslovaquie #surveillance #espionnage #guerre_froide #histoire #16mm
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• The Seventh Wave • Trent Parke
▻https://www.magnumphotos.com/arts-culture/society-arts-culture/trent-parke-seventh-waveTrent Parke’s deep dive into the Australian psyche takes us under water and into mankind’s relationship with nature
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• Christer Strömholm – ‘Post Scriptum’ (2012)
▻https://americansuburbx.com/2013/01/review-christer-stromholm-post-scriptum-2012.htmlMany of his photographs were taken in Paris, and anticipate the work of more contemporary photographers like Nan Goldin in that they are documents from Strömholm’s eclectic and vigorous life.
• Agence Vu
▻https://www.agencevu.com/photographers/photographer.php?id=150
https://americansuburbx.com/wp-content/uploads/2013/01/7079122959_f916c8d516_b.jpg 
https://americansuburbx.com/wp-content/uploads/2013/01/7079123899_62dab260a7_b.jpg 
https://americansuburbx.com/wp-content/uploads/2013/01/6933051184_316ff897d9_b.jpg
#photographie #Strömholm -
Écrire le paysage en mouvement
▻http://liminaire.fr/liminaire/article/ecrire-le-paysage-en-mouvementComposé de salles d’exposition, d’un centre de ressources documentaires et d’un espace des arts vivants, le Parc culturel ouvre le domaine de Rentilly à la création contemporaine. Le Parc culturel de Rentilly – Michel Chartier propose une programmation de spectacles et d’ateliers en direction du jeune public tous les mercredis de mars à juillet et de septembre à janvier, au cours de deux saisons, printemps-été et automne-hiver. Les bibliothécaires de l’Orangerie m’ont confié les ateliers d’écriture de (...) #Liminaire / #Architecture, #Art, #Atelier, #Écriture, #Langage, #Peinture, #Photographie, #Numérique, #Poésie, #Récit, #Ville, #Dérive, (...)
#Nature
▻https://www.facebook.com/parcculturelrentilly
▻http://www.marneetgondoire.fr/en/accueil-de-groupes/decouverte-du-fonds-du-centre-de-ressources-documentaires-lorangerie
▻https://www.guidigo.com/fr
▻http://www.marneetgondoire.fr/en/culture/parc-culturel-de-rentilly-michel-chartier-234.html
▻https://www.google.fr/maps/place/Parc+culturel+de+Rentilly+-+Michel+Chartier/@48.8483834,2.6672484,16.2z/data=!4m5!3m4!1s0x47e605327c6035bf:0xef992095c8ea366b!8m2!3d48.8483494!4d2.67
▻https://www.fraciledefrance.com
▻https://www.fraciledefrance.com/d -
Why we’re rethinking the images we use for our climate journalism | Environment | The Guardian
▻https://www.theguardian.com/environment/2019/oct/18/guardian-climate-pledge-2019-images-pictures-guidelines
▻https://i.guim.co.uk/img/media/afe269d9ec06740a551d25fa8d8e07c902892cd2/0_260_4000_2400/master/4000.jpg?width=1200&height=630&quality=85&auto=format&fit=crop&overlay-aliGuardian picture editor Fiona Shields explains why we are going to be using fewer polar bears and more people to illustrate our coverage of the climate emergency
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Licht und Film | [Leerstelle Berlin ]
▻https://lichtundfilm.de/leerstelle-berlin
Friedrichwerdersche Kirche, DDR Außerninisterium, Palast der Republik, Fernsehturm, im Vordergrund die Wiese an der Stelle des heutigen Bundesaußenministeriums -
Fototechnik auf dem Berliner Fernsehturm | Mediathek des Stasi-Unterlagen-Archivs
▻https://www.stasi-mediathek.de/medien/fototechnik-auf-dem-berliner-fernsehturm/blatt/19
Ce site explique comment photographier et cartographier comme les vrais espions. Malheuresement la technologie employée est definitely eighties . Actuellement nous sommes confrontés à des objectifes et sensors beaucoup plus sensibes couplés aux caméras de surveillance omniprésents, les smartphones et bientôt les objets IoT personnels. A vous de juger si l’aisance avec laquelle on pouvait se soustraire à la surveillance par les agents #Stasi rendait la vie plus facile qu’aujourd’hui dans des états de plus en plus autoritaires et alliés aux société d’espionnage privées.[Stempel: VVS MfS o220 B67/84]
[Es handelt sich bei dieser Abbildung um den Ausschnitt eines Stadtplans Berlins rund um das Areal am Berliner Fernsehturm und Alexanderplatz. Der Ausschnitt reicht vom Brandenburger Tor im Westen, über die Bezirke Mitte und Prenzlauer Berg im Norden, bis zum Volkspark Friedrichshain im Osten sowie zu den U-Bahnhöfen Spittelmarkt und Märkisches Museum im Süden. Herum um das Symbol für den Fernsehturm befinden sich mehrere Umkreisungen in unterschiedlichen Abständen mit Entfernungsangaben in 250 m-Schritten ab 500 m bis 1.500 m.]
