person:funk

  • #Patrice_Lumumba: the most important assassination of the 20th century | Georges Nzongola-Ntalaja | Global development | The Guardian
    https://www.theguardian.com/global-development/poverty-matters/2011/jan/17/patrice-lumumba-50th-anniversary-assassination

    Patrice Lumumba, the first legally elected prime minister of the Democratic Republic of the Congo (DRC), was assassinated 50 years ago today, on 17 January, 1961. This heinous crime was a culmination of two inter-related assassination plots by American and Belgian governments, which used Congolese accomplices and a Belgian execution squad to carry out the deed.

    #afrique #rdc #résistance

    • Thomas Giefer, le grand réalisateur de films documentaires sur le mouvement ’68 en Allemagne a retrouvé l’un des membres belges du commado qui a assassiné Patrice Lumumba. En 1999 peu de temps avant sa mort celui-ci donne sa version des événements dans un film qui retrace les développements qui ont mené à la mort du premier ministre congolais. Dan le film Thomas Giefer parle aussi avec l’assassin de la CIA chargé de l’exécution.

      Oui, il y a des sous-titres !

      Patrice Lumumba - Mord im Kolonialstil (2000)
      https://www.youtube.com/watch?v=NOwPERiRyOw

      AGDOK - Mitglieder | Thomas Giefer | Film / Funk, Journalist | Vita
      http://member.agdok.de/de_DE/members_detail/8097/vita

      Thomas Giefer | DFFB
      https://dffb-archiv.de/dffb/thomas-giefer

      Thomas Giefer
      https://de.wikipedia.org/wiki/Thomas_Giefer

      Harun Farocki Institut » Thomas Giefer
      https://www.harun-farocki-institut.org/en/tag/thomas-giefer-en

      Instructions on how to Pull off Police Helmets

      News from the archive : INSTRUCTIONS ON HOW TO PULL OFF POLICE HELMETS and UNTITLED OR : NIXON COMES TO BERLIN, both made in 1969.
      https://www.harun-farocki-institut.org/en/2017/11/30/november-2017-instructions-on-how-to-pull-off-police-helmets

      Farocki presumed the films to be lost. Surprisingly, they resurfaced just now, in November 2017. Thomas Giefer , dffb student of the year 1967 and one of the 18 students relegated in 1968, found them among the films he kept from the time.

      Here’s an image from INSTRUCTIONS ON HOW TO PULL OFF POLICE HELMETS, filmed from the Steenbeck by Giefer.

      Farocki about the film: »According to Fritz J. Raddatz, Rosa Luxemburg cried when she read Marx’s concept of value. I was just as disappointed by the Cine-Tracts made in May 1968 in Paris and shown shortly afterwards in Berlin.

      I must have been expecting something more like television news coverage; in much the same way, each crowd which saw our handbill films during those years was similarly disappointed. Because we didn’t make ‘real’ films, as my mother called them, it seemed to them that their cause wasn’t being acknowledged in suitably official form, something which workers’ films and Fassbinder were later to achieve.

      We made this spot during one of the many breaks in filming a somewhat reckless film about playgroups by Susanne Beyeler. Wolfgang Gremm stripped naked on a flat roof and played a policeman. We played on the anti-humanist provocation of showing, purely technically, how to fight a policeman, but didn’t go so far as to use an androgynous, long-haired actor – something which Gremm, the fattest and shortest-haired of us all, accepted with a grin.«

      #Congo #Kongo #film #histoire #Berlin #1968

  • How climate pain is being spun into corporate gain - environment - 31 March 2014 - New Scientist
    http://www.newscientist.com/article/mg22129621.200-how-climate-pain-is-being-spun-into-corporate-gain.html

    “I’m interested in climate change as a driver of human behaviour,” says Funk. “It’s a window into our collective state of mind.”

    (...)

    While greens fear the collapsing ecosystems, rising tides, climate migrations and mega-famines, the corporates and speculators see opportunity. Environmental pain can be corporate gain. In this synthesis of some of his great magazine journalism over a number of years, Funk brings the “booming business of global warming” spectacularly to life.

    Some of his climate profit-takers do something useful to stem the problem at source – by building bigger and better wind turbines, for instance. But they are a small minority. Most of the windfalls are elsewhere. Seed companies like Syngenta and Monsanto develop more drought-resistant crops. Engineers ship air-conditioners or seek contracts to build sea walls round coastal cities.

    Some of the entrepreneurs take advantage of politicians’ desire to “do something”, even something as screwy as planting a “green wall” of trees to stop the advancing Sahara desert. Others take advantage of human misery by ferrying climate refugees across the Mediterranean in leaky boats, or by building fences to keep people from fleeing Bangladesh for India.

    But much of the potential profit in climate change is coming from the rapacious pursuit of resources that are in diminishing supply thanks to increasing drought and other climate changes.

    Investment guru George Soros famously said “farmland is going to be one of the best investments of our time”. And land-grabbers are following his advice, buying up African farm and pasture land because, well, the world is going to run out of food, isn’t it?

    Elsewhere, water-grabbers are building dams and sinking wells to corral scarce supplies, or getting into desalination, or playing the water markets in Australia and California. Water is no longer a publicly owned resource for the world, but a highly profitable business. Veolia, the world’s largest water company, is busy in 74 countries.

    Even insurers win. Twenty years ago, green campaigners heralded insurance companies as the first in the corporate world to flag up concern about climate change. But, as the activists and actuaries shared conference platforms round the world, it has emerged that the insurers are not sweating about future payouts as natural disasters escalate. Instead, they are wearing Cheshire-cat grins as they consider the “pricing power” they gain as scared property owners in flood zones and on cyclone tracks pay up whatever it takes to get cover.

    If things get too scary and even the insurance companies take fright, then the big daddy of all profit engines from climate change could be geoengineering. The people who brought cloud-seeding and Star Wars military technology to past generations now want to keep out the sun by throwing sulphate particles into the stratosphere and soak up carbon by dumping iron filings into the oceans.

    For them, the worst-case scenario for climate could turn out to be a best-case scenario. For the rest of us, the vision of some Climate Inc mega-corporation, contracted to keep its hands on the planet’s thermostat, may be unnerving – unless, of course, you plan on being a shareholder. With money, all can profit.

    This, you may say, is how capitalism works. Sure. But it knocks on the head the idea that nobody can escape the dire consequences of rising temperatures and shifting weather patterns; the idea that we all have a vested interest in working together to fix it. Sadly, concludes Funk, that’s not how it goes.

    Environmental rhetoric holds that climate change will wreck the lives of our children. The trouble is that, for the most part, the victims will not be our children. They will be the children of others – in flooded Bangladesh, parched Africa, or almost anywhere without air conditioning. When the rivers empty and the wells run dry, hydrology will follow the old saying in the American West that “water flows uphill to money”. We are not all in this together.

    Climate change is usually framed as a scientific, economic or environmental issue, says Funk, whereas it is primarily an issue of human justice. It is about winners and losers. This book – a terrifying romp through our climate futures – tells how the world’s winners plan to carry on winning, whatever the cost.