position:musician

  • Is #blockchain the Answer for Musicians fed up with the industry?
    https://hackernoon.com/is-blockchain-the-answer-for-musicians-fed-up-with-the-industry-4226aa8b

    Musicians are fed up with how the current industry controls and exploits their #music. That’s why many are flocking to blockchain platforms, with the hope of making the industry more just and transparentBefore the 1990s, record labels tightly controlled all facets of the music industry from musician funding to distribution and even royalty payment collection.This all changed with the rise of the internet and file sharing platforms such as Napster and Limewire, who made music available anywhere, anytime, and to top it all off, for free.The rise of file sharing platforms crippled the record labels control over the music industry because they no longer controlled the distribution networks of new music, nor did they have time to recover as consumers moved on to digital music distribution.The (...)

    #cryptocurrency #business #research

  • #sxsw may be over, but now is the time to start prepping for next year.
    https://hackernoon.com/sxsw-may-be-over-but-now-is-the-time-to-start-prepping-for-next-year-fd1

    What People Are Talking About at SXSW 20196 #podcast episodes recorded at SXSW this year.SXSW may be over, but now is the time to start prepping for next year. If this was your first year it may have seemed overwhelming, and even if you have been many times before going without a plan can mean lots of missed opportunities. Don’t worry, the Next Action Podcast has plenty of tips and tricks to help you maximize your time next year at SXSW.SXSW Veteran: from Musician to VC: Brian PenickLinkedIn profile of Brian Penick, used with permissionSXSW 2019 marked Brian Penick’s 12th year visiting — but it was the Music side of SXSW in which he got his start. As a musician turned VC, Penick has amassed over a decade’s worth of tips and tricks to not just survive, but thrive during SXSW. We discuss time (...)

    #sxsw-interactive #podcasting #sxsw-podcast

  • #Jon_Leidecker (Thurston Moore Ensemble, #Negativland, #Wobbly,...)
    http://www.radiopanik.org/emissions/moacrealsloa/jon-leidecker-thurston-moore-ensemble-negativland-wobbly-

    Jon Leidecker aka Wobbly is a San Francisco–based musician/composer of experimental electronic music. Member of the multimedia collective Negativland. Jon has just joined the #Thurston_Moore Ensemble and recorded with them a new album in Brussels.

    Jon Leidecker has been engaged with the medium of electronic music since the mid-1980s, performing in collaboration with others and appearing solo under the unchosen pseudonym Wobbly with an emphasis on live performance and improvisation. His early works utilized sonic collage and musical appropriation, growing out of a series of appearances on Negativland’s live-mix radio program Over the Edge, which involved improvising with recorded sounds to produce music that inherently resists the act of being recorded. Recent work includes (...)

    #Thurston_Moore,Negativland,Jon_Leidecker,Wobbly
    http://www.radiopanik.org/media/sounds/moacrealsloa/jon-leidecker-thurston-moore-ensemble-negativland-wobbly-_06262__1.mp3

  • Elon Musk is not reading articles online about how to become Elon Musk
    https://hackernoon.com/elon-musk-is-not-reading-articles-online-about-how-to-become-elon-musk-d

    If you Google ‘How to become Elon Musk’, you will come across thousands of articles that address that question in one way or another. Either they are answers on Quora to that specific question itself, or they are indirect answers to that question with titles ranging from ‘10 ways to think like Elon Musk’ (Forbes) to ‘8 things that Elon Musk does before 8am’ (Medium).You can substitute Elon Musk with any successful entrepreneur, author, sports person, actor, CEO, musician, politician, nobel laureate and you will see similar results.The Internet is full of literature on how to do things like, how to think like and how to become any of these successful people.The Internet is full of this literature because it attracts clicks.People love short cuts. They want to learn how to become successful in (...)

    #life-lessons #progress #success #elon-musk #self-improvement

  • Why are so many coders musicians?
    https://hackernoon.com/why-are-so-many-coders-musicians-60389fb8b645?source=rss----3a8144eabfe3

    Long-term commitment.Part 1 of 3Photo by Luca Bravo (unsplash.com)I am currently at the beginning of my career as a developer. I came in ‘through the back door’ so to speak. I’ve been a musician my whole life, and it was through my interest in building #music tools that I got into software.Going from music to code was a gradual transition. It took me some time to make the decision because of my fear of alienation. I didn’t want to turn into a cubicule zombie, typing mindlessly into a computer all day long, detaching from life and art. I have had a couple of corporate jobs before and couldn’t take it. For the creative type, alienated work sucks the marrow out of life. Musicians need creative expression in their work and have low tolerance towards soul crushing jobs.Even though coding implies (...)