[Stempel: VVS MfS o220 B67/84]
Tabelle zur Einschätzung fotografischer Technik bei verschiedenen Witterungsbedingungen
[Diese Grafik ist eine fünfspaltige Tabelle zur Einschätzung der Möglichkeiten erfolgsversprechender Benutzung fotografischer Technik bei verschiedenen Witterungsbedingungen. In der linken Spalte sind Sichtbedingungen bei Sonne, Wolken und Regen ausdifferenziert (klare Sicht, leichter Dunst und starker Dunst). Die nächste Spalte listest Brennweiten von Objektiven auf. Die dritte Spalte von links benennt 7 unterschiedliche Modelle an fotografischem Filmmaterial. Die beiden rechten Spalten unterscheiden die Erkennbarkeit von Personen und Kfz-Kennzeichen in unterschiedlichem Abstand. Ob eine Kombination aus Wetterbedingung, verwendetes Objektiv und Filmaufnahmematerial zu einem befriedigenden Ergebnis für die Aufnahme von Personen oder Kfz-Kennzeichen in den unterschiedlichen Abständen führt, ist jeweils mittels eines Kreises für „möglich“ oder - im negativen Fall - durch einen Bindestrich ("nicht möglich") dargestellt.]
Cette table nous apprend que les compétennces en matière de potographie des agents Stasi ne dépassaient pas le niveau d’un amateur rôdé. Ils ont omi les diverses méthodes qui permettent d’obtenir de meilleurs résultats par temps de brume simplement en utilisant des filtres polarisants. C’est typique pour l’approche du genre « bricolage » qui marquait leurs activités. Aujourd’hui on présente la Stasi comme le service de surveillance le plus effroyable du monde, mais en réalité les départements compétents pour le territoire de la #RDA étaient des monstres bureaucratiques peu efficaces.
[Stempel: VVS MfS o220 B67/84]
[handschriftliche Ergänzung: Kamera: EE 3; 50mm Brennweite; Film NC 19
22.06.1983][Die Aufnahme, die vermutlich vom Berlin Fernsehturm herab gemacht wurde, zeigt den Verlauf einer mehrspurigen Straße mit Straßenkreuzungen, Plätzen und angrenzenden Hochhäusern. Neben dem Bild gibt es Bezifferungen von 1 bis 4, die auf das Foto bzw. auf Objekte im Foto zeigen: Nummer 1 verweist auf eine große Straßenkreuzung im hinteren Verlauf der Straße, Nummer 2 und 3 auf ein Hotel-Hochhaus im Vordergrund und Nummer 4 auf einen Eingang, vermutlich zur einer Unterführung oder U-Bahn-Station, neben dem Hotel-Hochhaus.]
Brennweite: 1.000 mm, Blende 5.6, Belichtung 1/250 sec, Entfernung: 1,2 km
8Dieses Bild ist eine Detailaufnahme einer Straßenkreuzung, fotografiert aus 1,2 km Entfernung herab vom Berliner Fernsehturm. Das Bild zeigt in herangezoomter Ansicht mehrere Autos, die um eine Verkehrsinsel herum fahren. Die Aufnahme ist neben dem rechten Bildrand mit einer umkreisten 1 versehen.]Là on constate que le service fédéral qui gère le patrimoine stasi n’a rien à envier à son sujet principal quant à son incompétence. Les décriptions des images ne donnent aucune information supplémentaire et n’identifient pas les rues et squares pourtant faciles à reconnaître quand on compare les photos au plan de ville. Ici ne sont pas mentinnés les rues #Karl-Liebknecht-Straße, #Wilhelm-Pieck-Straße (aujourd’hui #Torstraße), #Mollstraße. #Premzlauer_Allee, #Hirtenstraße, #Wadzeckstraße et surtout #Memhardstraße plus longue au moment de la prise de vue qu’aujourd’hui.
