position:illustrator

  • Scenes From the Border Crisis: Sketches by the Artist Molly Crabapple – Rolling Stone
    https://www.rollingstone.com/politics/politics-features/immigration-border-crisis-molly-crabapple-713991

    Award-winning illustrator Molly Crabapple travels to Texas to document families emerging from the trauma and turmoil of crossing the border
    ...
    After my first day sketching at the Port Isabel court, the Executive Office of Immigration suddenly sent a directive to other courthouses that forbade drawing without prior permission. It promised federal penalties for artists who did not comply. When I arrived at the Harlingen immigration court the next day, the new directive was already taped to the wall and highlighted. “Just got it yesterday,” a guard shrugged.

    In the evenings, I went to the bus station, where there were no restrictions on sketching and families were free to tell me their stories. They were the lucky ones. They had been released from the hieleras to family in the U.S. to pursue their asylum cases from a home rather than a cell (some families are instead locked up indefinitely in longer-term detention centers). Most of the migrants at the bus station wore electronic ankle monitors, which ICE uses to keep track of asylum seekers through its “Intensive Supervision Appearance Program,” run by a private-prison company. Many spoke with me but were scared to share their names for fear of the gangs they’d fled back home and that talking to the press would anger immigration authorities.

    #USA #immigration #art #dessin #politique

  • The Spice of My Variety (part 1)
    https://hackernoon.com/the-spice-of-my-variety-part-1-842971b7a0dc?source=rss----3a8144eabfe3--

    I’ve been all over the map as a professional #artist and creative: Walt #disney Feature #animation Background Painter. Illustrator. Fine #art painter. Graphic Designer. Instructor. Filmmaker. Writer. This used to be of some concern because of the old saying: “Jack of all trades, master of none.” I’ve heard other unpleasant connotations as well;“He seems…unfocused.”“You should get a real job.”“Hello, McFly?”I’ve since let this stigma go. Maybe you need to let go too? Let me tell you why.I’m fortunate to have many world class professional friends & family (artists, authors, entertainers, filmmakers, speakers, musicians, educators, business men & women) who generally focus on one thing (and they do it well). I used to envy them because oftentimes I felt scattered, ill-defined and out-of-place, like (...)

    #movies

  • Les Roots du Paradis #10
    http://www.radiopanik.org/emissions/les-roots-du-paradis/les-roots-du-paradis-10-2

    10ème émission sur radio panik, on reçoit Patrick Croes (illustrator et designer)

    https://www.patrickcroes.com

    On évoque les trucs cools à faire en cette fin d’année, les dernières sorties, les prochains concerts....

    Playlist :

    Jingle bells Chinois

    Tenshun&Stuntdouble_ The Hunchback of Golden Hill

    Small Professor Feat Smoke Dza, Fly Anakin, Blu

    Apollo Brown & Joell Ortiz_ Reflection

    Computer Jay_The Opposite Turf

    Altin Gun_ Vay Dunïa

    Cosmic Analog Ensembe_ Programme Original

    R.Roland_ Ethero Disco

    Enoch Light and the light orchestra_Temptation

    Amon Tobin_Night Live

    Dj Khalab_Black Noise

    Dorian Concept_Eigendynamik

    Flying Lotus Feat Bus Driver_ Ain’t No Coming back

    Tolouse Low Trax_ Second Trip (Serial Experiments Edit)

    Abstrackt Keal Agram_ Pièce (...)

    http://www.radiopanik.org/media/sounds/les-roots-du-paradis/les-roots-du-paradis-10-2_05903__1.mp3

  • #django #orm Relationships Cheat Sheet
    https://hackernoon.com/django-orm-relationships-cheat-sheet-14433d6cf68c?source=rss----3a8144ea

    Credits — author : Jez Timms; illustrator : Tatuna GverdtsiteliA cheat sheet for Django ORM relationships — version 2.1I want to start this story with saying thanks to Mahmoud Zalt, who published a really useful article “Eloquent Relationships Cheat Sheet” about a year ago and also gave me permission to use the same structure/images/examples in my article.One to One RelationshipOne to Many RelationshipMany to Many RelationshipPolymorphic One to Many Relationship — Generic RelationsPolymorphic One to Many Relationship — django-polymorphic packagePolymorphic Many to Many Relationship — django-polymorphic packageOne to One RelationshipDemo details:In this demo we have 2 models (Owner and Car), and 2 tables (owners and cars).Business Rules:The Owner can own one Car.The Car can be owned by one Owner.Relations (...)

    #orm-relationships #cheatsheet #django-orm-relationships

  • BibliOdyssey: Lurking in the Shadows
    http://bibliodyssey.blogspot.com/2012/04/lurking-in-shadows.html

    ’Shadows’ title page

    [all images were cropped from the full page layouts and were lightly cleaned of background spots]

    “Charles Bennett (1829-67) was a talented illustrator who worked mainly as a caricaturist for periodicals such as the Comic Times and Comic News; he joined Punch in 1865, but died in poverty only two years later. He wrote stories for his own children and illustrated them with delightful comic details, often cutting his own wood blocks.”
    [source ::: home]

    “He also illustrated children’s books like ’Papernose Woodensconce’ (1854), ’The Faithless Parrott’ (1858) and ’Mr. Wind and Madame Rain’ (1864). The stories Charles Bennett drew for Punch often showed a sequence, and can be seen as an early form of comics.”
    [source]

  • Chart Templates Part 1: #Sankeys - Ken Flerlage: Analytics Architecture, Strategy, & Visualization

    http://www.kenflerlage.com/2018/04/sankey-template.html

    Recently, Rodrigo Calloni mentioned to me that he wanted to create a visualization for the upcoming 2018 FIFA World Cup. His idea was to create a sankey diagram showing the top 10 countries and the number of goals scored in each World Cup. But he hadn’t previously created a sankey and wondered if I could help. Fortunately, I had previously built a nice template for sankeys which I provided to him and resulted in the following visualization (click on the image to see the interactive version).

