product:ipod

  • I Rode All the E-Scooters. Most of Them Are Awful Except Two
    https://jalopnik.com/i-rode-all-the-e-scooters-most-of-them-are-awful-excep-1835373127

    So sieht es im paradiesischen Wunderland des Transport-Sharing aus : #ASAB Alle Roller sind Mist, außer einem, und der ist genau genommen kein Roller. Und in Berlin? Sind das bessere E-Roller Made in Germany ? Wohl kaum. Tragt bloß einen Helm!

    Matt Farah, 6/10/19 3:45pm - One weekend morning toward the end of 2017, I woke up at home in Venice, CA and took a walk, only to see something entirely new: people on electric scooters. And I mean lots of people on electric scooters. Literally overnight, a new company called Bird, founded just two miles away in Santa Monica, had launched an app and dumped thousands of dockless scooters all over the place. A few things happened very quickly after that:

    Bird Scooters became litter. Freelance chargers, or “Juicers” as Lime would later call their not-employees, would do their best to place the scooters in an orderly fashion, out of the way in common areas. But since people only have respect for a.) things they, themselves personally own or b.) are locked down or are being watched, kicking, destroying, throwing them in the ocean, and more turned into Venice’s favorite new sport. The other morning, I watched someone line up a dozen or more scooters neatly, get into their van, and drive off. Not 10 seconds later, someone used a shopping cart as a bowling ball, turning the whole thing into some kind of bramble.
    Everyone wanted to compete with Bird. Lime was next, with its fun, fruit-themed livery. Bird and Lime were the new disruptors, and the OG disruptors, Uber and Lyft, wanted in on that sweet, sweet last-mile dollar. So those two started dropping their own scooters all over.
    E-Mobility Scooters have absolutely decimated the bike rental industry in Venice. Enterprising bike rental shop owners began to moonlight as scooter chargers or repair facilities. Some bike rental shop owners began buying and renting out their own scooters. Now, just 18 months later, on any given weekend, well over 50 percent of the wheeled traffic on the Venice bike path is battery powered.

    There were injuries. Lots of injuries. Anecdotally, I regularly see people wiping out and getting hurt on mobility scooters. It happens enough that I have made something of a pastime watching a specific corner on the bike path near my house. Business Insider reports over 1,500 injuries serious enough to record in the U.S., in 2018 alone, plus four fatalities.

    For the record, I sympathize with local residents who resent them taking up sidewalk space in front of their home, hate them for becoming litter in a neighborhood that often has too much of that already, and who have to deal with yet another way for dumb, lost tourists to be dumb and lost.

    I’ve found scooters blocking my own front door or garage on several occasions. And folks tend to want the best of all worlds while riding one: they want the rights of a pedestrian, the rights of a bicycle, and the rights of a car, all at the same time, which is an incredibly dangerous mindset.

    Also, for the record, I have found some extremely convenient uses for the scooters when I need to get somewhere that is just out of walking range, or to “run to the store to pick up some forgotten ingredient” while a recipe is in the oven. I have used every brand of scooter at one point or another, with extremely mixed results. I will factor in previous experience into my rankings.

    The Test: My goal was to find out which mobility company provides the best motoring experience for the rider, for their money. A showdown, for which scooter is best.

    For purposes of this piece, we will not be discussing company policy, only the scooter itself, and whether or not you should get down with it when you come hang out with me on Venice Beach.

    The Circuit

    Allow me to introduce you to The Mobiliring: a 3.4-mile handling circuit featuring a variety of surface changes, corners, crags, obstacles, sand, and people.

    You begin at the Venice Beach Parking lot at 2100 Ocean Front Walk, with the densest population of scooters around. Proceeding straight across the parking lot to the bike path, you go north on the bike path over a winding way made of slatted, rough, sandy concrete, all the way to the Santa Monica border, where you turn back south because mobility scooters can’t be ridden on the bike path at all in the city of Santa Monica.

    You ride south on Speedway, basically a decaying alley full of potholes, but appropriately named, as it was LA’s first paved road. Take Speedway south to Windward Avenue, the heart of Venice, and turn right, weaving across the freestyle dance skating grounds, through the throngs of tourists, and back to the bike path where it meets the legal graffiti area. Continue south on the bike path until you get to the Venice pier, then turn left on Washington Blvd and an immediate left to go north on Speedway, taking you right back to Start/Finish.

    This course is approximately 60 percent unlimited-speed bike path and 40 percent public roads, and in order to successfully complete a lap, you must pay attention and obey all posted road signs and laws.

    (Before you ask, Yes, I bought the Mobiliring domain name. Yes, I will be inviting you to post your own lap times.)

    The Contenders: We’ve restricted our entrants to scooter-type vehicles (as opposed to e-assist bicycles) available on the street for rent in Venice, CA as of May 13, 2019. For this test, that means Bird, Lime, Lyft, Jump (Uber), and Wheels are in the game. Now let’s see how they did on our handling course.

    5th Place – Jump – DNF

    Jump, along with Lyft, uses the Segway / Ninebot ES2 scooter with 19 miles of range and a claimed top speed of 15 mph. This scooter also uses two independent braking methods: regenerative via a toggle on the handlebar, and direct friction via a pressure plate on the rear tire. But, as with shared platforms in cars, the difference is often in the fine tuning, and here, the tuning mattered a lot.

