• Claude : la politique de confidentialité a changé, et utiliser le chatbot “éthique” d’Anthropic n’a plus rien d’anodin
    https://www.lesnumeriques.com/intelligence-artificielle/claude-la-politique-de-confidentialite-a-change-et-utiliser-le-chatbo

    Il y a un an, s’inscrire sur #Claude tenait de la formalité. Une adresse e-mail, un mot de passe, et l’on accédait à l’un des rares #chatbots sans publicité du marché, édité par une entreprise qui revendiquait la sobriété en matière de données personnelles.

    La politique de confidentialité publiée le 8 juin 2026, quelques jours seulement après avoir été forcé de retirer Claude #Fable 5 et #Mythos 5 pour des raisons de sécurité, applicable dès le 8 juillet aux comptes Free, Pro et Max, redessine ce rapport.

    #Anthropic se réserve désormais le droit de demander aux utilisateurs une vérification d’identité : scan d’une pièce officielle, capture vidéo du #visage, extraction de modèles de géométrie faciale. Ces #données, qualifiées de #biométriques au sens du #RGPD, sont traitées par le prestataire tiers #Yoti. Les développeurs individuels sont les premiers concernés, mais le dispositif peut s’étendre à tout abonné accédant à des fonctionnalités avancées.

    #age_verification #age_checking #IA #AI

  • How to Protest Safely in the Age of Surveillance

    Law enforcement has more tools than ever to track your movements and access your communications. Here’s how to protect your privacy if you plan to protest.

    Just days into 2026, fresh anger against the Trump administration has already taken hold.

    On Wednesday, January 7, a federal immigration officer shot and killed 37-year-old Renee Nicole Good as she attempted to drive away from the scene of an immigration enforcement action in a Minneapolis, Minnesota, neighborhood. Despite Department of Homeland Security secretary Kristi Noem’s claims that the officer “acted quickly and defensively, shot, to protect himself and the people around him” from being run over, video of the incident clearly appears to show that neither the officer nor his colleagues were in danger of being hit by Good’s vehicle.

    Protests condemning the shooting—and the Trump administration’s brutish immigration agenda more broadly—sparked almost immediately after news of Good’s killing surfaced. By Thursday, the unrest had only intensified and spread to towns and cities around the United States.

    If you’re going to join any protests, as is your right under the First Amendment, you need to think beyond your physical well-being to your digital security, too. The same surveillance apparatus that’s enabling the Trump administration’s raids of undocumented people and targeting of left-leaning activists will no doubt be out in full force on the streets.

    Two key elements of digital surveillance should be top of mind for protestors. One is the data that authorities could potentially obtain from your phone if you are detained, arrested, or they confiscate your device. The other is surveillance of all the identifying and revealing information that you produce when you attend a protest, which can include wireless interception of text messages and more, and tracking tools like license plate scanners and face recognition. You should be mindful of both.

    After all, even before Good’s killing, police had already demonstrated their willingness to arrest and attack entirely peaceful protesters as well as journalists observing demonstrations. In that light, you should assume that any digital evidence that you were at or near a protest could be used against you.

    “The Trump administration is weaponizing essentially every lever of government to shut down, suppress, and curtail criticism of the administration and of the US government generally, and there have never been more surveillance toys available to law enforcement and to US government agencies,” says Evan Greer, the deputy director of the activist organization Fight for the Future, who also wrote a helpful X (then-Twitter) thread laying out digital security advice during the Black Lives Matter protests in the summer of 2020. “That said, there are a number of very simple, concrete things that you can do that make it exponentially more difficult for someone to intercept your communications, for a bad actor to ascertain your real-time location, or for the government to gain access to your private information.”

    Your Phone

    The most important decision to make before leaving home for a protest is whether to bring your phone—or what phone to bring. A smartphone broadcasts all sorts of identifying information; law enforcement can force your mobile carrier to cough up data about what cell towers your phone connects to and when. Police in the US have also been documented using so-called stingray devices, or IMSI catchers, that impersonate cell towers and trick all the phones in a certain area into connecting to them. This can give cops the individual mobile subscriber identity number of everyone at a protest at a given time, undermining the anonymity of entire crowds en masse.

    “The device in your pocket is definitely going to give off information that could be used to identify you,” says Harlo Holmes, director of digital security at the Freedom of the Press Foundation, a nonprofit press advocacy group. (Disclosure: WIRED’s global editorial director, Katie Drummond, serves on Freedom of the Press Foundation’s board.)
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    For that reason, Holmes suggests that protesters who want anonymity leave their primary phone at home altogether. If you do need a phone for coordination or as a way to call friends or a lawyer in case of an emergency, keep it off as much as possible to reduce the chances that it connects to a rogue cell tower or Wi-Fi hot spot being used by law enforcement for surveillance. Sort out logistics with friends in advance so you only need to turn your phone on if something goes awry. Or to be even more certain that your phone won’t be tracked, keep it in a Faraday bag that blocks all of its radio communications. Open the bag only when necessary. Holmes herself uses and recommends the Mission Darkness Faraday bag.

    If you do need a mobile device, consider bringing only a secondary phone you don’t use often, or a burner. Your main smartphone likely has the majority of your digital accounts and data on it, all of which law enforcement could conceivably access if they confiscate your phone. But don’t assume that any backup phone you buy will grant you anonymity. If you give a prepaid carrier your identifying details, after all, your “burner” phone could be no more anonymous than your primary device. “Don’t expect because you got it from Duane Reade that you’re automatically a character from The Wire,” Holmes cautions.

    Since properly using a burner phone can be impractical at best, Holmes says you may be better off using a secondary phone that excludes things like social media, email, and messaging apps. These apps and accounts can contain highly private information that could be exposed to anyone who seizes it. “Choosing a secondary device that limits the amount of personal data that you have on you at all times is probably your best protection,” Holmes says.

    Regardless of what phone you’re using, consider that traditional calls and text messages are vulnerable to surveillance. That means you need to use end-to-end encryption. Ideally, you and those you communicate with should use disappearing messages set to self-delete after a few hours or days. The encrypted messaging and calling app Signal has perhaps the best and longest track record. Just make sure you and the people you’re communicating with are using the same app, since they’re not interoperable.

    Aside from protecting your phone’s communications from surveillance, be prepared in the event police seize your device and try to unlock it in search of incriminating evidence. The first order of business is to make sure your smartphone’s contents are encrypted. iOS devices have full disk encryption on by default if you enable an access lock. For Android phones, go to Settings, then Security to make sure the Encrypt Disk option is turned on. (These steps may differ depending on your specific device.)

    Regardless of your operating system, always protect devices with a long, strong passcode rather than a fingerprint or face unlock. As convenient as biometric unlocking methods are, it may be more difficult to resist an officer forcing your thumb onto your phone’s sensor, for instance, than to refuse to tell them a passcode. So if you use biometrics day-to-day for convenience, disable them before heading into a protest.
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    If you insist on using biometric unlocking methods to have faster access to your devices, keep in mind that some phones have an emergency function to disable these types of locks. Hold the wake button and one of the volume buttons simultaneously on an iPhone, for instance, and it will lock itself and require a passcode to unlock rather than FaceID or TouchID, even if they’re enabled. Most devices also let you take photos or record video without unlocking them first, a good way to keep your phone locked as much as possible.
    Your Face

    Face recognition has become one of the most powerful tools to identify your presence at a protest. Consider wearing a face mask and sunglasses to make it far more difficult for you to be identified by face recognition in surveillance footage or social media photos or videos of the protest. Fight for the Future’s Greer cautions, however, that the accuracy of the most effective face recognition tools available to law enforcement remains something of an unknown, and a simple surgical mask or KN95 may no longer be enough to defeat well-honed face-tracking tech.

    If you’re serious about not being identified, she says, a full-face mask may be far safer—or even a Halloween-style one. “I’ve seen people wear funny cosplay-style cartoon masks or mascot suits or silly costumes,” says Greer, offering as an example Donald Trump and Elon Musk masks that she’s seen protesters wear at Tesla Takedown protests against Musk and the so-called Department of Government Efficiency (DOGE). “That’s a great way to defy facial recognition and also make the protest more fun.”

    You should also consider the clothes you’re wearing before you head out. Colorful clothing or prominent logos makes you more recognizable to law enforcement and easier to track. If you have tattoos that make you identifiable, consider covering them.

    Greer cautions, though, that preventing determined surveillance-empowered agencies from learning the mere fact that you attended a protest at all is increasingly difficult. For those of you in the most sensitive positions—such as undocumented immigrants at risk of deportation—she suggests that you consider staying home rather than depend on any obfuscation technique to mask their presence at an event.

    Another factor to weigh is your mode of transportation. Driving a car to a protest—whether it’s yours or someone else’s—can expose you to surveillance from automatic license plate readers, or ALPRs, which can be used to pinpoint a vehicle’s movements. You should also be aware that, in addition to license plates, these ALPRs can detect other words and phrases, including those on bumper stickers, signs, and even T-shirts.