    #visualisation #méthodologie #sémiologie

  • Un père horrible - le fils de Hunter S. Thompson raconte
    https://www.youtube.com/watch?v=DKxgSqS8ep8

    Who Was Hunter S. Thompson? His Private Life - Biography (2016)

    Hunter Stockton Thompson (July 18, 1937 – February 20, 2005) was an American journalist and author, and the founder of the gonzo journalism movement.

    Hunter Stockton Thompson (July 18, 1937 – February 20, 2005) was an American journalist and author, and the founder of the gonzo journalism movement. About the book: https://www.amazon.com/gp/product/030... The film Where the Buffalo Roam (1980) depicts heavily fictionalized attempts by Thompson to cover the Super Bowl and the 1972 U.S. presidential election. It stars Bill Murray as Thompson and Peter Boyle as Thompson’s attorney Oscar Zeta Acosta, referred to in the movie as Carl Lazlo, Esq. The 1998 film adaptation of Fear and Loathing in Las Vegas was directed by Monty Python veteran Terry Gilliam, and starred Johnny Depp (who moved into Thompson’s basement to “study” Thompson’s persona before assuming his role in the film) as Raoul Duke and Benicio del Toro as Dr. Gonzo. The film has achieved something of a cult following. The film adaptation of Thompson’s novel The Rum Diary was released in October 2011, also starring Johnny Depp as the main character, Paul Kemp. The novel’s premise was inspired by Thompson’s own experiences in Puerto Rico. The film was written and directed by Bruce Robinson.[77] At a press junket for The Rum Diary shortly before the film’s release, Depp said that he would like to adapt The Curse of Lono, “The Kentucky Derby Is Decadent and Depraved”, and Hell’s Angels for the big screen: “I’d just keep playing Hunter. There’s a great comfort in it for me, because I get a great visit with my old friend who I miss dearly.”[78] Fear and Loathing in Gonzovision (1978) is an extended television profile by the BBC. It can be found on disc 2 of The Criterion Collection edition of Fear and Loathing in Las Vegas. The Mitchell brothers, owners of the O’Farrell Theatre in San Francisco, made a documentary about Thompson in 1988 called Hunter S. Thompson: The Crazy Never Die. Wayne Ewing created three documentaries about Thompson. The film Breakfast with Hunter (2003) was directed and edited by Ewing. It documents Thompson’s work on the movie Fear and Loathing in Las Vegas, his arrest for drunk driving, and his subsequent fight with the court system. When I Die (2005) is a video chronicle of making Thompson’s final farewell wishes a reality, and documents the send-off itself. Free Lisl: Fear and Loathing in Denver (2006) chronicles Thompson’s efforts in helping to free Lisl Auman, who was sentenced to life in prison without parole for the shooting of a police officer, a crime she didn’t commit. All three films are only available online.[79] In Come on Down: Searching for the American Dream[80] (2004) Thompson gives director Adamm Liley insight into the nature of the American Dream over drinks at the Woody Creek Tavern. Buy the Ticket, Take the Ride: Hunter S. Thompson on Film (2006) was directed by Tom Thurman, written by Tom Marksbury, and produced by the Starz Entertainment Group. The original documentary features interviews with Thompson’s inner circle of family and friends, but the thrust of the film focuses on the manner in which his life often overlapped with numerous Hollywood celebrities who became his close friends, such as Johnny Depp, Benicio del Toro, Bill Murray, Sean Penn, John Cusack, Thompson’s wife Anita, son Juan, former Senators George McGovern and Gary Hart, writers Tom Wolfe and William F. Buckley, actors Gary Busey and Harry Dean Stanton, and the illustrator Ralph Steadman among others. Blasted!!! The Gonzo Patriots of Hunter S. Thompson (2006), produced, directed, photographed and edited by Blue Kraning, is a documentary about the scores of fans who volunteered their privately owned artillery to fire the ashes of the late author, Hunter S. Thompson. Blasted!!! premiered at the 2006 Starz Denver International Film Festival, part of a tribute series to Hunter S. Thompson held at the Denver Press Club. In 2008, Academy Award-winning documentarian Alex Gibney (Enron: The Smartest Guys in the Room, Taxi to the Dark Side) wrote and directed a documentary on Thompson, titled Gonzo: The Life and Work of Dr. Hunter S. Thompson. The film premiered on January 20, 2008, at the Sundance Film Festival. Gibney uses intimate, never-before-seen home videos, interviews with friends, enemies and lovers, and clips from films adapted from Thompson’s material to document his turbulent life.

    #USA #littérature #journalisme #famille #violence

  • Hiring : Graphic Designer | Cartographer – Globemakers

    http://www.bellerbyandco.com/blog/uncategorized/hiring-graphic-designer-cartographer

    J’ai du mal à imaginer qu’il y a encore besoin de ce type de compétence aujourd’hui, mais l’annonce date du 2 janvier 2018 ... Pour celles et ceux qui voudraient postuler, c’est dans le Londres brexité.

    We are an art studio specialising in handmade and handcrafted world globes. We have one full-time cartographer in our team and we are looking to add another person to help her as well as work on some design projects.

    Each and every globe we make is bespoke to order and one of a kind in some way. Some customers choose to have hundreds of small edits and added pieces of personalisation.

    More about the role and what we are looking for :

    Technical experience in Illustrator is most important thing by far (extensive, complicated files with 70,000+ paths, 3000+ text objects)
    File organisation and being meticulous with layers and details. Good planning, organisational and communication skills are a must.
    Typography/layout skills and general composition of small elements
    We have our own illustrator so the role will be more around operating and organising
    This is a 98% digital job but in a very creative environment
    Meticulous attention to detail
    We are looking for someone enthusiastic, self-motivated and driven
    Knowledge of GIS a bonus.