    Our test started well. I picked up a fully charged and seemingly brand-new Jump scooter a few road blocks from the Mobiliring’s Start/Finish line. On the road, it seemed reasonably well made and stable, and reached the claimed top speed of 15 mph relatively drama-free. Then, just after starting off my official lap time, I hit the bike path, and it told me “no.”

    This is important. You see, the Venice bike path is exactly what it sounds like: a dedicated path for bikes, separate from cars and pedestrians. How each of these scooters deals with the bike path, as we will learn, is a defining factor in their Mobiliring time. The bike path and some of the surrounding pedestrian areas, a few of which are on-course, are “restricted” for some scooters, but not for others.

    While each scooter company deals with the bike path its own way, Jump has elected not to deal with it at all. The scooter refused to move, the app told me to take it back off the path, and into a “parking zone,” to lock it up and end my ride.

    I pushed it back where I found it, and even though my phone knew where I was, the scooter disagreed, and I was penalized for $5 for, ultimately, parking it legally.

    4th Place – Lime S – 44 minutes - $7.60

    Lime, the second scooter brand on the scene after Bird, has just released a heavier-duty version of their scooter, called the “Gen 3.” It features an underfloor battery for better stability, improved front suspension, bigger wheels, and a 30-mile range with all-weather capability.

    Unfortunately, since California doesn’t need that as badly as, say, Boston, we don’t get those. Here in Venice, we get the original Lime S scooter, also by Ninebot, but with a 18 mile range and a top speed of 14 mph. The Lime S has the tallest handlebars of all scooters and a single, rear-wheel bike-style cable and disc brake.

    In my previous experience, I’ve found the Lime S to be the fastest of the stand-up scooters, regularly exceeding the claimed 14 mph number, but also with the twitchiest handling in part because those handlebars are so high up and with a column full of heavy batteries in the front. Allegedly the handling issues are solved in the new scooter, but I will have to wait to see on that.

    Lime has decided that an appropriate speed for the Venice bike path should be 3 mph. Now, I don’t know if you’ve ever tried to operate a two-wheeled vehicle at 3 mph, but it’s actually quite a lot of work. Three is just barely enough speed to keep a two-wheeled vehicle standing up. It’s slow enough that I was passed by old people walking.

    It’s so slow, that you really can’t keep it in a straight line, which means the ride takes that much longer because you have to cover more zig-zaggy distance, and have I mentioned you’re going three? 

    I was openly mocked, to my face. I realize how mean-spirited you need to be to mock someone to their face for doing nothing besides silently riding a scooter very slowly on the bike path, but honestly, no one has just randomly mocked me on the street really ever in my lifetime. That’s how embarrassingly slow Lime wants you to go on the bike path.

    To make matters worse, Lime’s GPS calibration is so bad that, not 20 feet away from me on the pedestrian foot path I was passed by a dozen Limes going full-tilt, weaving between pedestrians, while I was a rolling chicane on the bike path, being passed by folks going slower than my own top speed.

    3rd Place – Lyft – 31 minutes, 47 Seconds - $7.01

    As I noted earlier, both Lyft and Jump use essentially the same Ninebot ES2scooter, painted different colors. But the difference between Jump’s DNF and Lyft’s podium finish? The software.

    Jump uses a basic LED display with a speedometer, whereas Lyft just has five little lights to indicate battery status. You could say that makes Jump better, but in fact it makes Jump worse, because there is nothing worse than looking at a powered vehicle’s speedometer and seeing a number lower than where you’d set the treadmill during cool down.

    Lyft’s “Prince Purple” and black livery also features a metal cage surrounding the column-mounted auxiliary battery pack, Mad Max style. I guess they follow @BirdGraveyard.

    I actually tested the Lyft before Lime and Jump, so when I hit the bike path and got stuck with a 5 mph limiter for the first mile and a half, it was bad. I thought that was, at the time, as embarrassed as I could be on a motorized vehicle, traveling barely faster than a walk. The thumb throttle, remained fully depressed for a solid 20 minutes, and my right hand began to cramp. I suddenly realized that, if the other scooters were this bad (they were worse) the test was actually going to take all day (it did).

    In unrestricted zones, the electrons flowed like a burst dam; the combination of power delivery and incredibly cheap, low-grip tires mean that you can actually get wheelspin on the sandy stuff – man this thing is fast. Maybe Lyft doesn’t put a speedometer on the handlebars because they are hiding the fact that their scooters are massively juiced up? Maybe it’s like Japan in the 1990s where everyone says their car makes 276 horsepower, and this is the R34 Skyline actually pushing 450?

    Southbound on Speedway, there were sections where I couldn’t use full throttle because it was just way, way too fast. With these tiny wheels, and this amount of power, when you hit the pavement head first (your only option when the front wheel “pivot point” of a crash is 4” in front of your toes), your head will explode like a Gallagher watermelon.

    The regenerative braking system on these Ninebot scooters is really cool, except, like most cheap regen systems, it stops working at low speed. So you really do have to use the friction brake on the rear wheel to come to a full stop.

    Considering the speed, you do not want to be standing on your toes on your back foot, which means you have to do a mid-brake foot shuffle to get that back foot planted on the brake to stop it. It seems like a good idea, and probably adds to the range to use regen as much as possible, but in a panic, complex braking systems are not good.