    More broadly, everyone who attends a protest needs to consider—perhaps more than ever before—what their tolerance for risk might be, from mere identification to the possibility of arrest or detention. “I think it’s important to say that protesting in the US now comes with higher risks than it used to—it comes with a real possibility of physical violence and mass arrest,” says Danacea Vo, the founder of Cyberlixir, a cybersecurity provider for nonprofits and vulnerable communities. “Even just compared to protests that happened last month, people were able to just show up barefaced and march. Now things have changed.”
    Your Online Footprint

    Though most privacy and security considerations for attending an in-person protest naturally relate to your body, any devices you bring with you, and your physical surroundings, there are a set of other factors to think about online. It’s important to understand how posts on social media and other platforms before, during, or after a protest could be collected and used by authorities to identify and track you or others. Simply saying on an online platform that you are attending or attended a protest puts the information out there. And if you take photos or videos during a protest, that content could be used to expand law enforcement’s view of who attended a protest and what they did while there, including any strangers who appear in your images or footage.

    Authorities can come to your online presence by looking for information about you in particular, but can also arrive there using bulk data analysis tools like Dataminr that offer law enforcement and other customers real-time monitoring connecting people to their online activity. Such tools can also surface past posts, and if you’ve ever made violent comments online or alluded to committing crimes—even as a joke—law enforcement could discover the activity and use it against you if you are questioned or arrested during a protest. This is a particular concern for people living in the US on visas or those whose immigration status is tenuous. The US State Department has said explicitly that it is monitoring immigrants’ and travelers’ social media activity.
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    In addition to written posts, keep in mind that files you upload to social media might contain metadata like time stamps and location information that could help authorities track protest crowds and movement. Make sure you have permission to photograph or videotape any fellow protesters who would be potentially identifiable in your content. Also think carefully before livestreaming. It’s important to document what’s going on but difficult to be sure that everyone who could show up in your stream is comfortable being included.

    Even if you take photos and videos that you don’t plan to post on social media or otherwise share, remember that this media could fall into law enforcement’s hands if they demand access to your device.

    With the Trump administration ramping up its attempts to target and punish left-leaning people and organizations, Cyberlixir’s Vo argues that people must assess the risks of every demonstration or other situation and judge for themselves the benefits of maintaining their personal privacy against the need to document the actions of government agents.

    “Social media monitoring and online profiling is the factor that lots of people forget. Those who publish footage on social media should avoid sharing photos or videos that reveal people’s faces,” she says. “But I also believe that documenting what’s going on is essential, especially in high-risk conditions, because when the state escalates we need proof for legal defense, for public record, for future organizing, and also to keep ourselves physically safe in real time.”

    As protests continue—with the real possibility of even further escalated response from the Trump administration—be prepared for the emergence of forms of digital surveillance that have never been used in the US before to counter civil disobedience or to retaliate against protesters after the fact. Protesters will need to stay vigilant, and Fight for the Future’s Greer emphasizes that everyone has different potential vulnerabilities and tolerance for risk. For people of every category of risk, however, a few thoughtful privacy protections can go a long way towards empowering them to hit the streets.

    “Part of the goal of governments extending and implementing mass surveillance programs is to scare people and make people think twice before they speak up,” Greer says. “I think that we should be very careful in this moment not to fall into that trap.”

    https://www.wired.com/story/how-to-protest-safely-surveillance-digital-privacy
    #résistance #surveillance #manifestations #conseils #téléphone #visage #empreintes_digitales
    via @freakonometrics

  • Lecture d’un extrait du livre « Un carré de poussière » d’Olivia Tapiero paru aux Éditions du commun, en coédition avec les Éditions de la rue Dorion, en 2025.

    https://liminaire.fr/creation/radio-marelle/article/un-carre-de-poussiere-d-olivia-tapiero

    « Un Carré de Poussière » explore la manière avec laquelle la philosophie occidentale s’est construite contre certains corps et certaines matières. Entre exploration poétique, témoignage personnel et enquête existentielle, le livre dénonce les violences genrées, les mécanismes de domination et les silences de l’histoire. Olivia Tapiero refuse toute assignation définitive en cherchant à déconstruire radicalement les cadres philosophiques et historiques de notre perception du réel. Elle instaure, dans ce poème qui pense, une nouvelle forme de connaissance et de relation au monde. Une exploration radicale du langage et du corps, un refus de l’effacement et de l’oubli.

    (...) #Radio_Marelle, #Écriture, #Livre, #Lecture, #En_lisant_en_écrivant, #Podcast, #Littérature, #Mémoire, #Visage, #Philosophie, #Corps, #Poésie, (...)

    https://liminaire.fr/IMG/mp4/en_lisant_un_carre_de_poussie_re_olivia_tapiero.mp4

    https://www.editionsducommun.org/products/un-carre-de-poussiere
    https://ruedorion.ca/un-carre-de-poussiere

  • En Europe, les migrants premières victimes de l’intelligence artificielle

    Alors que se tient à Paris cette semaine le Sommet pour l’action sur l’intelligence artificielle (IA), chefs d’État, chefs d’entreprise, chercheurs et société civile sont appelés à se prononcer sur les #risques et les #limites de ses usages. Des #biais_discriminatoires et des #pratiques_abusives ont déjà été observés, en particulier dans la gestion européenne de l’immigration.

    Un #détecteur_d’émotions pour identifier les #mensonges dans un #récit, un #détecteur_d’accent pour trouver la provenance d’un ressortissant étranger, une analyse des #messages, des #photos, des #géolocalisations d’un #smartphone pour vérifier une #identité… voici quelques exemples de systèmes intelligents expérimentés dans l’Union européenne pour contrôler les corps et les mouvements.

    « Ici, les migrations sont un #laboratoire_humain d’#expérimentation_technologique grandeur nature », résume Chloé Berthélémy, conseillère politique à l’EDRi (European Digital Rights), un réseau d’une cinquantaine d’ONG et d’experts sur les droits et libertés numériques. « Les gouvernements et les entreprises utilisent les environnements migratoires comme une phase de #test pour leurs produits, pour leurs nouveaux systèmes de contrôle. »

    Des détecteurs de mensonges à la frontière

    L’un des plus marquants a été le projet #iBorderCtrl. Financé partiellement par des fonds européens, le dispositif prévoyait le déploiement de détecteurs de mensonges, basés sur l’analyse des #émotions d’un individu qui entrerait sur le sol européen. « Les #visages des personnes, en particulier des demandeurs d’asile, étaient analysés pour détecter si, oui ou non, ils mentaient. Si le système considérait que la personne était un peu suspecte, les questions devenaient de plus en plus compliquées. Puis, éventuellement, on arrivait à un contrôle plus approfondi par un agent humain », explique-t-elle.

    Expérimenté dans les #aéroports de Grèce, de Hongrie et de Lettonie, il ne serait officiellement plus utilisé, mais l’EDRi émet quelques doutes. « Dans ce milieu-là, on est souvent face à une #opacité complète et il est très dur d’obtenir des informations. Difficile de dire à l’heure actuelle si cette technologie est encore utilisée, mais dans tous les cas, c’est une volonté européenne que d’avoir ce genre de systèmes aux frontières. »

    Drones de surveillance, caméras thermiques, capteurs divers, les technologies de surveillance sont la partie émergée de l’iceberg, la face visible de l’intelligence artificielle. Pour que ces systèmes puissent fonctionner, il leur faut un carburant : les #données.

    Les bases de données se multiplient

    L’Europe en a plusieurs en matière d’immigration. La plus connue, #Eurodac – le fichier des #empreintes_digitales – vise à ficher les demandeurs et demandeuses d’asile appréhendés lors d’un passage de frontière de manière irrégulière. Créée en 2002, la nouvelle réforme européenne sur l’asile étend considérablement son pouvoir. En plus des empreintes, on y trouve aujourd’hui des photos pour alimenter les systèmes de #reconnaissance_faciale. Les conditions d’accès à Eurodac pour les autorités policières ont également été assouplies. « Elles pourront le consulter pour des objectifs d’enquêtes criminelles, on retrouve donc cette idée que de facto, on traite les demandeurs d’asile, les réfugiés, avec une présomption d’illégalité », conclut Chloé Berthélémy.

    Or, ces collectes d’informations mettent de côté un principe clef : celui du #consentement, condition sine qua non dans l’UE du traitement des données personnelles, et clairement encadré par le Règlement général de protection des données (#RGPD). Les politiques migratoires et de contrôles aux frontières semblent donc faire figures d’#exception. Lorsqu’une personne pose le pied sur le sol européen, ses empreintes seront collectées, qu’il soit d’accord ou non. Selon l’EDRi, « l’Union européenne est en train de construire deux standards différents. Un pour ceux qui ont les bons papiers, le bon statut migratoire, et un autre pour ceux qui ne les ont pas ».