    Daily life will usually include:

    Simple edits – marking cities, changing colours/place markers
    Major edits – placing illustrations/quotes, travel routes by car/boat/plane
    Cartography updates – research and implementation of data from credible sources
    Mockups of personalisation (edits) for customers
    Print resizing
    Managing printing of files for makers and painters
    Answering the phone time to time – you should be confident talking & taking messages

    #cartographie_classique #job #boulot

  • Van Gogh’s Ear | The New Yorker
    https://www.newyorker.com/magazine/2010/01/04/van-goghs-ear

    It is, in its strange way, at once the Nativity fable and the Passion story of modern art. On Christmas Eve, 1888, in the small Provençal town of Arles, the police found a young Dutch émigré painter in his bed, bleeding from the head, self-bandaged and semi-conscious, in a run-down residence called, for its peeling exterior, the Yellow House. A few hours before, the Dutchman had given his severed ear—or just its lower lobe; stories differed—to a whore named Rachel in a maison de tolérance, a semilegal bordello, as a kind of early Christmas gift. (She had passed out upon unwrapping it.) The painter, Vincent van Gogh, was known throughout the town as a crazy drunk who hung around the whorehouses too much for his own good, and who shared the squalid Yellow House with another so-called artist, even scarier than he was, though not usually as drunk and not so obviously crazy. That other artist, Paul Gauguin—after being interviewed by the police, and insisting that his friend must have sliced off his own ear in a fit—then sent a telegram to the Dutchman’s brother, urging him to come at once. Then Gauguin left for Paris, as fast as the trains could carry him, never to return.

    The Christmas crisis had a real, if buried, effect on van Gogh’s imagination, turning him from a dream of living and working with a community of brother artists to one of painting for an unknown audience that might someday appear—a fantasy that was, in the end, and against the odds, not a fantasy at all.

    Those words shine in his pictures. We tend to see the arc of his work, from the departure from Paris, in early 1888, to his death, in 1890, as more or less continuous, and miss the decisive break marked by the Christmas crisis. Even through the pictures of 1888 he’s still mostly a prose painter, with something of the nineteenth-century illustrator in him—children, postmen, absinthe-soaked café scenes. He still wanted to be Dickens or Daumier. After the Christmas crisis, he accepted that he was only Vincent. His new pictures—“The Starry Night,” “Cypresses,” and the pictures of the gardens at Saint-Remy—are depopulated, emptied of any vision of common life. Where in 1888 the pictures are still filled with people on top of people—six people in the “Night Café,” a dozen in the streets of Arles at night—in 1889, aside from his copies of Millet, van Gogh thinks only in solitary ones and lonely twos, the occasional individual portrait interrupting a world of visionary dailiness. He wrote, simply, “Let’s not forget that small emotions are the great captains of our lives.” Stars wheel, cypresses flame; the whole world comes alive. The common unity is the animism of the ordinary. “Starry Night Over the Rhone,” of 1888, has the night sky gently decanted into the gaslight world of the town, and the theme is the likeness of streetlight and moonlight, the modern urban subject—the amusement park at night. In the 1889 “Starry Night,” it’s all night and stars and rolling nebulae: me and the night and the music of the spheres. He’s a man alone, and for good.

    #Art #Peinture #Van_Gogh #Paul_Gauguin

  • Artist Creates Illustrations of a Modern Tarot Card Deck Inspired by Social Media and Internet Culture
    https://laughingsquid.com/the-social-network-tarots

    Venice, Italy illustrator and designer Jacopo Rosati created The Social Network Tarots, a series of illustrations imagining a modern tarot card deck inspired by social media and internet culture.

    cc @fsoulabaille
    #tarot

  • Suicide and a lost generation: Gaza youth are dying before they can live | +972 Magazine
    https://972mag.com/suicide-and-a-lost-generation-gaza-youth-are-dying-before-they-can-live/129605

    Tragic news spread among youth in Gaza last week: Mohanned Younis, a young writer, just 22 years old, took his own life. Younis, who had graduated from a pharmacology program, wrote short stories. Some of his stories won prizes, and one was most recently nominated for the A.M. Qattan Foundation literary prize. He had tried on numerous occasions to leave the Gaza Strip in order to advance his writing career, to fulfill his dreams. In much of his writing, he touched on the depressing reality in Gaza, which he described as unbearable and not survivable — a feeling which is apparently shared by many other youth in Gaza.

    According to the Facebook page of “We Are Not Numbers,” which encourages youth in Gaza to tell their stories, Younis is just the latest suicide among youth in Gaza. When the unemployment rate for people under 30 stands at 60 percent; when the possibility of leaving Gaza to study elsewhere, to develop oneself, and certainly just to travel, has been reduced to almost zero; when the lack of electricity makes the most basic daily tasks unthinkably difficult; when there is a military attack, destruction and killing every few years; and when the prospects of hope and opportunity appear further and slimmer than ever — tragic outcomes are almost unavoidable.

    News of Younis’s death was joined by another piece of tragic news this week: illustrator Moath al-Haj, 30, was found dead in his Gaza home. Al-Haj, who was orphaned at a young age, was well known among young, educated Palestinians for his sharp and expressive illustrations, in which he used clean lines to demonstrate the difficulties of his life and the situation in Gaza, primarily among the youth. His death led to impassioned discussions on social networks and many people attributed his death to the heartbreak of his life circumstances.