    Nevertheless, the bike path clearly took a lot away from Lyft’s time here, and so if you live in a city without restricted zones, commuting on one of these could be faster than you think. Wear a helmet.

    2nd Place – Bird Zero – 20 minutes - $6.20

    Bird is the Kleenex of mobility, the Google of mobility, the iPod of mobility. They were the first on the scene and made everyone else play catch-up. The original Bird scooter was a modified Xiaomi unit (sidebar: the guy who modified it is super interesting on his own and races a very fast and aero-fied Nissan GT-R in the Global Time Attack series), which proved not to be durable enough to stand up to the abuse put forth by Americans handling items they don’t own. So they first did a stint with Ninebot before developing their own in-house scooter, the Bird Zero, which is what I rode.

    The Zero has the widest deck of any standup scooter available, making it the most comfortable and stable to ride. (EDIT: New “Bolt” Scooters in LA have wider decks, but were not online at the time of my test). The handlebars fall between Jump and Lime height, so right in the middle, and between your hands is a speedometer and battery indicator.

    Though Bird says the Zero will go 25 km/hr (15 mph), the onboard speedometer would stop at 11.5 mph, and if you actually hit 12 mph (like on a small downhill), it would kill power until you dropped down to 9 mph, an incredibly annoying bug.

    It has larger wheels than the Ninebots used by Lyft, Jump and Lime, and what appear to be grippier tires. At 11 mph and change, you feel like you’re moving along pretty good, but it’s not sketchy fast, and the combination of (slightly) larger wheels and a basic front suspension mean the cracks in the sidewalk aren’t so jarring. The only brake is a bicycle-style cable disc brake on the rear wheel. The cable is exposed, so it’s vulnerable to tampering, but it’s intuitive and effective.

    (Side note: Yes, people are constantly messing with the brakes of these scooters. I regularly find cut cables, and on a few occasions, have started riding only to find out while in motion that the cables have been cut or removed entirely. Check any scooter before riding for functional brakes.)

    I took my first lap ever around the Mobiliring on a Bird, figuring they would be the one to beat, and frankly, Bird is the gold standard for a reason. The Zero is unrestricted on the bike path, and maintained its top speed for the entire first twisty section. The handling is predictable, and there is more grip than other scooters, right up until it gets sandy. Turning southward on Speedway at the north end of the course, the Zero absorbed many of the bumps and ruts in the road better than other scooters. Because I didn’t bump up on any stupid limiters, the entire lap was quite pleasant and relaxing.

    Having tried all three generations of Bird scooter, the Zero is a vast improvement from the first two, and if you’re going to scoot on your feet, not on a seat, Bird is probably the one to ride.

    1st Place – Wheels – 15 Minutes, 16 seconds - $5.60

    “Wheels” is the newest mobility company on the scene; their miniature bicycles only appeared in Venice a few months ago. These bikes are, frankly, genius. In theory, they go up to 35 km/hr, (21.7 mph), though I never saw more than 33.5 on the display.

    Because they are the first mobility option with hot-swappable batteries, the bikes themselves never go out of service during daytime hours. Wheels “Transporters” pick random bikes from where they are left, swap the batteries, and return the bikes to “hubs,” where, in my experience, you can pretty much always find at least one.

    The fact that they are more like bicycles than Razor scooters is, itself, a major advantage. Sitting, rather than standing, means stability. It means your knees and ankles aren’t a suspension component. It has 14-inch wheels with pneumatic tires. It uses dual disc brakes from a high-end bicycle. It has a twist-grip throttle, like a motorcycle. And it has Bluetooth speakers, so you can play your music from the bike itself, freeing you from having to dangerously (and in Santa Monica, illegally) ride on the street wearing headphones.

    A Wheels has enough power that you don’t have to push-start it, real tires so you can ride confidently on sandy tarmac, and the kind of brakes you’d want on a vehicle capable of keeping up with, and passing, folks on geared bicycles, or even cars in urban traffic. The kind of bumps that would sail you headfirst into a parked car on a traditional scooter are mere inconveniences on a Wheels.

    I knew it would be faster than the scooters on specs alone, but honestly, it was also so much more fun. Every single scooter is kinda terrifying, because a crack or a bump can come up so quickly, with really bad consequences. Even while having fun, it’s virtually impossible to escape this train of thought. Especially since right when you do, that’s when you crash.

    A Wheels is like riding an electric Honda Grom. The bike path, unrestricted on a Wheels, might as well be Angeles Crest Highway. I was taking apexes, leaning it down, balancing the brakes, and leaning into the throttle on exits. You can actually look up and around, rather than four feet in front of you, because you aren’t terrified of uneven pavement anymore.

    Best of all, because it looks more like a bike than a Razor scooter, many folks are riding them in more appropriate places than sidewalks, because they no longer see themselves as pedestrians.

    And the speed, Lord, the speed. It completed the Mobiliring a full five minutes faster than Bird, in half the time of Lyft, 1/3 the time of Lime, and for less money than all of them—after all, you’re literally renting these things by the minute, not the mile. Time is money.

    Downsides? Admittedly, there are two: First are the exposed brake cables for the dual disc brakes. During the single day of this test, I found three Wheels with intentionally cut brake lines. Someone not as vigilant as myself might not notice, which, considering where they were cut, I believe was the sadistic intent.