    Un nouveau cadre juridique qui a d’ailleurs été attaqué en justice. En 2021, en Allemagne, la GFF, la Société des droits civils (qui fait partie du réseau de l’EDRi) triomphe de l’Office allemand de l’immigration, condamné pour pratiques disproportionnées. Textos, données de géolocalisation, contacts, historique des appels et autres #fichiers_personnels étaient extraits des #smartphones des demandeurs d’asile à la recherche de preuve d’identité.

    Automatisation des décisions

    Une fois les frontières passées, l’intelligence artificielle continue à prendre pour cible des étrangers, à travers sa manifestation la plus concrète : les #algorithmes. Examiner les demandes de #visa ou de #naturalisation, attribuer un #hébergement, faciliter l’organisation des #expulsions, prédire les flux migratoires… la multiplication des usages fait craindre aux chercheurs une administration sans guichet, sans visage humain, entièrement automatisée. Problème : ces systèmes intelligents commettent encore beaucoup trop d’#erreurs, et leur prise de décisions est loin d’être objective.

    En 2023, l’association La Quadrature du Net révèle que le code source de la Caisse nationale d’allocations familiales (Cnaf) attribue un « score de risque » à chaque allocataire. La valeur de ce score est ensuite utilisée pour sélectionner ceux qui feront l’objet d’un contrôle. Parmi les critères de calcul : avoir de faibles revenus, être au chômage, ou encore être né en dehors de l’Union européenne. « En assimilant la précarité et le soupçon de fraude, l’algorithme participe à une politique de #stigmatisation et de #maltraitance institutionnelle des plus défavorisés », estime Anna Sibley, chargée d’étude au Gisti. Quinze ONG ont d’ailleurs attaqué cet algorithme devant le Conseil d’État en octobre 2024 au nom du droit à la protection des données personnelles et du principe de non-discrimination.

    Autre exemple : l’IA a déjà été utilisée par le passé pour soutenir une prise de décision administrative. En 2023, le ministère de l’Intérieur a « appelé à la rescousse » le logiciel #Google_Bard, un outil d’aide à la prise de décision, pour traiter la demande d’asile d’une jeune Afghane. « Ce n’est pas tant le fait que l’intelligence artificielle ait donné une réponse négative qui est choquant. C’est plutôt le fait qu’un employé du ministère de l’Intérieur appuie sa réponse sur celle de l’IA, comme si cette dernière était un argument valable dans le cadre d’une décision de justice », analyse la chercheuse.

    #Dématérialisation à marche forcée

    En 2024, un rapport du Défenseur des droits pointait du doigt les atteintes massives aux droits des usagers de l’ANEF, l’administration numérique des étrangers en France. Conçue pour simplifier les démarches, l’interface permet le dépôt des demandes de titres de séjour en ligne.

    Pourtant, les #dysfonctionnements sont criants et rendent la vie impossible à des milliers de ressortissants étrangers. Leurs réclamations auprès du Défenseur des droits ont augmenté de 400% en quatre ans. Des #plaintes allant du simple problème de connexion aux erreurs de décisions de la plateforme. Un casse-tête numérique contre lequel il est difficile de se prémunir. « Les services d’accompagnement déployés sont trop limités », constate Gabrielle de Boucher, chargée de mission numérique droits et libertés auprès du Défenseur des droits. Selon elle, il est important que la France reconnaisse aux étrangers le droit de réaliser toute démarche par un canal humain, non dématérialisé, un accueil physique.

    Le biais discriminatoire

    Autre écueil de la dématérialisation croissante des administrations : le biais discriminatoire. Puisque les systèmes intelligents sont entraînés par des êtres humains, ces derniers reproduisent leurs biais et les transmettent involontairement à l’IA. Illustration la plus concrète : les erreurs d’#identification.

    En 2023, un homme a été arrêté aux États-Unis après que les logiciels de reconnaissance faciale l’ont désigné par erreur comme l’auteur de vols. « On peut légitimement avoir des craintes sur le respect des droits, puisqu’on sait, par exemple, que le taux d’erreur est plus élevé pour les personnes non blanches », s’inquiète Gabrielle du Boucher. Comme elles sont sous représentées dans les #bases_de_données qui nourrissent l’apprentissage de l’IA, celle-ci sera moins fiable que lorsqu’elle devra, par exemple, se concentrer sur les personnes blanches.

    https://www.infomigrants.net/fr/post/62762/en-europe-les-migrants-premieres-victimes-de-lintelligence-artificiell
    #IA #AI #intelligence_artificielle #migrations #réfugiés #victimes #frontières #technologie #contrôle #surveillance #accent #langue #discrimination

  • Lecture d’un extrait du livre « Le masque de Hegel » de Thomas Hunkeler paru aux éditions du Seuil, dans la collection Fiction & Cie, en 2025.

    https://liminaire.fr/creation/radio-marelle/article/le-masque-de-hegel-de-thomas-hunkeler

    Thomas Hunkeler mène une enquête littéraire et historique sur le masque mortuaire du philosophe allemand qui est conservé aux Archives littéraires allemandes de Marbach, près de Stuttgart. À partir d’une lettre d’André Breton à Paul Éluard mentionnant son existence, il interroge son authenticité et sa signification. Thomas Hunkeler révèle la fascination pour ces objets funéraires, tout en proposant une histoire parallèle du surréalisme. Entre mythe et réalité, ce masque s’avère trace du défunt aussi bien que projection de ceux qui l’observent. Dans cette mise en récit d’un essai, entre érudition et esprit d’investigation, Thomas Hunkeler éclaire un pan méconnu du rapport des avant-gardes à la mort et à l’héritage des figures intellectuelles, tout en s’attachant à montrer la « dimension collective de la poétique du masque mortuaire ».

    (...) #Radio_Marelle, #Écriture, #Livre, #Lecture, #En_lisant_en_écrivant, #Podcast, #Littérature, #Roman, #Visage, #Masque, #Surréalisme, #Hegel, #Art (...)

    https://liminaire.fr/IMG/mp4/en_lisant_le_masque_de_hegel_thomas_hunkeler.mp4

    https://www.seuil.com/ouvrage/le-masque-de-hegel-thomas-hunkeler/9782021569124

  • https://ledibbouk.net/spip.php?article680


    "Généralement, je m’en tire en précisant qu’un visage ne contient pas l’injonction de ressemblance que le portrait impose. Mais ce n’est qu’une simplification. C’est bien plus profond que cela. Le portrait, dans l’imaginaire collectif, est souvent associé à des notions techniques : proportions, traits, ombres, couleurs. Il s’agit d’une « maîtrise » que l’on imagine longue, difficile, parfois pénible à acquérir. Mais cette difficulté rassure. Elle est mesurable. Elle repose sur le temps, la patience, la pratique. Dessiner ou peindre un portrait revient alors à s’attarder sur le visible : on cherche à fixer un moment, une image, une correspondance entre ce qui est et ce qui est représenté. On se concentre sur ce qui peut être reproduit, presque comme si on voulait contrôler l’autre. Peut-être est-ce là le problème. Peut-être est-ce pour cela que je m’en détourne." #visage #lévinas #carnet

  • Cardinal Canvas : Green Library hides art in plain sight
    https://stanforddaily.com/2024/05/09/cardinal-canvas-green-library-hides-art-in-plain-sight

    By Adam Golomb
    Published May 9, 2024, 12:25 a.m., last updated May 10, 2024, 9:18 p.m.

    Editor’s Note: This article is a review and includes subjective opinions, thoughts and critiques.

    On my way to study in Green Library’s Lane Reading Room, I was suddenly struck by a portrait of a woman in an industrial kitchen, staring at me. An object label next to it reads: “Teresa.” As a regular at Green, I questioned how I had never seen this artwork — or noticed that the library even had art — before.

    After a little sleuthing, I discovered “Teresa” is a part of an exhibit entitled “Seeing Silicon Valley,” on display at Hohbach Hall, the East Wing of Green Library. The exhibit is a selection from the photography book of the same name, created by photographer Mary Beth Meehan in tandem with Stanford Professor of Communication Fred Turner.

    The original photography book captured the lives of those who struggle financially in Silicon Valley, an area known for its economic prosperity and technological innovation. Teresa is one of many essential workers in Silicon Valley, operating a food truck that serves the entire Bay Area, including Stanford itself. We see her in a full-body portrait, with the tubs of empty guacamole and salsa containers towering in the back.

    Teresa’s expression is complex. I initially saw it as hardened but, the more I stare, I see pride, tiredness, inquisitiveness. The object label explains, after a long shift, she returns to an apartment that she shares with her four daughters. I found myself contemplating the times I’ve walked past this picture without acknowledging Teresa’s story, oblivious of the work that drives Silicon Valley.

    While I appreciate the integration of an art exhibit into a library, the placements of some of the other photographs accidently contribute to this motif of ignoring these workers. Venturing toward the presentation room, a series of “Seeing Silicon Valley” portraits adorn the wall, but they are partially covered by the library’s collection of desktop monitors.

    One of these slightly obscured photos, “Abraham & Brenda,” caught my eye. A close-up of a couple embracing each other, but both focused toward the viewer. Abraham and Brenda pose in front of their trailer that they park outside of Stanford’s campus.