Stadtplan Berlin - Hauptstadt der DDR - 1:25.000 VEB Landkartenverlag Berlin (1969) - Landkartenarchiv.de
▻https://www.landkartenarchiv.de/ddr_stadtplaene.php?q=stadtplan_berlin_hauptstadt_der_ddr_1969
Falk-Plan Berlin - 51. Auflage (1989) - Letzter Falkplan vor der Wende - Mit Aktualitäts-Siegel - Landkartenarchiv.de
▻https://landkartenarchiv.de/falkplan.php?q=falk_berlin_51_1_1989
Berliner Straßenverzeichnis (Matt-Mert)
▻http://www.alt-berlin.info/seiten/str_m_2.htm
Openstreetmal - Memhardstraße
▻https://www.openstreetmap.org/way/523630409#map=19/52.52395/13.41161La deuxième photo montre un convoi de Volvos 264 TE qui conduit des membres du gouvernement ou des visiteurs officiels en direction de la Wilhelm-Pieck-Straße. Cet élément n’a pas pu échapper à la personne qui a écrit le déscriptif. Son omission nous parle du niveau de qualité du travail de la « Stasibehörde ».
[Stempel: VVS MfS o220 B67/84]
Aufnahmekamera: Praktica [handschriftliche Ergänzung: MTL 3] / [manuell durchgestrichen: Pentacon six TL]
Filmmaterial: [handschriftliche Ergänzung: NC 19/Ilford XP 1]
Datum: [handschriftliche Ergänzung: 06.09.83]
Uhrzeit: [handschriftliche Ergänzung: 14:00]
Wetterangabe: [handschriftliche Ergänzung: klare Sicht, einzelne Wolken]
[handschriftliche Ergänzung: Entfernung: 1.200 m][Farbige Aufnahme einer Straßenkreuzung aus 1.200 m Entfernung, fotografiert herab vom Berliner Fernsehturm. Die Aufnahme zeigt mehrere Kfz in Frontalansicht in 4 Fahrspuren an einer Ampel stehend sowie eine Straßenbahn, eine Litfaßsäule und Passanten, die die Kreuzung überqueren.]
[Umkreisung: 1]
Brennweite: [handschriftliche Ergänzung: 1000 mm]
Belichtungszeit: [handschriftliche Ergänzung: 1/125]
Blende: [handschriftliche Ergänzung: 5,6]
[handschriftliche Ergänzung: Entfernung: 1.200 m][Frontalaufnahme in schwarzweiß von Pkws in 4 Fahrspuren an einer Ampel stehend. Aufgenommen aus höherer Position vom Berliner Fernsehturm aus in 1.200 m Entfernung wären die Kennzeichen erkennbar und sind zum Ausdruck dessen nur teilweise anonymisiert.]
[Umkreisung: 1]
Brennweite: [handschriftliche Ergänzung: 500 + 3 fach Konv. Tokina-Obj.]
Belichtungszeit: [handschriftliche Ergänzung: 1/125]
Blende: [Auslassung][Stempel: VVS MfS o220 B67/84]
Aufnahmekamera: Praktica [handschriftliche Ergänzung: EE 3] / [manuell durchgestrichen: Pentacon six TL]
Filmmaterial: [handschriftliche Ergänzung: NC 19]
Datum: [handschriftliche Ergänzung: 22.06.83]
Uhrzeit: [handschriftliche Ergänzung: 12:30]
Wetterangabe: [handschriftliche Ergänzung: klare Sicht; Entfernung: 650 m][Man sieht den Eingang einer U-Bahnstation, beschildert mit „Karl-Marx-Allee, Hans-Beimler-Str.“ sowie das darum befestigte Pflaster. Auf dem Platz befinden sich mehrere Passanten in Bewegung. An dem Schutzgitter um die Treppen herum sind zwei Mülleimer postiert.]
[Umkreisung: 8]
Brennweite: [handschriftliche Ergänzung: 1.000 mm]
Belichtungszeit: [[handschriftliche Ergänzung: 1/250]
Blende: [handschriftliche Ergänzung: 5,6][Aufnahme einer Straßenecke mit vielen Passanten in Bewegung, fotografiert aus einer höheren, schrägen Position. Die Kleidungsstücke der Passanten sind deutlich erkennbar. Von einigen von ihnen wären es auch die Gesichtszüge, weshalb sie anonymisiert wurden. Das Bild besitzt an der rechten Seite die handschriftliche und vertikal ausgerichtete Notiz „Ecke Spandauer - K. Liebknecht-Str.“]
[vertikal, handschriftliche Ergänzung: Ecke Spandauer - K. Liebknecht-Str.]
Brennweite: [handschriftliche Ergänzung: 1.000 mm]
Belichtungszeit: [handschriftliche Ergänzung: 1/250]
Blende: [handschriftlich: 5,6]
[handschriftliche Ergänzung: Entfernung: 500m]#Allemagne #Berlin #DDR #Fernsehturm #photographie #cartographie #Mitte #Karl-Marx-Allee #Hans-Beimler-Straße #Spandauer_Straße
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