    Secondly, 20 mph is fast enough to have a crash where you can get hurt pretty badly, and Wheels is getting awfully close to moped territory; those do require helmets. While you’re no longer worried about pavement quality, you are going fast enough to misjudge things and just, crash. I hate to say it, but helmets should probably be mandated. And if I’m nit-picking, a height-adjustable seat would be nice, although not having to pedal negates most of the negative effects of a fixed seat.

    When scooters first arrived in Venice, I rolled my eyes and said to myself, “Great, at last a substitute for walking.” And in some ways, I was right. These scooters do expose us at our most slovenly, both in how we treat them when no one is looking, and in how tourists do actually use them, right in front of me, every day: as a walk you don’t have to walk; as a bike you don’t have to pedal.

    But they also do give mobility to people who don’t otherwise have it. 30 miles in LA is a pretty long way; you could ride a Wheels from Venice to Beverly Hills and back, for less than an Uber or Lyft, and without having to be a sweaty mess when you got there. Bird scooters and their ilk are good for short trips that are just out of walking distance, as long as you don’t have to deal with restricted zones and the surface is good.

    A Wheels is good for that too, but it can also be a bicycle. And frankly, it’s safer. Wheels wins this one by a mile.

    But as I write this, some three more e-scooters are coming to Venice in the next month. I guess the Mobiliring’s work isn’t done yet.❞

    #USA #Elektroroller #Verkehr

  • The clutter hiding in my #iphone
    https://hackernoon.com/the-clutter-hiding-in-my-iphone-5e36d0071df0?source=rss----3a8144eabfe3-

    An expedition to unearth the garbage in my #ios devicesI’m generally a bit OCD about clutter but somehow this doesn’t seem to apply to my phone. It’s probably an ‘Out of sight, out of mind’ thing. But there’s only so long you can delay things before the dreaded ‘Storage Full’ notification pops up. Like what happened on my kid’s iPod when she ran an ‘Update All’ in her AppStore app and was informed that the iPod ‘Cannot Download’ as there’s no space. So when my phone too ran out of space, it was clear procrastination was not an option anymore. My problem with cleaning up is I have to get rid of stuff. This means decisions, and I have no time for that. But necessity is the mother of invention, and I discover an unknown ability to make time.When iOS becomes counter-intuitiveThe space hogs on most of my (...)

    #apple #maintenance #ios-storage

  • Microsoft rät indirekt vom Office-2019-Kauf ab | heise online
    https://www.heise.de/newsticker/meldung/Microsoft-raet-indirekt-vom-Office-2019-Kauf-ab-4300654.html

    Microsoft essaye de vous décourager d’acheter Office 2019 - afin de vous vendre Office 365 . La raison est évidente : Pour Office 2019 vous ne payez qu’une seule fois alors que pour Office 365 vous payez tous les ans. Les arguments ressemblent ceux des vendeurs d’automobiles et n’ont d’intérêt que pour les utilisateurs les plus dépendants et les moins flexibles.

    On se demande pourquoi quelqu’un voudrit encores utiliser un MS-Office payant en dehors des grandes entreprises qui obligent leurs employés à apprendre l’utilisation du monstre. Après tout il y a

    Free Microsoft Office Online, Word, Excel, PowerPoint
    https://products.office.com/en/office-online/documents-spreadsheets-presentations-office-online

    Which browsers work with Office Online - Office Support
    https://support.office.com/en-us/article/which-browsers-work-with-office-online-ad1303e0-a318-47aa-b409-d3a5e

    Desktop and laptop computers

    Use the most recent versions of the following browsers for the best experience with Office Online.

    Windows 10 : Microsoft Edge, Internet Explorer 11, Mozilla Firefox, or Google Chrome

    Windows 8, 8.1, or 7 (SP1): Internet Explorer 11, Firefox or Chrome

    Windows Vista (SP2) : Firefox or Chrome, but some features may not be available. We recommend updating to at least Windows 7 (SP1).

    Mac OS X (10.10 and later) : Apple Safari 10+ or Chrome

    Linux : Office Online works in both Firefox or Chrome on Linux, but some features may not be available.

    If your organization is dependent upon Internet Explorer 8 or Internet Explorer 9 to access older web apps and services, you may want to consider upgrading to Internet Explorer 11 and evaluating Enterprise Mode for Internet Explorer 11. This update helps provide better backward compatibility for legacy web apps.

    iOS Devices

    iPad : If you’re using at least iOS 10.0 we recommend using the Office for iPad apps instead. You’ll find them in the Apple app store.

    If you’re using an older version of iOS then Safari is the best browser for Office Online on iPads, but some features may not be available.

    iPhone : If you’re using at least iOS 10.0 we recommend using the Office for iPhone apps instead of the browser. You’ll find them in the Apple app store.

    If you’re using an older version of iOS then Safari is the best browser for Office Online on iPhones but some features may not be available.

    Note: Not sure which version of iOS you have? See Find the software version on your iPhone, iPad or iPod (Apple Support)

    Android

    There are currently no browsers on Android that are officially supported with Office Online. We recommend using the Office for Android apps instead. You’ll find them in the Google Play store.

    Other devices

    Most Office Online features will work in the Microsoft Edge browser on Hololens or XBox One.