    Their expression of love toward each other is raw, a tight clasp between them that shines as both protective and reassuring. “Abraham & Brenda” spotlights the ways love beams through, even through hardship. With their entwined figures casting shadows against their trailer, Meehan’s photography masterfully catches the couple’s financial reality.

    While most of the portraits center their subjects, “Cristobal” pushes its titular character toward the back, nested in a small shed painted with bright pinks and greens. Cristobal, a full-time security officer at Meta, is only able to afford this shed located in someone’s backyard in Mountain View, reads the object label.

    The viewer can see the entirety of the shed in the frame, with Cristobal posing inside with his hands in front of his body, making him look as small as the shed. A wave of deep sadness flowed over me; there is almost no way to reconcile this deep socioeconomic inequality that pervades the region we all currently inhabit and benefit from.

    “Cristobal” is another portrait that is slightly covered by computer monitors. Poignantly, the person working right in front of “Cristobal” had a product from the same company that Cristobal works for, Instagram, open on the screen. In a way, “Seeing Silicon Valley” expresses its theme too well, as students ignore the lives of these workers even as their portraits tower over them.

    This exhibit is long-term, set to stay up until 2025. Next time you’re at Green, take the time to look and read their stories — they are complicated and thought-provoking, a true reflection of our positionality on campus.

    #Mary_Beth_Meehan #Fred_Turner #Visages_Silicon_Valley

  • Le #règlement européen sur l’IA n’interdira pas la #surveillance_biométrique de masse

    Le 8 décembre 2023, les législateurs de l’#Union_européenne se sont félicités d’être parvenus à un accord sur la proposition de #règlement tant attendue relative l’intelligence artificielle (« #règlement_IA »). Les principaux parlementaires avaient alors assuré à leurs collègues qu’ils avaient réussi à inscrire de solides protections aux #droits_humains dans le texte, notamment en excluant la #surveillance_biométrique_de_masse (#SBM).

    Pourtant, malgré les annonces des décideurs européens faites alors, le règlement IA n’interdira pas la grande majorité des pratiques dangereuses liées à la surveillance biométrique de masse. Au contraire, elle définit, pour la première fois dans l’#UE, des conditions d’utilisation licites de ces systèmes. Les eurodéputés et les ministres des États membres de l’UE se prononceront sur l’acceptation de l’accord final au printemps 2024.

    L’UE entre dans l’histoire – pour de mauvaises raisons

    La coalition #Reclaim_Your_Face soutient depuis longtemps que les pratiques des SBM sont sujettes aux erreurs et risquées de par leur conception, et qu’elles n’ont pas leur place dans une société démocratique. La police et les autorités publiques disposent déjà d’un grand nombre de données sur chacun d’entre nous ; elles n’ont pas besoin de pouvoir nous identifier et nous profiler en permanence, en objectifiant nos #visages et nos #corps sur simple pression d’un bouton.

    Pourtant, malgré une position de négociation forte de la part du Parlement européen qui demandait l’interdiction de la plupart des pratiques de SBM, très peu de choses avaient survécu aux négociations du règlement relatif à l’IA. Sous la pression des représentants des #forces_de_l’ordre, le Parlement a été contraint d’accepter des limitations particulièrement faibles autour des pratiques intrusives en matière de SBM.

    L’une des rares garanties en la matière ayant apparemment survécu aux négociations – une restriction sur l’utilisation de la #reconnaissance_faciale a posteriori [par opposition à l’utilisation en temps réel] – a depuis été vidée de sa substance lors de discussions ultérieures dites « techniques » qui se sont tenues ces dernière semaines.

    Malgré les promesses des représentants espagnols en charge des négociations, qui juraient que rien de substantiel ne changerait après le 8 décembre, cette édulcoration des protections contre la reconnaissance faciale a posteriori est une nouvelle déception dans notre lutte contre la #société_de_surveillance.

    Quel est le contenu de l’accord ?

    D’après ce que nous avons pu voir du texte final, le règlement IA est une occasion manquée de protéger les #libertés_publiques. Nos droits de participer à une #manifestation, d’accéder à des soins de #santé_reproductive ou même de nous asseoir sur un #banc pourraient ainsi être menacés par une surveillance biométrique omniprésente de l’#espace_public. Les restrictions à l’utilisation de la reconnaissance faciale en temps réel et a posteriori prévues par la loi sur l’IA apparaissent minimes et ne s’appliqueront ni aux entreprises privées ni aux autorités administratives.

    Nous sommes également déçus de voir qu’en matière de « #reconnaissance_des_émotions » et les pratiques de #catégorisation_biométrique, seuls des cas d’utilisation très limités sont interdits dans le texte final, avec d’énormes lacunes.

    Cela signifie que le règlement IA autorisera de nombreuses formes de reconnaissance des émotions – telles que l’utilisation par la police de systèmes d’IA pour évaluer qui dit ou ne dit pas la #vérité – bien que ces systèmes ne reposent sur aucune base scientifique crédible. Si elle est adoptée sous cette forme, le règlement IA légitimera une pratique qui, tout au long de l’histoire, a partie liée à l’#eugénisme.

    Le texte final prévoit également d’autoriser la police à classer les personnes filmées par les caméras de #vidéosurveillance en fonction de leur #couleur_de_peau. Il est difficile de comprendre comment cela peut être autorisé étant donné que la législation européenne interdit normalement toute #discrimination. Il semble cependant que, lorsqu’elle est pratiquée par une machine, les législateurs considèrent de telles #discriminations comme acceptables.

    Une seule chose positive était ressorti des travaux techniques menés à la suite des négociations finales du mois de décembre : l’accord entendait limiter la reconnaissance faciale publique a posteriori aux cas ayant trait à la poursuite de crimes transfrontaliers graves. Bien que la campagne « Reclaim Your Face » ait réclamé des règles encore plus strictes en la matière, cela constituait un progrès significatif par rapport à la situation actuelle, caractérisée par un recours massif à ces pratiques par les États membres de l’UE.

    Il s’agissait d’une victoire pour le Parlement européen, dans un contexte où tant de largesses sont concédées à la surveillance biométrique. Or, les négociations menées ces derniers jours, sous la pression des gouvernements des États membres, ont conduit le Parlement à accepter de supprimer cette limitation aux #crimes_transfrontaliers graves tout en affaiblissant les garanties qui subsistent. Désormais, un vague lien avec la « #menace » d’un crime pourrait suffire à justifier l’utilisation de la #reconnaissance_faciale_rétrospective dans les espaces publics.

    Il semblerait que ce soit la #France qui ait mené l’offensive visant à faire passer au rouleau compresseur notre droit à être protégés contre les abus de nos données biométriques. À l’approche des #Jeux_olympiques et paralympiques qui se tiendront à Paris cet été, la France s’est battue pour préserver ou étendre les pouvoirs de l’État afin d’éradiquer notre anonymat dans les espaces publics et pour utiliser des systèmes d’intelligence artificielle opaques et peu fiables afin de tenter de savoir ce que nous pensons. Les gouvernements des autres États membres et les principaux négociateurs du Parlement n’ont pas réussi à la contrer dans cette démarche.

    En vertu du règlement IA, nous serons donc tous coupables par défaut et mis sous #surveillance_algorithmique, l’UE ayant accordé un blanc-seing à la surveillance biométrique de masse. Les pays de l’UE auront ainsi carte blanche pour renforcer la surveillance de nos visages et de nos corps, ce qui créera un précédent mondial à faire froid dans le dos.

    https://www.laquadrature.net/2024/01/19/le-reglement-europeen-sur-lia-ninterdira-pas-la-surveillance-biometriq
    #surveillance_de_masse #surveillance #intelligence_artificielle #AI #IA #algorithme

    voir aussi :
    https://seenthis.net/messages/1037288

  • Lecture d’un extrait du livre « Le livre du large et du long » de Laura Vazquez, paru aux éditions du sous-sol, en 2023.

    http://liminaire.fr/radio-marelle/article/le-livre-du-large-et-du-long-de-laura-vazquez

    Ce livre est une épopée en cinq chants, une encyclopédie débridée et libre qui propose une lecture sensible du monde « et des signaux qui nous entourent. » Laura Vazquez cite Monique Wittig en exergue de son livre : « Il nous faut, à l’époque où les héros sont passés de mode, devenir héroïques dans la réalité, épiques dans les livres. » Avec le désir de comprendre le monde de l’intérieur, la narratrice trace sa voie en ligne droite. Elle ausculte l’univers jusqu’à faire corps avec les choses elles-mêmes. Une invitation à se laisser traverser par les pensées les plus folles. Une poésie pleine d’élan, toute en vivacité et frénésie.