    Souris, peut-être que la guerre aura honte !

    voir aussi http://al-akhbar.com/node/282926

    #gaza #palestine

  • Surrounded by the undead deep beneath Moscow: A Russian illustrator maps out a subway survival scheme for the zombie apocalypse — Meduza
    https://meduza.io/en/shapito/2017/08/09/surrounded-by-the-undead-deep-beneath-moscow

    Here’s a question: What would happen if a zombie apocalypse forced you to take refuge in the Moscow subway system? If you’ve ever pondered this and wondered how you might survive underground among the living dead, a Russian illustrator named Max Degtyarev has created something that will likely speak to your heart: a detailed diagram of life in a Moscow subway station under attack by a zombie horde. Degtyarev’s illustrations are full of survival advice, like using ladders as watchtowers, converting station attendants’ offices into shelters, and making toilets out of emergency spaces under the station platforms. Meduza spoke to the artist to learn more about his nightmare vision.

  • Evince 3.26 Will Let You View Adobe Illustrator & CBR Files
    http://www.omgubuntu.co.uk/2017/07/evince-3-26-will-let-view-adobe-illustrator-cbr-files

    Evince, the default document viewer on Ubuntu, is adding support for more file formats. The next stable release, Evince 3.26, due in October, will allow you to view Adobe Illustrator files on Linux without needing to install any additional software. “But wait!”, I hear you cry, “Evince can already do that!” This is sort of […] This post, Evince 3.26 Will Let You View Adobe Illustrator & CBR Files, was written by Joey Sneddon and first appeared on OMG! Ubuntu!.

  • Mona Chalabi ( mona_chalabi) • Photos et vidéos Instagram
    https://www.instagram.com/p/BWIIbN9Fzrb/?taken-by=mona_chalabi

    I drew this for @womensmarch. I was proud to do it, partly because I’m in this #datasketch. I’m part of the 13.2% of Americans that are immigrants, the 38.7% that’s not white and the 50.8% that’s female. ?? Happy 4th July everyone ??
    Source: US Census Bureau 2016

    • Mona Chalabi
      http://monachalabi.com

      Mona Chalabi is the Data Editor of Guardian US and has presented TV shows for the BBC, National Geographic, Channel 4 and VICE. Mona is also an illustrator - in 2016, her data sketches were commended by the Royal Statistical Society. The drawings, which are designed to make numbers more relatable, can be viewed on her Instagram account. 

      Before joining The Guardian US, Mona moved to New York to write for Nate Silver’s site FiveThirtyEight where she also presented a regular segment on American National Public Radio called “The Number Of The Week”. She began to write about statistics after analyzing large data sets in her roles at the Bank of England, the Economist Intelligence Unit, Transparency International and the International Organization for Migration.

  • A Complicated Question - Issue 48: Chaos
    http://nautil.us/issue/48/chaos/a-complicated-question-rp

    Asaf Hanuka is an Israeli illustrator and comic book artist, notable for his autobiographical comics “The Realist.” He is twin brother of illustrator Tomer Hanuka. Together with his twin he co-created “Bipolar,” an experimental comic book series that was nominated for the Ignatz awards. Tomer and Asaf currently collaborate on a graphic fiction called “The Divine,” written by Boaz Lavie, to be released in 2015 in both English and French.[NB:rec]SourcesLawrence M. Krauss “Universe from NOTHING!” (2014)Alan Watts “On Nothingness” (2008) This article was originally published in our “Nothingness” issue in August, 2014.Read (...)

  • Animals Etched onto Dirty Cars by Illustrator Nikita Golubev | Colossal
    http://www.thisiscolossal.com/2017/04/animals-etched-onto-dirty-cars-by-illustrator-nikita-golubev/?mc_cid=37041aa5fd&mc_eid=a53b581529

    Moscow-based artist and illustrator Nikita Golubev has taken to the streets to etch images of animals onto the sides of completely filthy vehicles

    #art_éphémère #graffiti #street_art

  • 3月5日のツイート
    http://twilog.org/ChikuwaQ/date-170305

    The latest Papier! paper.li/ChikuwaQ/13277… Thanks to @FrFloChou @diegocallazans @PeterSjostedtH #ycrazymind #cats posted at 09:13:29

    RT @25LABO: 表紙が長新太さんイラストの北杜夫「船乗りクプクプの冒険」たち。左が角川で、右が集英社。 pic.twitter.com/DLthp3aVJX posted at 07:40:41

    Top story: Donald J. Trump on Twitter: "How low has President Obama gone to tap… twitter.com/realDonaldTrum…, see more tweetedtimes.com/ChikuwaQ?s=tnp posted at 06:44:08

    Top story: Trump, citing no evidence, accuses Obama of ‘Nixon/Watergate’ plot t… www.washingtonpost.com/news/post-poli…, see more tweetedtimes.com/ChikuwaQ?s=tnp posted at 04:43:40

    Top story: Donald J. Trump on Twitter: "Arnold Schwarzenegger isn’t voluntarily… twitter.com/realdonaldtrum…, see more tweetedtimes.com/ChikuwaQ?s=tnp posted at 02:45:56

    Top story: AsBackwards Illustrations - Interview with illustrator Shannon Austi… (...)

  • Pictoplasma focus: Jim Avignon – We Make Money Not Art
    http://we-make-money-not-art.com/pictoplasma-focus-jim-avignon

    Jim Avignon is an illustrator, painter, performer and conceptual artist. His work is witty, pop, cheerful and at times also thoughtful and deep. He works fast, very fast and he has no time for the rules, rhythms and logic of a traditional art career. He delights in using cheap and found materials, laughs at the totally wrong information that circulates about him online and keeps his art affordable and intelligible to everyone.

    When he is not painting murals in Latin America, creating coloring books for children living in refugee camps or stealing Berlin’s iconic and kitschy buddy bears, Avignon turns himself into “neoangin”, a performer of electronic music that doesn’t seem to take himself too seriously either.