    #software #Microsoft #lock-in #marketing #publicité

  • Blog : Multiple Strategic Tracks (MuST)
    https://hackernoon.com/blog-multiple-strategic-tracks-must-874504ff35aa?source=rss----3a8144eab

    How Multiple Strategic Tracks (MuST) Created the iPhoneAnd other breakthrough productsFor most tech companies their first big product success is also their last. Finding a second hit is very hard no matter how much we invest in vision and strategy development. The core business somehow always generates 90%+ of revenue and engagement.But some companies are different. Consider these magical product sequences:Apple: iPod → #iphone → iPadAmazon: Book store → Everything store → MarketplaceNetflix: Mail-order DVDs → Video streaming → OriginalsGoogle: Search → AdWords → Gmail → Chrome → AndroidTesla: Roadster → Model S → Model X → Model 3How do they do it?Here’s is the common-wisdom answer: a visionary leader + flawless strategy + a culture of innovation (etc.). It’s a fantastic story that the companies in (...)

    #apple #product-management #product-strategy #lean-startup

  • Prison inmates will soon be reading ebooks—but that’s not a good thing — Quartz
    https://qz.com/1399330/prison-inmates-will-soon-be-reading-ebooks-but-thats-not-a-good-thing

    Earlier this month, the Pennsylvania Department of Corrections announced that inmates would no longer be able to receive physical books from outside organizations or inmate’s families. Instead, the state’s prison system would be switching to ebooks. These will be available on tablets sold by prison telecommunications giant GTL.

    The book ban was part of an announcement about security measures aimed at limiting contraband flowing into Pennsylvania’s prisons.

    • Je retrouve pas l’annonce il y a quelques jours du changement de prestataire pour la musique dans des prisons ricaines. Avec interdiction pour les détenus d’écouter la musique via un autre prestataire. Et toutes les musiques qu’ils avaient achetées en passant par le prestataire précédent, il me semble qu’elles étaient ainsi perdues.

      L’idée que des « mesures de sécurité » dans les prisons se consacrent à « limiter la contrebande » en interdisant des livres, c’est assez symptomatique d’un pays où les élites, de toute façon, ne lisent jamais de livres.

    • Ah, je l’ai : Former Inmates Lose Their Right To Listen | Future of Music Coalition
      https://futureofmusic.org/blog/2016/02/23/former-inmates-lose-their-right-listen

      But some former federal prisoners are now arguing that their access to music has been wrongly compromised after leaving the prison walls behind. In a recent complaint, five former inmates allege that SanDisk Corp. and Advanced Technologies Group LLC (ATG) are taking advantage of an exclusive contract with the Federal Bureau of Prisons (BOP) to financially exploit this vulnerable population at a time when their focus should be on successful reintegration into society. In the class action suit, filed in a United States District Court in Michigan, the former inmates assert claims for Sherman Antitrust Act violations, breach of the implied covenant of good faith and fair dealing, unjust enrichment, conversion, unconscionability and violations of state consumer protection laws. 

      Beginning in 2012, federal prisoners have been allowed to purchase MP3 music players with certain features disabled such as the external memory slot and the integrated microphone. They have a limited range of music to choose from—explicit, violent or racially charged songs are not available. Prison officials have hailed this program as potentially helping with safety and reducing recidivism. At $.80- $1.80 per song, inmates can spend as much as $1,200 to $2,700 on music before reaching their MP3 Player’s full capacity. But, the lawsuit alleges, inmates are not informed during their initial purchase is that unless they also purchase a post-release MP3 player from ATG upon their release, they won’t have access to any of the songs or other audio files that they purchased during their incarceration. In addition, the former inmates have a limited period during which they may recover the purchased music collection, thus if a former inmate does not buy a SanDisk post release MP3 player from ATG within one year of release from prison, their purchase amount of possibly $2,700 will be lost, and they can’t transfer their files to another device.

      The former inmates have little choice in the matter, because SanDisk’s Sansa Clip + is their only option; BOP’s contract gave ATG the exclusive right to supply prison-restricted MP3 players and MP3 music and audio files to inmates in BOP facilities. SanDisk is also the exclusive supplier of post-release MP3 player, so the only way the former inmates can retain access to their purchased music after release is to purchase another MP3 player from SanDisk. Imagine being required to buy an iPod twice in order to listen to the possibly several thousand songs you already paid iTunes for or lose them. To add insult to injury, it’s an MP3 player that costs $40 at Walmart, but $110 through this program. That’s predatory pricing that recalls the debate over the shockingly high cost of prison phone calls which recently prompted action by the FCC after years of hard work by a coalition of activists including MAG-Net, Center for Media Justice, and others.

  • Can the Manufacturer of Tasers Provide the Answer to Police Abuse ? | The New Yorker
    https://www.newyorker.com/magazine/2018/08/27/can-the-manufacturer-of-tasers-provide-the-answer-to-police-abuse

    Tasers are carried by some six hundred thousand law-enforcement officers around the world—a kind of market saturation that also presents a problem. “One of the challenges with Taser is: where do you go next, what’s Act II?” Smith said. “For us, luckily, Act II is cameras.” He began adding cameras to his company’s weapons in 2006, to defend against allegations of abuse, and in the process inadvertently opened a business line that may soon overshadow the Taser. In recent years, body cameras—the officer’s answer to bystander cell-phone video—have become ubiquitous, and Smith’s company, now worth four billion dollars, is their largest manufacturer, holding contracts with more than half the major police departments in the country.

