position:novelist

  • Animalia by Jean-Baptiste Del Amo review – war, violence, sickness and cruelty | Books | The Guardian

    https://www.theguardian.com/books/2019/may/30/animalia-jean-baptiste-del-amo-review

    Bleak is the word. If EM Cioran, the great Romanian philosopher of the bleak, had been a novelist, Animalia is the kind of novel he would have produced. Published by the courageous Fitzcarraldo, this won’t make it on to a list of beach reads. But it is likely to be hailed as a modern classic. You can’t have everything.

    Jean-Baptiste Del Amo has published four novels in his native France. Animalia is the first to appear in English, in a translation by Frank Wynne, whose unenviable task it has been to take Del Amo’s original, Règne Animal, and to capture and convey something of its full throttle, bold, dark profundity. He has triumphantly succeeded: Animalia in English has a truly savage quality, all blood and stench and despair.

  • Les #gilets_jaunes vus de New York...

    Low Visibility

    Driving was already expensive in France when in January 2018 the government of President Emmanuel Macron imposed a tax that raised the price of diesel fuel by 7.6 centimes per liter and of gasoline by 3.8 centimes (about 9 and 4 cents, respectively); further increases were planned for January 2019. The taxes were an attempt to cut carbon emissions and honor the president’s lofty promise to “Make Our Planet Great Again.”

    Priscillia Ludosky, then a thirty-two-year-old bank employee from the Seine-et-Marne department outside Paris, had no choice but to drive into the city for work every day, and the cost of her commute was mounting. “When you pay regularly for something, it really adds up fast, and the increase was enormous,” she told me recently. “There are lots of things I don’t like. But on that I pushed.” In late May 2018, she created a petition on Change.org entitled Pour une Baisse des Prix du Carburant à la Pompe! (For a reduction of fuel prices at the pump!)

    Over the summer Ludosky’s petition—which acknowledged the “entirely honorable” aim of reducing pollution while offering six alternative policy suggestions, including subsidizing electric cars and encouraging employers to allow remote work—got little attention. In the fall she tried again, convincing a radio host in Seine-et-Marne to interview her if the petition garnered 1,500 signatures. She posted that challenge on her Facebook page, and the signatures arrived in less than twenty-four hours. A local news site then shared the petition on its own Facebook page, and it went viral, eventually being signed by over 1.2 million people.

    Éric Drouet, a thirty-three-year-old truck driver and anti-Macron militant also from Seine-et-Marne, created a Facebook event for a nationwide blockade of roads on November 17 to protest the high fuel prices. Around the same time, a fifty-one-year-old self-employed hypnotherapist named Jacline Mouraud recorded herself addressing Macron for four minutes and thirty-eight seconds and posted the video on Facebook. “You have persecuted drivers since the day you took office,” she said. “This will continue for how long?” Mouraud’s invective was viewed over six million times, and the gilets jaunes—the yellow vests, named for the high-visibility vests that French drivers are required to keep in their cars and to wear in case of emergency—were born.

    Even in a country where protest is a cherished ritual of public life, the violence and vitriol of the gilets jaunes movement have stunned the government. Almost immediately it outgrew the issue of the carbon taxes and the financial burden on car-reliant French people outside major cities. In a series of Saturday demonstrations that began in mid-November and have continued for three months, a previously dormant anger has erupted. Demonstrators have beaten police officers, thrown acid in the faces of journalists, and threatened the lives of government officials. There has been violence on both sides, and the European Parliament has condemned French authorities for using “flash-ball guns” against protesters, maiming and even blinding more than a few in the crowds. But the gilets jaunes have a flair for cinematic destruction. In late November they damaged parts of the Arc de Triomphe in Paris; in early January they commandeered a forklift and rammed through the heavy doors of the ministry of state—the only time in the history of the Fifth Republic that a sitting minister had to be evacuated from a government building.

    The gilets jaunes are more than a protest. This is a modern-day jacquerie, an emotional wildfire stoked in the provinces and directed against Paris and, most of all, the elite. French history since 1789 can be seen as a sequence of anti-elite movements, yet the gilets jaunes have no real precedent. Unlike the Paris Commune of 1871, this is a proletarian struggle devoid of utopian aspirations. Unlike the Poujadist movement of the mid-1950s—a confederation of shopkeepers likewise opposed to the “Americanization” of a “thieving and inhuman” state and similarly attracted to anti-Semitic conspiracy theories—the gilets jaunes include shopkeepers seemingly content to destroy shop windows. There is an aspect of carnival here: a delight in the subversion of norms, a deliberate embrace of the grotesque.

    Many have said that the gilets jaunes are merely another “populist movement,” although the term is now so broad that it is nearly meaningless. Comparisons have been made to the Britain of Brexit, the United States of Donald Trump, and especially the Italy of Cinque Stelle. But the crucial difference is that the gilets jaunes are apolitical, and militantly so. They have no official platform, no leadership hierarchy, and no reliable communications. Everyone can speak for the movement, and yet no one can. When a small faction within it fielded a list of candidates for the upcoming European parliamentary elections in May, their sharpest opposition came from within: to many gilets jaunes, the ten who had put their names forward—among them a nurse, a truck driver, and an accountant—were traitors to the cause, having dared to replicate the elite that the rest of the movement disdains.

    Concessions from the government have had little effect. Under mounting pressure, Macron was forced to abandon the carbon tax planned for 2019 in a solemn televised address in mid-December. He also launched the so-called grand débat, a three-month tour of rural France designed to give him a better grasp of the concerns of ordinary people. In some of these sessions, Macron has endured more than six hours of bitter criticisms from angry provincial mayors. But these gestures have quelled neither the protests nor the anger of those who remain in the movement. Performance is the point. During the early “acts,” as the weekly demonstrations are known, members refused to meet with French prime minister Édouard Philippe, on the grounds that he would not allow the encounter to be televised, and that sentiment has persisted. Perhaps the most telling thing about the gilets jaunes is the vest they wear: a symbol of car ownership, but more fundamentally a material demand to be seen.

    Inequality in France is less extreme than in the United States and Britain, but it is increasing. Among wealthy Western countries, the postwar French state—l’État-providence—is something of a marvel. France’s health and education systems remain almost entirely free while ranking among the best in the world. In 2017 the country’s ratio of tax revenue to gross domestic product was 46.2 percent, according to statistics from the Organization for Economic Co-operation and Development (OECD)—the highest redistribution level of any OECD country and a ratio that allows the state to fight poverty through a generous social protection system. Of that 46.2 percent, the French government allocated approximately 28 percent for social services.

    “The French social model is so integrated that it almost seems a natural, preexisting condition,” Alexis Spire, a sociologist of inequality at the École des Hautes Études en Sciences Sociales, told me recently. A number of the gilets jaunes I met said that despite the taxes they pay, they do not feel they benefit from any social services, since they live far from urban centers. But anyone who has ever received housing assistance, a free prescription, or sixteen weeks of paid maternity leave has benefited from the social protection system. The effect of redistribution is often invisible.

    And yet the rich in France have gotten much richer. Between 1983 and 2015, the vast majority of incomes in France rose by less than one percent per year, while the richest one percent of the population saw their incomes rise by 100 percent after taxes. According to World Bank statistics, the richest 20 percent now earns nearly five times as much as the bottom 20 percent. This represents a stark shift from the Trente Glorieuses, France’s thirty-year economic boom after World War II. As the economist Thomas Piketty has pointed out, between 1950 and 1983, most French incomes rose steadily by approximately 4 percent per year; the nation’s top incomes rose by only one percent.

    What has become painfully visible, however, is the extent of the country’s geographical fractures. Paris has always been the undisputed center of politics, culture, and commerce, but France was once also a country that cherished and protected its vibrant provincial life. This was la France profonde, a clichéd but genuinely existing France of tranquil stone villages and local boulangeries with lines around the block on Sundays. “Douce France, cher pays de mon enfance,” goes the beloved song by the crooner Charles Trenet. “Mon village, au clocher aux maisons sages.” These days, the maisons sages are vacant, and the country boulangeries are closed.

    The story is familiar: the arrival of large multinational megastores on the outskirts of provincial French towns and cities has threatened, and in many cases asphyxiated, local businesses.1 In the once-bustling centers of towns like Avignon, Agen, Calais, and Périgueux, there is now an eerie quiet: windows are often boarded up, and fewer and fewer people are to be found. This is the world evoked with a melancholy beauty in Nicolas Mathieu’s novel Leurs enfants après eux, which won the Prix Goncourt, France’s most prestigious literary prize, in 2018.

    The expansion since the 1980s of France’s high-speed rail network has meant that the country’s major cities are all well connected to Paris. But there are many small towns where the future never arrived, where abandoned nineteenth-century train stations are now merely places for teenagers to make out, monuments of the way things used to be. In these towns, cars are the only way people can get to work. I met a fifty-five-year-old truck and taxi driver named Marco Pavan in the Franche-Comté in late November. What he told me then—about how carbon taxes can seem like sneers from the Parisian elite—has stayed with me. “Ask a Parisian—for him none of this is an issue, because he doesn’t need a car,” Pavan said. “There’s no bus or train to take us anywhere. We have to have a car.” I cited that remark in a Washington Post story I filed from Besançon; in the online comments section, many attacked the movement for what they saw as a backward anti-environmentalism—missing his point.

    Few have written as extensively as the French geographer Christophe Guilluy on la France périphérique, a term he popularized that refers both to the people and the regions left behind by an increasingly globalized economy. Since 2010, when he published Fractures françaises, Guilluy has been investigating the myths and realities of what he calls “the trompe l’oeil of a peaceful, moderate, and consensual society.” He is one of a number of left-wing French intellectuals—among them the novelist Michel Houellebecq, the historian Georges Bensoussan, and the essayist Michel Onfray—who in recent years have argued that their beloved patrie has drifted into inexorable decline, a classic critique of the French right since 1789. But Guilluy’s decline narrative is different: he is not as concerned as the others with Islamist extremism or “decadence” broadly conceived. For him, France’s decline is structural, the result of having become a place where “the social question disappears.”

    Guilluy, born in Montreuil in 1964, is something of a rarity among well-known French intellectuals: he is a product of the Paris suburbs, not of France’s storied grandes écoles. And it is clear that much of his critique is personal. As a child, Guilluy, whose family then lived in the working-class Paris neighborhood of Belleville, was forcibly relocated for a brief period to the heavily immigrant suburb of La Courneuve when their building was slated to be demolished in the midst of Paris’s urban transformation. “I saw gentrification firsthand,” he told Le Figaro in 2017. “For the natives—the natives being just as much the white worker as the young immigrant—what provoked the most problems was not the arrival of Magrebis, but that of the bobos.”

    This has long been Guilluy’s battle cry, and he has focused his intellectual energy on attacking what he sees as the hypocrisy of the bobos, or bourgeois bohemians. His public debut was a short 2001 column in Libération applying that term, coined by the columnist David Brooks, to French social life. What was happening in major urban centers across the country, he wrote then, was a “ghettoization by the top of society” that excluded people like his own family.

    Guilluy crystallized that argument in a 2014 book that won him the ear of the Élysée Palace and regular appearances on French radio. This was La France périphérique: comment on a sacrifié les classes populaires, in which he contended that since the mid-1980s, France’s working classes have been pushed out of the major cities to rural communities—a situation that was a ticking time bomb—partly as a result of rising prices. He advanced that view further in 2016 with La Crépuscule de la France d’en haut—now translated into English as Twilight of the Elites: Prosperity, the Periphery, and the Future of France—a pithy screed against France’s bobo elite and what he sees as its shameless embrace of a “neoliberal,” “Americanized society” and a hollow, feel-good creed of multicultural tolerance. In 2018, one month before the rise of the gilets jaunes, he published No Society, whose title comes from Margaret Thatcher’s 1987 comment that “there is no such thing as society.”

    In Guilluy’s view, an immigrant working class has taken the place of the “native” working class in the banlieues on the outskirts of major cities. This native class, he argues, has been scattered throughout the country and become an “unnoticed presence” that France’s elite has “made to disappear from public consciousness” in order to consolidate its grip on power. Cities are now the exclusive preserve of the elites and their servants, and what Guilluy means by “no society” is that the visible signs of class conflict in urban daily life have vanished. This is his trompe l’oeil: rich, insulated Parisians have convinced themselves that everything is fine, while those who might say otherwise are nowhere near. “The simmering discontent of rural France has never really been taken seriously,” he writes in Twilight of the Elites.

    Since November, much of the French press has declared that Guilluy essentially predicted the rise of the gilets jaunes. They seem, after all, a fulfillment of his prophecy about “the betrayal of the people” by the elites, even if he is always elusive about who exactly “the people” are. While critiques from the movement have remained a confused cloud of social media invective, Guilluy has served as its de facto interpreter.

    No Society puts into words what many in the gilets jaunes have either struggled or refused to articulate. This is the hazy middle ground between warning and threat: “The populist wave coursing through the western world is only the visible part of a soft power emanating from the working classes that will force the elites to rejoin the real movement of society or else to disappear.”

    For now, however, there is just one member of the elite whom the gilets jaunes wish would disappear, and calls for his violent overthrow continue even as the movement’s momentum subsides.

    An intense and deeply personal hatred of Macron is the only unifying cry among the gilets jaunes. Eighteen months before the uprising began, this was the man who captured the world’s imagination and who, after populist victories in Britain and the United States, had promised a French “Third Way.” Yet the Macronian romance is already over, both at home and abroad.

    To some extent, the French always turn against their presidents, but the anger Macron elicits is unique. This is less because of any particular policy than because of his demeanor and, most of all, his language. “Mr. Macron always refused to respond to us,” Muriel Gautherin, fifty-three, a podiatrist who lives in the Paris suburbs, told me at a December march on the Champs-Élysées. “It’s he who insults us, and he who should respond.” When I asked her what she found most distasteful about the French president, her answer was simple: “His words.”

    She has a point. Among Macron’s earliest actions as president was to shave five euros off the monthly stipends of France’s Aide personalisée au logement (APL), the country’s housing assistance program. Around the same time, he slashed France’s wealth tax on those with a net worth of at least €1.3 million—a holdover from the Mitterand era.

    Macron came to office with a record of unrelentingly insulting the poor. In 2014, when he was France’s economic minister, he responded to the firing of nine hundred employees (most of them women) from a Breton slaughterhouse by noting that some were “mostly illiterate.” In 2016 he was caught on camera in a heated dispute with a labor activist in the Hérault. When the activist gestured to Macron’s €1,600 suit as a symbol of his privilege, the minister said, “The best way to afford a suit is to work.” In 2018 he told a young, unemployed gardener that he could find a new job if he merely “crossed the street.”

    Yet nothing quite compares to the statement Macron made in inaugurating Station F, a startup incubator in the thirteenth arrondissement of Paris, housed in a converted rail depot. It is a cavernous consulate for Silicon Valley, a soaring glass campus open to all those with “big ideas” who can also pay €195 a month for a desk and can fill out an application in fluent English. (“We won’t consider any other language,” the organization’s website says.) Google, Amazon, and Microsoft all have offices in it, and in a city of terrible coffee, the espresso is predictably fabulous. In June 2017 Macron delivered a speech there. “A train station,” he said, referring to the structure’s origins, “it’s a place where we encounter those who are succeeding and those who are nothing.”

    This was the moment when a large percentage of the French public learned that in the eyes of their president, they had no value. “Ceux qui ne sont rien” is a phrase that has lingered and festered. To don the yellow vest is thus to declare not only that one has value but also that one exists.

    On the whole, the gilets jaunes are not the poorest members of French society, which is not surprising. As Tocqueville remarked, revolutions are fueled not by those who suffer the most, but by those whose economic status has been improving and who then experience a sudden and unexpected fall. So it seems with the gilets jaunes: most live above the poverty line but come from the precarious ranks of the lower middle class, a group that aspires to middle-class stability and seeks to secure it through palliative consumption: certain clothing brands, the latest iPhone, the newest television.

    In mid-December Le Monde profiled a young couple in the movement from Sens in north-central France, identified only as Arnaud and Jessica. Both twenty-six, they and their four children live in a housing project on the €2,700 per month that Arnaud earns as a truck driver, including more than €1,000 in government assistance. According to statistics from France’s Institut national de la statistique et des études économiques (Insée), this income places them right at the poverty line for a family of this size, and possibly even slightly below it. But the expenses Arnaud and Jessica told Le Monde they struggled to pay included karate lessons for their oldest son and pet supplies for their dog. Jessica, who does not work, told Le Monde, “Children are so mean to each other if they wear lesser brands. I don’t want their friends to make fun of them.” She said she had traveled to Paris for gilet jaune protests on three separate weekends—journeys that presumably cost her money.