  • Liberal, Harsh Denmark
    Hugh Eakin

    A cartoon published by the Danish newspaper Politiken showing Inger Støjberg, the country’s integration minister, lighting candles on a Christmas tree that has a dead asylum-­seeker as an ornament, December 2015
    Anne-Marie Steen Petersen

    1.
    In country after country across Europe, the Syrian refugee crisis has put intense pressure on the political establishment. In Poland, voters have brought to power a right-wing party whose leader, Jarosław Kaczyński, warns that migrants are bringing “dangerous diseases” and “various types of parasites” to Europe. In France’s regional elections in December, some Socialist candidates withdrew at the last minute to support the conservatives and prevent the far-right National Front from winning. Even Germany, which took in more than a million asylum-seekers in 2015, has been forced to pull back in the face of a growing revolt from Chancellor Angela Merkel’s own party and the recent New Year’s attacks on women in Cologne, allegedly by groups of men of North African origin.
    And then there is Denmark. A small, wealthy Scandinavian democracy of 5.6 million people, it is according to most measures one of the most open and egalitarian countries in the world. It has the highest income equality and one of the lowest poverty rates of any Western nation. Known for its nearly carbon-neutral cities, its free health care and university education for all, its bus drivers who are paid like accountants, its robust defense of gay rights and social freedoms, and its vigorous culture of social and political debate, the country has long been envied as a social-democratic success, a place where the state has an improbably durable record of doing good. Danish leaders also have a history of protecting religious minorities: the country was unique in Nazi-occupied Europe in prosecuting anti-Semitism and rescuing almost its entire Jewish population.
    When it comes to refugees, however, Denmark has long led the continent in its shift to the right—and in its growing domestic consensus that large-scale Muslim immigration is incompatible with European social democracy. To the visitor, the country’s resistance to immigrants from Africa and the Middle East can seem implacable. In last June’s Danish national election—months before the Syrian refugee crisis hit Europe—the debate centered around whether the incumbent, center-left Social Democrats or their challengers, the center-right Liberal Party, were tougher on asylum-seekers. The main victor was the Danish People’s Party, a populist, openly anti-immigration party, which drew 21 percent of the vote, its best performance ever. Its founder, Pia Kjærsgaard, for years known for suggesting that Muslims “are at a lower stage of civilization,” is now speaker of the Danish parliament. With the backing of the Danish People’s Party, the center-right Liberals formed a minority government that has taken one of the hardest lines on refugees of any European nation.
    When I arrived in Copenhagen last August, the new government, under Liberal Prime Minister Lars Løkke Rasmussen, had just cut social benefits to refugees by 45 percent. There was talk among Danish politicians and in the Danish press of an “invasion” from the Middle East—though the influx at the time was occurring in the Greek islands, more than one thousand miles away. In early September, Denmark began taking out newspaper ads in Lebanon and Jordan warning would-be asylum-seekers not to come. And by November, the Danish government announced that it could no longer accept the modest share of one thousand refugees assigned to Denmark under an EU redistribution agreement, because Italy and Greece had lost control of their borders.
    These developments culminated in late January of this year, when Rasmussen’s minister of integration, Inger Støjberg, a striking, red-headed forty-two-year-old who has come to represent the government’s aggressive anti-refugee policies, succeeded in pushing through parliament an “asylum austerity” law that has gained notoriety across Europe. The new law, which passed with support from the Social Democrats as well as the Danish People’s Party, permits police to strip-search asylum-seekers and confiscate their cash and most valuables above 10,000 Danish kroner ($1,460) to pay for their accommodation; delays the opportunity to apply for family reunification by up to three years; forbids asylum-seekers from residing outside refugee centers, some of which are tent encampments; reduces the cash benefits they can receive; and makes it significantly harder to qualify for permanent residence. One aim, a Liberal MPexplained to me, is simply to “make Denmark less attractive to foreigners.”
    Danish hostility to refugees is particularly startling in Scandinavia, where there is a pronounced tradition of humanitarianism. Over the past decade, the Swedish government has opened its doors to hundreds of thousands of Iraqis and Syrians, despite growing social problems and an increasingly popular far-right party. But one of the things Danish leaders—and many Danes I spoke to—seem to fear most is turning into “another Sweden.” Anna Mee Allerslev, the top integration official for the city of Copenhagen, told me that the Danish capital, a Social Democratic stronghold with a large foreign-born population, has for years refused to take any refugees. (Under pressure from other municipalities, this policy is set to change in 2016.)
    In part, the Danish approach has been driven by the country’s long experience with terrorism and jihadism. Nearly a decade before the Charlie Hebdo attacks in Paris in January 2015, and the coordinated terrorist attacks in Paris in November, the publication of the so-called Muhammad cartoons by the Danish newspaper Jyllands-Posten had already turned Denmark into a primary target for extremists. Initially driven by a group of Danish imams, outcry against the cartoons gave strength to several small but radical groups among the country’s 260,000 Muslims. These groups have been blamed for the unusually large number of Danes—perhaps as many as three hundred or more—who have gone to fight in Syria, including some who went before the rise ofISIS in 2013. “The Danish system has pretty much been blinking red since 2005,” Magnus Ranstorp, a counterterrorism expert who advises the PET, the Danish security and intelligence service, told me.
    Since the publication of the Muhammad cartoons, the PET and other intelligence forces have disrupted numerous terrorist plots, some of them eerily foreshadowing what happened in Paris last year. In 2009, the Pakistani-American extremist David Headley, together with Laskar-e-Taiba, a Pakistani terrorist organization, devised a meticulous plan to storm the Jyllands-Posten offices in Copenhagen and systematically kill all the journalists that could be found. Headley was arrested in the United States in October 2009, before any part of the plan was carried out; in 2013, he was sentenced by a US district court to thirty-five years in prison for his involvement in the Mumbai attacks of 2008.