    The cameras have little intrinsic value, but the information they collect is worth a fortune to whoever can organize and safeguard it. Smith has what he calls an iPod/iTunes opportunity—a chance to pair a hardware business with an endlessly recurring and expanding data-storage subscription plan. In service of an intensifying surveillance state and the objectives of police as they battle the public for control of the story, Smith is building a network of electrical weapons, cameras, drones, and someday, possibly, robots, connected by a software platform called Evidence.com. In the process, he is trying to reposition his company in the public imagination, not as a dubious purveyor of stun guns but as a heroic seeker of truth.

    A year ago, Smith changed Taser’s name to Axon Enterprise, referring to the conductive fibre of a nerve cell. Taser was founded in Scottsdale, Arizona, where Smith lives; to transform into Axon, he opened an office in Seattle, hiring designers and engineers from Uber, Google, and Apple. When I met him at the Seattle office this spring, he wore a company T-shirt that read “Expect Candor” and a pair of leather sneakers in caution yellow, the same color as Axon’s logo: a delta symbol—for change—which also resembles the lens of a surveillance camera.

    Already, Axon’s servers, at Microsoft, store nearly thirty petabytes of video—a quarter-million DVDs’ worth—and add approximately two petabytes each month. When body-camera footage is released—say, in the case of Stephon Clark, an unarmed black man killed by police in Sacramento, or of the mass shooting in Las Vegas, this past fall—Axon’s logo is often visible in the upper-right corner of the screen. The company’s stock is up a hundred and thirty per cent since January.

    The original Taser was the invention of an aerospace engineer named Jack Cover, inspired by the sci-fi story “Tom Swift and His Electric Rifle,” about a boy inventor whose long gun fires a five-thousand-volt charge. Early experiments were comical: Cover wired the family couch to shock his sister and her boyfriend as they were on the brink of making out. Later, he discovered that he could fell buffalo when he hit them with electrified darts. In 1974, Cover got a patent and began to manufacture an electric gun. That weapon was similar to today’s Taser: a Glock-shaped object that sends out two live wires, loaded with fifty thousand volts of electricity and ending in barbed darts that attach to a target. When the hooks connect, they create a charged circuit, which causes muscles to contract painfully, rendering the subject temporarily incapacitated. More inventor than entrepreneur, Cover designed the Taser to propel its darts with an explosive, leading the Bureau of Alcohol, Tobacco and Firearms to classify it a Title II weapon (a category that also includes sawed-off shotguns), which required an arduous registration process and narrowed its appeal.

    A few years after Tasers went on the market, Rick Smith added a data port to track each trigger pull. The idea, he told me, came from the Baltimore Police Department, which was resisting Tasers out of a concern that officers would abuse people with them. In theory, with a data port, cops would use their Tasers more conscientiously, knowing that each deployment would be recorded and subject to review. But in Baltimore it didn’t work out that way. Recent reports in the Sun revealed that nearly sixty per cent of people Tased by police in Maryland between 2012 and 2014—primarily black and living in low-income neighborhoods—were “non-compliant and non-threatening.”

    Act II begins in the nauseous summer of 2014, when Eric Garner died after being put in a choke hold by police in Staten Island and Michael Brown was shot by Darren Wilson, of the Ferguson Police. After a grand jury decided not to indict Wilson—witness statements differed wildly, and no footage of the shooting came to light—Brown’s family released a statement calling on the public to “join with us in our campaign to ensure that every police officer working the streets in this country wears a body camera.”

    In the fall of 2014, Taser débuted the Officer Safety Plan, which now costs a hundred and nine dollars a month and includes Tasers, cameras, and a sensor that wirelessly activates all the cameras in its range whenever a cop draws his sidearm. This feature is described on the Web site as a prudent hedge in chaotic times: “In today’s online culture where videos go viral in an instant, officers must capture the truth of a critical event. But the intensity of the moment can mean that hitting ‘record’ is an afterthought. Both officers and communities facing confusion and unrest have asked for a solution that turns cameras on reliably, leaving no room for dispute.” According to White’s review of current literature, half of the randomized controlled studies show a substantial or statistically significant reduction in use of force following the introduction of body cameras. The research into citizen complaints is more definitive: cameras clearly reduce the number of complaints from the public.

    The practice of “testi-lying”—officers lying under oath—is made much more difficult by the presence of video.

    Even without flagrant dissimulation, body-camera footage is often highly contentious. Michael White said, “The technology is the easy part. The human use of the technology really is making things very complex.” Policies on how and when cameras should be used, and how and when and by whom footage can be accessed, vary widely from region to region. Jay Stanley, who researches technology for the American Civil Liberties Union, said that the value of a body camera to support democracy depends on those details. “When is it activated? When is it turned off? How vigorously are those rules enforced? What happens to the video footage, how long is it retained, is it released to the public?” he said. “These are the questions that shape the nature of the technology and decide whether it just furthers the police state.”

    Increasingly, civil-liberties groups fear that body cameras will do more to amplify police officers’ power than to restrain their behavior. Black Lives Matter activists view body-camera programs with suspicion, arguing that communities of color need better educational and employment opportunities, environmental justice, and adequate housing, rather than souped-up robo-cops. They also argue that video has been ineffectual: many times, the public has watched the police abuse and kill black men without facing conviction. Melina Abdullah, a professor of Pan-African studies at Cal State Los Angeles, who is active in Black Lives Matter, told me, “Video surveillance, including body cameras, are being used to bolster police claims, to hide what police are doing, and engage in what we call the double murder of our people. They kill the body and use the footage to increase accusations around the character of the person they just killed.” In her view, police use video as a weapon: a black man shown in a liquor store in a rough neighborhood becomes a suspect in the public mind. Video generated by civilians, on the other hand, she sees as a potential check on abuses. She stops to record with her cell phone almost every time she witnesses a law-enforcement interaction with a civilian.