    Readers of Le Monde—many of them educated, affluent, and pro-Macron—were quick to attack Arnaud and Jessica. But the sniping missed their point, which was that they felt a seemingly inescapable sense of humiliation, fearing ridicule everywhere from the Élysée Palace to their children’s school. They were explaining something profound about the gilets jaunes: the degree to which the movement is fueled by unfulfilled expectations. For many demonstrators, life is simply not as they believed it would be, or as they feel they deserve. There is an aspect of entitlement to the gilets jaunes, who are also protesting what the French call déclassement, the increasing elusiveness of the middle-class dream in a society in which economic growth has not kept pace with population increase. This entitlement appears to have alienated the gilets jaunes from immigrants and people of color, who are largely absent from their ranks and whose condition is often materially worse.2 “It’s not people who don’t have hope anymore, who don’t have a place to live, or who don’t have a job,” Rokhaya Diallo, a French activist for racial equality, told me recently, describing the movement. “It’s just that status they’re trying to preserve.”

    The gilets jaunes have no substantive ideas: resentment does not an ideology make. They remain a combustible vacuum, and extremist agitators on the far right and the far left have sought to capitalize on their anger. Both Marine Le Pen of the recently renamed Rassemblement National and Jean-Luc Mélenchon of the left-wing La France Insoumise have tried hard to channel the movement’s grassroots energy into their own political parties, but the gilets jaunes have so far resisted these entreaties. The gilets jaunes also found themselves at the center of a diplomatic spat: in early February Italy’s deputy prime minister, Luigi Di Maio, met with two of their members on the outskirts of Paris in a jab at Macron. Two days later, France withdrew its ambassador to Rome for the first time since 1940, but the gilets jaunes have not attempted to exploit this attention for their own political gain. Instead there was infighting—a Twitter war over who had the right to represent the cause abroad and who did not.

    The intellectual void at the heart of an amorphous movement can easily fill with the hatred of an “other.” That may already be happening to the gilets jaunes. Although a careful analysis by Le Monde concluded that race and immigration were not major concerns in the two hundred most frequently shared messages on gilet jaune Facebook pages between the beginning of the movement and January 22, a number of gilets jaunes have been recorded on camera making anti-Semitic gestures, insulting a Holocaust survivor on the Paris metro, and saying that journalists “work for the Jews.” Importantly, the gilets jaunes have never collectively denounced any of these anti-Semitic incidents—a silence perhaps inevitable for a movement that eschews organization of any kind. Likewise, a thorough study conducted by the Paris-based Fondation Jean Jaurès has shown the extent to which conspiracy theories are popular in the movement: 59 percent of those surveyed who had participated in a gilet jaune demonstration said they believed that France’s political elites were encouraging immigration in order to replace them, and 50 percent said they believed in a global “Zionist” conspiracy.

    Members of the movement are often quick to point out that the gilets jaunes are not motivated by identity politics, and yet anyone who has visited one of their demonstrations is confronted with an undeniable reality. Far too much attention has been paid to the symbolism of the yellow vests and far too little to the fact that the vast majority of those who wear them are lower-middle-class whites. In what is perhaps the most ethnically diverse society in Western Europe, can the gilets jaunes truly be said to represent “the people,” as the members of the movement often claim? Priscillia Ludosky, arguably the first gilet jaune, is a black woman. “It’s complicated, that question,” she told me. “I have no response.”

    The gilets jaunes are also distinctly a minority of the French population: in a country of 67 million, as many as 282,000 have demonstrated on a single day, and that figure has consistently fallen with each passing week, down to 41,500 during “Act 14” of the protest on February 16. On two different weekends in November and December, other marches in Paris—one for women’s rights, the other against climate change—drew far bigger crowds than the gilets jaunes did. But the concerns of this minority are treated as universal by politicians, the press, and even the movement’s sharpest critics. Especially after Trump and Brexit, lower-middle-class and working-class whites command public attention even when they have no clear message.

    French citizens of color have been protesting social inequality for years without receiving any such respect. In 2005 the killing of two minority youths by French police in the Paris suburb of Clichy-sous-Bois ignited a string of violent uprisings against police brutality, but the government declared an official state of emergency instead of launching a grand débat. In 2009, the overseas departments of Guadeloupe and Martinique saw a huge strike against the high cost of living—a forty-four-day uprising that also targeted fuel prices and demanded an increase to the minimum wage. In 2017 an almost identical protest occurred in French Guiana, another French overseas department, where residents demonstrated against household goods that were as much as 12 percent more expensive than they were in mainland France, despite a lower minimum wage. The French government was slow to respond in both of these instances, while the concerns of the gilets jaunes have resulted in a personal apology from the president and a slew of concessions.

    Guilluy, whose analysis of la France périphérique ultimately fails to grapple significantly with France’s decidedly peripheral overseas territories, does not shy away from the question of identity. He sees a racial element to the frustrations of la France périphérique, but he does not see this as a problem. Some of the most frustrating moments in his work come when he acknowledges but refuses to interrogate white working-class behavior that seems to be racially motivated. “Public housing in outlying communities is now a last resort for workers hoping to be able to go on living near the major cities,” he writes in Twilight of the Elites, describing the recent astronomic rise in France’s urban real estate prices. “These projects, mostly occupied by immigrant renters, are avoided by white French-born workers. Barring some utterly unforeseeable turn of events, their expulsion from the largest urban centers will be irreversible.” It would not diminish Guilluy’s broader point about la France périphérique if he acknowledged that victims of structural changes can also be intolerant.

    Guilluy also regularly recycles anxieties over immigration, often from controversial theorists such as Michèle Tribalat, who is associated with the idea of le grand remplacement, the alleged “great replacement” of France’s white population by immigrants from North and Sub-Saharan Africa. In making his case about “the demographic revolution in process,” Guilluy has been accused of inflating his statistics. France, he wrote in Fractures françaises, “welcomes a little less than 200,000 legal foreigners every year.” But these claims were attacked by Patrick Weil, a leading French historian of immigration, who noted in his book Le sens de la République (2015) that Guilluy failed to consider that a large number of those 200,000 are temporary workers, students who come and go, and others of “irregular” status. Guilluy has not responded to these criticisms, and in any case his rhetoric has since grown more radical. In No Society he writes, “Multiculturalism is, intrinsically, a feeble ideology that divides and weakens.”

    Whether the gilets jaunes will eventually come to agree with him is a crucial question. Like Guilluy, they are responding to real social conditions. But if, following Guilluy’s lead, they ultimately resort to the language of race and ethnicity to explain their suffering, they will have chosen to become a different movement altogether, one in which addressing inequality was never quite the point. In some ways, they have already crossed that line.

    On the afternoon of Saturday, February 16, the prominent French intellectual Alain Finkielkraut got out of a taxi on the Boulevard Montparnasse. A crowd of gilets jaunes noticed him and began hurling anti-Semitic insults. The scene, recorded on video, was chilling: in the center of Paris, under a cloudless sky, a mob of visibly angry men surrounded a man they knew to be Jewish, called him a “dirty Zionist,” and told him, “go back to Tel Aviv.”

    Finkielkraut’s parents were Polish refugees from the Holocaust. He was born in Paris in 1949 and has become a fixture in French cultural life, a prolific author, a host of a popular weekly broadcast on France Culture, and a member of the Académie Française, the country’s most elite literary institution. In the words of Macron, who immediately responded to the attack, he “is not only an eminent man of letters but the symbol of what the Republic affords us all.” The irony is that Finkielkraut—another former leftist who believes that France has plunged into inexorable decline and ignored the dangers of multiculturalism—was one of the only Parisian intellectuals who had supported the gilets jaunes from the beginning.

    I spoke to Finkielkraut after the attack, and he explained that the gilets jaunes had seemed to him the evidence of something authentic. “I saw an invisible France, neglected and forgotten,” he said. “Wearing fluorescent yellow vests in order to be visible—of being a ‘somewhere’ as opposed to an ‘anywhere,’ as Goodhart has said—seemed to me an absolutely legitimate critique.” The British journalist David Goodhart, popular these days in French right-wing circles, is the author of The Road to Somewhere (2017), which sees populist anger as the inevitable response to the widening gulf between those “rooted” in a particular place and cosmopolitans at home anywhere. “France is not a ‘start-up nation,’” Finkielkraut told me. “It can’t be reduced to that.”

    Finkielkraut said that the attack was a sign that the reasonable critiques orginally made by the gilets jaunes had vanished, and that they had no real future. “I think the movement is in the process of degradation. It’s no longer a social movement but a sect that has closed in on itself, whose discourse is no longer rational.”

    Although the Paris prosecutor has opened an investigation into his attackers, Finkielkraut has not pressed charges. He told me that the episode, as violent as it was, did not necessarily suggest that all those who had worn yellow vests in recent months were anti-Semites or extremists. “Those who insulted me were not the nurses, the shopkeepers, or the small business owners,” he said, noting that he doubted he would have experienced the same prejudice at the roundabouts, the traffic circles across the country where gilets jaunes protesters gathered every Saturday. In a sense, these were the essence of the movement, which was an inchoate mobilization against many things, but perhaps none so much as loneliness. The roundabouts quickly became impromptu piazzas and a means, however small, of reclaiming a spirit of community that disappeared long ago in so many French towns and villages.

    In Paris, where the remaining gilets jaunes have now focused most of their energy, the weekly protests have become little more than a despicable theater filled with scenes like the attack on Finkielkraut. There is no convincing evidence that those still wearing yellow vests are troubled by the presence of bigotry in their ranks. What is more, many gilets jaunes now seem to believe that pointing out such prejudice is somehow to become part of a government-backed conspiracy to turn public opinion against them.

    Consider, for instance, a February 19 communiqué released in response to the attack on Finkielkraut from La France en Colère, one of the movement’s main online bulletins. “For many days, the government and its friends in the national media seem to have found a new technique for destabilizing public opinion and discrediting the Gilets Jaunes movement,” it begins. “We denounce the accusations and the manipulations put in place by this government adept at fake news.” But this is all the communiqué denounces; it does not address the anti-Semitic violence to which Finkielkraut was subjected, nor does it apologize to a national figure who had defended the movement when few others of his prominence dared to do the same.

    A month after our last conversation, I called Priscillia Ludosky back, to see if she had any reaction to the recent turn of events in the movement her petition had launched. She was only interested in discussing what she called the French government’s “systematic abuse to manipulate public opinion.” She also believes that a government-media conspiracy will stop at nothing to smear the cause. “If there was one person who ever said something homophobic, it was on the front page of every newspaper,” she told me.

    In the days after the attack, Finkielkraut lamented not so much the grim details of what had happened but the squandered potential of a moment that has increasingly descended into paranoid feverishness. As he told me: “This was a beautiful opportunity to reflect on who we are that’s been completely ruined.”

    https://www.nybooks.com/articles/2019/03/21/low-visibility-france-gilet-jaunes

  • The Mystery of the Exiled Billionaire Whistle-Blower - The New York Times
    https://www.nytimes.com/2018/01/10/magazine/the-mystery-of-the-exiled-billionaire-whistleblower.html

    From a penthouse on Central Park, Guo Wengui has exposed a phenomenal web of corruption in China’s ruling elite — if, that is, he’s telling the truth.

    By Lauren Hilgers, Jan. 10, 2018

    阅读简体中文版閱讀繁體中文版

    On a recent Saturday afternoon, an exiled Chinese billionaire named Guo Wengui was holding forth in his New York apartment, sipping tea while an assistant lingered quietly just outside the door, slipping in occasionally to keep Guo’s glass cup perfectly full. The tycoon’s Twitter account had been suspended again — it was the fifth or sixth time, by Guo’s count — and he blamed the Communist Party of China. “It’s not normal!” he said, about this cycle of blocking and reinstating. “But it doesn’t matter. I don’t need anyone.”

    Guo’s New York apartment is a 9,000-square-foot residence along Central Park that he bought for $67.5 million in 2015. He sat in a Victorian-style chair, his back to a pair of west-facing windows, the sunset casting craggy shadows. A black-and-white painting of an angry-looking monkey hung on the wall to Guo’s right, a hat bearing a star-and-wreath Soviet insignia on its head and a cigarette hanging from its lips. Guo had arrived dressed entirely in black, except for two silver stripes on each lapel. “I have the best houses,” he told me. Guo had picked his apartment for its location, its three sprawling balconies and the meticulously tiled floor in the entryway. He has the best apartment in London, he said; the biggest apartment in Hong Kong. His yacht is docked along the Hudson River. He is comfortable and, anyway, Guo likes to say that as a Buddhist, he wants for nothing. If it were down to his own needs alone, he would have kept his profile low. But he has a higher purpose. He is going to save China.

    Guo pitches himself as a former insider, a man who knows the secrets of a government that tightly controls the flow of information. A man who, in 2017, did the unthinkable — tearing open the veil of secrecy that has long surrounded China’s political elite, lobbing accusations about corruption, extramarital affairs and murder plots over Facebook and Twitter. His YouTube videos and tweets have drawn in farmers and shopkeepers, democracy activists, writers and businesspeople. In China, people have been arrested for chatting about Guo online and distributing T-shirts with one of his slogans printed on the front (“This is only the beginning!”). In New York, Guo has split a community of dissidents and democracy activists down the middle. Some support him. Others believe that Guo himself is a government spy.

    Nothing in Guo’s story is as straightforward as he would like it to seem. Guo is 47 years old, or 48, or 49. Although he has captured the attention of publications like The Guardian, The New York Times and The Wall Street Journal, the articles that have run about him have offered only hazy details about his life. This is because his biography varies so widely from one source to the next. Maybe his name isn’t even Guo Wengui. It could be Guo Wugui. There are reports that in Hong Kong, Guo occasionally goes by the name Guo Haoyun.

    When pressed, Guo claims a record of unblemished integrity in his business dealings, both in real estate and in finance (when it comes to his personal life, he strikes a more careful balance between virility and dedication to his family). “I never took a square of land from the government,” he said. “I didn’t take a penny of investment from the banks.” If you accept favors, he said, people will try to exploit your weaknesses. So, Guo claims, he opted to take no money and have no weaknesses.

    Yet when Guo left China in 2014, he fled in anticipation of corruption charges. A former business partner had been detained just days before, and his political patron would be detained a few days afterward. In 2015, articles about corruption in Guo’s business dealings — stories that he claims are largely fabrications — started appearing in the media. He was accused of defrauding business partners and colluding with corrupt officials. To hear Guo tell it, his political and business opponents used a national corruption campaign as a cover for a personal vendetta.

    Whatever prompted Guo to take action, his campaign came during an important year for China’s president, Xi Jinping. In October, the Communist Party of China (C.P.C.) convened its 19th National Congress, a twice-a-decade event that sets the contours of political power for the next five years. The country is in the throes of a far-reaching anti-corruption campaign, and Xi has overseen a crackdown on dissidents and human rights activists while increasing investment in censorship and surveillance. Guo has become a thorn in China’s side at the precise moment the country is working to expand its influence, and its censorship program, overseas.

    In November 2017, the Tiananmen Square activist Wang Dan warned of the growing influence of the C.P.C. on university campuses in the United States. His own attempts to hold “China salons” on college campuses had largely been blocked by the Chinese Students and Scholars Association — a group with ties to China’s government. Around the same time, the academic publisher Springer Nature agreed to block access to hundreds of articles on its Chinese site, cutting off access to articles on Tibet, Taiwan and China’s political elite. Reports emerged last year that China is spending hundreds of thousands of dollars quarterly to purchase ads on Facebook (a service that is blocked within China’s borders). In Australia, concerns about China’s growing influence led to a ban on foreign political donations.

    “That’s why I’m telling the United States they should really be careful,” Guo said. China’s influence is spreading, he says, and he believes his own efforts to change China will have global consequences. “Like in an American movie,” he told me with unflinching self-confidence. “In the last minutes, we will save the world.”

    Propaganda, censorship and rewritten histories have long been specialties of authoritarian nations. The aim, as famously explained by the political philosopher Hannah Arendt, is to confuse: to breed a combination of cynicism and gullibility. Propaganda can leave people in doubt of all news sources, suspicious of their neighbors, picking and choosing at random what pieces of information to believe. Without a political reality grounded in facts, people are left unmoored, building their world on whatever foundation — imaginary or otherwise — they might choose.

    The tight grip that the C.P.C. keeps on information may be nothing new, but China’s leadership has been working hard to update the way it censors and broadcasts. People in China distrusted print and television media long before U.S. politicians started throwing around accusations of “fake news.” In 2016, President Xi Jinping was explicit about the arrangement, informing the country’s media that it should be “surnamed Party.” Likewise, while the West has only recently begun to grapple with government-sponsored commenters on social media, China’s government has been manipulating online conversations for over a decade.