    (...) #Radio_Marelle / #Écriture, #Langage, #Livre, #Lecture, #En_lisant_en_écrivant, #Podcast, #Littérature, #Art, #Dessin, #Visage, #Peinture, (...)

    http://liminaire.fr/IMG/mp4/en_lisant_le_livre_du_long_et_du_large_laura_vazquez.mp4

    http://www.editions-du-sous-sol.com/publication/livre-large-long

  • Lecture d’un extrait du livre « Petite bande » de Charles Pennequin, paru aux éditions P.O.L., en 2023.

    http://liminaire.fr/radio-marelle/article/petite-bande-de-charles-pennequin

    Le livre de Charles Pennequin est constitué d’un ensemble de textes, de poèmes, de « dessins écriturés », de phrases écrites à la main, au feutre ou à l’encre, ou tapées à la machine, sur les doigts, les mains, les visages. « L’écrivain fait des pieds et des mains pour écrire. » Il est question de lumière, de formes, de l’écriture qui vient des dedans et des paroles qui viennent des dehors. « L’écrivain a plusieurs bouches à l’intérieur de ses mains. » Emportés par le flot de l’écriture, par le rythme et la respiration de la voix qui les profère, les formes graphiques du dessin qui les révèle, ces textes s’exposent et explosent dans leur « Énergie pensée parlée tracée ».

    (...) #Radio_Marelle / #Écriture, #Langage, #Livre, #Lecture, #En_lisant_en_écrivant, #Podcast, #Littérature, #Art, #Dessin, #Visage, #Peinture, (...)

    http://liminaire.fr/IMG/mp4/en_lisant_petite_bande_pennequin-2.mp4

    https://www.pol-editeur.com/index.php?spec=livre&ISBN=978-2-8180-5811-4

  • Les #VasesCommunicants :

    L’obstination des vagues, de Caroline Diaz (sur des images de Pierre Ménard) : https://www.youtube.com/watch?v=yqXk-gMq8DY&feature=youtu.be

    Surface sensible, de Pierre Ménard (sur des images de Caroline Diaz) https://youtu.be/m6vmMTBoLno

    http://liminaire.fr/vases-communicants/article/surface-sensible-l-obstination-des-vagues

    Tous les mois, faire échange de vidéo. S’emparer des images et de la bande son, entrer en dialogue avec, sans nécessairement modifier le montage de la vidéo mais en ajoutant selon ses préférences (voix off, texte lu, improvisé, écrit sur l’image, ajout de sons, de musique), puis envoyer sa propre vidéo à son correspondant pour qu’il s’en empare à son tour.
    Le premier vendredi du mois, chacun diffuse le mixage/montage qu’il a réalisé sur la vidéo de l’autre et découvre à son tour son montage mixé sur la chaîne YouTube de son invité. (...) #Journal / #Vidéo, #Architecture, #Écriture, #Sons, #Mer, #Plage, #Normandie, #Paysage, #Ville, #Visages, #Regard, #Dérive, #Ciel, #Voyage, #Vidéo, #Littératube, #vidéoécriture (...)

  • Les #VasesCommunicants :

    Naître, conte étiologique de Milène Tournier (sur des images de Pierre Ménard) : https://youtu.be/bQbYnP6TlIY

    Une voix qui vient des rêves de Pierre Ménard (sur des images de Milène Tournier) https://youtu.be/EMcIJccwC0k

    http://liminaire.fr/vases-communicants/article/naitre-une-voix-qui-vient-des-reves

    Tous les mois, faire échange de vidéo. S’emparer des images et de la bande son, entrer en dialogue avec, sans nécessairement modifier le montage de la vidéo mais en ajoutant selon ses préférences (voix off, texte lu, improvisé, écrit sur l’image, ajout de sons, de musique), puis envoyer sa propre vidéo à son correspondant pour qu’il s’en empare à son tour.
    Le premier vendredi du mois, chacun diffuse le mixage/montage qu’il a réalisé sur la vidéo de l’autre et découvre à son tour son montage mixé sur la chaîne YouTube de son invité. (...) #Journal / #Vidéo, #Architecture, #Écriture, #Sons, #Paris, #Paysage, #Ville, #Visages, #Regard, #Dérive, #Ciel, #Voyage, #Vidéo, #Littératube, #vidéoécriture (...)

  • Les #VasesCommunicants : Le chemin de nos regards, vidéo de Anh Mat (texte et voix de Pierre Ménard) et Dans la ville de l’autre, vidéo de Pierre Ménard (texte et voix de Anh Mat)

    https://youtu.be/BLEqaqB1pXI

    https://www.youtube.com/watch?v=m-CZQDpZOWU

    http://liminaire.fr/vases-communicants/article/le-chemin-de-nos-regards-dans-la-ville-de-l-autre

    Tous les mois, faire échange de vidéo. S’emparer des images et de la bande son, entrer en dialogue avec, sans nécessairement modifier le montage de la vidéo mais en ajoutant selon ses préférences (voix off, texte lu, improvisé, écrit sur l’image, ajout de sons, de musique), puis envoyer sa propre vidéo à son correspondant pour qu’il s’en empare à son tour.
    Le premier vendredi du mois, chacun diffuse le mixage/montage qu’il a réalisé sur la vidéo de l’autre et découvre à son tour son montage mixé sur la chaîne YouTube de son invité. (...) #Journal / #Vidéo, #Architecture, #Écriture, #Sons, #Paris, #Saigon, #Paysage, #Ville, #Visages, #Regard, #Dérive, #Ciel, #Voyage, #Vidéo, #Littératube, #vidéoécriture (...)

  • Fascination Shibuya : Portraits arrachés à la ville flux
    http://liminaire.fr/derives/article/fascination-shibuya

    https://youtu.be/iU7TEzhqDYI

    J’avance. Je ne vois rien. La musique des immeubles avec leurs publicités aux images obsédantes et répétitives, lumières clignotantes, signes enchevêtrant, et ce bruit inouï qui se mêle aux sons de la circulation, des métros aériens, de la gare toute proche, et des avions dans le ciel. Une jeune femme dans un long manteau vert kaki qui porte une besace de couleur bleu, la lanière en cuir au creux de son bras replié, dans le pli du coude, la main serrée sur son téléphone portable tout contre son cœur. J’avance. Je ne peux pas regarder les immeubles qui entourent le carrefour et traverser sans risquer de me heurter à l’un des passants qui vient en sens inverse. Une femme brune, lunettes aux fines montures, vêtue d’une robe en jean, d’une veste en laine côtelée bleu marine, elle porte son sac à dos noir sur sa poitrine, elle fouille à l’intérieur pour en sortir un titre de transport sans y jeter le moindre regard, la force de l’habitude. J’avance. Les regards sont fuyants. Le pas pressé. (...) #Journal / #Vidéo, #Architecture, #Écriture, #Sons, #Tokyo, #Japon, #Shibuya, #Paysage, #Ville, #Visages, #Regard, #Dérive, #Ciel, #Voyage, (...)

  • Mary Beth Meehan’s photos dissolve distances between people - CSMonitor.com
    https://www.csmonitor.com/Books/Book-Reviews/2021/1006/Mary-Beth-Meehan-s-photos-dissolve-distances-between-people
    https://images.csmonitor.com/csm/2021/09/1011+BOOKS%20meehan%20pool.jpg?alias=standard_900x600

    By April Austin Weekly Deputy Editor, Books Editor
    Silicon Valley exerts a magnetism like a tractor beam on people from around the world. They come to the San Francisco Bay Area seeking riches, or at least the trickle down from the booming high-tech economy led by Apple, Alphabet (owner of Google), and Facebook.

    The reality, as photographer Mary Beth Meehan depicts in the book “Seeing Silicon Valley: Life Inside a Fraying America,” is strikingly different. Yes, tech companies have created thousands of jobs, she says in an interview, “but the dominant narrative about a ‘utopia’ obscures how life is actually lived, and what it means to be a human being there.” The gap between the ultra-wealthy and ordinary workers – who cannot afford housing and basic necessities even with decent-paying jobs – is widening.   

    Silicon Valley is a microcosm of the broader inequality that divides the nation, according to Meehan. The effects are felt not just economically but socially. “People are living right next to each other and they don’t interact,” she says. To counter this sense of separation, the photographer created portraits that encourage readers to go beyond stereotypes to see the people who make up this amorphous place known as Silicon Valley. The result is a book of images that speaks to the human toll exacted by the relentless economy. 


    Alfredo Sosa/Staff
    Mary Beth Meehan stands in front of one of her mural-sized photographs at the WaterFire Arts Center in Providence, Rhode Island, in August.

    WHY WE WROTE THIS

    From afar, the lives of others can take on a caricature-like quality. Mary Beth Meehan’s photography invites neighbors to see each other more fully.

    The project began with an invitation from Stanford University professor Fred Turner, who brought Meehan to the university with the idea of using photography to go beneath the “streets of gold” myth. Her photographs would help answer questions such as: Who lives in the area? What are the conditions in which they live?  

    It’s not the first time that Meehan has created portraits of individuals in a specific community; her past projects include Brockton, Massachusetts; Newnan, Georgia; and her now-hometown of Providence, Rhode Island. The process she developed in those cities set the template for her work in Silicon Valley. In each of those projects, she spent time getting to know the area. She went out with her camera and knocked on doors, visited houses of worship, and talked with people on the street and in their homes. 

