position:actress

  • How to say Lupita Nyong’o
    http://africasacountry.com/how-to-say-lupita-nyongo

    At the moment, everyone seems to be obsessed with the stunning Kenyan actress #Lupita_Nyong'o. And for good reason. Her heart-wrenching performance in the #FILM #12_Years_a_Slave has won her critical acclaim, while her humility and beauty have won countless hearts. She’s been on most major talk shows and is lighting up every magazine cover possible. Yet for all the attention, many people just can’t say her name properly. Quite a few don’t even seem to care enough to try. With the Oscars just weeks away, please do your research, stretch your tongue and practice saying Lupita’s name. After all the butcherings of her name, Lupita posted a video on instagram of herself to guide you with the pronunciation, even saying it an American accent. Look out for that soft (...)

    #MEDIA #Chiwetel_Ejiofor #Craig_Ferguson #Jimmy_Fallon #Jimmy_Kimmel #Jonah_Hill #Kenya #Matt_Damon #pronounciation #Queen_Laitifah #Sherri_Shephard #The_Oscars_2014

  • Oxfam backs Scarlett Johansson, despite actress’ endorsement of Israeli settlements | The Electronic Intifada
    http://electronicintifada.net/blogs/ali-abunimah/oxfam-backs-scarlett-johansson-despite-actress-endorsement-israe

    Oxfam backs Scarlett Johansson, despite actress’ endorsement of Israeli settlements
    Submitted by Ali Abunimah on Sat, 01/25/2014 - 15:40
    scarlett_johansson_by_gage_skidmore.jpg

    Scarlett Johansson (Gage Skidmore/Wikipedia)

    International charity Oxfam is standing by its “Global Ambassador” Scarlett Johansson, at least for now, despite the fact that the Hollywood actress has come out in full support of Israeli settlements and profiteering in the occupied West Bank.

    Johansson has faced strong criticism and media scrutiny for a multi-million dollar endorsement deal with SodaStream, an Israeli firm that operates in an illegal colony in the occupied West Bank.

    In a statement yesterday, Johansson defended the deal and praised Israeli settlements.

    “We have been engaged in dialogue with Scarlett Johansson and she has now expressed her position in a statement, including stressing her pride in her past work with Oxfam,” Oxfam spokesperson Kate Pattison told The Electronic Intifada in an email this morning.

    “Oxfam is now considering the implications [of] her new statement and what it means for Ms Johansson’s role as an Oxfam global ambassador,” Pattison added.
    Laundering settlements

    In a statement to The Huffington Post yesterday, Johansson attempted launder the SodaStream deal as something beneficial for “peace”:

    “I remain a supporter of economic cooperation and social interaction between a democratic Israel and Palestine,” the actress said. “SodaStream is a company that is not only committed to the environment but to building a bridge to peace between Israel and Palestine, supporting neighbors working alongside each other, receiving equal pay, equal benefits and equal rights. That is what is happening in their Ma’ale Adumim factory every working day.”

    Maale Adumim is an Israeli colony built on occupied Palestinian land in violation of international law.
    Choosing celebrity over principle

    Johansson’s clear endorsement of Israeli colonization and regurgitation of SodaStream propaganda is at sharp odds with Oxfam’s own policy.

    In a statement on 23 January, Oxfam said it had informed the actress that “Oxfam believes that businesses that operate in settlements further the ongoing poverty and denial of rights of the Palestinian communities that we work to support. Oxfam is opposed to all trade from Israeli settlements, which are illegal under international law.”

    Johansson’s statement indicates that the “dialogue” Oxfam has been hiding behind has failed to impress on the actress that profiting from Israeli crimes is totally incompatible with a role promoting human rights and development.

    But at least for now, Oxfam has chosen to back celebrity over principle by continuing to stand behind Johansson.

    In doing so, it has taken a clear position against Palestinians and their rights and chosen complicity with Israeli occupation and colonization.
    Update

    In light of Oxfam’s comments to The Electronic Intifada and Johansson’s statement, US Campaign to End the Israeli Occupation, Adalah-NY and Jewish Voice for Peace today expressed outrage at Johansson’s endorsement of settlements and Oxfam’s failure to act on it.

    “We demand Oxfam respond immediately and drop her as their Global Ambassador in accordance with their own stated position that settlements are a major barrier to peace and contributor to poverty,” said the US Campaign’s Ramah Kudaimi.

