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Agent d’ingérence étrangère : Alle die mit uns auf Kaperfahrt fahren, müssen Männer mit Bärten sein. Jan und Hein und Klaas und Pit, die haben Bärte, die haben Bärte. Jan und Hein und Klaas und Pit, die haben Bärte, die fahren mit.

  • Paolo Taviani, acclaimed director of classic Italian films, dies aged 92
    https://www.theguardian.com/film/2024/mar/01/paolo-taviani-brothers-italian-films-padre-padrone-dies-92

    1.3.3024 - The Italian film-maker Paolo Taviani, whose gritty biopic Padre Padrone won top prize at the Cannes film festival, has died aged 92, Rome’s mayor, Roberto Gualtieri, said on Thursday.

    For more than three decades Taviani and his brother Vittorio formed one of cinema’s greatest directorial duos. “Paolo Taviani, a great maestro of Italian cinema, leaves us,” Gualtieri said on X. The brothers “directed unforgettable, profound, committed films which entered into the collective imagination and the history of cinema”, Gualtieri added.

    Taviani died in a clinic in Rome after suffering from a short illness, according to media reports. His wife and two children were at his bedside, according to Anasa news agency, which said Taviani’s funeral would be on Monday.

    Along with Vittorio, who died in 2018, the Tavianis made politically engaged films together for more than half a century. Padre Padrone, set in Sardinia, won the Palme d’Or at Cannes in 1977. The film is an adaptation of Gavino Ledda’s autobiographical novel about a young shepherd who escapes the despotic control of his father.

    Former Cannes president Gilles Jacob told AFP news Paolo Taviani was “one half of an enchanting duo”.

    After his brother’s death in 2018, Paolo Taviani premiered a movie on his own. Leonora Addio, which screened at the Berlinale film festival in 2022, explores death and the legacy of creative endeavours, and was based on an idea the brothers came up with together. Despite Vittorio’s death, “he is still with me”, Taviani told AFP at the time.

    He described how the brothers had been inspired by the master of neorealism, Italian director Roberto Rossellini. “When we decided to do cinema, Vittorio was 18 and I was 16. And it was because we saw Paisan by Rossellini,” Taviani said. “We realised that if films can change lives and can reveal us, our truth, then we wanted to make movies in our lives.”

    Jacob said Paolo and Vittorio were “heirs to Rossellini”, adding that “a kind of grace touched their films of inimitable moral rigour and poetry”. Padre Padrone and the 1982 fantasy war drama The Night of the Shooting Stars were miracles of strength and delicacy, Jacob added. Another of the brothers’ critically acclaimed films, 2012’s Caesar Must Die, won the Golden Bear prize at the Berlin film festival.

    Taviani was born in 1931 in San Miniato in Tuscany. The brothers’ father was an anti-fascist lawyer and they had an early interest in social issues, which they translated on to the screen with works known for their mix of history, psychological analysis and lyricism.

    His death “leaves an unfillable void not only in the world of cinema, but in the hearts of all of us who shared his origins, but also his love for this land,” said Eugenio Giani, the governor of Tuscany.