    In February of last year, just weeks after the Charlie Hebdo attacks, a young Danish-Palestinian man named Omar Abdel Hamid el-Hussein tried to shoot his way into the Copenhagen meeting of a free-speech group to which a Swedish cartoonist, known for his caricatures of Muhammad, had been invited. El-Hussein succeeded in killing a Danish filmmaker at the meeting before fleeing the scene; then, hours later, he killed a security guard at the city’s main synagogue and was shot dead by police.
    Yet many Danes I talked to are less concerned about terrorism than about the threat they see Muslims posing to their way of life. Though Muslims make up less than 5 percent of the population, there is growing evidence that many of the new arrivals fail to enter the workforce, are slow to learn Danish, and end up in high-crime immigrant neighborhoods where, while relying on extensive state handouts, they and their children are cut off from Danish society. In 2010, the Danish government introduced a “ghetto list” of such marginalized places with the goal of “reintegrating” them; the list now includes more than thirty neighborhoods.
    Popular fears that the refugee crisis could overwhelm the Danish welfare state have sometimes surprised the country’s own leadership. On December 3, in a major defeat for the government, a clear majority of Danes—53 percent—rejected a referendum on closer security cooperation with the European Union. Until now, Denmark has been only a partial EU member—for example, it does not belong to the euro and has not joined EU protocols on citizenship and legal affairs. In view of the growing threat of jihadism, both the government and the opposition Social Democrats hoped to integrate the country fully into European policing and counterterrorism efforts. But the “no” vote, which was supported by the Danish People’s Party, was driven by fears that such a move could also give Brussels influence over Denmark’s refugee and immigration policies.
    The outcome of the referendum has ominous implications for the European Union at a time when emergency border controls in numerous countries—including Germany and Sweden as well as Denmark—have put in doubt the Schengen system of open borders inside the EU. In Denmark itself, the referendum has forced both the Liberals and the Social Democrats to continue moving closer to the populist right. In November, Martin Henriksen, the Danish People’s Party spokesman on refugees and immigration, toldPolitiken, the country’s leading newspaper, “There is a contest on to see who can match the Danish People’s Party on immigration matters, and I hope that more parties will participate.”
    2.
    According to many Danes I met, the origins of Denmark’s anti-immigration consensus can be traced to the national election of November 2001, two months after the September 11 attacks in the United States. At the time, the recently founded Danish People’s Party was largely excluded from mainstream politics; the incumbent prime minister, who was a Social Democrat, famously described the party as unfit to govern.
    But during the 1990s, the country’s Muslim population had nearly doubled to around 200,000 people, and in the 2001 campaign, immigration became a central theme. The Social Democrats suffered a devastating defeat and, for the first time since 1924, didn’t control the most seats in parliament. Anders Fogh Rasmussen, the ambitious leader of the victorious Liberal Party (no relation to the current prime minister, Lars Løkke Rasmussen), made a historic decision to form a government with support from the Danish People’s Party, which had come in third place—a far-right alliance that had never been tried in Scandinavia. It kept Fogh Rasmussen in power for three terms.
    From an economic perspective, the government’s embrace of the populist right was anomalous. With its unique combination of comprehensive welfare and a flexible labor market—known as flexicurity—Denmark has an efficient economy in which the rate of job turnover is one of the highest in Europe, yet almost 75 percent of working-age Danes are employed. At the same time, the country’s extraordinary social benefits, such as long-term education, retraining, and free child care, are based on integration in the workforce. Yet many of the qualities about the Danish system that work so well for those born into it have made it particularly hard for outsiders to penetrate.
    Denmark is a mostly low-lying country consisting of the Jutland Peninsula in the west, the large islands of Funen and Zealand in the east, and numerous smaller islands. (It also includes the island of Greenland, whose tiny population is largely Inuit.) The modern state emerged in the late nineteenth century, following a series of defeats by Bismarck’s Germany in which it lost much of its territory and a significant part of its population. Several Danish writers have linked this founding trauma to a lasting national obsession with invasion and a continual need to assert danskhed, or Danishness.
    Among other things, these preoccupations have given the Danish welfare system an unusually important part in shaping national identity. Visitors to Denmark will find the Danish flag on everything from public buses to butter wrappers; many of the country’s defining institutions, from its universal secondary education (Folkehøjskoler—the People’s High Schools) to the parliament (Folketinget—the People’s House) to the Danish national church (Folkekirken—the People’s Church) to the concept of democracy itself (Folkestyret—the Rule of the People) have been built to reinforce a strong sense of folke, the Danish people.
    One result of this emphasis on cohesion is the striking contrast between how Danes view their fellow nationals and how they seem to view the outside world: in 1997, a study of racism in EU countries found Danes to be simultaneously among the most tolerant and also the most racist of any European population. “In the nationalist self-image, tolerance is seen as good,” writes the Danish anthropologist Peter Hervik. “Yet…excessive tolerance is considered naive and counterproductive for sustaining Danish national identity.”
    According to Hervik, this paradox helps account for the rise of the Danish People’s Party, or Dansk Folkeparti. Like its far-right counterparts in neighboring countries, the party drew on new anxieties about non-European immigrants and the growing influence of the EU. What made the Danish People’s Party particularly potent, however, was its robust defense of wealth redistribution and advanced welfare benefits for all Danes. “On a traditional left-right scheme they are very difficult to locate,” former prime minister Fogh Rasmussen told me in Copenhagen. “They are tough on crime, tough on immigration, but on welfare policy, they are center left. Sometimes they even try to surpass the Social Democrats.”