    #software-development #programming #technology #learning

  • Pétition de personnalités britanniques (Vivienne Westwood, Peter Gabriel, Mike Leigh, Julie Christie, Maxine Peake, Wolf Alice, Roger Waters, Caryl Churchill, Al Kennedy) contre la tenue de l’Eurovision en israel et sa diffusion par la BBC.

    (un article en parlait déjà là: https://seenthis.net/messages/756450 )

    The BBC should press for Eurovision to be moved from Israel
    The Guardian, le 29 janvier 2019
    https://www.theguardian.com/tv-and-radio/2019/jan/29/the-bbc-should-press-for-eurovision-to-be-moved-from-israel

    Traduction en français:

    La BBC devrait faire pression pour que l’Eurovision n’ait pas lieu en Israël
    The Guardian, le 29 janvier 2019
    http://www.agencemediapalestine.fr/blog/2019/01/31/la-bbc-devrait-faire-pression-pour-que-leurovision-nait-pas-lie

    Peter Ahrends, architect
    Amir Amirani, filmmaker
    Jonathan Arndell, architect, artist
    Roy Battersby, director
    Bloody Knees, band
    brave timbers, band
    Jen Brister, comedian
    Carmen Callil, publisher, writer
    Taghrid Choucair-Vizoso, performer
    Julie Christie, actor
    Ian Christie, film historian, broadcaster
    Chipo Chung, actor
    Caryl Churchill, playwright
    Michael Darlow, tv writer and director
    Paula Darwish, musician
    April De Angelis, playwright
    Tam Dean Burn, actor
    Drones Club, band
    Nancy Elan, violin
    Gareth Evans, producer, curator
    Peter Gabriel, musician, founder WOMAD festival
    Lots Holloway, singer, songwriter
    Rachel Holmes, writer
    Brigid Keenan, author
    Patrick Keiller, artist, filmmaker
    Reem Kelani, musician, broadcaster
    AL Kennedy, writer
    Desmond Lambert, musician
    Mike Leigh, writer, director
    Ken Loach, director
    Sabrina Mahfouz, writer
    Miriam Margolyes, actor
    Yann Martel, writer
    Declan McKenna, singer, songwriter
    JD Meatyard, musician
    Pauline Melville, writer
    Giuliano Modarelli, musician, composer
    Object Blue, DJ
    Maxine Peake, actor
    Jocelyn Pook, composer
    TJ Rehmi, composer, producer
    Reverend & the Makers, band
    Leon Rosselson, songwriter
    Rrose, DJ
    Alexei Sayle, comedian, author
    David Scott, music producer
    Nick Seymour, musician
    Sarah Streatfeild, violin
    Roger Waters, musician
    Vivienne Westwood, fashion designer
    Wolf Alice, band

    #Palestine #Eurovision #BDS #Boycott #BBC #Grande-Bretagne

  • Is the Museum of Black Civilisations a Place for Today or the 1960s? | By Mamadou Diallo – The Sole Adventurer

    https://thesoleadventurer.com/is-the-museum-of-black-civilisations-a-place-for-today-or-the-196

    The Museum of Black Civilizations opened its door to the public in a grandiose yet solemn fashion in December 2018. Heads of states and important guests from the continent and its diaspora attended the opening ceremony. Official speeches were followed by a series of performances from the likes of choreographer Germaine Acogny and the musician Baaba Maal. The museum, for decades a negritude dream, now an architecture, a temporary exhibition and an institution, is grappling with the ambitious, challenging and perplexing mission it has been endowed with.

  • Maria Chavez & Jordi Wheeler
    http://www.radiopanik.org/emissions/moacrealsloa/maria-chavez

    Live from the Fly Studio in Brussels with a solo gig of Jordi Wheeler, Maria Chavez and as a duo gig.

    Multi- instrumentalist, Jordi Wheeler and Abstract Turntablist, Maria Chavez have been collaborating as a performative duo since 2015. Jordi’s multi-faceted talents as a musician combines with Maria’s current abstract turntablism practice creating a sonic result that is based on active listening with improvisation.

    Their duo work has been presented by Documenta14 in Kassel, Germany as part of Every Time An Ear Di Soun, Cruces Espacio de Arte in Madrid, Spain and as part of the Abasement Series at Max Fish, NYC.

    MARIA CHAVEZ

    Born in Lima, Peru, Maria Chávez is known as an abstract turntablist, sound artist and DJ. Accidents, coincidence and failures are themes that unite her (...)

    http://www.radiopanik.org/media/sounds/moacrealsloa/maria-chavez_06104__1.mp3

  • with Woodub
    http://www.radiopanik.org/emissions/reservoir-dub/with-woodub

    Greetings!

    We are back this thursday 13th of december for a new radio show!