  • Scandal in France - NYTimes.com
    http://www.nytimes.com/2014/01/17/opinion/krugman-scandal-in-france.html?nl=todaysheadlines&emc=edit_th_20140117

    Paul Krugman sur la politique économique de François Hollande

    I am not, of course, talking about his alleged affair with an actress, which, even if true, is neither surprising (hey, it’s France) nor disturbing. No, what’s shocking is his embrace of discredited right-wing economic doctrines. It’s a reminder that Europe’s ongoing economic woes can’t be attributed solely to the bad ideas of the right. Yes, callous, wrongheaded conservatives have been driving policy, but they have been abetted and enabled by spineless, muddleheaded politicians on the moderate left.

    When Mr. Hollande became leader of the second-ranked euro economy, some of us hoped that he might take a stand. Instead, he fell into the usual cringe — a cringe that has now turned into intellectual collapse. And Europe’s second depression goes on and on.

  • BBC News - Turner Prize 2013: Laure Prouvost wins £25,000 prize
    http://www.bbc.co.uk/news/uk-northern-ireland-25175225

    Installation artist Laure Prouvost has won this year’s Turner Prize for her piece Wantee, which takes the audience in search of her fictional grandfather.

    It was announced by actress Saoirse Ronan at a ceremony in Londonderry, the UK City of Culture 2013.

    Prouvost beat humorous artist David Shrigley, painter Lynette Yiadom-Boakye and performance artist Tino Sehgal to take the £25,000 prize.

    “I’m not ready, I didn’t expect it at all,” Prouvost said on stage in Derry.

    “Four incredible artists here with me and the show. I thought it can’t be me, I was sure it was not me. So thank you everybody,” she said, as actress Ronan brought her young baby daughter onto the stage.

    The French artist, who lives and works in Britain, thanked organisers for accepting her into the art scene.

  • Call for paper: Consuming the Actress / L’Actrice, le corps en spectacle (circ. 1850 – 1927)
    http://www.fabula.org/actualites/call-for-paper-consuming-the-actress-l-actrice-le-corps-en-spectacle-circ-18

    Call for papers for a special issue of European Drama and Performance Studies, to be published by Classiques Garnier, second semester 2015.

    In the second part of the nineteenth century new shows developed across Europe such as the “Pièces à femmes” in France (Piana[2], Yon[3]) and the Victorian Burlesques in Great Britain (Stedman[4], Davis[5], Marshall[6]). In the 1860s they achieved wide popularity by being adapted on the US stage through the Variety show (Allen[7]) and lasted as a model of comic and sensual entertainment beyond the first part of the twentieth century (Shteir[8], Zeidman[9], Briggeman[10]). Music Halls and Cabarets went against common decency to attract new consumers, inspiring the actress stereotype in novels (Jouanny[11], Gengembre[12]) and creating a link between disorder, hysteria and female gender (Nesci[13],). Provocative gestures, sensual appeal on stage, teasing and obscene dances, particular ways of dressing and subversive staging impacted upon and interacted with consumption of goods, material culture, national trends and ideological changes during a period of time which was characterized by the rise of the Newspapers Era (Therenty[14], Vaillant[15]) and Media culture (Pinson[16]); cultural transfers within Europe (Charle[17], Yon[18]) and between Europe and the United States; and which ended up with the culmination of Modernism and the women emancipation movement.

    This special issue examines the theatrical and cinematographic responses given by the artists and the Industry to audiences aiming to socialize by slumming it in popular districts or places, from the mid-nineteenth century (first music-halls, cabarets and later Variety theatres in Europe) to the end of the silent film era in 1927 (when The Jazz singer, the first talkie was released), especially with the use of the female body as a spectacular form of entertainment. However, the research will not study the performer as reduced to her sole body but will also explore her in a broader context, in particular the way in which she became a leading figure by fashioning society’s tastes, marketing herself and controlling her image in the media, and finally by playing a new role in society at a time when feminism was gaining an audience.

    #actrices #cinéma

  • The Actress, the Court, and What Needs to Be Done to Guarantee the Future of Clinical Genomics - PLOS Biology
    http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1001663

    While [Angelina] Jolie had access to testing, much still needs to be done to remedy disparities in access to testing and follow-up treatments for others at high risk due to heredity. At the same time, outside of those in known risk groups, like Jolie, it is not clear when genetic testing for breast cancer and other conditions in the general population makes sense [6]. The control and third-party use of genetic information obtained through testing remains uncertain [7]. What information ought to be disclosed to those undergoing genetic testing, by whom, and with what, if any, sort of counseling is also still unsettled [8]. What will be said when further advances in the precision of genetic testing reveal that some may have had mastectomies or removed their prostate, stomach, or ovaries unnecessarily [9]? And there still remain penalties (higher costs for life or disability insurance) facing those either identified as being at genetic risk or who simply have sought testing that need to be addressed [7].