    “They create all kinds of confusion,” said Ha Jin, the National Book Award-winning American novelist born in China’s Liaoning Province, and a vocal supporter of Guo. “You don’t know what information you have and whether it’s right. You don’t know who are the informers, who are the agents.”

    Online, the C.P.C. controls information by blocking websites, monitoring content and employing an army of commenters widely known as the 50-cent party. The name was used as early as 2004, when a municipal government in Hunan Province hired a number of online commenters, offering a stipend of 600 yuan, or about $72. Since then, the 50-cent party has spread. In 2016, researchers from Harvard, Stanford and the University of California-San Diego estimated that these paid commenters generated 448 million social-media comments annually. The posts, researchers found, were conflict averse, cheerleading for the party rather than defending it. Their aim seemed not to be engaging in argument but rather distracting the public and redirecting attention from sensitive issues.

    In early 2017, Guo issued his first salvos against China’s ruling elite through more traditional channels. He contacted a handful of Chinese-language media outlets based in the United States. He gave interviews to the Long Island-based publication Mingjing News and to Voice of America — a live event that was cut short by producers, leading to speculation that V.O.A. had caved to Chinese government pressure. He called The New York Times and spoke with reporters at The Wall Street Journal. It did not take long, however, before the billionaire turned to direct appeals through social media. The accusations he made were explosive — he attacked Wang Qishan, Xi Jinping’s corruption czar, and Meng Jianzhu, the secretary of the Central Political and Legal Affairs Commission, another prominent player in Xi’s anti-corruption campaign. He talked about Wang’s mistresses, his business interests and conflicts within the party.

    In one YouTube video, released on Aug. 4, Guo addressed the tension between Wang and another anti-corruption official named Zhang Huawei. He recounted having dinner with Zhang when “he called Wang Qishan’s secretary and gave him orders,” Guo said. “Think about what Wang had to suffer in silence back then. They slept with the same women, and Zhang knew everything about Wang.” In addition, Guo said, Zhang knew about Wang’s corrupt business dealings. When Zhang Huawei was placed under official investigation in April, Guo claimed, it was a result of a grudge.

    “Everyone in China is a slave,” Guo said in the video. “With the exception of the nobility.”

    To those who believe Guo’s claims, they expose a depth of corruption that would surprise even the most jaded opponent of the C.P.C. “The corruption is on such a scale,” Ha Jin said. “Who could imagine that the czar of anti-corruption would himself be corrupt? It is extraordinary.”

    Retaliation came quickly. A barrage of counteraccusations began pouring out against Guo, most published in the pages of the state-run Chinese media. Warrants for his arrest were issued on charges of corruption, bribery and even rape. China asked Interpol to issue a red notice calling for Guo’s arrest and extradition. He was running out of money, it was reported. In September, Guo recorded a video during which he received what he said was a phone call from his fifth brother: Two of Guo’s former employees had been detained, and their family members were threatening suicide. “My Twitter followers are so important they are like heaven to me,” Guo said. But, he declared, he could not ignore the well-being of his family and his employees. “I cannot finish the show as I had planned,” he said. Later, Guo told his followers in a video that he was planning to divorce his wife, in order to shield her from the backlash against him.

    Guo quickly resumed posting videos and encouraging his followers. His accusations continued to accumulate throughout 2017, and he recently started his own YouTube channel (and has yet to divorce his wife). His YouTube videos are released according to no particular schedule, sometimes several days in a row, some weeks not at all. He has developed a casual, talkative style. In some, Guo is running on a treadmill or still sweating after a workout. He has demonstrated cooking techniques and played with a tiny, fluffy dog, a gift from his daughter. He invites his viewers into a world of luxury and offers them a mix of secrets, gossip and insider knowledge.

    Wang Qishan, Guo has claimed, is hiding the money he secretly earned in the Hainan-based conglomerate HNA Group, a company with an estimated $35 billion worth of investments in the United States. (HNA Group denies any ties to Wang and is suing Guo.) He accused Wang of carrying on an affair with the actress Fan Bingbing. (Fan is reportedly suing Guo for defamation.) He told stories of petty arguments among officials and claimed that Chinese officials sabotaged Malaysia Airlines Flight 370, which disappeared in 2014 en route to Beijing, in order to cover up an organ-harvesting scheme. Most of Guo’s accusations have proved nearly impossible to verify.

    “This guy is just covered in question marks,” said Minxin Pei, a professor at Claremont McKenna who specializes in Chinese governance.

    The questions that cover Guo have posed a problem for both the United States government and the Western journalists who, in trying to write about him, have found themselves buffeted by the currents of propaganda, misinformation and the tight-lipped code of the C.P.C. elite. His claims have also divided a group of exiled dissidents and democracy activists — people who might seem like Guo’s natural allies. For the most part, the democracy activists who flee China have been chased from their country for protesting the government or promoting human rights, not because of corruption charges. They tell stories of personal persecution, not insider tales of bribery, sex and money. And perhaps as a consequence, few exiled activists command as large an audience as Guo. “I will believe him,” Ha Jin said, “until one of his serious accusations is proved to be false.”

    Pei, the professor, warns not to take any of Guo’s accusations at face value. The reaction from the C.P.C. has been so extreme, however, that Pei believes Guo must know something. “He must mean something to the government,” he said. “They must be really bothered by this billionaire.” In May, Chinese officials visited Guo on visas that did not allow them to conduct official business, causing a confrontation with the F.B.I. A few weeks later, according to The Washington Times, China’s calls for Guo’s extradition led to a White House showdown, during which Jeff Sessions threatened to resign if Guo was sent back to China.

    Guo has a history of cultivating relationships with the politically influential, and the trend has continued in New York. He famously bought 5,000 copies of a book by Cherie Blair, Tony Blair’s wife. (“It was to give to my employees,” Guo told me. “I often gave my employees books to read.”) Guo has also cultivated a special relationship with Steve Bannon, whom he says he has met with a handful of times, although the two have no financial relationship. Not long after one of their meetings, Bannon appeared on Breitbart Radio and called China “an enemy of incalculable power.”

    Despite Guo’s high-powered supporters and his army of online followers, one important mark of believability has continued to elude him. Western news organizations have struggled to find evidence that would corroborate Guo’s claims. When his claims appear in print, they are carefully hedged — delivered with none of his signature charm and bombast. “Why do you need more evidence?” Guo complained in his apartment. “I can give them evidence, no problem. But while they’re out spending time investigating, I’m waiting around to get killed!”

    The details of Guo’s life may be impossible to verify, but the broad strokes confirm a picture of a man whose fortunes have risen and fallen with the political climate in China. To hear Guo tell it, he was born in Jilin Province, in a mining town where his parents were sent during the Cultural Revolution. “There were foreigners there,” Guo says in a video recorded on what he claims is his birthday. (Guo was born on Feb. 2, or May 10, or sometime in June.) “They had the most advanced machinery. People wore popular clothing.” Guo, as a result, was not ignorant of the world. He was, however, extremely poor. “Sometimes we didn’t even have firewood,” he says. “So we burned the wet twigs from the mountains — the smoke was so thick.” Guo emphasizes this history: He came from hardship. He pulled himself up.

    The story continues into Guo’s pre-teenage years, when he moved back to his hometown in Shandong Province. He met his wife and married her when he was only 15, she 14. They moved to Heilongjiang, where they started a small manufacturing operation, taking advantage of the early days of China’s economic rise, and then to Henan. Guo got his start in real estate in a city called Zhengzhou, where he founded the Zhengzhou Yuda Property Company and built the tallest building the city had seen so far, the Yuda International Trade Center. According to Guo, he was only 25 when he made this first deal.

    The string of businesses and properties that Guo developed provide some of the confirmable scaffolding of his life. No one disputes that Guo went on to start both the Beijing Morgan Investment Company and Beijing Zenith Holdings. Morgan Investment was responsible for building a cluster of office towers called the Pangu Plaza, the tallest of which has a wavy top that loosely resembles a dragon, or perhaps a precarious cone of soft-serve ice cream. Guo is in agreement with the Chinese media that in buying the property for Pangu Plaza, he clashed with the deputy mayor of Beijing. The dispute ended when Guo turned in a lengthy sex tape capturing the deputy mayor in bed with his mistress.

    There are other details in Guo’s biography, however, that vary from one source to the next. Guo says that he never took government loans; Caixin, a Beijing-based publication, quoted “sources close to the matter” in a 2015 article claiming that Guo took out 28 loans totaling 588 million yuan, or about $89 million. Guo, according to Caixin, eventually defaulted. At some point in this story — the timeline varies — Guo became friends with the vice minister of China’s Ministry of State Security, Ma Jian. The M.S.S. is China’s answer to the C.I.A. and the F.B.I. combined. It spies on civilians and foreigners alike, conducting operations domestically and internationally, amassing information on diplomats, businessmen and even the members of the C.P.C. Describing Ma, Guo leans back in his chair and mimes smoking a cigarette. “Ma Jian! He was fat and his skin was tan.” According to Guo, Ma sat like this during their first meeting, listening to Guo’s side of a dispute. Then Ma told him to trust the country. “Trust the law,” he told Guo. “We will treat you fairly.” The older master of spycraft and the young businessman struck up a friendship that would become a cornerstone in Guo’s claims of insider knowledge, and also possibly the reason for the businessman’s downfall in China.

    Following the construction of Pangu Plaza in Beijing, Guo’s life story becomes increasingly hard to parse. He started a securities business with a man named Li You. After a falling-out, Li was detained by the authorities. Guo’s company accused Li and his company of insider trading. According to the 2015 article in Caixin, Li then penned a letter to the authorities accusing Guo of “wrongdoing.”

    As this dispute was going on, China’s anti-​corruption operation was building a case against Ma Jian. In Guo’s telling, Ma had long been rumored to be collecting intelligence on China’s leaders. As the anti-corruption campaign gained speed and officials like Wang Qishan gained power, Ma’s well of intelligence started to look like a threat. It was Guo’s relationship with Ma, the tycoon maintains, that made officials nervous. Ma was detained by the authorities in January 2015, shortly after Guo fled the country. Soon after Ma’s detention, accounts began appearing in China’s state-run media claiming that Ma had six Beijing villas, six mistresses and at least two illegitimate sons. In a 2015 article that ran in the party-run newspaper The China Daily, the writer added another detail: “The investigation also found that Ma had acted as an umbrella for the business ventures of Guo Wengui, a tycoon from Henan Province.”

    In the mix of spies, corrupt business dealings, mistresses and sex scandals, Guo has one more unbelievable story to tell about his past. It is one reason, he says, that he was mentally prepared to confront the leaders of the Communist Party. It happened nearly 29 years ago, in the aftermath of the crackdown on Tiananmen Square. According to Guo, he had donated money to the students protesting in the square, and so a group of local police officers came to find him at his home. An overzealous officer fired off a shot at Guo’s wife — at which point Guo’s younger brother jumped in front of the bullet, suffering a fatal wound. “That was when I started my plan,” he said. “If your brother had been killed in front of your eyes, would you just forget it?” Never mind the fact that it would take 28 years for him to take any public stand against the party that caused his brother’s death. Never mind that the leadership had changed. “I’m not saying everyone in the Communist Party is bad,” he said. “The system is bad. So what I need to oppose is the system.”

    On an unusually warm Saturday afternoon in Flushing, Queens, a group of around 30 of Guo’s supporters gathered for a barbecue in Kissena Park. They laid out a spread of vegetables and skewers of shrimp and squid. Some children toddled through the crowd, chewing on hot dogs and rolling around an unopened can of Coke. The adults fussed with a loudspeaker and a banner that featured the name that Guo goes by in English, Miles Kwok. “Miles Kwok, NY loves U,” it said, a heart standing in for the word “loves.” “Democracy, Justice, Liberty for China.” Someone else had carried in a life-size cutout of the billionaire.

    The revelers decided to hold the event in the park partly for the available grills but also partly because the square in front of Guo’s penthouse had turned dangerous. A few weeks earlier, some older women had been out supporting Guo when a group of Chinese men holding flags and banners showed up. At one point, the men wrapped the women in a protest banner and hit them. The park was a safer option. And the protesters had learned from Guo — it wasn’t a live audience they were hoping for. The group would be filming the protest and posting it on social media. Halfway through, Guo would call in on someone’s cellphone, and the crowd would cheer.

    Despite this show of support, Guo’s claims have divided China’s exiled dissidents to such an extent that on a single day near the end of September, two dueling meetings of pro-democracy activists were held in New York, one supporting Guo, the other casting doubt on his motivations. (“They are jealous of me,” Guo said of his detractors. “They think: Why is he so handsome? Why are so many people listening to him?”) Some of Guo’s claims are verifiably untrue — he claimed in an interview with Vice that he paid $82 million for his apartment — and others seem comically aggrandized. (Guo says he never wears the same pair of underwear twice.) But the repercussions he is facing are real.

    In December, Guo’s brother was sentenced to three years and six months in prison for destroying accounting records. The lawsuits filed against Guo for defamation are piling up, and Guo has claimed to be amassing a “war chest” of $150 million to cover his legal expenses. In September, a new set of claims against Guo were made in a 49-page document circulated by a former business rival. For Ha Jin, Guo’s significance runs deeper than his soap-opera tales of scandal and corruption. “The grand propaganda scheme is to suppress and control all the voices,” Jin said. “Now everybody knows that you can create your own voice. You can have your own show. That fact alone is historical.” In the future, Jin predicts, there will be more rebels like Guo. “There is something very primitive about this, realizing that this is a man, a regular citizen who can confront state power.”

    Ho Pin, the founder of Long Island’s Mingjing News, echoed Jin. Mingjing’s reporters felt that covering Guo was imperative, no matter the haziness of the information. “In China, the political elite that Guo was attacking had platforms of their own,” Ho said. “They have the opportunity, the power and the ability to use all the government’s apparatus to refute and oppose Guo Wengui. So our most important job is to allow Guo Wengui’s insider knowledge reach the fair, open-minded people in China.” Still, people like Pei urge caution when dealing with Guo’s claims. Even Guo’s escape raises questions. Few others have slipped through the net of China’s anti-corruption drive. “How could he get so lucky?” Pei asked. “He must have been tipped off long before.”

    At the barbecue, a supporter named Ye Rong tucked one of his children under his arm and acknowledged that Guo’s past life is riddled with holes. There was always the possibility that Guo used to be a thug, but Ye didn’t think it mattered. The rules of the conflict had been set by the Communist Party. “You need all kinds of people to oppose the Chinese government,” Ye said. “We need intellectuals; we also need thugs.”

    Guo, of course, has his own opinions about his legacy. He warned of dark times for Americans and for the world, if he doesn’t succeed in his mission to change China. “I am trying to help,” he told me. “I am not joking with you.” He continued: “I will change China within the next three years. If I don’t change it, I won’t be able to survive.”
    Correction: Jan. 12, 2018

    An earlier version of this article misidentified the name of the province where the Chinese government hired online commenters in 2004. It is Hunan Province, not Henan.

    #Chine #politique #corruption #tireurs_d_alarme

  • Do We Write Differently on a Screen? | The New Yorker
    https://www.newyorker.com/culture/cultural-comment/do-we-write-differently-on-a-screen

    But, before that, I published my first short novel, “Tongues of Flame.” I continued to write fiction by hand and then type it up. But, at least, once it was typed, you could edit on a screen. What a difference that was! What an invitation to obsession! Hitherto, there was a limit to how many corrections you could make by hand. There was only so much space on the paper. It was discouraging—typing something out time after time, to make more and more corrections. You learned to be satisfied with what you had. Now you could go on changing things forever. I learned how important it was to keep a copy of what I had written first, so as to remember what I had meant in the beginning. Sometimes it turned out to be better than the endlessly edited version.

    We had personal computers at this point, but I still wrote fiction by hand. The mental space feels different when you work with paper. It is quieter. A momentum builds up, a spell between page and hand and eye. I like to use a nice pen and see the page slowly fill. But, for newspaper articles and translations, I now worked straight onto the computer. Which was more frenetic, nervy. The writing was definitely different. But more playful, too. You could move things around. You could experiment so easily. I am glad the computer wasn’t available when I started writing. I might have been overwhelmed by the possibilities. But once you know what you’re doing, the facility of the computer is wonderful.

    Then e-mail arrived and changed everything. First, you would only hook the computer up through your landline phone a couple of times a day, as if there were a special moment to send and receive mail. Then came the permanent connection. Finally, the wireless, and, of course, the Internet. In the space of perhaps ten years, you passed from waiting literally months for a decision on something that you’d written, or simply for a reaction from a friend or an agent, to expecting a reaction immediately. Whereas in the past you checked your in-box once a day, now you checked every five minutes.