    We’ll have Woodub, a young activist, selecta and musician, close to the Gamma Sound and Reservoir Dub. He’s currently playing ocarina and want to play it as more as possible in sessions. He will bring some records to make a big selection and will speak a bit whith us about dub music.

    But first, we’ll play some brand new release from Deng Deng Records, 4 weed Records, the subvivors and Roots youth records

    Tune in Radio Panik tonight at 9.30 PM till 11.30PM—> www.radiopanik.org for the stream.

    http://www.radiopanik.org/media/sounds/reservoir-dub/with-woodub_05863__1.mp3

  • Encore une compilation de musique politiquement engagée, un coffret de 4 CDs même, prévu pour février 2019, produit par le Smithonian Institute:

    The Social Power of Music
    https://folkways.si.edu/the-social-power-of-music

    From parties to protests to prayer, music is a powerful catalyst for celebration, for change, and for a sense of community. Through making music together, we become bigger than ourselves. Whether singing with our families and friends or with thousands of strangers in an arena, music transforms lives, engages individuals, and connects local and global communities. The Social Power of Music chronicles the vivid, impassioned, and myriad ways in which music binds, incites, memorializes, and moves groups of people. This richly illustrated 124-page book, with 80+ tracks on 4 CDs, invites listeners into musical practices, episodes, and movements throughout the U.S. and beyond. These songs of struggle, devotion, celebration, and migration remind us that music has the potential to change our world.

    Countries: Algeria; Angola; Argentina; Brazil; Chile; Congo-Brazzaville; Denmark; Dominican Republic; France; Greece; Indonesia; Italy; Korea, South; Lebanon; Mexico; Nicaragua; Poland; Puerto Rico; Republic of Kosovo; Scotland; South Africa; Thailand; Turkey; United Kingdom; United States; Vietnam

    101 We Shall Overcome The Freedom Singers 2:09
    102 This Land is Your Land Woody Guthrie 2:48
    103 De colores ([Made] of Colors) Baldemar Velásquez, Aguila Negra 3:02
    104 Union Maid Bobbie McGee 2:13
    105 If I Had a Hammer Pete Seeger 1:54
    106 Reclaim the Night Peggy Seeger 4:33
    107 Estoy aquí (I Am Here) Quetzal 5:21
    108 Deportees (Plane Wreck at Los Gatos) Sammy Walker 4:57
    109 We Are the Children Chris Kando Iijima, Joanne Nobuko Miyamoto, Charlie Chin 2:55
    110 I Woke Up This Morning Fannie Lou Hamer 2:36
    111 I Feel Like I’m Fixin’ to Die Country Joe McDonald 2:59
    112 El pobre sigue sufriendo (The Poor Keep On Suffering) Andrés Jiménez 3:26
    113 Ballad of the ERA Kristin Lems 4:11
    114 Where Have All the Flowers Gone? Pete Seeger 2:06
    115 Blowing in the Wind The New World Singers 2:32
    116 Quihubo raza (What’s Happening, People) Agustín Lira and Alma 3:50
    117 Solidarity Forever Jim Jackson 2:30
    118 Joe Hill Paul Robeson 3:00
    119 Joaquin Murrieta Rumel Fuentes 3:35
    120 Which Side Are You On? The Almanac Singers 2:10
    121 Legal/Illegal Ewan MacColl, Peggy Seeger 4:12
    122 It Isn’t Nice Barbara Dane, The Chambers Brothers 4:05

    201 Amazing Grace The Old Regular Baptists 2:44
    202 Come By Here Barbara Dane, The Chambers Brothers 5:33
    203 Will the Circle Be Unbroken The Strange Creek Singers 3:38
    204 Peace in the Valley The Paramount Singers 3:50
    205 Many Eagle Set Sun Dance Song The Pembina Chippewa Singers 2:11
    206 Zuni Rain Dance Members of Zuni Pueblo 4:41
    207 Calvary Shape-note singers at Stewart’s Chapel 1:27
    208 Northfield The Old Harp Singers of Eastern Tennessee 1:58
    209 The Call to Prayer / Adhān Ahmad Al Alawi 2:10
    210 Zikr (excerpt) Sheikh Xhemail Shehu, members of the Prizren Rifa’i tekke 2:45
    Audio Player
    211 Buddhist Chants and Prayers Tu Huyen, Hai Phat, Tam Thu, Hai Dat 4:34
    212 Kol Nidre Cantor Abraham Brun 5:05
    213 Dayeinu Raasche, Alan Mills 1:47
    214 Night Chant Sandoval Begay 2:12
    215 Hark, Hark Carolers from the Black Bull, Ecclesfield, UK 3:11
    216 Swing Low, Sweet Chariot The Princely Players 2:47
    217 The Old Rugged Cross The Paschall Brothers 5:17
    218 Madre de Dolores (Mother of Sorrows) Hermanos de la Morada de Nuestra Señora de Dolores del Alto 2:56
    219 San Miguel (Saint Michael) Francia Reyes 4:11
    220 I’ll Fly Away Rose Maddox 2:32