    #cancer #sein #génétique #brevets #prévention #inégalités

  • La tek, la vraie. Thx Pierre aka « Repi » Rodrigues.

    ▶ Actress - Hubble - YouTube
    https://www.youtube.com/watch?v=C0FmZReUWXU

    A deep masterpiece here from the Werk Discs Label Manager. Darren Cunningham recently released the second Actress album entitled ’Splazsh.’ Electronic to the core, the range of tracks fit house, techno and electronica. There is a real Carl Craig feel to the music which gets our backing everytime.

    Opening the album is this super deep and slow techno cut ’Hubble.’ Possibly inspired by space exploration, this track pulses magnificently whilst elements work around the hypnotic enticing melody. At nearly nine minutes long, you will get lost in the groove as your imagination begins to soar. (http://www.slowtechno.com/2010/09/slow-techno-actress-hubble.html)

    #tek #zique #Actress

  • Sonja Sohn : Changing Baltimore Long After ’The Wire’
    http://www.npr.org/2012/03/15/148294942/sonja-sohn-changing-baltimore-long-after-the-wire

    For five seasons, actress Sonja Sohn played Detective Shakima “Kima” Greggs on the critically acclaimed HBO series The Wire, which chronicled life — and death — on Baltimore’s toughest streets.

    When the series ended, Sohn stayed in East Baltimore, where she co-founded a nonprofit called ReWired for Change. The organization works with young people who have been incarcerated and who are out on parole, to try to help them straighten out their lives. Sohn uses scenes straight from The Wire to help make her point through education, media and advocacy.

    Lire aussi : http://articles.washingtonpost.com/2012-01-27/lifestyle/35438800_1_probation-officers-adults-sonja-sohn

    et voir la galerie photo :
    Sonja Sohn, from ‘The Wire’ to helping Baltimore’s youth
    http://www.washingtonpost.com/lifestyle/magazine/from-the-wire-to-helping-baltimores-youth/2012/01/24/gIQAlF0eSQ_gallery.html#photo=1

    #npr #radio #the_wire #series #baltimore

  • The Daily Dot - The Mako Mori Test: ’Pacific Rim’ inspires a Bechdel Test alternative
    http://www.dailydot.com/fandom/mako-mori-test-bechdel-pacific-rim

    The Bechdel Test has long been the barometer of women-friendly films, but Pacific Rim fans say it doesn’t give the movie’s female lead enough credit.
    n fandom, where most of the cultural commentators are women,Pacific Rim is beloved, as is its female star, Japanese actress Rinko Kikuchi. Kikuchi’s character, Mako Mori, seems to be almost universally uncriticized on Tumblr, where she stars in fanart, gifsets, headcanons, fanfiction, and routine gusts of praise from female fans who love that her character is neither sexually objectified nor given a narrative arc that revolves around a man.

    In the film, Mako struggles to asserts her independence despite the protectiveness of her stern father figure, Stacker Pentecost (Idris Elba). She is strong, smart, and perhaps most remarkably, her goal of fulfilling her dream of being a Jaeger pilot is a major part of Pacific Rim’s storyline.

    On Thursday, Tumblr user spider-xan wrote about what Mako means to her as an Asian woman, in the context of the film’s failure to pass Bechdel:

    “It’s really easy to throw away a film because of that test (which is flawed and used incorrectly in a lot of ways) if you’re a white woman and can easily find other films with white women who look like you and represent you… But as an East Asian woman, someone like Mako — a well-written Japanese woman who is informed by her culture without being solely defined by it, without being a racial stereotype, and gets to carry the film and have character development — almost NEVER comes along in mainstream Western media. And honestly — someone like her will probably not appear again for a very long time.”

    In response to this post, and in the process of running down numerous arguments for why the Bechdel Test can’t and shouldn’t be the only measurement by which feminist films are judged, Tumblr user chaila has proposed the Mako Mori Test, “to live alongside the Bechdel Test”:

    “The Mako Mori test is passed if the movie has: a) at least one female character; b) who gets her own narrative arc; c) that is not about supporting a man’s story. I think this is about as indicative of “feminism” (that is, minimally indicative, a pretty low bar) as the Bechdel test. It is a pretty basic test for the representation of women, as is the Bechdel test. It does not make a movie automatically feminist.”