    Beginning in 2002, the Fogh Rasmussen government passed a sweeping set of reforms to limit the flow of asylum-seekers. Among the most controversial were the so-called twenty-four-year rule, which required foreign-born spouses to be at least twenty-four years old to qualify for Danish citizenship, and a requirement that both spouses combined had spent more years living in Denmark than in any other country. Unprecedented in Europe, the new rules effectively ended immigrant marriages as a quick path to citizenship. At the same time, the government dramatically restricted the criteria under which a foreigner could qualify for refugee status.
    To Fogh Rasmussen’s critics, the measures were simply a way to gain the support of the Danish People’s Party for his own political program. This included labor market reforms, such as tying social benefits more closely to active employment, and—most notably—a muscular new foreign policy. Departing from Denmark’s traditional neutrality, the government joined with US troops in military interventions in Afghanistan and Iraq; Denmark has since taken part in the interventions in Libya and Syria as well. (In his official state portrait in the parliament, Fogh Rasmussen, who went on to become general secretary of NATO in 2009, is depicted with a Danish military plane swooping over a desolate Afghan landscape in the background.)
    Yet the immigration overhaul also had strong foundations in the Liberal Party. In 1997, Bertel Haarder, a veteran Liberal politician and strategist, wrote an influential book called Soft Cynicism, which excoriated the Danish welfare system for creating, through excessive coddling, the very stigmatization of new arrivals to Denmark that it was ostensibly supposed to prevent. Haarder, who went on to become Fogh Rasmussen’s minister of immigration, told me, “The Danes wanted to be soft and nice. And we turned proud immigrants into social welfare addicts. It wasn’t their fault. It was our fault.”
    According to Haarder, who has returned to the Danish cabinet as culture minister in the current Liberal government, the refugees who have come to Denmark in recent years overwhelmingly lack the education and training needed to enter the country’s advanced labor market. As Fogh Rasmussen’s immigration minister, he sought to match the restrictions on asylum-seekers with expedited citizenship for qualified foreigners. But he was also known for his criticism of Muslims who wanted to assert their own traditions: “All this talk about equality of cultures and equality of religion is nonsense,” he told a Danish newspaper in 2002. “The Danes have the right to make decisions in Denmark.”
    3.
    Coming amid the Fogh Rasmussen government’s rightward shift on immigration and its growing involvement in the “war on terror,” the decision by the Danish paperJyllands-Posten in September 2005 to publish caricatures of the Prophet Muhammad seemed to bring into the open an irresolvable conflict. In the decade since they appeared, the cartoons have been linked to the torching of Western embassies, an unending series of terrorist attacks and assassination plots across Europe, and a sense, among many European intellectuals, that Western society is being cowed into a “tyranny of silence,” as Flemming Rose, the former culture editor of Jyllands-Postenwho commissioned the cartoons and who now lives under constant police protection, has titled a recent book.1 In his new study of French jihadism, Terreur dans l’hexagone: Genèse du djihad français, Gilles Kepel, the French scholar of Islam, suggests that the cartoons inspired an “international Islamic campaign against little Denmark” that became a crucial part of a broader redirection of jihadist ideology toward the West.
    And yet little about the original twelve cartoons could have foretold any of this. Traditionally based in Jutland, Jyllands-Posten is a center-right broadsheet that tends to draw readers from outside the capital; it was little known abroad before the cartoons appeared. Following reports that a Danish illustrator had refused to do drawings for a book about Muhammad, Rose invited a group of caricaturists to “draw Muhammad as you see him” to find out whether they were similarly inhibited (most of them weren’t). Some of the resulting drawings made fun of the newspaper itself for pursuing the idea; in the subsequent controversy, outrage was largely directed at just one of the cartoons, which depicted the Prophet wearing a lit bomb as a turban. Even then, the uproar began only months later, after the Danish prime minister refused a request from diplomats of Muslim nations for a meeting about the cartoons. “I thought it was a trap,” Fogh Rasmussen told me. At the same time, several secular Arab regimes, including Mubarak’s Egypt and Assad’s Syria, concluded that encouraging vigorous opposition to the cartoons could shore up their Islamist credentials.
    Once angry mass protests had finally been stirred up throughout the Muslim world in late January and early February 2006—including in Egypt, Iran, Sudan, Syria, Lebanon, and Afghanistan—the crisis quickly took on a logic that had never existed at the outset: attacks against Western targets led many newspapers in the West to republish the cartoons in solidarity, which in turn provoked more attacks. By the time of the Charlie Hebdo massacre in early 2015, there was a real question of what Timothy Garton Ash, in these pages, has called “the assassin’s veto,” the fact that some newspapers might self-censor simply to avoid further violence.2 Jyllands-Posten itself, declaring in an editorial in January 2015 that “violence works,” no longer republishes the cartoons.
    Lost in the geopolitical fallout, however, was the debate over Danish values that the cartoons provoked in Denmark itself. Under the influence of the nineteenth-century state builder N.F.S. Grundtvig, the founders of modern Denmark embraced free speech as a core value. It was the first country in Europe to legalize pornography in the 1960s, and Danes have long taken a special pleasure in cheerful, in-your-face irreverence. In December Politiken published a cartoon showing the integration minister Inger Støjberg gleefully lighting candles on a Christmas tree that has a dead asylum-seeker as an ornament (see illustration on page 34).
    Explaining his own reasons for commissioning the Muhammad cartoons, Flemming Rose has written of the need to assert the all-important right to “sarcasm, mockery, and ridicule” against an encroaching totalitarianism emanating from the Islamic world. He also makes clear that Muslims or any other minority group should be equally free to express their own views in the strongest terms. (Rose told me that he differs strongly with Geert Wilders, the prominent Dutch populist and critic of Islam. “He wants to ban the Koran. I say absolutely you can’t do that.”)