    And now you could write an article for The Guardian or the New York Times as easily as you could write it for L’Arena di Verona. Write it and expect a response in hours. In minutes. You write the first chapter of a book and send it at once to four or five friends. Hoping they’d read it at once. It’s impossible to exaggerate how exciting this was, at first, and how harmful to the spirit. You, everybody, are suddenly incredibly needy of immediate feedback. A few more years and you were publishing regularly online for The New York Review of Books. And, hours after publication, you could know how many people were reading the piece. Is it a success? Shall I follow up with something similar?

    While you sit at your computer now, the world seethes behind the letters as they appear on the screen. You can toggle to a football match, a parliamentary debate, a tsunami. A beep tells you that an e-mail has arrived. WhatsApp flashes on the screen. Interruption is constant but also desired. Or at least you’re conflicted about it. You realize that the people reading what you have written will also be interrupted. They are also sitting at screens, with smartphones in their pockets. They won’t be able to deal with long sentences, extended metaphors. They won’t be drawn into the enchantment of the text. So should you change the way you write accordingly? Have you already changed, unwittingly?

    Or should you step back? Time to leave your computer and phone in one room, perhaps, and go and work silently on paper in another. To turn off the Wi-Fi for eight hours. Just as you once learned not to drink everything in the hotel minibar, not to eat too much at free buffets, now you have to cut down on communication. You have learned how compulsive you are, how fragile your identity, how important it is to cultivate a little distance. And your only hope is that others have learned the same lesson. Otherwise, your profession, as least as you thought of it, is finished.

    Tim Parks, a novelist and essayist, is the author of “The Novel: A Survival Skill” and “Where I’m Reading From: The Changing World of Books.”

    #Ecriture #Ordinateur #Edition

  • When the Camera Was a Weapon of Imperialism. (And When It Still Is.)

    I first saw the photograph some years ago, online. Later, I tracked it down to its original source: “In Afric’s Forest and Jungle: Or Six Years Among the Yorubans,” a memoir published in 1899 by the Rev. R.H. Stone. It shows a crowd in what is now Nigeria, but what was then Yorubaland under British colonial influence. The caption below the photograph reads: “A king of Ejayboo. Governor of Lagos on right. For years the rulers of this fierce tribe made the profession of Christianity a capital crime.” This description is familiar in tone from anthropological literature of the period, though the photograph is hard to date precisely. “Ejayboo” is what we would nowadays spell as “Ijebu,” a subgroup of Yoruba. That catches my attention: I am Yoruba and also Ijebu. This picture is a time capsule from a world to which I am connected but had not seen before, a world by colonial encounter.

    By the middle of the 19th century, through treaties and threats of force, the British had wrested control of the coastal city Lagos from its king. They then turned their efforts to improving access to the goods and services in the Yoruba hinterland. The Yoruba were already by that time a populous and diverse ethnic group, full of rivalrous kingdoms large and small, some friendly to the British, others less so.

    Stone, a Virginian sent by the Southern Baptist Convention, lived among them — lived among us — for two spells, in 1859-63 and 1867-69, before, during and after the American Civil War. He had this to say about Yoruba people: “They are reasonable, brave and patriotic, and are capable of a very high degree of intellectual culture.” It is praise, but must be understood in the context of a statement he makes earlier in his book about living “among the barbarous people” of that part of the world. In any case, the Ijebu in the mid-19th century were largely wealthy traders and farmers who did not want to give the British right of way to the interior of the country; only through diplomacy, subterfuge and violence were they finally overcome.

    This photograph was made in the aftermath. The white governor of Lagos — based on the plausible dates, it is probably John Hawley Glover — sits under an enormous umbrella. On one side of him is another high-ranking colonial officer. On the other side is the Ijebu king, or oba, probably the Awujale of the Ijebu kingdom, Oba Ademuyewo Fidipote.

    The oba wears a beaded crown, but the beads have been parted and his face is visible. This is unusual, for the oba is like a god and must be concealed when in public. The beads over his face, with their interplay of light and shadow, are meant to give him a divine aspect. Why is his face visible in this photograph? Some contravention of customary practice has taken place. The dozens of men seated on the ground in front of him are visibly alarmed. Many have turned their bodies away from the oba, and several are positioned toward the camera, not in order to look at the camera but in order to avoid looking at the exposed radiance of their king.

    The invention of the daguerreotype was announced in 1839. By the 1840s, photography had spread like wildfire and become a vital aspect of European colonialism. It played a role in administrative, missionary, scientific and commercial activities. As the Zimbabwean novelist Yvonne Vera put it: “The camera has often been a dire instrument. In Africa, as in most parts of the dispossessed, the camera arrives as part of the colonial paraphernalia, together with the gun and the bible. ...”

    Photography in colonialized societies was not only a dire instrument. Subject peoples often adopted photography for their own uses. There were, for instance, a number of studios in Lagos by the 1880s, where elites could go to pose for portraits. But such positive side effects aside, photography during colonial rule imaged the world in order to study, profit from and own it. The colonial gaze might describe as barbarous both the oba’s beaded crown and his regal right to conceal himself. This was one of the repeated interactions between imperial powers and the populations that they sought to control: The dominant power decided that everything had to be seen and cataloged, a task for which photography was perfectly suited. Under the giant umbrella of colonialism, nothing would be allowed to remain hidden from the imperial authorities.

    Imperialism and colonial photographic practices both flourished in the 19th century, and both extended themselves, with cosmetic adaptations, into the 20th. In 1960, during the horrific French war on Algeria, the French military assigned a young soldier, Marc Garanger, to photograph people in an internment camp in the Kabylia region of Northern Algeria. Thousands of people had been confined in the region under armed guard, and the French military commander had decreed that ID cards were mandatory. A picture of each prisoner was required. Many of the women were forced to remove their veils. These were women who did not wish to be seen, made to sit for photographs that were not for them. (Photography played a different military role in the numerous aerial reconnaissance missions by the French, which resulted in thousands of negatives mapping the region.)

    Garanger’s photographs both record an injustice and occasion it. His alternative, not an easy one, would have been to refuse the order and go to prison. His pictures show us what we ought not to see: Young and old women, their hair free flowing or plaited, one face after the other, in the hundreds. They collectively emanate refusal. The women of Kabylia look through the photographer, certainly not considering him an ally. Their gazes rise from the surface of the photograph, palpably furious.

    When we speak of “shooting” with a camera, we are acknowledging the kinship of photography and violence. The anthropological photographs made in the 19th century under the aegis of colonial powers are related to the images created by contemporary photojournalists, including those who embed with military forces. Embedding is sometimes the only way to get a direct record, no matter how limited, of what is happening in an armed conflict. On occasion such an arrangement leads to images whose directness displeases the authorities, but a more common outcome has been that proximity to an army helps bolster the narrative preferred by the army.

    Still, photographic reportage has the power to quicken the conscience and motivate political commitments. Examples abound of photographs acting as catalysts in the public’s understanding of vital issues, from the images of Bergen-Belsen in 1945 to the photograph of the Syrian toddler Alan Kurdi in 2015. And yet, perhaps even more insistently, on a day-by-day, week-by-week basis, photography implicitly serves the powers that be. To insist that contemporary photographic practice — and I mean to include a majority of the international news coverage in newspapers like this one — is generally made (and published) for the greater good is to misconstrue history, because it leaves out the question of “Good for whom?” Such pictures aren’t for their subjects any more than the photograph in Stone’s book was for the Ijebus and their king.

    Certain images underscore an unbridgeable gap and a never-to-be-toppled hierarchy. When a group of people is judged to be “foreign,” it becomes far more likely that news organizations will run, for the consumption of their audiences, explicit, disturbing photographs of members of that group: starving children or bullet-riddled bodies. Meanwhile, the injury and degradation of those with whom readers perceive a kinship — a judgment often based on racial sympathy and class loyalties — is routinely treated in more circumspect fashion. This has hardly changed since Susan Sontag made the same observation in “Regarding the Pain of Others” (2003), and it has hardly changed because the underlying political relationships between dominant and subject societies have hardly changed.

    Without confronting this inequality, this misconstrual of history, photography will continue to describe itself as one thing (a force for liberation) while obdurately remaining another (an obedient appendage of state power). It will continue to be like the organs of the state that “spread democracy” and change regimes. Even when it appears to go against the state, it will only do so selectively, quaintly, beautifully, piteously, in terms that do not question the right of the state to assert power.

    For how long will these radically unequal societal realities endure? Many affecting photographs have been made during the huge waves of international migration of the past few years. These pictures issue, as usual, from the presumed rights of photographers to depict the suffering of people “out there” for the viewing of those “back home.” But in looking at these images — images of war, of starvation, of capsized boats and exhausted caravans — we must go beyond the usual frames of pity and abjection. Every picture of suffering should elicit a question stronger than “Why is this happening?” The question should be “Why have I allowed this to happen?”

    This is what the scholar Ariella Azoulay calls the “citizenship” of photography, its ability, when practiced thoughtfully, to remind us of our mutual responsibilities. When I look at the bewildering photographs of refugee camps in Richard Mosse’s recent book, “The Castle,” I feel indicted. The imperial underpinnings of Mosse’s project are inescapable: Using military-grade thermal cameras, he makes extremely complex panoramic images (stitched together from hundreds of shots) of landscapes in the Middle East and Europe in which refugees have gathered or have been confined. His pictures echo the surveillance to which these bodies are already subjected. But the thermal imaging renders the images very dark, with the humans showing up as white shapes (almost like a negative). The picture conceals what it reveals. We see people, but they remain hidden.

    This technique makes for uncanny images in which distressed people move about like the figures you see in dreams, indistinct but full of ghostly presence. At the Moria camp in Greece, it is snowing. We see a long snaking line of people, waiting. What are they waiting for? For some material handout, probably, for food or blankets or documents. But their waiting represents the deeper waiting of all those who have been confined in the antechamber of humanity. They are waiting to be allowed to be human.

    Mosse’s images, formally striking as they are, are unquestionably part of the language of visual domination. With his political freedom of movement and his expensive technical equipment, he makes meticulous pictures of suffering that end up in exquisite books and in art galleries. He is not the first photographer to aestheticize suffering, nor will he be the last. And yet, by suppressing color, by overwhelming the viewer with detail, by evoking racial horror rather than prettily displaying it and by including in his work philosophical considerations of the scenes he shows — “The Castle” contains essays by Judith Butler, Paul K. Saint-Amour and Mosse himself and a poem by Behrouz Boochani — he does something quite different from most photojournalists. He unsettles the viewer.

    Photography’s future will be much like its past. It will largely continue to illustrate, without condemning, how the powerful dominate the less powerful. It will bring the “news” and continue to support the idea that doing so — collecting the lives of others for the consumption of “us” — is a natural right. But with a project like “The Castle,” I have a little bit of hope that an ethic of self-determination can be restored. I have hope that the refugees of Moria, Athens, Berlin and Belgrade will gain a measure of privacy. The women of Kabylia will cover their faces and return to themselves as they wish to be. The oba’s beaded crown will fall back into place, shadowing his face. Photography writes with light, but not everything wants to be seen. Among the human rights is the right to remain obscure, unseen and dark.

    https://www.nytimes.com/2019/02/06/magazine/when-the-camera-was-a-weapon-of-imperialism-and-when-it-still-is.html

    #photographie #colonialisme #post-colonialisme #impérialisme
    ping @albertocampiphoto @philippe_de_jonckheere

    Reçu via la mailing-list Migreurop avec le commentaire suivant de Emmanuel Blanchard:

    L’auteur fait notamment référence au travail récent de #Richard_Mosse (exposition et ouvrage « The Castle ») dont il fait un compte rendu à la critique et laudatif. Un point de vue qui peut lui-même être critiqué... dans un sens plus critique.
    Pour accéder à quelques images de Richard Mosse :

    https://vimeo.com/302281332


    https://wsimag.com/art/33291-richard-mosse-the-castle
    https://bit.ly/2NglY08

    #réfugiés #asile #migrations #images #image

    The Castle

    Richard Mosse has spent the past few years documenting the ongoing refugee and migration crisis, repurposing military-grade camera technology to confront how governments and societies perceive refugees. His latest book The Castle is a meticulous record of refugee camps located across mass migration routes from the Middle East and Central Asia into the European Union via Turkey. Using a thermal video camera intended for long-range border enforcement, Mosse films the camps from high elevations to draw attention to the ways in which each interrelates with, or is divorced from, adjacent citizen infrastructure. His source footage is then broken down into hundreds of individual frames, which are digitally overlapped in a grid formation to create composite heat maps.

    Truncating time and space, Mosse’s images speak to the lived experience of refugees indefinitely awaiting asylum and trapped in a Byzantine state of limbo. The book is divided into 28 sites, each presenting an annotated sequence of close-up images that fold out into a panoramic heat map. Within this format, Mosse underscores the provisional architecture of the camps and the ways in which each camp is variously marginalised, concealed, regulated, militarized, integrated, and/or dispersed. His images point to the glaring disconnect between the brisk free trade of globalized capitalism and the dehumanizing erosion of international refugee law in European nation-states. Named after Kafka’s 1926 novel, The Castle prompts questions about the ‘visibility’ of refugees and the erosion of their human rights.

    The book comes with a separate book of texts, including a poem by Behrouz Boochani, the journalist, novelist and Iranian refugee currently held by the Australian government in confinement on Manus island, an essay by Paul K. Saint-Amour, associate Professor of English at the University of Pennsylvania, an essay by philosopher Judith Butler, and a text by Richard Mosse.


    #livre

  • A word without a world: between Earth and elsewhere

    https://www.architectural-review.com/10039223.article

    [paywall - Mais visible en mode navigation privée"]

    24 January, 2019 By Honor Gavin

    Ursula K Le Guin’s Paradises Lost is the story of a starship, the journey spanning many generations. Honor Gavin retells its story

    Ursula essy may

    Ursula K Le Guin was an American novelist whose stories and poems depict alternative realities and fictional worlds. She sadly passed away at the beginning of this year. Notes refer to quotes from Le Guin’s Paradises Lost in the anthology The Birthday of the World and Other Stories. Illustration by Essy May

    Somewhere between the planet Earth and somewhere else, there once was a world. Or some said it was a world. Some said it was something else, not a world but the needlessness of orientation or having a care or ever remembering where it was that you once were. Not a world but the needlessness of getting on in any old world. Not a world, therefore, said some. But still, a world, said others. A world for us! The discussions went on and on and so did the somewhere between planet Earth and somewhere else. The somewhere was pleasant to live inside but not necessarily pleasant enough. For the time being, which some said was the entire time, or no, the entirety of time, there was nowhere to go other than somewhere that may or may not have been the world, so nobody there could perfectly understand what the words gone and away† meant, but some still loved to press their nose to the stars.‡ Others preferred tending to the surface of the somewhere, the side that wasn’t inside. It made them feel good, and gave them purpose. These people were mostly those who felt that where they were, was a world, and that the world, like themselves, had a destination.§ Everything was heading somewhere.*

    ‘They had everything they needed, they had nothing they could keep’, p288

    †‘Lovers do not run away (where is away?)’, p305

    ‡‘Light-specks on a screen. We can’t reach them, we can’t get to them. Not us. Not in our lifetime’, p301

    §‘Of course, they would “land” on some other dirtball, but that wasn’t going to happen till she was very old, nearly dead […]’, p250

    *‘WHERE ARE WE GOING?’, p285

    The first to notice that there were more words in the world than things to which the words referred was not, funnily enough, the Librarian.†† It was everybody, because when anybody there said a word such as hill, or a word such as wind, there was nothing in the world that resembled the word, which was another reason why some felt there wasn’t a world, or that the world had somehow waned. Gone away, maybe. Words such as hill and wind came to seem fussy and butterfingered, but people still said them anyway because, when spoken among other words, their exorbitance was less. What was away about them ebbed. The Librarian nevertheless kept the aways of these words in a set of dictionaries that anybody could check at any time, but nobody did, because the Librarian could never figure out where, in the Library, the dictionaries of words such as hill and wind should themselves be kept. The Librarian could never decide whether the dictionaries of words resembling nothing in the world belonged in the aisle of FICTION or in the aisle of REALITY, so the dictionaries’ location changed constantly, and the Librarian was always going back and forth, and over time the dictionaries grew heavy.‡‡

    ††‘Honeymooning, it was called, a word that didn’t have many reverberations in this world without honey or bees to make it, without months or a Moon to make them. But a nice custom’, p311

    ‡‡‘By the Third and Fourth Generations the general content of Earth transmissions had become so arcane that only devotees followed them closely; most people paid no attention to them at all’, p302

    Even the dictionaries have begun to sigh, the Librarian said to a friend, and the friend had to ask what the word sigh meant. When you speak without saying anything, the Librarian said.§§ When you say nothing, you mean, replied the friend. No, said the Librarian tersely, I mean just what I said.