    Bringing in talented engineers is crucial to Smith’s vision. The public-safety nervous system that he is building runs on artificial intelligence, software that can process and analyze an ever-expanding trove of video evidence. The L.A.P.D. alone has already made some five million videos, and adds more than eleven thousand every day. At the moment, A.I. is used for redaction, and Axon technicians at a special facility in Scottsdale are using data from police departments to train the software to detect and blur license plates and faces.

    Facial recognition, which techno-pessimists see as the advent of the Orwellian state, is not far behind. Recently, Smith assembled an A.I. Ethics Board, to help steer Axon’s decisions. (His lead A.I. researcher, recruited from Uber, told him that he wouldn’t be able to hire the best engineers without an ethics board.) Smith told me, “I don’t want to wake up like the guy Nobel, who spent his life making things that kill people, and then, at the end of his life, it’s, like, ‘O.K., I have to buy my way out of this.’ ”

    #Taser #Intelligence_artificielle #Caméras #Police #Stockage_données

  • #Memoryscape

    Enjoy two of the most dramatic riverside walks in London and hear the voices of people whose lives have been entwined with the Thames. These sound walks take place at some of the most fascinating stretches of the river Thames. You can listen as you walk with a CD player, ipod or MP3 player. Click on the links below to explore the trails

    http://www.memoryscape.org.uk
    #son #ballade_sonore #rivière #fleuve #Londres #Angleterre #UK
    cc @daphne

    • Echoes of Blackburn Meadows

      The most recent stint of conservation work at Blackburn Meadows by BTCV is now in its final stages. Over the past four weeks, volunteers have worked in all weathers to complete the vital improvements that will lay the foundations for Echoes of Blackburn Meadows. Tasks have comprised draining footpaths, laying new surfaces and removing masses of unwanted litter, bracken and Buddleia.

      http://www.sheffieldelectricity.com/uploads/blackburn-meadows-power-station-1.JPG
      http://www.sheffieldelectricity.com
      #Sheffield

    • Scottish National Gallery soundwalk

      We* wanted to create a soundwalk through the Old Town, narrated by interviews with people working in various jobs across central Edinburgh. We soon, however, saw this as a long-term project, after numerous refusals from potential interviewees.
      After we received the cold shoulder to do an interview with the proprietors of the seasonally blind Christmas Shop, we headed to Oxgangs, a 1950s suburb to the city’s southwest. The area has some striking signage and architecture, particularly the bell tower of St. John’s church.

      We took the number 4 bus back in to the city centre, and walked east. Posters for a Scottish photography retrospective in the Scottish National Gallery drew us in. The exhibit was strong, but it was small, so we walked around the permanent collection. As we walked through the rooms among the paintings and marble busts, we got on to the topic of gallery audio tours. How fun would it be to make our own? The idea started to unfurl and was built over repeat trips.

      We realized there was a wealth of re-interpretations to be made, as we started to assign songs and other texts that seemed to fit, however esoterically, with what we were seeing. We also paid attention to the experience of being in the gallery, especially the sounds of each room.

      The Scottish National Gallery soundwalk is an audio tour played out in real time that can be listened to anywhere (try it out in your local gallery).

      http://12gatestothecity.com/projects/scottish-national-gallery
      #art #musée

    • P r o j e c t D e t a i l : A R e c o r d o f F e a r

      A Record of Fear was a commission for Contemporary #Art in Historic Places, a partnership between the National Trust, English Heritage and Commissions East in which three artists were invited to create new work inspired by historic properties.

      Once a secret military testing site and now a nature reserve, #Orford_Ness temporarily played host to a series of audio and video works exploring aspects of broadcast and transmission.

      The viewing gallery of the #Black_Beacon building - used to develop an experimental navigation device - was the location for an audio work, which used manipulated sound recordings from the Ness. Visitors were invited to listen carefully to what is already there as well as what is generally inaudible to the human ear. An array of contact mics, hydrophones, ultrasonic recorders and regular microphones had been used to capture the subtle ambient sounds of the site.

      The Exmoor Choir were invited to perform madrigals in some of the remaining military buildings, once used for environmental testing of the atomic bomb. The human presence singing songs of love and an awareness of the passing of time provided a poignant counterpoint to the stark and disturbing interiors. A specially commissioned piece by Yannis Kyriakides entitled “U” provided a meditation on the passing of time.

      For one-day only, visitors were allowed to enter some normally inaccessible test laboratories that become locations for sound installations, including the sited recording of a working centrifuge at AWE Aldermaston which was formerly in use at AWRE Orfordness.

      http://www.lkwilson.org/index.php?m=proj&id=26&sub=images&prev=

    • Experimental Research Network

      The Experimental Research Network is a space for academics, artists and anyone else who has an interest in creative experimentation with research practice.

      Currently, the network includes academics using experimental audio and visual methods in their research, researchers using experimental narrative, textual and print-based methods, sound artists, avant-garde film makers, photographers, performance artists and musicians.