    Meehan’s approach involves capturing people from a cross section of a city’s demographics. “Each individual is her- or himself, but they also represent a community, a whole ecosystem,” she says. Some of her photographs of Newnan and Providence eventually became large-scale banners, the biggest measuring 38 feet wide, that were displayed on public buildings in those cities, furthering dialogues within the communities. 

    Mary Beth Meehan
    A U.S. Army veteran, Cristobal works full time as a security officer at Facebook. He earns $21 per hour, but he can’t afford a home in Silicon Valley. He lives in a backyard shed in Mountain View.
    Meehan, who grew up in a working-class family with immigrant Irish and Italian roots, has made it her lifework to help spark conversations among people of different racial, class, and cultural backgrounds. The essence of her approach is simple but far from easy: “Just go talk to people.” 

    She’s aware that her background as a well-educated white woman might raise questions in some communities that have been historically misunderstood and misrepresented in the media. “I’m interested in all the ways that we see each other incorrectly, and how photography can push against that,” she says.  

    The people in these neighborhoods are far more accustomed to journalists and researchers who have already formed a judgment about the situation before they even ask their first question. Meehan takes a different approach: “Let’s let the people, who are the experts on their own lives, tell us.” 

    Mary Beth Meehan
    Ravi and Gouthami work as pharmaceutical-technology engineers. They would like to make a home and start a family, but with the high cost of housing – their one-bedroom apartment costs $3,000 a month – they are not sure they can afford to stay.

    Meehan has wrestled with photography’s history as a tool of exploitation, in which people with money and access have had the power to shape the dominant narrative. She’s come to the conclusion that the practice of photography needs to be rebuilt in a way that “doesn’t reinscribe the old ruptures.” The answer, she says, is developing deeper collaborations. For her, this means mentoring everyone from schoolchildren to older adults from diverse backgrounds as they find their own paths to self-
    expression through photography. 

    When she makes portraits, Meehan collaborates with individuals to decide where and how they will be photographed, and what they’ll be wearing. Her skill is seen in the deliberateness with which she frames and edits the picture. 

    By highlighting the humanity of each person, Meehan hopes to bring out the viewer’s humanity. This is especially important in a place like Silicon Valley, she says, where the wealthy may not really see the people who clean, cook, and care for them and their families. It’s a place where immigrants arrive seeking the American dream, only to end up struggling to find a foothold. 

    “Each project is pushing against a big system,” she says. “In Silicon Valley, it’s the myth that the economy there is floating all boats.” Why, she argues, can’t some of that enormous wealth go into creating healthy lives for the people there? “That’s the question we’re really asking, and what does that say about the American economy?”

    #Mary_Beth_Meehan #Visage_Silicon_Valley

  • [C&F] Samedi 23 avril - Un cadeau pour la Sant Jordi
    http://0w0pm.mjt.lu/nl2/0w0pm/1glu.html?m=AVgAACH9OOwAAABES1gAAAhharoAAAAAtBIAAK4dABjAHgBiYrJDcqvTue_HSq
    https://0w0pm.mjt.lu/img/0w0pm/b/1glu/sh368.jpeg

    [C&F] Samedi 23 avril - Un cadeau pour la Sant Jordi

    Bonjour,

    Le 23 avril 1616 mourrait Miguel de Cervantes, l’auteur de L’ingénieux Hidalgo Don Quichotte de la Manche. Depuis 1926, le 23 avril est devenu en Catalogne la fête du livre. Ce jour là, qui est également la Saint Georges (Sant Jordi en catalan), Barcelone se transforme en immense librairie en plein air.

    Il est de coutume d’offrir un livre et une rose pour la Sant Jordi.

    Barcelone devient une gigantesque librairie en plein air pour la Sant Jordi

    Cette relation du 23 avril au livre a encouragé l’Unesco à en faire la Journée mondiale du livre et du droit d’auteur.
    C&F éditions ne pouvait rester en dehors de cette fête du livre.

    Notre cadeau de Sant Jordi se fera à partir de notre librairie en ligne (https://cfeditions.com)

    Notre offre décrite ci-dessous commence dès maintenant. Elle est valable jusqu’au 23 avril 2022 à minuit.

    Accéder à la librairie en ligne de C&F éditions : https://cfeditions.com

    Cette année, nous vous proposons un cadeau à double détente :

    – Si vous achetez un livre, nous vous offrons le même titre au format epub s’il existe... et s’il n’existe pas encore, nous vous offrons « En communs : une introduction aux communs de la connaissance » de votre serviteur.

    – Si vous achetez deux livres, nous ajoutons au colis Visages de la Silicon Valley, le merveilleux livre de photos de Mary Beth Meehan avec un essai introductif de Fred Turner. Ça, c’est du cadeau !

    Accéder à la librairie en ligne de C&F éditions
    https://cfeditions.com

    Bonne lecture,

    Hervé Le Crosnier

    PS : Vos libraires favoris auront également des cadeaux pour vous si vous franchissez leurs portes ce samedi 23 avril. Malheureusement, il vous faudra commander nos livres, car nous ne sommes présents dans les rayonnages que d’une minorité de librairies... et ce n’est pas de notre fait : la plupart des librairies contactées estiment que leur public n’est pas intéressé par les sujets que nous traitons. C’est dommage, mais nous devons vivre avec cette situation pour rester indépendants des méga-diffuseurs. Mais n’hésitez pas à indiquer à votre libraire favori·te qu’il ou elle peut nous contacter pour présenter nos ouvrages en rayon, voire sur table (contact@cfeditions.com). Nos conditions libraires sont les mêmes que celles de tous les éditeurs (remise, droit de retour, envoi gratuit via prisme ou coursier).
    Des roses de Barcelone pour la Sant Jordi

    #C&F_éditions #Sant_jordi #Visages_Silicon_Valley

  • Mary Beth Meehan’s photos dissolve distances between people - CSMonitor.com
    https://www.csmonitor.com/Books/Book-Reviews/2021/1006/Mary-Beth-Meehan-s-photos-dissolve-distances-between-people
    https://images.csmonitor.com/csm/2021/09/1011+BOOKS%20meehan%20pool.jpg?alias=standard_900x600

    Silicon Valley exerts a magnetism like a tractor beam on people from around the world. They come to the San Francisco Bay Area seeking riches, or at least the trickle down from the booming high-tech economy led by Apple, Alphabet (owner of Google), and Facebook.

    The reality, as photographer Mary Beth Meehan depicts in the book “Seeing Silicon Valley: Life Inside a Fraying America,” is strikingly different. Yes, tech companies have created thousands of jobs, she says in an interview, “but the dominant narrative about a ‘utopia’ obscures how life is actually lived, and what it means to be a human being there.” The gap between the ultra-wealthy and ordinary workers – who cannot afford housing and basic necessities even with decent-paying jobs – is widening.

    Silicon Valley is a microcosm of the broader inequality that divides the nation, according to Meehan. The effects are felt not just economically but socially. “People are living right next to each other and they don’t interact,” she says. To counter this sense of separation, the photographer created portraits that encourage readers to go beyond stereotypes to see the people who make up this amorphous place known as Silicon Valley. The result is a book of images that speaks to the human toll exacted by the relentless economy.

    When she makes portraits, Meehan collaborates with individuals to decide where and how they will be photographed, and what they’ll be wearing. Her skill is seen in the deliberateness with which she frames and edits the picture.

    By highlighting the humanity of each person, Meehan hopes to bring out the viewer’s humanity. This is especially important in a place like Silicon Valley, she says, where the wealthy may not really see the people who clean, cook, and care for them and their families. It’s a place where immigrants arrive seeking the American dream, only to end up struggling to find a foothold.

    “Each project is pushing against a big system,” she says. “In Silicon Valley, it’s the myth that the economy there is floating all boats.” Why, she argues, can’t some of that enormous wealth go into creating healthy lives for the people there? “That’s the question we’re really asking, and what does that say about the American economy?”

    #Mary_Beth_Meehan #Visages

  • A conversation with Fred Turner and photographer Mary Beth Meehan | USC Annenberg School for Communication and Journalism
    https://annenberg.usc.edu/events/annenberg-research-seminar/conversation-silicon-valley-culture-expert-fred-turner-and

    Annenberg Research Seminar
    A conversation with Silicon Valley culture expert Fred Turner and photographer Mary Beth Meehan
    Monday, November 8, 2021 12 p.m. – 1 p.m. PT Online

    Acclaimed photographer Mary Beth Meehan and Silicon Valley culture expert Fred Turner join forces to give us an unseen view of the heart of the tech world.

    Photo of Mary Beth Meehan Mary Beth Meehan
    It’s hard to imagine a place more central to American mythology today than Silicon Valley. To outsiders, the region glitters with the promise of extraordinary wealth and innovation. But behind this image lies another Silicon Valley, one segregated by race, class and nationality in complex and contradictory ways.