    Left hand copy

    Illustration from the first edition of Le Guin’s The Left Hand of Darkness, published in 1969 and depicting the ambisexual people of a faraway planet

    The first to say that everything was going nowhere and nothing meant anything was meanwhile Terry. Terry! Such a great name for an Angel. An Angel was what Terry became when Terry’s mother, the last of those who once upon another time had lived on the planet Earth, died. At her funeral, Terry gave an interesting speech about remembrance. Terry’s main point had to do with reciprocity. Is there really any such thing? Terry wondered. If nobody here remembers there, does anybody there remember here even if they do.* Does a word need to refer to anything still to be a word? Does a word need to remember where it has been and where it will go and where it will have gone? Well, Terry did not say this exactly, but what he said nevertheless sang in the hearts of many of those onboard the somewhere between the planet Earth and somewhere else, because what Terry was basically saying was that everybody onboard was like, or not like, but actually the same as, a word without a world. A word without anywhere to go other than where the word already was.††† Had somebody said to Terry that he had his clouds, Terry would have agreed. Now you’re talking, Terry would have said. Now you understand.

    §§‘… and never see the Moon’, p268

    *‘Now that no living person in the world remembered the planet of origin, was there any reason to think anyone there remembered them?’ pp296-7

    †††‘Nothing in the world soars,’ p251

    We’re not going anywhere, said Terry the Angel, in other words. We’re simply gone, but not from anybody, and not from anywhere. We’re not gone on any terms. All we are is gone. Oh!‡‡‡

    Now, Terry’s way of thinking was persuasive to many, but not to all. It soon grew words of its own, and some found those grown words to be at once secretive and loud.§§§ It was too much, to be nothing but a word. It was too much, never to be on your way. Others were OK with what Terry and the Angels said but just preferred to return and return to the Library, where as well as the undiscoverable dictionaries and theaways they contained, which some said you could sometimes sense, like a tickle from the nonexistent wind, there were books with screens with pictures of things with names, pictures of things from the planet Earth that did not know your name in turn, words for things that did not know to name you.

    K1u21blktwaff9qhgf0y

    The 1980 edition of The Word for World is Forest, first published in 1972

    A child once asked such a picture its name, but the picture did not reciprocate, and the child burst into tears. When the child got a little older she fell in love with a girl who was an Angel, but did not herself become one.** Even though the Library had hurt her, she still preferred its words to those of the Angels. She preferred to live with the aways of words, to keep on losing the world over and over.†††† She became good friends with the Librarian, whom she once had to ask what the word sigh meant.‡‡‡‡

    ‡‡‡‘The great crowd sighed, a sound like wind in a forest, but they did not know that; they never heard the sound of wind in a forest; they had never heard any sigh, any voice but their own and the voices of machines’, p332

    §§§‘But many people discussed the ideas and images Kim Terry had put into their minds, feeling that he had given them something they had craved without knowing it, or felt without being able to say it’, p295

    **‘Reciprocity is a rare thing’, p250

    ††††‘The hole in the wall of the world had not been made by something from outside, a bit of dust or rock; when she saw it she knew, as one knows in a dream, that it had been there ever since the ship was made’, pp336-7

    ‡‡‡‡‘“Ahh”, sighed the forest leaves’, p333

    There were indeed many who fell in love with the concept of gone, but who did not become fully fledged Angels, followers of Terry. Perhaps those people were more onto what the Angels were getting at than the Angels. Perhaps the point was not to become.§§§§

    The dispossessedursula k. le guin crop

    A 1976 edition of The Dispossessed, set in the same fictional universe as The Left Hand of Darkness

    When eventually the destination came sooner than expected, not everybody went for a look.*** The Angels kept their heads firmly in the clouds. The Librarian, who was not an Angel, likewise remained onboard the somewhere that was now somewhere else and therefore either less the world it had never been or more a world than it ever was. Something like that. Arriving at the destination, which turned out to be a planet much like Earth, a planet that uncannily resembled Earth, confused everything. Or made sense of it. Why don’t you want to see the world?, the friend of the Librarian asked, when she heard the Librarian was staying aboard the somewhere world, forever suspended between FICTION and REALITY, forever destined to tread the Library’s sighing aisles. You’re not an Angel. No, said the Librarian, but I know enough of the world already. ††††† Even though I can’t say for certain whether I’ve ever been to the world, or anywhere other than the world, I know enough of the world already.‡‡‡‡‡ And I am done with going round in circles.§§§§§

    §§§§‘This world hated you’, p353

    ***‘The great goal of our voyage, the destination for which the ship and its crew were intended from the very beginning of our voyage, is closer than we dreamed’, p337

    †††††‘I want to live my life in peace, doing no harm and receiving no harm. And judging by the films and the books, I think this may be the best place, in all the universe, to live such a life’, p346

    ‡‡‡‡‡‘Librarians are the masters of useful trivia’, p314

    §§§§§‘AFTER THIS THERE ARE NO MORE HEADINGS, FOR THE WORLD IS CHANGED, NAMES CHANGE, TIME IS NOT MEASURED AS IT WAS, AND THE WIND BLOWS EVERYTHING AWAY’, p348

    #littérature #science-fiction #architecture

  • 116th Congress: #TweetYourThobe, Rashida Tlaib wears Palestinian thobe at swearing in - INSIDER
    https://www.thisisinsider.com/116th-congress-tweetyourthobe-rashida-tlaib-wears-palestinian-thobe-a

    Democratic members of the House of Representatives takes their oath on the opening day of the 116th Congress as the Democrats take the majority from the GOP, at the Capitol in Washington, Thursday, Jan. 3, 2019. On the top row are, Rep. Debbie Wasserman Schultz, D-Fla., left, and Rep. Ilhan Omar, D-Minn., middle row, Rep. Joe Morelle, D-N.Y., left, and Rep. Rashida Tlaib, D-Mich., and on the bottom row, Rep. Deb Haaland, D-N.M., the first Native American woman elected to Congress. They are joined by children and family members, a tradition on the first day of the new session. (AP Photo/J. Scott Applewhite)

    Women are tweeting images of their thobes — traditional Palestinian dresses adorned with elaborate embroidery — inspired by freshman Rep. Rashida Tlaib.
    Rep. Tlaib, who was elected in November to represent the 13th District in Michigan, was sworn into the 116th Congress on Thursday.
    The congresswoman is one of the first two Muslim-American women elected to Congress, and during her swearing-in Rep. Tlaib wore a thobe.
    The #TweetYourThobe movement was started by Palestinian-American novelist Susan Muaddi Darraj, The New York Times reported, as a way to show support for Tlaib.

    #palestine

  • The Kaiser goes : the generals remain - Theodor Plivier
    https://libcom.org/history/kaiser-goes-generals-remain-theodor-plivier-1932

    Text entier en anglais : https://libcom.org/files/TheKaiserGoesTheGeneralsRemain.pdf https://libcom.org/files/TheKaiserGoesTheGeneralsRemain.mobi

    Du même auteur : Stalingrad (1945), Moskau (1952), Berlin (1954), une trilogie sur la guerre contre les nazis. Je n’ai pas encore trouvé de version en ligne.

    This is an amazing novel about the German Revolution, written by a participant. Republished here in PDF and Kindle formats.

    I’m republishing a novel about the German Revolution called The Kaiser Goes: the Generals Remain, written by a participant in the naval mutinies which kicked the whole thing off. But the novel doesn’t just concern rebellion in the armed forces, there’s all kinds of other exciting events covered too!

    I first became aware of the novel when I noticed some quotations from it in Working Class Politics in the German Revolution1, Ralf Hoffrogge’s wonderful book about the revolutionary shop stewards’ movement in Germany during and just after World War I.

    I set about finding a copy of The Kaiser goes..., read it, and immediately wanted to make it more widely available by scanning it. The results are here.

    Below I’ve gathered together all the most readily accessible information about the novel’s author, Theodor Plivier, that I can find. Hopefully, the sources referenced will provide a useful basis for anybody who wants to do further research.

    Dan Radnika

    October 2015

    THEODOR Otto Richard PLIVIER – Some biographical details

    Theodor Plivier (called Plievier after 1933) was born on 12 February 1892 in Berlin and died on 12 March 1955 in Tessin, Switzerland.

    Since his death Plivier/Plievier has been mostly known in his native Germany as a novelist, particularly for his trilogy of novels about the fighting on the Eastern Front in WWII, made up of the works Moscow, Stalingrad and Berlin.

    He was the son of an artisan file-maker (Feilenhauer in German) and spent his childhood in the Gesundbrunnen district in Berlin. There is still a plaque dedicated to him on the house where he was born at 29 Wiesenstraße. He was interested in literature from an early age. He began an apprenticeship at 17 with a plasterer and left his family home shortly after. For his apprenticeship he traveled across the German Empire, in Austria-Hungary and in the Netherlands. After briefly returning to his parents, he joined up as a sailor in the merchant navy. He first visited South America in 1910, and worked in the sodium nitrate (saltpetre) mines in 1913 in Chile. This period of his life seems to have provided much of the material for the novel The World’s Last Corner (see below).

    He returned to Germany, Hamburg, in 1914, when he was still only 22. He was arrested by the police for a brawl in a sailors’ pub, and was thus “recruited” into the imperial navy just as the First World War broke out. He spent his time in service on the auxiliary cruiser SMS Wolf, commanded by the famous Commander Karl August Nerger. It was he who led a victorious war of patriotic piracy in the Atlantic, the Indian Ocean and the Pacific, seizing enemy ships and their cargo, taking their crews prisoner, and returning in glory to Kiel in February 1918. The activities of SMS Wolf are described in fictional form in the final chapter of Plivier’s The Kaiser’s Coolies (see below). The young Plivier didn’t set foot on land for 451 days, but while at sea he became converted to revolutionary ideas, like thousands of other German sailors. Nevertheless, he never joined a political party. In November 1918, he was in Wilhelmshaven and participated in the strikes, uprisings and revolts accompanying the fall of the German Empire, including the Kiel Mutiny. He also played a small role in the November Revolution in Berlin.

    He left the navy after the armistice (11 November 1918) and, with Karl Raichle and Gregor Gog (both sailor veterans of the Wilmhelmshaven revolt), founded the “Green Way Commune”, near Bad Urach. It was a sort of commune of revolutionaries, artists, poets, proto-hippies, and whoever turned up. Two early participants were the anarchist Erich Mühsam and Johannes Becher (see below), who was a member of the German Communist Party (KPD). At this time several communes were set up around Germany, with Urach being one of three vegetarian communes set up in the Swabia region2.

    It was the beginning of the anarchist-oriented “Edition of the 12” publishing house. Plivier was certainly influenced by the ideas of Bakunin, but also Nietzsche. Later he took on some kind of “individualist anarchism”, ensuring that he didn’t join any party or formal political organisation.

    In Berlin in 1920 he married the actress Maria Stoz3. He belonged to the circle of friends of Käthe Kollwitz4, the radical painter and sculptor, who painted his portrait. On Christmas Day 1920 he showed a delegation from the American IWW to the grave of Karl Liebknecht5. In the early ‘20s he seems to have associated with the anarcho-syndicalist union, the FAUD (Free Workers’ Union of Germany), and addressed its public meetings6.

    Plivier underwent a “personal crisis” and began to follow the example of the “back to nature” poet Gusto Gräser7, another regular resident of “Green Way” and a man seen as the leading figure in the subculture of poets and wandering mystics known (disparagingly at the time) as the “Inflation Saints” (Inflationsheilige)8. In the words of the historian Ulrich Linse, “When the revolutionaries were killed, were in prison or had given up, the hour of the wandering prophets came. As the outer revolution had fizzled out, they found its continuation in the consciousness-being-revolution, in a spiritual change”9. Plivier began wearing sandals and robes…10 According to the Mountain of Truth book (see footnote), in 1922, in Weimar, Plivier was preaching a neo-Tolstoyan gospel of peace and anarchism, much influenced by Gräser. That year he published Anarchy, advocating a “masterless order, built up out of the moral power of free individuals”. Supposedly, “he was a religious anarchist, frequently quoting from the Bible”11. This was not unusual amongst the Inflationsheilige.

    His son Peter and his daughter Thora died from malnutrition during the terrible times of crisis and hyper-inflation in 1923. A year later he began to find work as a journalist and translator. He then worked for some time in South America as a cattle trader and as secretary to the German consul in Pisagua, Chile. On his return to Germany he wrote Des Kaisers Kulis (“The Kaiser’s Coolies”) in 1929, which was published the following year. It was a story based on his days in the Imperial Navy, denouncing the imperialist war in no uncertain terms. At the front of the book is a dedication to two sailors who were executed for participation in a strike and demonstration by hundreds of sailors from the Prinzregent Luitpold12. Erwin Piscator put on a play of his novel at the Lessingtheater in Berlin, with the first showing on 30 August 1930. Der Kaiser ging, die Generälen blieben (“The Kaiser Goes: The Generals Remain”) was published in 1932. In both novels Plivier did an enormous amount of research, as well as drawing on his own memories of important historical events. In the original edition of Der Kaiser ging… there is a citations section at the end with fifty book titles and a list of newspapers and magazines consulted. This attention to historical fact was to become a hallmark of Plivier’s method as a novelist. The postscript to Der Kaiser ging… clearly states what he was trying to do:

    “I have cast this history in the form of a novel, because it is my belief that events which are brought about not by any exchange of diplomatic notes, but by the sudden collision of opposed forces, do not lend themselves to a purely scientific treatment. By that method one can merely assemble a selection of facts belonging to any particular period – only artistic re-fashioning can yield a living picture of the whole. As in my former book, The Kaiser’s Coolies, so I have tried here to preserve strict historic truth, and in so far as exact material was available I have used it as the basis of my work. All the events described, all the persons introduced, are drawn to the life and their words reproduced verbatim. Occasional statements which the sources preserve only in indirect speech are here given direct form. But in no instance has the sense been altered.”

    His second marriage (which didn’t produce any children) was to the Jewish actress Hildegard Piscator in 1931. When Hitler came to power as Chancellor in 1933, his books were banned and publically burnt. He changed his name to Plievier. That year he decided to emigrate, and at the end of a long journey which led him to Prague, Zurich, Paris and Oslo, he ended up in the Soviet Union.

    He was initially not subject to much censorship in Moscow and published accounts of his adventures and political commentaries. When Operation Barbarossa was launched he was evacuated to Tashkent along with other foreigners. Here, for example, he met up (again?) with Johannes Robert Becher, the future Culture Minister of the DDR! In September 1943 he became a member of the National Committee for a Free Germany (NKFD), which gathered anti-Nazi German exiles living in the USSR – not just Communist Party members, although there were a fair number of them involved. In 1945 he wrote Stalingrad, based on testimonies which he collected, with official permission, from German prisoners of war in camps around Moscow. This novel was initially published in occupied Berlin and Mexico, but ended up being translated into 14 languages and being adapted for the theatre and TV13. It describes in unflinching and pitiless detail the German military defeat and its roots in the megalomania of Hitler and the incompetence of the High Command. It is the only novel by Plievier that was written specifically as a work of state propaganda. It is certainly “defeatist”, but only on the German side – it is certainly not “revolutionary defeatist” like Plievier’s writings about WWI. The French writer Pierre Vaydat (in the French-language magazine of German culture, Germanica14) even suggests that it was clearly aimed at “the new military class which was the officer corps of the Wehrmacht” in an effort to encourage them to rise up against Hitler and save the honour of the German military. The novel nevertheless only appeared in a censored form in the USSR.

    He returned to Weimar at the end of 1945, as an official of the Red Army! For two years he worked as a delegate of the regional assembly, as director of publications and had a leading position in the “Cultural Association [Kulturbund] for German Democratic Renewal” which was a Soviet organisation devoted to changing attitudes in Germany and preparing its inclusion into the USSR’s economic and political empire. As with so much else in Plievier’s life, this episode was partly fictionalised in a novel, in this case his last ever novel, Berlin.