    301 Party Down at the Blue Angel Club Clifton Chenier and His Red Hot Louisiana Band 4:51
    302 San Antonio Rose Los Reyes de Albuquerque 2:38
    303 Jolie blonde (Pretty Blonde) Austin Pitre 2:47
    304 Shake Your Moneymaker John Littlejohn 4:19
    305 Beer-Drinking Polka Flaco Jiménez, Max Baca 2:25
    306 In Heaven There Is No Beer The Goose Island Ramblers 2:32
    307 SAM (Get Down) Sam Brothers Five 4:10
    308 Golden Slippers / The Butterfly Whirl Lester Bradley and Friends 4:31
    309 Sligo Indians / Paddy Clancy’s / Larry Redican’s / The Rambling Pitchfork Tony DeMarco 4:21
    310 La entrega de los novios (The Delivery of the Newlyweds) Lorenzo Martínez 3:46
    311 Rock Dance Song (Cree/Metis) The Pembina Chippewa Singers 2:20
    312 Pow Wow Song Chippewa Nation 2:52
    313 Mary Mack Lilly’s Chapel School, Alabama 1:58
    314 Johnny Cuckoo Janie Hunter and children at home 1:15
    315 Rooster Call John Henry Mealing and group 4:00
    316 Joy to the World Elizabeth Mitchell 3:06
    317 Oylupnuv Obrutch (The Broken Hoop Song) The Golden Gate Gypsy Orchestra 2:01
    318 Liberty Funeral March The Liberty Brass Band 4:51
    319 Junkanoos #1 Key West Junkanoo Band 3:07
    320 The Star Spangled Banner Unknown orchestra 1:16
    321 Mardi Gras Medley (excerpt) ReBirth Jazz Band 4:33

    401 Viva la Quince Brigada (Long Live the 15th Brigade) Pete Seeger 3:04
    402 Bella ciao (Goodbye Beautiful) Singers of the “Bella Ciao” production of Spoleto 1:35
    403 A desalambrar (Tear Down the Fences) Expresión Joven 5:07
    404 Muato mua N’Gola (Women of Angola) Lilly Tchiumba 2:34
    405 Un gigante que despierta (An Awakening Giant) Luis Godoy, Grupo Mancotal 4:03
    406 Hasret (Longing) Melike Demirag 3:10
    407 Prisioneros somos (We Are All Prisoners) Suni Paz 2:19
    408 Funeral do lavrador (Funeral of a Worker) Zelia Barbosa 1:59
    409 Izakunyatheli Afrika Verwoerd (Africa is Going to Trample on You, Verwoerd) South African refugees in Tanganyika 1:52
    410 The Boy with the Sunlit Smile Mikis Theodorakis 2:48
    411 Hidup di Bui (Life in Jail) Gambang Kromong Slendang Betawi, Kwi Ap 5:34
    412 Man and Buffalo (Kon Gap Kwai) Caravan 3:40
    413 Why Need We Cry? Cantor Abraham Brun 2:32
    414 El palomo (The Dove) Grupo Raíz 4:06
    415 Hvem sidder dér bag skærmen (The Roadmaker) Inger Nielsen 3:08
    416 Mon’ etu ua Kassule Musician supporters of the MPLA 5:35
    417 Le temps des cerises (Cherry Blossom Time) Yves Montand 4:37
    418 Chongsun Arirang Singer from Central Korea 4:03
    419 The Passport Marcel Khalifé 9:23
    420 Inno della Resistenza (Hymn of the Resistance) Choir of FLN fighters 1:28

    #Musique #Musique_et_politique

  • Spotify’s Palestinian launch puts local artists on the map | MEO
    https://middle-east-online.com/en/spotifys-palestinian-launch-puts-local-artists-map

    Palestinian musicians are fast reaping dividends from their presence on Spotify, which launched its internet streaming service in the Middle East and North Africa last week.

    “The Arab hub provides a unique platform that brings the full spectrum of Arab culture and creativity, past and present,” said Suhel Nafar, a musician from the Israeli city of Lod who serves as the music streaming service’s senior Arab music and culture editor.

    Spotify is the first major streaming company to launch a programme specific to the occupied Palestinian territories, allowing local artists to reach new global audiences despite local challenges.