    #féminisme #représentation #mako_mori #pacific_rim

  • Dinner with Hitler

    How a brilliant starlet created a worldwide technology boom

    It all started with a skin flick...

    In 1933, a beautiful, young Austrian woman took off her clothes for a movie director. She ran through the woods... naked. She swam in a lake... naked. Pushing well beyond the social norms of the period, the movie also featured a simulated orgasm. To make the scene “vivid,” the director reportedly stabbed the actress with a sharp pin just offscreen.

    The most popular movie in 1933 was King Kong. But everyone in Hollywood was talking about that scandalous movie with the gorgeous, young Austrian woman.

    Louis B. Mayer, of the giant studio MGM, said she was the most beautiful woman in the world. The film was banned practically everywhere... which of course made it even more popular and valuable. Mussolini reportedly refused to sell his copy at any price.

    The star of the film, called Ecstasy, was Hedwig Kiesler. She said the secret of her beauty was “to stand there and look stupid.” In reality, Kiesler was anything but stupid. She was a genius. She’d grown up as the
    only child of a prominent Jewish banker. She was a math prodigy. She excelled at science. As she grew older, she became ruthless, using all the power her body and mind gave her.

    Between the sexual roles she played, her tremendous beauty, and the power of her intellect, Kiesler would confound the men in her life... including her six husbands, two of the most ruthless dictators of the 20th century, and one of the greatest movie producers in history.

    Her beauty made her rich for a time. She is said to have made - and spent - $30 million in her life. But her greatest accomplishment resulted from her intellect... And her invention continues to shape the world we live in today.

    You see, this young Austrian starlet would take one of the most valuable technologies ever developed right from under Hitler’s nose. After fleeing to America, she not only became a major Hollywood star... her name sits on one of the most important patents ever granted by the U.S. Patent Office.

    Today, when you use your cell phone or, over the next few years, as you experience super-fast wireless Internet access (via something called “long-term evolution” or “LTE” technology), you’ll be using an extension of
    the technology a 20- year-old actress first conceived while sitting at dinner with Hitler.

    At the time she made Ecstasy, Kiesler was married to one of the richest men in Austria. Friedrich Mandl was Austria’s leading arms maker. His firm would become a key supplier to the Nazis.

    Mandl used his beautiful young wife as a showpiece at important business dinners with representatives of the Austrian, Italian, and German fascist forces. One of Mandl’s favorite topics at these gatherings - which included meals with Hitler and Mussolini - was the technology surrounding radio-controlled missiles and torpedoes. Wireless weapons offered far greater ranges than the wire-controlled alternatives that prevailed at the time. Kiesler sat through these dinners “looking stupid,” while absorbing everything she heard...

    As a Jew, Kiesler hated the Nazis. She abhorred her husband’s business ambitions. Mandl responded to his wilful wife by imprisoning her in his castle, Schloss Schwarzenau. In 1937, she managed to escape. She drugged her maid, snuck out of the castle wearing the maid’s clothes, and sold her jewelry to finance a trip to London.

    (She got out just in time. In 1938, Germany annexed Austria. The Nazis seized Mandl’s factory. He was half Jewish. Mandl fled to Brazil. Later, he became an advisor to Argentina’s iconic populist president, Juan Peron.)

    In London, Kiesler arranged a meeting with Louis B. Mayer. She signed a long-term contract with him, becoming one of MGM’s biggest stars. She appeared in more than 20 films. She was a co-star to Clark Gable, Judy Garland, and even Bob Hope. Each of her first seven MGM movies was a blockbuster.

    But Kiesler cared far more about fighting the Nazis than about making movies. At the height of her fame, in 1942, she developed a new kind of communications system, optimized for sending coded messages that couldn’t be “jammed.” She was building a system that would allow torpedoes and guided bombs to always reach their targets. She was building a system to kill Nazis.

    By the 1940s, both the Nazis and the Allied forces were using the kind of single- frequency radio-controlled technology Kiesler’s ex-husband had been peddling. The drawback of this technology was that the enemy could find the appropriate frequency and “jam” or intercept the signal, thereby interfering with the missile’s intended path.

    Kiesler’s key innovation was to “change the channel.” It was a way of encoding a message across a broad area of the wireless spectrum. If one part of the spectrum was jammed, the message would still get through on one of the other frequencies being used. The problem was, she could not figure out how to synchronize the frequency changes on both the receiver and the transmitter. To solve the problem, she turned to perhaps the world’s first techno-musician, George Anthiel.