    But Rose’s views about speech have been actively contested. Bo Lidegaard, the editor of Politiken, the traditional paper of the Copenhagen establishment, was Fogh Rasmussen’s national security adviser at the time of the cartoons crisis. Politiken, which shares the same owner and inhabits the same high-security building as Jyllands-Posten, has long been critical of the publication of the cartoons by its sister paper, and Lidegaard was blunt. “It was a complete lack of understanding of what a minority religion holds holy,” he told me. “It also seemed to be mobbing a minority, by saying, in their faces, ‘We don’t respect your religion! You may think this is offensive but we don’t think its offensive, so you’re dumb!’”
    Lidegaard, who has written several books about Danish history, argues that the cartoons’ defenders misread the free speech tradition. He cites Denmark’s law against “threatening, insulting, or degrading” speech, which was passed by the Danish parliament in 1939, largely to protect the country’s Jewish minority from anti-Semitism. Remarkably, it remained in force—and was even invoked—during the Nazi occupation of Denmark. According to Lidegaard, it is a powerful recognition that upholding equal rights and tolerance for all can sometimes trump the need to protect extreme forms of speech.
    Today, however, few Danes seem concerned about offending Muslims. Neils-Erik Hansen, a leading Danish human rights lawyer, told me that the anti–hate speech law has rarely been used in recent years, and that in several cases of hate crimes against Muslim immigrants—a newspaper boy was killed after being called “Paki swine”—the authorities have shown little interest in invoking the statute. During the cartoon affair, Lidegaard himself was part of the foreign policy team that advised Prime Minister Fogh Rasmussen not to have talks with Muslim representatives. When I asked him about this, he acknowledged, “The government made some mistakes.”
    4.
    Last fall I visited Mjølnerparken, an overwhelmingly immigrant “ghetto” in north Copenhagen where Omar el-Hussein, the shooter in last year’s attack against the free speech meeting, had come from. Many of the youth there belong to gangs and have been in and out of prison; the police make frequent raids to search for guns. Upward of half the adults, many of them of Palestinian and Somali origin, are unemployed. Eskild Pedersen, a veteran social worker who almost single-handedly looks after the neighborhood, told me that hardly any ethnic Danes set foot there. This was Denmark at its worst.
    And yet there was little about the tidy red-brick housing blocks or the facing playground, apart from a modest amount of graffiti, that suggested dereliction or squalor. Pedersen seems to have the trust of many of his charges. He had just settled a complicated honor dispute between two Somalian families; and as we spoke, a Palestinian girl, not more than six, interrupted to tell him about a domestic violence problem in her household. He has also found part-time jobs for several gang members, and helped one of them return to school; one young man of Palestinian background gave me a tour of the auto body shop he had started in a nearby garage. (When a delegation of Egyptians was recently shown the neighborhood, the visitors asked, “Where is the ghetto?”)
    But in Denmark, the police force is regarded as an extension of the social welfare system and Pedersen also makes it clear, to the young men especially, that he works closely with law enforcement. As last year’s shooting reveals, it doesn’t always work. But city officials in Copenhagen and in Aarhus, Denmark’s second city, describe some cases in which local authorities, drawing on daily contact with young and often disaffected Muslims, including jihadists returning from Syria, have been able to preempt extremist behavior.
    Across Europe in recent weeks, shock over the arrival of hundreds of thousands of refugees has quickly been overtaken by alarm over the challenge they are now seen as posing to social stability. Several countries that have been welcoming to large numbers of Syrian and other asylum-seekers are confronting growing revolts from the far right—along with anti-refugee violence. In December Die Zeit, the German newsweekly, reported that more than two hundred German refugee shelters have been attacked or firebombed over the past year; in late January, Swedish police intercepted a gang of dozens of masked men who were seeking to attack migrants near Stockholm’s central station. Since the beginning of 2016, two notorious far-right, anti-immigration parties—the Sweden Democrats in Sweden and Geert Wilders’s Party for Freedom in the Netherlands—became more popular than the ruling parties in their respective countries, despite being excluded from government.
    Nor is the backlash limited to the right. Since the New Year’s attacks by migrants against women in Cologne, conservative opponents of German Chancellor Angela Merkel’s refugee policy have been joined by feminists and members of the left, who have denounced the “patriarchal” traditions of the “Arab man.” Recent data on the anti-immigrant Sweden Democrats, who in January were polling at 28 percent of the popular vote, shows that the party’s steady rise during Sweden’s decade of open-asylum policies has closely tracked a parallel decline in support for the center-left Social Democrats, the traditional force in Swedish politics. Confronted with such a populist surge, the Swedish government announced on January 27 that it plans to deport as many as 80,000 asylum-seekers.
    As the advanced democracies of Europe reconsider their physical and psychological borders with the Muslim world, the restrictive Danish approach to immigration and the welfare state offers a stark alternative. Brought into the political process far earlier than its counterparts elsewhere, the Danish People’s Party is a good deal more moderate than, say, the National Front in France; but it also has succeeded in shaping, to an extraordinary degree, the Danish immigration debate. In recent weeks, Denmark’s Social Democrats have struggled to define their own immigration policy amid sagging support. When I asked former prime minister Fogh Rasmussen about how the Danish People’s Party differed from the others on asylum-seekers and refugees, he said, “You have differences when it comes to rhetoric, but these are nuances.”
    In January, more than 60,000 refugees arrived in Europe, a thirty-five-fold increase from the same month last year; but in Denmark, according to Politiken, the number of asylum-seekers has steadily declined since the start of the year, with only 1,400 seeking to enter the country. In limiting the kind of social turmoil now playing out in Germany, Sweden, and France, the Danes may yet come through the current crisis a more stable, united, and open society than any of their neighbors. But they may also have shown that this openness extends no farther than the Danish frontier.
    —February 10, 2016

    #danemark #migrations #asile #réfugiés