    #tic_arabes #palestine

  • Here’s what the stark gender disparity among top orchestra musicians looks like

    This fall, the world’s great symphony orchestras will open their 2018-19 seasons. And just as they have for decades, many of them will be sharply segregated by gender.

    Men will again make up the majority of brass, woodwinds, and percussion players, and most harpists will again be women.

    Quartz at Work examined the instruments played by the musicians of the world’s 20 greatest orchestras, as ranked by the UK’s Gramophone magazine, to understand how gender shapes their composition. Where we could, we looked at the individual musician pages to determine each musician’s gender, and excluded one orchestra that didn’t list individual musicians: The Saito Kinen Orchestra in Japan. When musicians didn’t have their own pages, we searched for their images. If only had their name, we determined if the name was more likely male of female. (We weren’t able to account for non-binary gendered people.)


    https://qz.com/work/1393078/orchestras

    #musique #musique_classique #genre #inégalités #discriminations #femmes #hommes
    signalé par @reka sur twitter

  • Sony Finally Admits It Doesn’t Own Bach and It Only Took a Bunch of Public Pressure | Electronic Frontier Foundation
    https://www.eff.org/takedowns/sony-finally-admits-it-doesnt-own-bach-and-it-only-took-public-pressure

    Toujours plus fabuleux le copyfraud...

    Here’s the thing about different people playing the same piece of music: sometimes, they’re going to sound similar. And when music is by a composer who died 268 years ago, putting his music in the public domain, a bunch of people might record it and some of them might put it online. In this situation, a combination of copyright bots and corporate intransigence led to a Kafkaesque attack on music.

    Musician James Rhodes put a video of himself playing Bach on Facebook. Sony Music Entertainment claimed that 47 seconds of that performance belonged to them. Facebook muted the video as a result.

    So far, this is stupid but not unusually stupid in the world of takedowns. It’s what happened after Rhodes got Sony’s notice that earned it a place in the Hall of Shame.

    One argument in favor of this process is that there are supposed to be checks and balances. Takedown notices are supposed to only be sent by someone who owns the copyright in the material and actually believes that copyright’s been infringed. And if a takedown notice is wrong, a counter-notice can be sent by someone explaining that they own the work or that it’s not infringement.

    Counter-notices have a lot of problems, not the least of which is that the requirements are onerous for small-time creators, requiring a fair bit of personal information. There’s always the fear that, even for someone who knows they own the work, that the other side will sue them anyway, which they cannot afford.

    Rhodes did dispute the claim, explaining that “this is my own performance of Bach. Who died 300 years ago. I own all the rights.” Sony rejected this reasoning.

    While we don’t know for sure what Sony’s process is, we can guess that a copyright bot, or a human acting just as mechanically, was at the center of this mess. A human doing actual analysis would have looked at a video of a man playing a piece of music older than American copyright law and determined that it was not something they owned. It almost feels like an automatic response also rejected Rhodes’ appeal, because we certainly hope a thoughtful person would have received his notice and accepted it.

    Rhodes took his story to Twitter, where it picked up some steam, and emailed the heads of Sony Classical and Sony’s public relations, eventually getting his audio restored. He tweeted “What about the thousands of other musicians without that reach…?” He raises a good point.

    None of the supposed checks worked. Public pressure and the persistence of Rhodes was the only reason this complaint went away, despite how the rules are supposed to protect fair use and the public domain.

    How many more ways do we need to say that copyright bots and filters don’t work? That mandating them, as the European Union is poised to do, is dangerous and shortsighted? We hear about these misfires roughly the same way they get resolved: because they generate enough noise. How many more lead to a creator’s work being taken down with no recourse?
    Original Title of Threatened Content:
    Bach! From his 1st Partita
    Original location:
    https://www.facebook.com/jamesrhodespiano/videos/232063150806956
    Date of threat or takedown:
    September 4, 2018

    #Domaine_public #Sony #Bach #Copyfraud

    • Triple wow !!!

      Si les paroles sont générales, le clip est clairement anti-Trump

      L’album entier semble intéressant :

      Songs Of Resistance 1942-2018
      http://marcribot.com/latest-news/14279452
      https://www.amazon.com/Songs-Resistance-1942-Marc-Ribot/dp/B07DLK7ZCH?SubscriptionId=AKIAJ2JPVFTMZGHMZXNQ&linkCode=xm2&camp=2025&creati

      Portions of the album’s proceeds will be donated to The Indivisible Project, an organization that helps individuals resist the Trump agenda via grassroots movements in their local communities. More info on The Indivisible Project can be found at www.indivisible.org.