    Anthiel was an acquaintance of Kiesler who achieved some notoriety for creating intricate musical compositions. He synchronized his melodies across twelve player pianos, producing stereophonic sounds no one had ever heard before. Kiesler incorporated Anthiel’s technology for synchronizing his player pianos. Then, she was able to synchronize the frequency changes between a weapon’s receiver and its transmitter.

    On August 11, 1942, U.S. Patent No. 2,292,387 was granted to Antheil and “Hedy Kiesler Markey,” which was Kiesler’s married name at the time.

    Most of you won’t recognize the name Kiesler. And no one would remember the name Hedy Markey. But it’s a fair bet than anyone reading this newsletter of a certain age will remember one of the great beauties of Hollywood’s golden age - Hedy Lamarr. That’s the name Louis B. Mayer gave to his prize actress. That’s the name his movie company made famous.

    Meanwhile, almost no one knows Hedwig Kiesler - aka Hedy Lamarr - was one of the great pioneers of wireless communications. Her technology was developed by the U.S. Navy, which has used it ever since.

    You’re probably using Lamarr’s technology, too. Her patent sits at the foundation of “spread spectrum technology,” which you use every day when you log on to a wi- fi network or make calls with your Bluetooth-enabled phone. It lies at the heart of the massive investments being made right now in so-called fourth-generation “LTE” wireless technology. This next generation of cell phones and cell towers will provide tremendous increases to wireless network speed and quality, by spreading wireless signals across the entire available spectrum. This kind of encoding is only possible using the kind of frequency switching that Hedwig Kiesler invented.FOR MORE INFORMATION GO TO: http://en.wikipedia.org/wiki/Hedy_Lamarr

  • ’Sexy Mom’ Tyranny: The Pressure to Look Hot After Baby | TIME Ideas | TIME.com
    http://ideas.time.com/2012/07/30/the-tyranny-of-the-sexy-mom/?iid=op-main-feature

    Jennifer Garner made news recently for wearing a one-piece bathing suit. Yup, in America it’s a big deal when a 40-year-old actress and mother of three does not appear in a bikini with ridiculously toned abs four months after giving birth. “Jennifer Garner Unveils Sexy Post-Baby Body in a Retro Swimsuit!”

    This attitude has a trickle-down effect. A new report published this month in the journal Sex Roles revealed that many 6-to-9-year-old girls already think of themselves as sexual objects. Psychologists showed the girls two paper dolls, one dressed in tight, cleavage-revealing “sexy” clothes and the other wearing a trendy but covered-up outfit. Most girls identified the sexy doll as the one most likely to be popular and the one they wanted to look like. Interestingly, media consumption did not seem to play a role in the doll they picked. But a mother’s self-image did. Those girls with moms who reported self-objectifying tendencies, like worrying about their clothes and appearance many times a day, were more likely to pick the sexy doll.

    #femmes #sexualisation_des_filles #poids #mode

  • Actress icon of Syrian revolt warns of sectarian warfare
    http://news.yahoo.com/actress-icon-syrian-revolt-warns-sectarian-warfare-175633593.html

    Fadwa Suleiman, an actress who became an icon of Syria’s revolution, is furious that her country’s peaceful protest movement has been drawn into armed conflict with the regime.

    She said she is saddened to see that “the revolution is not going in the right direction, that it is becoming armed, that the opposition which wanted to resist peacefully is playing the game of the regime and that the country is heading for sectarian war”.

  • Now a free woman, Felicia “Snoop” Pearson heads to L.A. pursue her dream
    http://www.baltimoresun.com/entertainment/arts/bs-ae-snoop-profile-20110819,0,2972233.story?page=1

    The actress who portrayed a cold-blooded killer so memorably on three seasons of the HBO cable series “The Wire” pleaded guilty this month to a crime she says she didn’t commit.

    In exchange for her conviction on a misdemeanor count of conspiracy to sell heroin, the 31-year-old Pearson received her freedom. And she swears that when her face appears in public in the future, it will be because of her acting accomplishments, not her legal troubles.

  • Elizabeth Taylor and Israel, a lasting love - The Washington Post
    http://www.washingtonpost.com/opinions/elizabeth-taylor-and-israel-a-lasting-love/2011/03/24/AFbnZZYB_story.html

    Elizabeth Taylor visited the Wailing Wall in Jerusalem in December 1982. Since converting to Judaism in 1959, the actress was a steadfast supporter of Israeli causes.

    Cléopâtre reine d’Égypte? Vraiment?