    Photo of Fred Turner Fred Turner
    With arresting photographs and intimate stories, Seeing Silicon Valley makes this hidden world visible. Join Fred Turner and Mary Beth Meehan as they discuss the making of the book, the role of photography in scholarship, activism and public life, and what it might mean for the technology industry to help us make a truly humane society.

    Speakers:

    Mary Beth Meehan is a photographer known for her large-scale, community-based portraiture centered around questions of representation, visibility, and social equity in the United States
    Fred Turner is Harry and Norman Chandler Professor of Communication at Stanford University

    #Mary_Beth_Meehan #Fred_Turner #Visages_Silicon_Valley

  • “La peur en Occident” : lecture pour un drôle d’été – D’ici et d’ailleurs
    https://blogs.letemps.ch/emmanuelle-robert/2020/07/22/la-peur-en-occident-lecture-pour-un-drole-dete

    “Comme c’était le jour de la mi-carême, qu’il faisait beau soleil et un temps charmant, les Parisiens se trémoussaient avec d’autant plus de jovialité sur les boulevards (…). Le soir du même jour, les bals publics furent plus fréquentés que jamais : les rires les plus présomptueux couvraient presque la musique éclatante ; on s’échauffait beaucoup au chahut, danse plus qu’équivoque ; on engloutissait toutes sortes de glaces et de boissons froides quand tout à coup, le plus sémillant des arlequins sentit trop de fraîcheur dans ses jambes, ôta son masque et découvrit à l’étonnement de tout le monde un visage d’un bleu violet.”

    #restaurant #café #glaces #boîtes_de_nuit #visage_bleu_violet

    (article de 2020)

  • In Silicon Valley, many find it impossible to make ends meet | The Big Issue
    https://www.bigissue.com/culture/books/in-silicon-valley-many-find-it-impossible-to-make-ends-meet

    Facebook, Google and hundreds of other companies that drive our digital lives call Silicon Valley home, but so do people who find it almost impossible to make ends meet, even if they are key to keeping billion-dollar industries running.

    In a new book, photographer Mary Beth Meehan presents a series of portraits that show another side of the people who power the world’s tech capital.

    #Mary_Beth_Meehan #Visages_Silicon_Valley

  • Mary Beth Meehan: Seeing Silicon Valley - LENSCRATCH
    http://lenscratch.com/2021/05/mary-beth-meehan-seeing-silicon-valley

    “For more than seven decades, business leaders, politicians, and would-be entrepreneurs have tried to unravel the secrets of Silicon Valley. In just over one hundred powerful, haunting pages, Meehan and Turner have captured a side of the valley rarely seen: the deeply inequitable landscape of contingent and disproportionately foreign-born labor that makes its high-tech magic possible. Humane, insightful, and deeply compelling, this book tells the story of Silicon Valley in a completely new and utterly magnetic way.” – Margaret O’Mara, author of The Code: Silicon Valley and the Remaking of America

    Photographer Mary Beth Meehan has a legacy of considering the complexity of communities and reminding us of our humanity through her portraits and interviews. For her newest project and book published by the University of Chicago Press, Seeing Silicon Valley, she joined forces with Silicon Valley culture expert Fred Turner to give us an unseen view of the heart of the tech world.

    When considering the population central to this American mythology, we might consider the characters of the television show Silicon Valley–rag tag techies that carry dark under eye circles from long days in front of a screen without sunshine and a small cluster of visionaries who have gotten very rich from technology. But the reality of place is very different. Behind this image lies another Silicon Valley, one segregated by race, class, and nationality in complex and contradictory ways. Its beautiful landscape lies atop underground streams of pollutants left behind by decades of technological innovation, and while its billionaires live in compounds, surrounded by redwood trees and security fences, its service workers live in their cars.

    With arresting photography and intimate stories, Seeing Silicon Valley makes this hidden world visible. Instead of young entrepreneurs striving for efficiency in minimalist corporate campuses, we see portraits of struggle—families displaced by an impossible real estate market, workers striving for a living wage, and communities harmed by environmental degradation. If the fate of Silicon Valley is the fate of America—as so many of its boosters claim—then this book gives us an unvarnished look into the future.

    Mary Beth Meehan uses photography to transform public spaces, works collaboratively to reflect communities back to themselves, and aims to jolt people into considering one another anew. Combining image, text, and large-scale public installation, Meehan’s work challenges notions of representation, visibility, and equity, and prompts people to talk with one another about what they see.

    Meehan’s first book, Seeing Silicon Valley: Life inside a Fraying America, with Fred Turner, is forthcoming from the University of Chicago Press in Spring of 2021.

    “Seeing Newnan,” Meehan’s most recent public installation, was featured on the Sunday front page of The New York Times on Martin Luther King Jr. weekend, in January of 2020, and has shifted the dialogue about representation, identity, and race in that small Georgia city.

    Meehan has held residencies at Stanford University, the University of Missouri School of Journalism, and at Brown University upcoming in 2021. She has lectured and led workshops at the School of Visual Arts, New York, the Rhode Island School of Design, and the Massachusetts College of Art and Design.

    A native of Brockton, Massachusetts, Mary Beth holds degrees from Amherst College and the University of Missouri, Columbia. She lives in Providence, Rhode Island.
    Book spread 2

    Spread from “Seeing Silicon Valley: Life Inside a Fraying America” University of Chicago Press, 2021

    Seeing Silicon Valley

    Seeing Silicon Valley is a collaboration between myself and Silicon Valley culture scholar Fred Turner. During the Fall of 2017 I was invited by Turner to hold an artist’s residency at Stanford University, in order to try to see, ­through my own eyes, what life was like for the thousands of workers in that mythic place. Since then Turner and I have worked together to present what we found – a place, within one of the richest economies in the world, where life is tenuous and where people struggle to find stability, connection, and community. These portraits and narratives are meant to draw viewers in to considering Silicon Valley on an intimate, human scale, and reflecting on what it means for our future.
    From “Seeing Silicon Valley: Life Inside a Fraying America” University of Chicago Press, 2021

    ©Mary Beth Meehan, RAVI and GOUTHAMI Between them, Ravi and Gouthami have multiple degrees — in biotechnology, computer science, chemistry, and statistics. After studying in India and working in Wisconsin and Texas, they have landed here, in the international center of technology, where they work in the pharmaceutical-technology industry. They rent an apartment in Foster City and attend a Hindu temple in Sunnyvale, where immigrants from India have been building a community since the early 1990s. Although the couple have worked hard to get here, and they make good money, they feel that a future in Silicon Valley eludes them — their one-bed-room apartment, for example, costs almost $3,000 a month. They could move somewhere less expensive, but, with the traffic, they’d spend hours each day commuting. They would like to stay, but they don’t feel confident that they can save, invest, start a family. They’re not sure what to do next. From “Seeing Silicon Valley: Life Inside a Fraying America” University of Chicago Press, 2021
    From “Seeing Silicon Valley: Life Inside a Fraying America”

    ©Mary Beth Meehan, RICHARD Richard has spent his entire adult life in the auto industry, loving his work and making good money. In 2010, the year that GM went bankrupt and the plant he worked at in Fremont closed, he was earning $120,000 a year. After Tesla took over the plant, Richard got a job on the manufacturing floor. He was paid $18 an hour, or less than $40,000 a year. Richard started noticing things that didn’t seem right. As a line worker assembling car doors, he was required to work twelve-hour shifts, five or six days a week. Richard had a home, but he noticed young guys “who came in broke, with a bag of clothes” being hired, working the long shifts, sleeping in their cars, showering in the break room, and doing it again the next day. When a friend invited Richard to meet with the United Automobile Workers union, he agreed. Soon after that, when people complained to him about the low pay or long hours, he’d tell them that with the union, they could stand up for themselves. He handed out buttons and T-shirts, told people they had a choice. “We don’t want to break ’em,” he said of the company. “We just want a little larger piece of the pie — so we can have a cooler of beer every now and then, go camping once in a while.” Though he’d never received a negative review, Richard was fired last October, along with more than four hundred other workers. The UAW has filed a complaint, alleging that Tesla fired workers who were trying to unionize. The worst part for Richard, he says, is that he hears the employees are now too scared to talk about the union. He believes that all his hard work has been in vain. From “Seeing Silicon Valley: Life Inside a Fraying America” University of Chicago Press, 2021
    From “Seeing Silicon Valley: Life Inside a Fraying America” University of Chicago Press, 2021