      #Musique #Musique_et_politique #Tom_Waits #Marc_Ribot #USA #Bella_Ciao

    • Wow, les paroles de Srinivas :
      https://genius.com/Marc-ribot-srinivas-lyrics

      Dark was the night
      Cold was the ground
      When they shot Srinivas Kuchibhotla down

      It was in Austin’s Bar and Grill
      But it could’ve been most anyone
      A madman pulled the trigger
      Donald Trump loaded the gun
      My country ’tis of thee

      Srinivas was an engineer
      Sunayana was his wife
      Like so many here before them
      They come here to build the life
      They were plannin’ their first child
      But it was not to be
      But a stranger shot Srinivas down
      Screamin’ “Get out of my country!”
      My country ’tis of thee

      I was born in America
      And it’s right here I intend to stay
      But my country’s hurtin’ now
      There’s a few things I need to say
      If you fly a flag of hate
      Then you ain’t no kin to me
      And to Srinivas Kuchibhotla’s surviving family

      My country ’tis of thee
      My country ’tis of thee
      My country ’tis of thee
      My country ’tis of thee

      My country ’tis of thee
      My country ’tis of thee
      My country ’tis of thee
      My country ’tis of thee

      My country ’tis of thee (Kuchibhotla!)
      My country ’tis of thee (Eric Garner!)
      My country ’tis of thee (Heather Heyer!)
      My country ’tis of thee (Susie Jackson!)

      My country ’tis of thee (Tywanza Sanders! Ethel Lee Lance!)
      My country ’tis of thee (Freddy Gray! Tamir Rice!)
      My country ’tis of thee (Frankie Best! Amadou Diallo!)
      My country ’tis of thee (Michael Brown! David Simmons!)
      My country ’tis of thee (Myra Thompson! Sharonda Singleton!)

      #Black_Lives_Matter #Srinivas_Kuchibhotla #Eric_Garner #Heather_Heyer #Susie_Jackson #Tywanza_Sanders #Ethel_Lee_Lance #Freddy_Gray #Tamir_Rice #Frankie_Best #Amadou_Diallo #Michael_Brown #David_Simmons #Myra_Thompson #Sharonda_Singleton

    • A propos de la chanson Rata de dos patas, il précise :

      Due to the fears that Trump regime retaliation would threaten her visa status, the vocalist on this recording of Rata De Dos Patas has requested that we delete all reference to her identity. We believe her fears are entirely justified, and have complied with her wishes.

      We thank her for her wonderful performance, and for her great courage in making the recording at all. And we look forward to a day when political and artistic expression is no longer under the shadow of such vindicative and racist repression. Venceremos!

    • BELLA CIAO
      Italian traditional; Arranged by Marc Ribot
      & Tom Waits; Translated by Marc Ribot

      One fine morning / woke up early
      Bella ciao, bella ciao, goodbye beautiful
      One fine morning / woke up early
      To find a fascist at my door
      Oh partigiano, please take me with you
      Bella ciao, bella ciao, goodbye beautiful
      Oh partigiano, please take me with you
      I’m not afraid now anymore.
      And if I die a partigiano
      Bella ciao, bella ciao, goodbye beautiful
      Please bury me up on that mountain
      In the shadow of a flower
      So all the people, people passing
      Bella ciao, bella ciao, goodbye beautiful
      All the people, the people passing
      Can say: what a beautiful flower
      This is the flower / of the partisan
      Bella ciao, bella ciao, goodbye beautiful
      This is the flower / of the partisan
      Who died for freedom

    • THE MILITANT ECOLOGIST
      [based on FISCHIA IL VENTO]
      Written by Marc Ribot (Knockwurst Music);
      Inspired by the Italian traditional

      The wind it howls, the storm around is raging
      Our shoes are broken, still we must go on
      The war we fight, is no longer for liberty
      Just the possibility / of a future.
      Underground, the militant ecologist
      Like a shadow emerges from the night
      The stars above, guide her on her mission
      Strong her heart swift her arm to strike
      If, by chance, cruel death will find you
      Know your comrades will revenge
      We’ll track down the ones who hurt you
      Their fate’s already sealed.
      The wind is still, the storm is finally over
      The militant ecologist blends back into the shadows
      Somewhere above, the earth’s green flag is flying
      We don’t have to live in terror
      Somewhere above, the earth’s green flag is flying
      The only flag that matters now
      Somewhere above, the earth’s green flag is flying
      And if its not...
      there’s nothing more to say.

    • Son premier texte, où il se pose des questions sur la possibilité de résister en tant que musicien :

      My grandparents lost brothers, sisters, cousins, aunts and uncles in the Holocaust, and I’ve toured and have friends in Russia and Turkey: we recognize Trump, and it’s no mystery where we will wind up if we don’t push back.

      Its not that things before Trump were any picnic: the many victims of racism, sexism, homophobia, xenophobia, and war under earlier presidents – some of them Democrats—are not forgotten; and even among the politicians for whom I voted, few were willing to address the structural causes of these problems.