    Plievier ended up breaking with the Soviet system in 1948, and made an announcement to this effect to a gathering of German writers in Frankfurt in May of that year15. However, Plievier had taken a long and tortuous political path since his days as a revolutionary sailor in 1918… He clearly ended up supporting the Cold War – seeing the struggle against “Communist” totalitarianism as a continuation of the struggle against fascism (logically enough). What’s more, his views had taken on a somewhat religious tinge, talking of a “spiritual rebirth” whose foundations “begin with the Ten Commandments from Mount Sinai and end with the theses of the Atlantic Charter”! Although it can be read as a denunciation of the horrors of war in general, it’s clear that Berlin, his description of the collapse of Nazi Germany in 1945, is far more of a denunciation of Soviet Russia than anything else. The character Colonel Zecke, obviously a mouthpiece for Plievier’s views, even claims that Churchill and Roosevelt only bombed Dresden because they wanted to please Stalin. If you say so, Theo…! One virtue of Plievier’s single-minded attack on the Russian side is that he draws attention to the mass rape of German women by Russian soldiers. This was a war crime which it was not at all fashionable to mention at the time he was writing, despite the existence of perhaps as many as two million victims16.

    Berlin ends with one of the recurring characters in Plievier’s war novels being killed while participating in the East German worker’s revolt in 195317. Despite his conservative turn, Plievier obviously still has some of the spirit of Wilhelmshaven and can’t restrain himself from giving the rebellious workers some advice about how to organise a proletarian insurrection – seize the means of production! Another character says:

    “What use was it raising one’s fists against tanks, fighting with the Vopos [Volkspolizei – People’s Police], trampling down propaganda posters – one has to get into the vital works, to get busy at the waterworks, the power stations, the metropolitan railway! But the workers are without organisation, without leadership or a plan –the revolt has broken out like a steppes fire and is flickering away uncoordinated, in all directions at once.”

    He went to live in the British Zone of Occupation. He got married for a third time, in 1950, to Margarete Grote, and went to live next to Lake Constance. He published Moscow (Moskau) in 1952 and Berlin in 1954. He moved to Tessin in Switzerland in 1953, and died from a heart attack there in 1955, at the age of 63.

    His works – particularly the pro-revolutionary ones – are almost unknown in the English-speaking world (or anywhere else) today. The republication of The Kaiser Goes: The Generals Remain in electronic form is a modest attempt to remedy this!

    Finally, please read Plivier’s novels! Even the reactionary ones…

    #Allemagne #histoire #révolution #littérature

  • Premature Postcolonialists: the Afro-Asian Writers Association and Soviet Engagement with Africa | Lefteast
    http://www.criticatac.ro/lefteast/premature-postcolonialists-the-afro-asian-writers-association-and-soviet-

    In October 1958, over two hundred writers from Asia and the emerging African nations descended onto Tashkent, the capital of the Soviet Republic of Uzbekistan. Among the participants was W. E. B. Du Bois, who at age 90 had just flown in from Moscow (where he persuaded Nikita Khrushchev to found an Institute for the Study of Africa). Alongside leading Soviet writers and cultural bureaucrats, some of the major figures of the 1930s literary left outside of Europe or the Americas were in attendance: the Turkish modernist poet Nazim Hikmet and his Pakistani counterpart Faiz Ahmad Faiz, the Chinese novelist Mao Dun and Mulk Raj Anand. Though poorly known at the time, some of the younger delegates at that meeting would go on to become the leading literary figures of their countries: the Senegalese novelist-cum-filmmaker Sembene Ousmane, the Indonesian writer Pramoedya Toer, the poet and founder of Angola’s Communist Party Mario Pinto de Andrade, and the Mozambican poet and FRELIMO politician Marcelino dos Santos. By all accounts, Tashkent impressed visitors with its mixture of Western modernity and familiar “eastern-ness,”—an effect carefully curated by the Soviet hosts who sought to make it a showcase city for Third-World delegations.

    The gathering that brought all these writers together—the inaugural congress of what would later become known as the Afro-Asian Writers Association—represented the literary front of the Soviet Union’s return to the colonial question after a two-decade-long lapse. The Stalinist state’s geopolitical zigzags and the rumors, confirmed in Khrushchev’s 1956 Secret Speech, of oppressive practices at home had considerably dimmed the flame of the Russian Revolution by the mid-1950s. African and Asian intellectuals’ doubts over the Soviet state’s emancipatory promises were now partly made up by the resources of a world super-power, which interwar Soviet anti-imperialism had lacked. These resources exercised a powerful, if ambiguous, effect on black political life worldwide, resulting, on the one hand, in devastating proxy wars in Angola and Mozambique and, on the other, fueling emancipatory struggles against apartheid in South Africa and Jim Crowe in the US.1

    This article will be particularly interested in the cultural consequences of the Soviet engagement with the postcolonial world, namely, in its effect on African letters. As a heir to the literature-centrism of the revolutionary Russian intelligentsia of the late nineteenth century, the Soviet state, down to its very bureaucracy, believed in the capacity of literature to transform society and invested heavily in literary engagements even with societies very different from its own. By the reciprocal logic of the Cold War, the U.S. State Department and CIA, institutions not known as patrons of literature before or after the Cold War had to match those investments. The real beneficiaries of this competition were African writers, interest in whose work significantly increased, as well as readers in the first, second, and third worlds, who were given greater access to those writers.

  • Plus de 140 artistes (dont une vingtaine de français) de 18 pays, dont des participants à l’Eurovision signent une lettre appelant au boycott de l’Eurovision 2019 si elle a lieu en israel:

    Eurovision, ne blanchissez pas l’occupation militaire et les violations des droits humains par Israël
    The Guardian, le 7 septembre 2018
    https://www.bdsfrance.org/plus-de-140-artistes-signent-une-lettre-appelant-au-boycott-de-leurovisio

    Boycott Eurovision Song Contest hosted by Israel
    The Guardian, le 7 septembre 2018
    https://www.theguardian.com/tv-and-radio/2018/sep/07/boycott-eurovision-song-contest-hosted-by-israel

    L-FRESH The LION, musician, Eurovision 2018 national judge (Australia)
    Helen Razer, broadcaster, writer (Australia)
    Candy Bowers, actor, writer, theatre director (Australia)
    Blak Douglas, artist (Australia)
    Nick Seymour, musician, producer (Australia)
    DAAN, musician, songwriter (Belgium)
    Daan Hugaert, actor (Belgium)
    Alain Platel, choreographer, theatre director (Belgium)
    Marijke Pinoy, actor (Belgium)
    Code Rouge, band (Belgium)
    DJ Murdock, DJ (Belgium)
    Helmut Lotti, singer (Belgium)
    Raymond Van het Groenewoud, musician (Belgium)
    Stef Kamil Carlens, musician, composer (Belgium)
    Charles Ducal, poet, writer (Belgium)
    Fikry El Azzouzi, novelist, playwright (Belgium)
    Erik Vlaminck, novelist, playwright (Belgium)
    Rachida Lamrabet, writer (Belgium)
    Slongs Dievanongs, musician (Belgium)
    Chokri Ben Chikha, actor, theatre director (Belgium)
    Yann Martel, novelist (Canada)
    Karina Willumsen, musician, composer (Denmark)
    Kirsten Thorup, novelist, poet (Denmark)
    Arne Würgler, musician (Denmark)
    Jesper Christensen, actor (Denmark)
    Tove Bornhoeft, actor, theatre director (Denmark)
    Anne Marie Helger, actor (Denmark)
    Tina Enghoff, visual artist (Denmark)
    Nassim Al Dogom, musician (Denmark)
    Patchanka, band (Denmark)
    Raske Penge, songwriter, singer (Denmark)
    Oktoberkoret, choir (Denmark)
    Nils Vest, film director (Denmark)
    Britta Lillesoe, actor (Denmark)
    Kaija Kärkinen, singer, Eurovision 1991 finalist (Finland)
    Kyösti Laihi, musician, Eurovision 1988 finalist (Finland)
    Kimmo Pohjonen, musician (Finland)
    Paleface, musician (Finland)
    Manuela Bosco, actor, novelist, artist (Finland)
    Noora Dadu, actor (Finland)
    Pirjo Honkasalo, film-maker (Finland)
    Ria Kataja, actor (Finland)
    Tommi Korpela, actor (Finland)
    Krista Kosonen, actor (Finland)
    Elsa Saisio, actor (Finland)
    Martti Suosalo, actor, singer (Finland)
    Virpi Suutari, film director (Finland)
    Aki Kaurismäki, film director, screenwriter (Finland)
    Pekka Strang, actor, artistic director (Finland)
    HK, singer (France)
    Dominique Grange, singer (France)
    Imhotep, DJ, producer (France)
    Francesca Solleville, singer (France)
    Elli Medeiros, singer, actor (France)
    Mouss & Hakim, band (France)
    Alain Guiraudie, film director, screenwriter (France)
    Tardi, comics artist (France)
    Gérard Mordillat, novelist, filmmaker (France)
    Eyal Sivan, film-maker (France)
    Rémo Gary, singer (France)
    Dominique Delahaye, novelist, musician (France)
    Philippe Delaigue, author, theatre director (France)
    Michel Kemper, online newspaper editor-in-chief (France)
    Michèle Bernard, singer-songwriter (France)
    Gérard Morel, theatre actor, director, singer (France)
    Daði Freyr, musician, Eurovision 2017 national selection finalist (Iceland)
    Hildur Kristín Stefánsdóttir, musician, Eurovision 2017 national selection finalist (Iceland)
    Mike Murphy, broadcaster, eight-time Eurovision commentator (Ireland)
    Mary Black, singer (Ireland)
    Christy Moore, singer, musician (Ireland)
    Charlie McGettigan, musician, songwriter, Eurovision 1994 winner (Ireland)
    Mary Coughlan, singer (Ireland)
    Luka Bloom, singer (Ireland)
    Robert Ballagh, artist, Riverdance set designer (Ireland)
    Aviad Albert, musician (Israel)
    Michal Sapir, musician, writer (Israel)
    Ohal Grietzer, musician (Israel)
    Yonatan Shapira, musician (Israel)
    Danielle Ravitzki, musician, visual artist (Israel)
    David Opp, artist (Israel)
    Assalti Frontali, band (Italy)
    Radiodervish, band (Italy)
    Moni Ovadia, actor, singer, playwright (Italy)
    Vauro, journalist, cartoonist (Italy)
    Pinko Tomažič Partisan Choir, choir (Italy)
    Jorit, street artist (Italy)
    Marthe Valle, singer (Norway)
    Mari Boine, musician, composer (Norway)
    Aslak Heika Hætta Bjørn, singer (Norway)
    Nils Petter Molvær, musician, composer (Norway)
    Moddi, singer (Norway)
    Jørn Simen Øverli, singer (Norway)
    Nosizwe, musician, actor (Norway)
    Bugge Wesseltoft, musician, composer (Norway)
    Lars Klevstrand, musician, composer, actor (Norway)
    Trond Ingebretsen, musician (Norway)
    José Mário Branco, musician, composer (Portugal)
    Francisco Fanhais, singer (Portugal)
    Tiago Rodrigues, artistic director, Portuguese national theatre (Portugal)
    Patrícia Portela, playwright, author (Portugal)
    Chullage, musician (Portugal)
    António Pedro Vasconcelos, film director (Portugal)
    José Luis Peixoto, novelist (Portugal)
    N’toko, musician (Slovenia)
    ŽPZ Kombinat, choir (Slovenia)
    Lluís Llach, composer, singer-songwriter (Spanish state)
    Marinah, singer (Spanish state)
    Riot Propaganda, band (Spanish state)
    Fermin Muguruza, musician (Spanish state)
    Kase.O, musician (Spanish state)
    Soweto, band (Spanish state)
    Itaca Band, band (Spanish state)
    Tremenda Jauría, band (Spanish state)
    Teresa Aranguren, journalist (Spanish state)
    Julio Perez del Campo, film director (Spanish state)
    Nicky Triphook, singer (Spanish state)
    Pau Alabajos, singer-songwriter (Spanish state)
    Mafalda, band (Spanish state)
    Zoo, band (Spanish state)
    Smoking Souls, band (Spanish state)
    Olof Dreijer, DJ, producer (Sweden)
    Karin Dreijer, singer, producer (Sweden)
    Dror Feiler, musician, composer (Sweden)
    Michel Bühler, singer, playwright, novelist (Switzerland)
    Wolf Alice, band (UK)
    Carmen Callil, publisher, writer (UK)
    Julie Christie, actor (UK)
    Caryl Churchill, playwright (UK)
    Brian Eno, composer, producer (UK)
    AL Kennedy, writer (UK)
    Peter Kosminsky, writer, film director (UK)
    Paul Laverty, scriptwriter (UK)
    Mike Leigh, writer, film and theatre director (UK)
    Ken Loach, film director (UK)
    Alexei Sayle, writer, comedian (UK)
    Roger Waters, musician (UK)
    Penny Woolcock, film-maker, opera director (UK)
    Leon Rosselson, songwriter (UK)
    Sabrina Mahfouz, writer, poet (UK)
    Eve Ensler, playwright (US)
    Alia Shawkat, actor (US)

    #Palestine #BDS #Boycott_culturel #Eurovision

  • Will This “Neural Lace” Brain Implant Help Us Compete with AI? - Facts So Romantic
    http://nautil.us/blog/-will-this-neural-lace-brain-implant-help-us-compete-with-ai

    Smarter artificial intelligence is certainly being developed, but how far along are we on producing a neural lace?Photograph by Ars Electronica / FlickrSolar-powered self-driving cars, reusable space ships, Hyperloop transportation, a mission to colonize Mars: Elon Musk is hell-bent on turning these once-far-fetched fantasies into reality. But none of these technologies has made him as leery as artificial intelligence. At Code Conference 2016, Musk stated publicly that given the current rate of A.I. advancement, humans could ultimately expect to be left behind—cognitively, intellectually—“by a lot.” His solution to this unappealing fate is a novel brain-computer interface similar to the implantable “neural lace” described by the Scottish novelist Iain M. Banks in Look to Windward, part of (...)

  • Was Juan Goytisolo really an anti-orientalist?
    http://africasacountry.com/2018/02/was-juan-goytisolo-really-an-anti-orientalist

    On June 5 last year, the Spanish novelist Juan Goytisolo was buried in the Spanish cemetery of Larache in northern Morocco, his tomb overlooking the Atlantic Ocean and right next to that of Jean Genet. Spanish and Moroccan officials, and local writers and artists, paid homage to the Spanish author, reading extracts of his work. An outpouring in the Moroccan media paid homage to the…

  • Was the Spanish novelist Juan Goytisolo really an anti-orientalist?
    http://africasacountry.com/2018/02/was-the-spanish-novelist-juan-goytisolo-really-an-anti-orientalist

    On June 5 last year, the Spanish novelist Juan Goytisolo was buried in the Spanish cemetery of Larache in northern #Morocco, his tomb overlooking the Atlantic Ocean and right next to that of Jean Genet. Spanish and Moroccan officials, and local writers and artists, paid homage to the Spanish author, reading extracts of his work. An outpouring in the Moroccan media paid homage to the…

    #CULTURE

  • Rereading: The Death and Life of Great American Cities by Jane Jacobs | Books | The Guardian

    https://www.theguardian.com/books/2011/oct/14/jane-jacobs-death-and-life-rereading

    In Donald Barthelme’s 1974 short story “I Bought a Little City”, the narrator decides one day to purchase Galveston, Texas, where he then tears down some houses, shoots 6,000 dogs, and rearranges what remains into the shape of a giant Mona Lisa jigsaw puzzle visible only from the air. As with much of Barthelme’s work, the premise seems so absurd that one can’t help but shake it until a metaphor falls out, and here one might well assume that, in the words of the novelist Donald Antrim, “I Bought a Little City” is “a take on the role that a writer has in writing a story – playing god, in a certain way”. But Barthelme first arrived in Greenwich Village, where he would live for most of the rest of his life, in the winter of 1962, just as local campaigners were narrowly defeating an attempt by the despotic city planner Robert Moses to run a 10-lane elevated highway through the middle of Washington Square Park. For decades, Moses really did play god with New York, and for anyone who ever lived within his kingdom, "I Bought a Little City’, which was first published in the New Yorker, might not have seemed so absurd after all.

    Le livre en pdf : https://www.dropbox.com/s/s7fa8mwpeblk568/jane_jacobs_the_death_and_life_of_great_american.pdf?dl=0
    #urban_matter

  • Private Geography - This American Life

    https://www.thisamericanlife.org/624/private-geography

    Private Geography

    Everyone walks around on their own private map of the world. The places we’re from and how they made us, whether we like it or not.