    ©Mary Beth Meehan,WARREN In junior high, in Illinois, before he knew anyone else who had a personal computer, Warren got to play Lemonade Stand on his uncle Bob’s Commodore PET. At thirteen, he attended a computer trade show in Chicago: “I didn’t even know what I was looking at,” he says. “But it was cool. It piqued my curiosity profoundly.” In high school, Warren sought out a friend who could teach him all the workings of computers. After he graduated as his school’s valedictorian, Warren went to Stanford to study engineering and business. Then he became a venture capitalist, backing such fledgling firms as Skype, Hotmail, and Tesla (and turning down the founders of Theranos, one of Silicon Valley’s legendary frauds). Ten years ago, he says, “I did a very Silicon Valley thing”: he called a few of his industry pals to launch Thuuz, a service that creates highlights of sporting events in real time. He runs the company out of a bungalow in Palo Alto, adjacent to his house—just a block away from the garage where Hewlett-Packard began. Warren’s company is small, and while he wants it to be successful, he doesn’t strive to make it one of Silicon Valley’s giants. “Many of those companies are huge because they are willing to cross some lines,” he says—ethical, moral lines. “Steve Jobs was irascible,” he says, “Jobs was tough, Jobs was rude.” But, says Warren, thanks to the iPhone, billions of people in India and China now have access to information. “I put Steve Jobs above that line and say, ‘Yeah, he could have been a jerk, but he’s above that line.’” Warren feels differently about Facebook’s Mark Zuckerberg. “He has broken some massive, massive rules,” he says. “He is completely abusing his users.” Facebook has “corrupted our election. They corrupted Brexit, over in Europe. They’ve destroyed minorities in Asia. . . . They are below the line, below the line. Absolutely, below the line.” From “Seeing Silicon Valley: Life Inside a Fraying America” University of Chicago Press, 2021

    #Mary_Beth_Meehan #Visages_Silicon_Valley

  • Great Reads in Photography: May 16, 2021 | PetaPixel
    https://petapixel.com/2021/05/16/great-reads-in-photography-may-16-2021

    Every Sunday, we bring together a collection of easy-reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!

    Seeing Silicon Valley: Life Inside a Fraying America — Lenscratch
    From “Seeing Silicon Valley: Life Inside a Fraying America” University of Chicago Press, 2021
    Elisa and Family © Mary Beth Meehan, courtesy University of Chicago Press. 2021
    Mary Beth Meehan © Molly Heller

    Acclaimed photographer Mary Beth Meehan and Silicon Valley culture expert Fred Turner join forces to give us an unseen view of the heart of the tech world.

    “With arresting photography and intimate stories, Seeing Silicon Valley makes this hidden world visible,” says Aline Smithson in Lenscratch. “Instead of young entrepreneurs striving for efficiency in minimalist corporate campuses, we see portraits of struggle—families displaced by an impossible real estate market, workers striving for a living wage, and communities harmed by environmental degradation.

    “If the fate of Silicon Valley is the fate of America—as so many of its boosters claim—then this book gives us an unvarnished look into the future.”
    From “Seeing Silicon Valley: Life Inside a Fraying America” University of Chicago Press, 2021
    Ravi and Gouthami © Mary Beth Meehan, courtesy University of Chicago Press, 2021

    Silicon Valley glitters with the promise of extraordinary wealth and innovation. But behind the façade lies a world segregated by race, class, and nationality in complex and contradictory ways.
    Cristobal was born in Bakersfield, out in the desert. After high school, he served eight years in the Army, including one tour in the Iraq war. He now works full time as a security guard at Facebook. He starts at dawn, guiding cars on and off the campus, and making sure walkers looking down at their phones cross safely. Despite this job, he has no health benefits, and he can’t afford to have a home in Silicon Valley. He’d like to go back to Bakersfield, to be near his mother, but there’s no work there. So he keeps doing his best. Cristobal feels he works hard, and has given back to his country, but his pay forces him to live in a rented repurposed shed, in a back yard in Mountain View. He’s starting to get angry. “Silicon Valley is a shithole,” he says.
    Cristobal © Mary Beth Meehan, courtesy University of Chicago Press, 2021

    “For those who have not been fortunate enough to make billionaire lists, for midlevel engineers and food truck workers and longtime residents, the valley has become increasingly inhospitable, testing their resilience and resolve,” say photographer Meehan and Turner in The New York Times.

    #Visages_Silicon_Valley #Fred_Turner #Mary_Beth_Meehan

  • 12 则真实硅谷故事:不一样的硅谷,残酷的人生百态_详细解读_最新资讯_热点事件_36氪
    https://www.36kr.com/p/1220133179347336
    https://img.36krcdn.com/20210512/v2_d8cd77d36e0b4b2783b64ed25a14d3be_img_jpg

    Les journaux chinois en parlent... l’édition originale est en français
    https://cfeditions.com/visages

    则真实硅谷故事:不一样的硅谷,残酷的人生百态
    神译局
    昨天
    关注
    在硅谷看不到未来。

    编者按:作为全球科技精英的圣地,硅谷似乎永远与创新、财富、机会、奇迹、梦想和成功这些令人心潮澎湃的词汇紧密相连。但在创造巨额财富、改变世界进程的同时,硅谷也是美国贫富分化最严重的地区之一,生活成本极其高昂,从赤贫的流浪汉到年入百万的白领精英,硅谷各个阶层的居民们都背负着巨大的生活压力。一起来看硅谷最真实的另一面吧!本文编译自《纽约时报》,作者Mary Beth Meehan和Fred Turner,原标题Seeing the Real Faces of Silicon Valley,希望给您带来启发。

    La véritable histoire de la Silicon Valley : une Silicon Valley différente, une vie brutale
    Le Bureau de la traduction
    Hier
    Suivez
    L’avenir n’est pas en vue dans la Silicon Valley.

    Note de l’éditeur : en tant que Mecque de l’élite mondiale de la technologie, la Silicon Valley semble être associée pour toujours aux mots enivrants d’innovation, de richesse, d’opportunités, de miracles, de rêves et de succès. Mais si la Silicon Valley a créé d’énormes richesses et changé le cours du monde, c’est aussi l’une des régions les plus polarisées des États-Unis. Le coût de la vie y est extrêmement élevé, des sans-abri démunis à l’élite millionnaire en col blanc, les habitants de la Silicon Valley de tous horizons subissent une pression énorme pour vivre. Découvrez le vrai visage de la Silicon Valley ! Cet article a été compilé à partir du New York Times par Mary Beth Meehan et Fred Turner, sous le titre initial Seeing the Real Faces of Silicon Valley, et j’espère qu’il vous inspirera.

    #Fred_Turner #Mary_Beth_Meehan #Visages_Silicon_Valley

  • Providence photographer captures overlooked truths about Silicon Valley - The Boston Globe
    https://www.bostonglobe.com/2021/05/11/metro/providence-photographer-captures-overlooked-truths-about-silicon-valley
    https://bostonglobe-prod.cdn.arcpublishing.com/resizer/mqqHgBHUEptHJkF7FfCDhgzWBfI=/506x0/cloudfront-us-east-1.images.arcpublishing.com/bostonglobe/67J7OLM57BGGVAUNUEHMVARROA.jpg

    From Brockton to Providence, from small-town Georgia to Silicon Valley, photographer Mary Beth Meehan is challenging communities to see themselves in new ways, spurring discussions about race and inequality, the economy and the environment.

    “We want people to see beyond the myths of Silicon Valley’s wealth and innovation to the ways in which real people struggle in that environment,” Meehan said. “They struggle in terms of financial security but also to find connection and community.”

    In “Seeing Silicon Valley,” Meehan introduces us to Cristobal, a US Army veteran who makes $21 an hour working as a full-time security officer at Facebook but lives in a shed because he can’t afford a house in the area’s high-priced housing market.

    Meehan said a former colleague connected her to Turner, a Stanford communications professor who was born in Cambridge, Massachusetts, lived in Boston for 10 years, and graduated from Brown University. The book was designed by a Providence resident, Lucinda Hitchcock.

    Turner, who now lives two miles from Google headquarters, said Silicon Valley excels at marketing itself. “But the actual community that is here on the ground is much more diverse and much more unequal than the mythology tells us,” he said. “Very few people look or make money like Mark Zuckerberg.”

    Turner said Meehan’s large-scale portraits demonstrated her ability to capture images that tell you something about both the person and their community, and as a Brockton native, she brought to bear a working-class background.

    “I hope people can see that the seemingly magical world of technology depends on the really hard work of a whole lot of different people,” he said. “In the same way that the Industrial Revolution in Boston didn’t just depend on the people who went to Harvard, Silicon Valley is not just the Zuckerbergs and Jobs.”

    Turner said the nation’s industries need to sustain the people that build them – not just a few people at the top. “The lesson is that if you just pursue profit and innovation, you can injure your workers, pollute your landscape, and build a society you wouldn’t want to be a member of,” he said. “We can do a lot better than that.”

    As an artist-in-residence at Stanford, Meehan spent six weeks introducing herself to strangers, sitting in kitchens and living rooms, listening to their stories.

    She said she found tremendous unease among the people there, not only among the cashiers and waiters, but among the tech professionals and other high-income earners. And she found the anxieties of Silicon Valley reflect a nationwide gulf between the rich and the poor – the hollowing out of the middle class.

    “Even though the stock market is doing well, people are struggling,” Meehan said. “If people are not doing well in Silicon Valley, then what does that say about where the country is headed?”

    #Fred_Turner #Mary_Beth_Meehan #Visages_Silicon_Valley