      But even the most pissed off of my activist friends knew right away that Trumpism was seriously wrong, and that resistance—not just protest, which by definition acknowledges the legitimacy of the power to which it appeals—had to be planned.

      I’m a musician, so I began my practice of resistance with music.

      Normally, I practice by studying the past (“Ancient to the Future!” as the Art Ensemble of Chicago put it—and as Hannah Arendt might have if she’d been a jazz musician), and then blowing on or reconstructing or simply misreading those changes until they become useful in the present.

      So, I went back to archives of political music known for years and listened again—trying to find what was useful now. I found songs from the World War II anti-Fascist Italian partisans (“Bella Ciao,” “Fischia il Vento”), the U.S. civil rights movement (“We’ll Never Turn Back,” “We Are Soldiers in the Army”), a political song originally recorded by Mexican artist Paquita la del Barrio, had disguised as a romantic ballad (“Rata de Dos Patas”).

      I also wrote songs: things I heard at demonstrations, and newspaper and television stories that I couldn’t process any other way wound up as lyrics. I changed these found texts as little as possible: much of “Srinivas” is a metered version of news articles on Srinivas Kuchibhotla a Sikh immigrant murdered in February 2017 by a racist who mistook him for a Muslim. And “John Brown” really did “kill... five slaveholders at the Pottawatomie creek”).

      By March 2017, I had the material for Goodbye Beautiful/Songs of Resistance.

      I make no claims of historical “authenticity” about the arrangements of archival songs on the record— although I hope they work on more than one level, the arrangements and composition songs on this CD were written and performed, without apology, as agitprop. I borrowed from, referenced, and quoted public domain song as much as I could, wanting to harness the power of our rich traditions to the needs of the current struggle wherever possible. For the same reason, I altered texts and arrangements freely, as political song makers have always done.

      The underlying politics of this recording is that of the Popular Front: the idea that those of us with democratic values need to put aside our differences long enough to defeat those who threaten them.

      Although this approach has its frustrations, it worked last time around (1942-45).

      Coordinating a multi-artist recording like this wasn’t easy: although the artists involved were without exception enthusiastic and helpful.

      But the madness of the past year kept us moving when things got bogged down: we recorded Justin Vivian Bond’s “We’ll Never Turn Back” literally while Donald Trump was delivering a friendly speech to anti-gay hate groups in Washington DC. Tom Waits’ “Bella Ciao” was recorded near Santa Rosa, in the haze of smoke from 1,500 homes destroyed by wildfires attributed partly to global warming.

      Not a day goes by that I don’t think about the fact that we’re living through what may be the last years of possibility to lessen the degree of catastrophic climate change which will be experienced by our kids.

      And what I think is that thinking isn’t enough.

      The same can be said of singing.

      Profits from this CD will be donated to The Indivisible Project, a 501c4 organization creating a political response to Trump. They now have chapters in EVERY congressional district, and work to build the local and national networks we need. I have a lot of friends who think that ANY kind of politics isn’t cool. I appreciate the sentiment, but: we need to get over it, roll up our sleeves and get our hands dirty if we’re going to survive this thing.

      I want to thank all the Artists and musicians who sang or played on this cd, not only for their time and great performances, but for their critiques and insights, musical and political, that shaped this recording at every stage.

      Although my intention in organizing this recording has been to express solidarity with everyone victimized by the current regime, finding a way to express that solidarity without repeating old patterns of oppression is not easy. I hope the dialogue and spirit of solidarity begun among the performers on this recording will continue with its listeners and spread even further...

      M Ribot

      –-----------------------------------
      Son deuxième texte, où il se pose des questions sur les défauts de la musique engagée :

      Post Script:

      The question of ‘the good fight’—how to fight an enemy without becoming it—hangs over “political” art (as the question of truthfulness hang over art claiming to have transcended the political). Indeed, Left and Fascist song do share musical commonalities. (Armies fighting for causes good and bad all need songs to march to).

      This recording won’t resolve that question.

      But I’ve noted a difference between the marching songs of fascism and those of the partisan and civil rights movements: a willingness to acknowledge sadness:

      “We are soldiers in the army...
      We have to fight, we also have to cry.”

      “And if I die a partisan,
      Goodbye beautiful, goodbye beautiful, goodbye beautiful,
      Please bury me on that mountain, in the shadow of a flower.”

      “I am a pilgrim of sorrow, walking through this world alone.
      I have no hope for tomorrow, but I’m starting to make it my home.”

      “...a thousand mill lofts grey
      are touched by all the beauty
      a sudden sun exposes
      Yes it is bread we fight for, but we also fight for roses.”