      The aims of the Network are:

      – To actively promote and encourage experimentation within research practice, helping to create an enlarged and enlivened sense of what research might encompass

      – To initiate and coordinate experimental research events – conferences, workshops, meetings

      – To distribute and share information about relevant events and funding opportunities

      – To foster new links between individuals and institutions working experimentally with research methods

      In short, we aim to bring together people who are using creative, innovative, novel, or risky research practices in their work, regardless of their location, affiliation or research topic, in a way that is mutually supportive, intellectually stimulating and fun. If this sounds like your thing, why not join us?

      The Experimental Research Network was initiated in 2010 by Dr Michael Gallagher and Jonathan Prior, both currently based at The University of Edinburgh, Scotland. It developed out of an international training and networking project funded by the UK Economic and Social Research Council (ESRC).

      https://experimentalnetwork.wordpress.com

  • The media milestone the media (fittingly?) forgot : #podcast
    http://www.cjr.org/analysis/podcast_milestone.php

    ONE DECADE AGO THIS WEEKEND, millions of iPod owners woke up to a quiet change to the #iTunes software they probably didn’t even notice. The really revolutionary updates usually have nice, round numbers—iTunes 3.0 invented the personalized playlist, 4.0 introduced the Music Store, 11.0 gave us iCloud — so it was somehow fitting that even mighty Cupertino didn’t seem to realize they were launching, yet again, a powerful new category of media with iTunes 4.9: #Podcasting.

  • Welcome to the Church of Saint Jobs
    We Pieced Together Steve Jobs’ Long-Lost Stereo System | Gadget Lab | WIRED
    http://www.wired.com/2014/04/steve-jobs-stereo-system

    Steve Jobs was a closet audiophile. Yes, the man responsible for the iPod and the global domination of low-res MP3 files had a serious Hi-Fi fetish. As musician and audio quality champion Neil Young said in 2012, “Steve Jobs was a pioneer of digital music. But when he went home, he listened to vinyl.”

    #wtf #apple #hifi

  • http://www.apple.com

    / Browser Height and Device Type /
    var platform = ’’;
    if (s.u.match(/(kindle|silk-accelerated|android|webos|rim tablet os|windows phone)/i)) {
    platform = ’mobile other’;
    } else if (s.u.match(/windows/i)) {
    platform = ’windows’;
    }else if (s.u.match(/(iphone|ipod)/i)) {
    platform = ’iphone/ipod touch’;
    } else if (s.u.match(/(ipad)/i)) {
    platform = ’ipad’;
    }else if (s.u.match(/Mac OS X/i)){
    platform = ’Mac’;
    } else {
    platform = ’other’;
    }

    #js #moble_detection

  • #Mac Buyer’s #guide: Know When to Buy Your Mac, iPod or iPhone
    http://buyersguide.macrumors.com

    This page provides a product summary for each #Apple model. The intent is to provide our best recommendations regarding current product cycles, and to provide a summary of currently available rumors for each model.

    This page is based on rumors and speculation and we provide no guarantee to its accuracy. Tags: Mac guide #achat Apple

  • Cowboy Reach For The Sky (1970)
    http://chewbone.rickshide.com/2013/10/30/cowboy-reach-for-the-sky-1970-3

    Cowboy Reach For The Sky (1970) EAC | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps Capricorn Records, 314 558 381-2 | ~ 273 or 274 or 103 Mb | Scans(jpg, 300dpi) Included Country / Southern Rock “While not exactly the house band for Phil Walden’s Macon, GA-based Capricorn Records label, [...]

    #Forums #Warez

  • Winter Olympics cancelled - National International Political Satire | Examiner.com

    http://www.examiner.com/article/winter-olympics-cancelled

    Juste parce que c’est marrant sinon aucun intérêt

    August 31, 2013

    Dateline: Sochi, Russia --- February 8, 2014

    The Olympic games in Sochi were cancelled after Russian authorities arrested almost three-quarters of the athletes.

    One of the first to be arrested was a Dutch speed skater whose iPod contained the greatest hits of the Village People. He is currently awaiting bail.

    #russie

  • 100 Diagrams That Changed the World

    http://www.npr.org/books/titles/166872935/100-diagrams-that-changed-the-world-from-the-earliest-cave-paintings-to-the-inn

    100 Diagrams That Changed the World
    From the Earliest Cave Paintings To The Innovation Of The iPod

    From primitive cave paintings to deciphering the DNA helix, this chronological guide describes the important sketches, plans, and drawings that had profound and dramatic effects on history and the way people viewed the world.

    #bibliographie #livre #cartographie #visualisation

  • Génération perdue : « 52 percent of all children 8 and younger have access to mobile devices at home like a smartphone, video iPod, iPad or other tablet » // Technolog on msnbc.com
    http://beta.msnbc.msn.com/streams/technolog/entries/8507342

    Mobile devices have become mini-pacifiers/babysitters for many wee ones: 52 percent of all children 8 and younger have access to mobile devices at home like a smartphone, video iPod, iPad or other tablet, according to Common Sense Media, a nonprofit group that studies children’s use of technology.

    • select whether you want to build for #iPhone/#iPod, #iPad or a universal app, then add your Html, Javascript & Images to your project. Click “Build and Run”, and your application instantly launches in the iPhone/iPad #simulator.