    Calvin Chimes

    Prologue
    Ira talks to Australian novelist Gerald Murnane. He’s never left Australia. He’s never been on a plane. And then he was nominated for the Melbourne Prize for Literature, a prize which asks the recipients to spend half the cash prize on international travel. Ira talks to Helen Garner who wrote about what happened, in an essay in her book Everywhere I Look. Murnane’s best known novel is probably The Plains. He has two books coming out soon: Border Districts and Stream System. (6 minutes)

    #géographie_privée #géographie_narrative

  • Synthetic Experiences: How Popular Culture Matters for Images of International Relations
    https://academic.oup.com/isq/article/61/3/503/4616603

    Many researchers assert that popular culture warrants greater attention from international relations scholars. Yet work regarding the effects of popular culture on international relations has so far had a marginal impact. We believe that this gap leads mainstream scholars both to exaggerate the influence of canonical academic sources and to ignore the potentially great influence of popular culture on mass and elite audiences. Drawing on work from other disciplines, including cognitive science and psychology, we propose a theory of how fictional narratives can influence real actors’ behavior. As people read, watch, or otherwise consume fictional narratives, they process those stories as if they were actually witnessing the phenomena those narratives describe, even if those events may be unlikely or impossible. These “synthetic experiences” can change beliefs, reinforce preexisting views, or even displace knowledge gained from other sources for elites as well as mass audiences. Because ideas condition how agents act, we argue that international relations theorists should take seriously how popular culture propagates and shapes ideas about world politics. We demonstrate the plausibility of our theory by examining the influence of the US novelist Tom Clancy on issues such as US relations with the Soviet Union and 9/11.

  • Jackson Lears · What We Don’t Talk about When We Talk about Russian Hacking : #Russiagate · LRB 4 January 2018
    https://www.lrb.co.uk/v40/n01/jackson-lears/what-we-dont-talk-about-when-we-talk-about-russian-hacking
    La pensée unique aux États Unis de plus en plus sectaire et pesante

    Jackson Lears

    American politics have rarely presented a more disheartening spectacle. The repellent and dangerous antics of Donald Trump are troubling enough, but so is the Democratic Party leadership’s failure to take in the significance of the 2016 election campaign. Bernie Sanders’s challenge to Hillary Clinton, combined with Trump’s triumph, revealed the breadth of popular anger at politics as usual – the blend of neoliberal domestic policy and interventionist foreign policy that constitutes consensus in Washington. Neoliberals celebrate market utility as the sole criterion of worth; interventionists exalt military adventure abroad as a means of fighting evil in order to secure global progress. Both agendas have proved calamitous for most Americans. Many registered their disaffection in 2016. Sanders is a social democrat and Trump a demagogic mountebank, but their campaigns underscored a widespread repudiation of the Washington consensus. For about a week after the election, pundits discussed the possibility of a more capacious Democratic strategy. It appeared that the party might learn something from Clinton’s defeat. Then everything changed.

    A story that had circulated during the campaign without much effect resurfaced: it involved the charge that Russian operatives had hacked into the servers of the Democratic National Committee, revealing embarrassing emails that damaged Clinton’s chances. With stunning speed, a new centrist-liberal orthodoxy came into being, enveloping the major media and the bipartisan Washington establishment. This secular religion has attracted hordes of converts in the first year of the Trump presidency. In its capacity to exclude dissent, it is like no other formation of mass opinion in my adult life, though it recalls a few dim childhood memories of anti-communist hysteria during the early 1950s.

    The centrepiece of the faith, based on the hacking charge, is the belief that Vladimir Putin orchestrated an attack on American democracy by ordering his minions to interfere in the election on behalf of Trump. The story became gospel with breathtaking suddenness and completeness. Doubters are perceived as heretics and as apologists for Trump and Putin, the evil twins and co-conspirators behind this attack on American democracy. Responsibility for the absence of debate lies in large part with the major media outlets. Their uncritical embrace and endless repetition of the Russian hack story have made it seem a fait accompli in the public mind. It is hard to estimate popular belief in this new orthodoxy, but it does not seem to be merely a creed of Washington insiders. If you question the received narrative in casual conversations, you run the risk of provoking blank stares or overt hostility – even from old friends. This has all been baffling and troubling to me; there have been moments when pop-culture fantasies (body snatchers, Kool-Aid) have come to mind.

    Like any orthodoxy worth its salt, the religion of the Russian hack depends not on evidence but on ex cathedra pronouncements on the part of authoritative institutions and their overlords. Its scriptural foundation is a confused and largely fact-free ‘assessment’ produced last January by a small number of ‘hand-picked’ analysts – as James Clapper, the director of National Intelligence, described them – from the CIA, the FBI and the NSA. The claims of the last were made with only ‘moderate’ confidence. The label Intelligence Community Assessment creates a misleading impression of unanimity, given that only three of the 16 US intelligence agencies contributed to the report. And indeed the assessment itself contained this crucial admission: ‘Judgments are not intended to imply that we have proof that shows something to be a fact. Assessments are based on collected information, which is often incomplete or fragmentary, as well as logic, argumentation and precedents.’ Yet the assessment has passed into the media imagination as if it were unassailable fact, allowing journalists to assume what has yet to be proved. In doing so they serve as mouthpieces for the intelligence agencies, or at least for those ‘hand-picked’ analysts.

    It is not the first time the intelligence agencies have played this role. When I hear the Intelligence Community Assessment cited as a reliable source, I always recall the part played by the New York Times in legitimating CIA reports of the threat posed by Saddam Hussein’s putative weapons of mass destruction, not to mention the long history of disinformation (a.k.a. ‘fake news’) as a tactic for advancing one administration or another’s political agenda. Once again, the established press is legitimating pronouncements made by the Church Fathers of the national security state. Clapper is among the most vigorous of these. He perjured himself before Congress in 2013, when he denied that the NSA had ‘wittingly’ spied on Americans – a lie for which he has never been held to account. In May 2017, he told NBC’s Chuck Todd that the Russians were highly likely to have colluded with Trump’s campaign because they are ‘almost genetically driven to co-opt, penetrate, gain favour, whatever, which is a typical Russian technique’. The current orthodoxy exempts the Church Fathers from standards imposed on ordinary people, and condemns Russians – above all Putin – as uniquely, ‘almost genetically’ diabolical.

    It’s hard for me to understand how the Democratic Party, which once felt scepticism towards the intelligence agencies, can now embrace the CIA and the FBI as sources of incontrovertible truth. One possible explanation is that Trump’s election has created a permanent emergency in the liberal imagination, based on the belief that the threat he poses is unique and unprecedented. It’s true that Trump’s menace is viscerally real. But the menace posed by George W. Bush and Dick Cheney was equally real. The damage done by Bush and Cheney – who ravaged the Middle East, legitimated torture and expanded unconstitutional executive power – was truly unprecedented, and probably permanent. Trump does pose an unprecedented threat to undocumented immigrants and Muslim travellers, whose protection is urgent and necessary. But on most issues he is a standard issue Republican. He is perfectly at home with Paul Ryan’s austerity agenda, which involves enormous transfers of wealth to the most privileged Americans. He is as committed as any other Republican to repealing Obama’s Affordable Care Act. During the campaign he posed as an apostate on free trade and an opponent of overseas military intervention, but now that he is in office his free trade views are shifting unpredictably and his foreign policy team is composed of generals with impeccable interventionist credentials.

    Trump is committed to continuing his predecessors’ lavish funding of the already bloated Defence Department, and his Fortress America is a blustering, undisciplined version of Madeleine Albright’s ‘indispensable nation’. Both Trump and Albright assume that the United States should be able to do as it pleases in the international arena: Trump because it’s the greatest country in the world, Albright because it’s an exceptional force for global good. Nor is there anything unprecedented about Trump’s desire for détente with Russia, which until at least 2012 was the official position of the Democratic Party. What is unprecedented about Trump is his offensive style: contemptuous, bullying, inarticulate, and yet perfectly pitched to appeal to the anger and anxiety of his target audience. His excess has licensed overt racism and proud misogyny among some of his supporters. This is cause for denunciation, but I am less persuaded that it justifies the anti-Russian mania.

    Besides Trump’s supposed uniqueness, there are two other assumptions behind the furore in Washington: the first is that the Russian hack unquestionably occurred, and the second is that the Russians are our implacable enemies. The second provides the emotional charge for the first. Both seem to me problematic. With respect to the first, the hacking charges are unproved and may well remain so. Edward Snowden and others familiar with the NSA say that if long-distance hacking had taken place the agency would have monitored it and could detail its existence without compromising their secret sources and methods. In September, Snowden told Der Spiegel that the NSA ‘probably knows quite well who the invaders were’. And yet ‘it has not presented any evidence, although I suspect it exists. The question is: why not? … I suspect it discovered other attackers in the systems, maybe there were six or seven groups at work.’ He also said in July 2016 that ‘even if the attackers try to obfuscate origin, ‪#XKEYSCORE makes following exfiltrated data easy. I did this personally against Chinese ops.’ The NSA’s capacity to follow hacking to its source is a matter of public record. When the agency investigated pervasive and successful Chinese hacking into US military and defence industry installations, it was able to trace the hacks to the building where they originated, a People’s Liberation Army facility in Shanghai. That information was published in the New York Times, but, this time, the NSA’s failure to provide evidence has gone curiously unremarked. When The Intercept published a story about the NSA’s alleged discovery that Russian military intelligence had attempted to hack into US state and local election systems, the agency’s undocumented assertions about the Russian origins of the hack were allowed to stand as unchallenged fact and quickly became treated as such in the mainstream media.

    Meanwhile, there has been a blizzard of ancillary accusations, including much broader and vaguer charges of collusion between the Trump campaign and the Kremlin. It remains possible that Robert Mueller, a former FBI director who has been appointed to investigate these allegations, may turn up some compelling evidence of contacts between Trump’s people and various Russians. It would be surprising if an experienced prosecutor empowered to cast a dragnet came up empty-handed, and the arrests have already begun. But what is striking about them is that the charges have nothing to do with Russian interference in the election. There has been much talk about the possibility that the accused may provide damaging evidence against Trump in exchange for lighter sentences, but this is merely speculation. Paul Manafort, at one point Trump’s campaign manager, has pleaded not guilty to charges of failing to register his public relations firm as a foreign agent for the Ukrainian government and concealing his millions of dollars in fees. But all this occurred before the 2016 campaign. George Papadopolous, a foreign policy adviser, has pleaded guilty to the charge of lying to the FBI about his bungling efforts to arrange a meeting between Trump’s people and the Russian government – an opportunity the Trump campaign declined. Mueller’s most recent arrestee, Michael Flynn, the unhinged Islamophobe who was briefly Trump’s national security adviser, has pleaded guilty to charges of lying to the FBI about meeting the Russian ambassador in December – weeks after the election. This is the sort of backchannel diplomacy that routinely occurs during the interim between one administration and the next. It is not a sign of collusion.

    So far, after months of ‘bombshells’ that turn out to be duds, there is still no actual evidence for the claim that the Kremlin ordered interference in the American election. Meanwhile serious doubts have surfaced about the technical basis for the hacking claims. Independent observers have argued it is more likely that the emails were leaked from inside, not hacked from outside. On this front, the most persuasive case was made by a group called Veteran Intelligence Professionals for Sanity, former employees of the US intelligence agencies who distinguished themselves in 2003 by debunking Colin Powell’s claim that Saddam Hussein possessed weapons of mass destruction, hours after Powell had presented his pseudo-evidence at the UN. (There are members of VIPS who dissent from the VIPS report’s conclusions, but their arguments are in turn contested by the authors of the report.) The VIPS findings received no attention in major media outlets, except Fox News – which from the centre-left perspective is worse than no attention at all. Mainstream media have dismissed the VIPS report as a conspiracy theory (apparently the Russian hacking story does not count as one). The crucial issue here and elsewhere is the exclusion from public discussion of any critical perspectives on the orthodox narrative, even the perspectives of people with professional credentials and a solid track record.

    Both the DNC hacking story and the one involving the emails of John Podesta, a Clinton campaign operative, involve a shadowy bunch of putatively Russian hackers called Fancy Bear – also known among the technically inclined as APT28. The name Fancy Bear was introduced by Dimitri Alperovitch, the chief technology officer of Crowdstrike, a cybersecurity firm hired by the DNC to investigate the theft of their emails. Alperovitch is also a fellow at the Atlantic Council, an anti-Russian Washington think tank. In its report Crowdstrike puts forward close to zero evidence for its claim that those responsible were Russian, let alone for its assertion that they were affiliated with Russian military intelligence. And yet, from this point on, the assumption that this was a Russian cyber operation was unquestioned. When the FBI arrived on the scene, the Bureau either did not request or was refused access to the DNC servers; instead it depended entirely on the Crowdstrike analysis. Crowdstrike, meanwhile, was being forced to retract another claim, that the Russians had successfully hacked the guidance systems of the Ukrainian artillery. The Ukrainian military and the British International Institute for Strategic Studies both contradicted this claim, and Crowdstrike backed down. But its DNC analysis was allowed to stand and even become the basis for the January Intelligence Community Assessment.

    The chatter surrounding the hack would never have acquired such urgency were it not for the accompanying assumption: Russia is a uniquely dangerous adversary, with which we should avoid all contact. Without that belief, Attorney General Jeff Sessions’s meetings with Russians in September 2016 would become routine discussions between a senator and foreign officials. Flynn’s post-election conversations with the Russian ambassador would appear unremarkable. Trump’s cronies’ attempts to do business in Russia would become merely sleazy. Donald Trump Jr’s meeting at Trump Tower with the Russian lawyer Natalia Veselnitskaya would be transformed from a melodrama of shady intrigue to a comedy of errors – with the candidate’s son expecting to receive information to use against Clinton but discovering Veselnitskaya only wanted to talk about repealing sanctions and restarting the flow of Russian orphans to the United States. And Putin himself would become just another autocrat, with whom democracies could engage without endorsing.

    Sceptical voices, such as those of the VIPS, have been drowned out by a din of disinformation. Flagrantly false stories, like the Washington Post report that the Russians had hacked into the Vermont electrical grid, are published, then retracted 24 hours later. Sometimes – like the stories about Russian interference in the French and German elections – they are not retracted even after they have been discredited. These stories have been thoroughly debunked by French and German intelligence services but continue to hover, poisoning the atmosphere, confusing debate. The claim that the Russians hacked local and state voting systems in the US was refuted by California and Wisconsin election officials, but their comments generated a mere whisper compared with the uproar created by the original story. The rush to publish without sufficient attention to accuracy has become the new normal in journalism. Retraction or correction is almost beside the point: the false accusation has done its work.

    The consequence is a spreading confusion that envelops everything. Epistemological nihilism looms, but some people and institutions have more power than others to define what constitutes an agreed-on reality. To say this is to risk dismissal as the ultimate wing-nut in the lexicon of contemporary Washington: the conspiracy theorist. Still, the fact remains: sometimes powerful people arrange to promote ideas that benefit their common interests. Whether we call this hegemony, conspiracy or merely special privilege hardly matters. What does matter is the power to create what Gramsci called the ‘common sense’ of an entire society. Even if much of that society is indifferent to or suspicious of the official common sense, it still becomes embedded among the tacit assumptions that set the boundaries of ‘responsible opinion’. So the Democratic establishment (along with a few Republicans) and the major media outlets have made ‘Russian meddling’ the common sense of the current moment. What kind of cultural work does this common sense do? What are the consequences of the spectacle the media call (with characteristic originality) ‘Russiagate’?

    The most immediate consequence is that, by finding foreign demons who can be blamed for Trump’s ascendancy, the Democratic leadership have shifted the blame for their defeat away from their own policies without questioning any of their core assumptions. Amid the general recoil from Trump, they can even style themselves dissenters – ‘#the resistance’ was the label Clintonites appropriated within a few days of the election. Mainstream Democrats have begun to use the word ‘progressive’ to apply to a platform that amounts to little more than preserving Obamacare, gesturing towards greater income equality and protecting minorities. This agenda is timid. It has nothing to say about challenging the influence of concentrated capital on policy, reducing the inflated defence budget or withdrawing from overextended foreign commitments; yet without those initiatives, even the mildest egalitarian policies face insuperable obstacles. More genuine insurgencies are in the making, which confront corporate power and connect domestic with foreign policy, but they face an uphill battle against the entrenched money and power of the Democratic leadership – the likes of Chuck Schumer, Nancy Pelosi, the Clintons and the DNC. Russiagate offers Democratic elites a way to promote party unity against Trump-Putin, while the DNC purges Sanders’s supporters.

    For the DNC, the great value of the Russian hack story is that it focuses attention away from what was actually in their emails. The documents revealed a deeply corrupt organisation, whose pose of impartiality was a sham. Even the reliably pro-Clinton Washington Post has admitted that ‘many of the most damaging emails suggest the committee was actively trying to undermine Bernie Sanders’s presidential campaign.’ Further evidence of collusion between the Clinton machine and the DNC surfaced recently in a memoir by Donna Brazile, who became interim chair of the DNC after Debbie Wasserman Schultz resigned in the wake of the email revelations. Brazile describes discovering an agreement dated 26 August 2015, which specified (she writes)

    that in exchange for raising money and investing in the DNC, Hillary would control the party’s finances, strategy, and all the money raised. Her campaign had the right of refusal of who would be the party communications director, and it would make final decisions on all the other staff. The DNC also was required to consult with the campaign about all other staffing, budgeting, data, analytics and mailings.

    Before the primaries had even begun, the supposedly neutral DNC – which had been close to insolvency – had been bought by the Clinton campaign.

    Another recent revelation of DNC tactics concerns the origins of the inquiry into Trump’s supposed links to Putin. The story began in April 2016, when the DNC hired a Washington research firm called Fusion GPS to unearth any connections between Trump and Russia. The assignment involved the payment of ‘cash for trash’, as the Clinton campaign liked to say. Fusion GPS eventually produced the trash, a lurid account written by the former British MI6 intelligence agent Christopher Steele, based on hearsay purchased from anonymous Russian sources. Amid prostitutes and golden showers, a story emerged: the Russian government had been blackmailing and bribing Donald Trump for years, on the assumption that he would become president some day and serve the Kremlin’s interests. In this fantastic tale, Putin becomes a preternaturally prescient schemer. Like other accusations of collusion, this one has become vaguer over time, adding to the murky atmosphere without ever providing any evidence. The Clinton campaign tried to persuade established media outlets to publicise the Steele dossier, but with uncharacteristic circumspection, they declined to promote what was plainly political trash rather than reliable reporting. Yet the FBI apparently took the Steele dossier seriously enough to include a summary of it in a secret appendix to the Intelligence Community Assessment. Two weeks before the inauguration, James Comey, the director of the FBI, described the dossier to Trump. After Comey’s briefing was leaked to the press, the website Buzzfeed published the dossier in full, producing hilarity and hysteria in the Washington establishment.

    The Steele dossier inhabits a shadowy realm where ideology and intelligence, disinformation and revelation overlap. It is the antechamber to the wider system of epistemological nihilism created by various rival factions in the intelligence community: the ‘tree of smoke’ that, for the novelist Denis Johnson, symbolised CIA operations in Vietnam. I inhaled that smoke myself in 1969-70, when I was a cryptographer with a Top Secret clearance on a US navy ship that carried missiles armed with nuclear warheads – the existence of which the navy denied. I was stripped of my clearance and later honourably discharged when I refused to join the Sealed Authenticator System, which would have authorised the launch of those allegedly non-existent nuclear weapons. The tree of smoke has only grown more complex and elusive since then. Yet the Democratic Party has now embarked on a full-scale rehabilitation of the intelligence community – or at least the part of it that supports the notion of Russian hacking. (We can be sure there is disagreement behind the scenes.) And it is not only the Democratic establishment that is embracing the deep state. Some of the party’s base, believing Trump and Putin to be joined at the hip, has taken to ranting about ‘treason’ like a reconstituted John Birch Society.

    I thought of these ironies when I visited the Tate Modern exhibition Soul of a Nation: Art in the Age of Black Power, which featured the work of black American artists from the 1960s and 1970s, when intelligence agencies (and agents provocateurs) were spearheading a government crackdown on black militants, draft resisters, deserters and antiwar activists. Amid the paintings, collages and assemblages there was a single Confederate flag, accompanied by grim reminders of the Jim Crow past – a Klansman in full regalia, a black body dangling from a tree. There were also at least half a dozen US flags, juxtaposed in whole or in part with images of contemporary racial oppression that could have occurred anywhere in America: dead black men carted off on stretchers by skeletons in police uniform; a black prisoner tied to a chair, awaiting torture. The point was to contrast the pretensions of ‘the land of the free’ with the practices of the national security state and local police forces. The black artists of that era knew their enemy: black people were not being killed and imprisoned by some nebulous foreign adversary, but by the FBI, the CIA and the police.

    The Democratic Party has now developed a new outlook on the world, a more ambitious partnership between liberal humanitarian interventionists and neoconservative militarists than existed under the cautious Obama. This may be the most disastrous consequence for the Democratic Party of the new anti-Russian orthodoxy: the loss of the opportunity to formulate a more humane and coherent foreign policy. The obsession with Putin has erased any possibility of complexity from the Democratic world picture, creating a void quickly filled by the monochrome fantasies of Hillary Clinton and her exceptionalist allies. For people like Max Boot and Robert Kagan, war is a desirable state of affairs, especially when viewed from the comfort of their keyboards, and the rest of the world – apart from a few bad guys – is filled with populations who want to build societies just like ours: pluralistic, democratic and open for business. This view is difficult to challenge when it cloaks itself in humanitarian sentiment. There is horrific suffering in the world; the US has abundant resources to help relieve it; the moral imperative is clear. There are endless forms of international engagement that do not involve military intervention. But it is the path taken by US policy often enough that one may suspect humanitarian rhetoric is nothing more than window-dressing for a more mundane geopolitics – one that defines the national interest as global and virtually limitless.

    Having come of age during the Vietnam War, a calamitous consequence of that inflated definition of national interest, I have always been attracted to the realist critique of globalism. Realism is a label forever besmirched by association with Henry Kissinger, who used it as a rationale for intervening covertly and overtly in other nations’ affairs. Yet there is a more humane realist tradition, the tradition of George Kennan and William Fulbright, which emphasises the limits of military might, counselling that great power requires great restraint. This tradition challenges the doctrine of regime change under the guise of democracy promotion, which – despite its abysmal failures in Iraq and Libya – retains a baffling legitimacy in official Washington. Russiagate has extended its shelf life.

    We can gauge the corrosive impact of the Democrats’ fixation on Russia by asking what they aren’t talking about when they talk about Russian hacking. For a start, they aren’t talking about interference of other sorts in the election, such as the Republican Party’s many means of disenfranchising minority voters. Nor are they talking about the trillion dollar defence budget that pre-empts the possibility of single-payer healthcare and other urgently needed social programmes; nor about the modernisation of the American nuclear arsenal which Obama began and Trump plans to accelerate, and which raises the risk of the ultimate environmental calamity, nuclear war – a threat made more serious than it has been in decades by America’s combative stance towards Russia. The prospect of impeaching Trump and removing him from office by convicting him of collusion with Russia has created an atmosphere of almost giddy anticipation among leading Democrats, allowing them to forget that the rest of the Republican Party is composed of many politicians far more skilful in Washington’s ways than their president will ever be.

    It is not the Democratic Party that is leading the search for alternatives to the wreckage created by Republican policies: a tax plan that will soak the poor and middle class to benefit the rich; a heedless pursuit of fossil fuels that is already resulting in the contamination of the water supply of the Dakota people; and continued support for police policies of militarisation and mass incarceration. It is local populations that are threatened by oil spills and police beatings, and that is where humane populism survives. A multitude of insurgent groups have begun to use the outrage against Trump as a lever to move the party in egalitarian directions: Justice Democrats, Black Lives Matter, Democratic Socialists of America, as well as a host of local and regional organisations. They recognise that there are far more urgent – and genuine – reasons to oppose Trump than vague allegations of collusion with Russia. They are posing an overdue challenge to the long con of neoliberalism, and the technocratic arrogance that led to Clinton’s defeat in Rust Belt states. Recognising that the current leadership will not bring about significant change, they are seeking funding from outside the DNC. This is the real resistance, as opposed to ‘#theresistance’.

    On certain important issues – such as broadening support for single-payer healthcare, promoting a higher minimum wage or protecting undocumented immigrants from the most flagrant forms of exploitation – these insurgents are winning wide support. Candidates like Paula Jean Swearengin, a coal miner’s daughter from West Virginia who is running in the Democratic primary for nomination to the US Senate, are challenging establishment Democrats who stand cheek by jowl with Republicans in their service to concentrated capital. Swearengin’s opponent is Joe Manchin, whom the Los Angeles Times has compared to Doug Jones, another ‘very conservative’ Democrat who recently won election to the US Senate in Alabama, narrowly defeating a Republican disgraced by accusations of sexual misconduct with 14-year-old girls. I can feel relieved at that result without joining in the collective Democratic ecstasy, which reveals the party’s persistent commitment to politics as usual. Democrat leaders have persuaded themselves (and much of their base) that all the republic needs is a restoration of the status quo ante Trump. They remain oblivious to popular impatience with familiar formulas. Jess King – a Mennonite woman, Bard College MBA and founder of a local non-profit who is running for Congress as a Justice Democrat in Lancaster, Pennsylvania – put it this way: ‘We see a changing political landscape right now that isn’t measured by traditional left to right politics anymore, but bottom to top. In Pennsylvania and many other places around the country we see a grassroots economic populism on the rise, pushing against the political establishment and status quo that have failed so many in our country.’

    Democratic insurgents are also developing a populist critique of the imperial hubris that has sponsored multiple failed crusades, extorted disproportionate sacrifice from the working class and provoked support for Trump, who presented himself (however misleadingly) as an opponent of open-ended interventionism. On foreign policy, the insurgents face an even more entrenched opposition than on domestic policy: a bipartisan consensus aflame with outrage at the threat to democracy supposedly posed by Russian hacking. Still, they may have found a tactical way forward, by focusing on the unequal burden borne by the poor and working class in the promotion and maintenance of American empire.

    This approach animates Autopsy: The Democratic Party in Crisis, a 33-page document whose authors include Norman Solomon, founder of the web-based insurgent lobby RootsAction.org. ‘The Democratic Party’s claims of fighting for “working families” have been undermined by its refusal to directly challenge corporate power, enabling Trump to masquerade as a champion of the people,’ Autopsy announces. But what sets this apart from most progressive critiques is the cogent connection it makes between domestic class politics and foreign policy. For those in the Rust Belt, military service has often seemed the only escape from the shambles created by neoliberal policies; yet the price of escape has been high. As Autopsy notes, ‘the wisdom of continual war’ – what Clinton calls ‘global leadership’ –

    was far clearer to the party’s standard bearer [in 2016] than it was to people in the US communities bearing the brunt of combat deaths, injuries and psychological traumas. After a decade and a half of non-stop warfare, research data from voting patterns suggest that the Clinton campaign’s hawkish stance was a political detriment in working-class communities hard-hit by American casualties from deployments in Iraq and Afghanistan.

    Francis Shen of the University of Minnesota and Douglas Kriner of Boston University analysed election results in three key states – Pennsylvania, Wisconsin and Michigan – and found that ‘even controlling in a statistical model for many other alternative explanations, we find that there is a significant and meaningful relationship between a community’s rate of military sacrifice and its support for Trump.’ Clinton’s record of uncritical commitment to military intervention allowed Trump to have it both ways, playing to jingoist resentment while posing as an opponent of protracted and pointless war. Kriner and Shen conclude that Democrats may want to ‘re-examine their foreign policy posture if they hope to erase Trump’s electoral gains among constituencies exhausted and alienated by 15 years of war’. If the insurgent movements within the Democratic Party begin to formulate an intelligent foreign policy critique, a re-examination may finally occur. And the world may come into sharper focus as a place where American power, like American virtue, is limited. For this Democrat, that is an outcome devoutly to be wished. It’s a long shot, but there is something happening out there.

    #USA #cuture #politique

  • 10 Popular Nautilus Magazine Stories of 2017 - Facts So Romantic
    http://nautil.us/blog/10-popular-nautilus-magazine-stories-of-2017

    Dive in: From democracy-damaging media to willpower to the holographic universe, here are some of the most-read Nautilus stories of 2017.Illustration by Irene RinaldiWhat did the unconscious part of the mind say to the conscious part? This isn’t so much the start of a science gag as a perennial scientific mystery—one that the novelist Cormac McCarthy, in his first-ever work of non-fiction, “The Kekulé Problem,” confronted in Nautilus this year. It was one of our most-read stories of 2017.As the New Yorker put it, the essay is “studded with suggestive details about the anatomy of the human larynx, what happens to dolphins under anesthesia, and the origins of the click sounds in Khoisan languages.” The kind of story, in other words, that’s right up our alley.Here’s that, plus a selection, in (...)

  • Private Geography | This American Life

    https://www.thisamericanlife.org/radio-archives/episode/624/private-geography?act=0#play

    Cet audio, signalé par une des chercheuses en architecture avec qui j travaille à l’Université de Zurich (ETH). assez intéressant

    624: Private Geography
    Sep 1, 2017
    Everyone walks around on their own private map of the world. The places we’re from and how they made us, whether we like it or not.

    –—

    Private Geography | This American Life
    https://www.thisamericanlife.org/radio-archives/episode/624/private-geography?act=0#play

    Ira talks to Australian novelist Gerald Murnane. He’s never left Australia. He’s never been on a plane. And then he was nominated for the Melbourne Prize for Literature, a prize which asks the recipients to spend half the cash prize on international travel. Ira talks to Helen Garner who wrote about what happened, in an essay in her book Everywhere I Look. Murnane’s best known novel is probably The Plains. He has two books coming out soon: Border Districts and Stream System: the Collected Short Fiction of Gerald Murnane. (6 minutes)Travel

    #géographie #géographie_critique #géographie_expérimentale

  • FREQ #15: G. Willow Wilson: Diversity is Realism
    https://feministfrequency.com/2017/05/26/freq-15-g-willow-wilson-diversity-is-realism

    Each month, FREQ will bring you the latest news and updates from Feminist Frequency, as well as interviews with some of the most inspiring women in media, activism, and beyond. This month, we’re talking to G. Willow Wilson, a novelist and comic book creator, about her phenomenally popular creation, Ms. Marvel; the role religion can play in social justice; and what diversity really means. Make sure you don’t miss out […]


    http://1.gravatar.com/avatar/7b9b699a1ebe8eae1245ca601b04007a?s=96&d=identicon&r=G

  • Why You Feel the Urge to Jump - Issue 46: Balance
    http://nautil.us/issue/46/balance/why-you-feel-the-urge-to-jump

    Have you ever stood in a high place and felt the urge to jump? Judith Dancoff did one beautiful, clear day on Deception Pass Bridge, a narrow two-lane causeway that ribbons between two islands north of Seattle. If she followed her compulsion to leap, death at the bottom of the steep ocean gorge 180 feet below would be almost certain. A novelist known for literary flights of fancy, she did not feel suicidal—and never had. Though normally fearful of heights, she strangely was not afraid then, though Deception Pass Bridge is ranked among the scariest in the world. Its slender concrete span cantilevers over jagged cliff-tops and reportedly wobbles in high winds, with only a minimalist 1935 railing separating you from distant roiling waters. Temptation: Deception Pass Bridge rises 180 feet (...)

  • Israeli forces detain Palestinian writer over new novel
    March 11, 2017 1:57 P.M. (Updated: March 11, 2017 10:42 P.M.)
    http://www.maannews.com/Content.aspx?ID=775895

    JERUSALEM (Ma’an) — Israeli forces detained Palestinian writer Khalida Ghusheh on Saturday morning after raiding her home in the neighborhood of Beit Hanina in occupied East Jerusalem.

    Ghusheh’s manager, Amani Abd al-Karim, said that Israeli police had raided Ghusheh’s home, before detaining her and transporting her to a police station in the illegal Israeli settlement of Neve Yaqoub in the Beit Hanina.

    Al-Karim added that Ghusheh called her after arriving to the interrogation center, informing her that she was in need of a lawyer and said that the reason for her detention was related to her novel scheduled to be published in October. The novel, titled “The Jackal’s Trap,” explores Palestinian collaborators with the Israeli occupation.

    An Israeli police spokesperson was not immediately available to comment on the case.

    A picture of the novel’s cover

    #Khalida_Ghusheh

    • Novelist released on bail after hours of interrogation as six more Palestinian youth seized by occupation forces
      March 12, 2017
      http://samidoun.net/2017/03/novelist-released-on-bail-after-hours-of-interrogation-as-six-more-palesti

      Palestinian novelist Khalida Ghosheh was released in Jerusalem on Saturday, 11 March on a payment of 10,000 NIS in bail ($2722 USD) with an unspecified future court date after hours of interrogation by the Shin Bet.

      Israeli occupation police invaded her Jerusalem home in the morning on Saturday, telling her she was under arrest and taken to interrogation. In an interview with Quds News, she said that the subject matter was her forthcoming novel, “The Jackal’s Trap,” focusing on Palestinian collaborators with Israeli occupation forces. She said that the interrogators claimed that her novel poses a threat to collaborators working with the occupation, saying that the novel reflects her own experiences and aims to warn young people about ways the occupation may attempt to compel them to become collaborators.