      These songs’ acknowledgement of human frailty, of the fact that “we have to cry” even as “we have to fight”, is for me a sign of enormous strength. Their vision of a beauty beyond victory is for me a sign of hope, a reminder that we at least have something worth fighting for.

      M Ribot
      November, 2017

  • Plus de 140 artistes (dont une vingtaine de français) de 18 pays, dont des participants à l’Eurovision signent une lettre appelant au boycott de l’Eurovision 2019 si elle a lieu en israel:

    Eurovision, ne blanchissez pas l’occupation militaire et les violations des droits humains par Israël
    The Guardian, le 7 septembre 2018
    https://www.bdsfrance.org/plus-de-140-artistes-signent-une-lettre-appelant-au-boycott-de-leurovisio

    Boycott Eurovision Song Contest hosted by Israel
    The Guardian, le 7 septembre 2018
    https://www.theguardian.com/tv-and-radio/2018/sep/07/boycott-eurovision-song-contest-hosted-by-israel

    L-FRESH The LION, musician, Eurovision 2018 national judge (Australia)
    Helen Razer, broadcaster, writer (Australia)
    Candy Bowers, actor, writer, theatre director (Australia)
    Blak Douglas, artist (Australia)
    Nick Seymour, musician, producer (Australia)
    DAAN, musician, songwriter (Belgium)
    Daan Hugaert, actor (Belgium)
    Alain Platel, choreographer, theatre director (Belgium)
    Marijke Pinoy, actor (Belgium)
    Code Rouge, band (Belgium)
    DJ Murdock, DJ (Belgium)
    Helmut Lotti, singer (Belgium)
    Raymond Van het Groenewoud, musician (Belgium)
    Stef Kamil Carlens, musician, composer (Belgium)
    Charles Ducal, poet, writer (Belgium)
    Fikry El Azzouzi, novelist, playwright (Belgium)
    Erik Vlaminck, novelist, playwright (Belgium)
    Rachida Lamrabet, writer (Belgium)
    Slongs Dievanongs, musician (Belgium)
    Chokri Ben Chikha, actor, theatre director (Belgium)
    Yann Martel, novelist (Canada)
    Karina Willumsen, musician, composer (Denmark)
    Kirsten Thorup, novelist, poet (Denmark)
    Arne Würgler, musician (Denmark)
    Jesper Christensen, actor (Denmark)
    Tove Bornhoeft, actor, theatre director (Denmark)
    Anne Marie Helger, actor (Denmark)
    Tina Enghoff, visual artist (Denmark)
    Nassim Al Dogom, musician (Denmark)
    Patchanka, band (Denmark)
    Raske Penge, songwriter, singer (Denmark)
    Oktoberkoret, choir (Denmark)
    Nils Vest, film director (Denmark)
    Britta Lillesoe, actor (Denmark)
    Kaija Kärkinen, singer, Eurovision 1991 finalist (Finland)
    Kyösti Laihi, musician, Eurovision 1988 finalist (Finland)
    Kimmo Pohjonen, musician (Finland)
    Paleface, musician (Finland)
    Manuela Bosco, actor, novelist, artist (Finland)
    Noora Dadu, actor (Finland)
    Pirjo Honkasalo, film-maker (Finland)
    Ria Kataja, actor (Finland)
    Tommi Korpela, actor (Finland)
    Krista Kosonen, actor (Finland)
    Elsa Saisio, actor (Finland)
    Martti Suosalo, actor, singer (Finland)
    Virpi Suutari, film director (Finland)
    Aki Kaurismäki, film director, screenwriter (Finland)
    Pekka Strang, actor, artistic director (Finland)
    HK, singer (France)
    Dominique Grange, singer (France)
    Imhotep, DJ, producer (France)
    Francesca Solleville, singer (France)
    Elli Medeiros, singer, actor (France)
    Mouss & Hakim, band (France)
    Alain Guiraudie, film director, screenwriter (France)
    Tardi, comics artist (France)
    Gérard Mordillat, novelist, filmmaker (France)
    Eyal Sivan, film-maker (France)
    Rémo Gary, singer (France)
    Dominique Delahaye, novelist, musician (France)
    Philippe Delaigue, author, theatre director (France)
    Michel Kemper, online newspaper editor-in-chief (France)
    Michèle Bernard, singer-songwriter (France)
    Gérard Morel, theatre actor, director, singer (France)
    Daði Freyr, musician, Eurovision 2017 national selection finalist (Iceland)
    Hildur Kristín Stefánsdóttir, musician, Eurovision 2017 national selection finalist (Iceland)
    Mike Murphy, broadcaster, eight-time Eurovision commentator (Ireland)
    Mary Black, singer (Ireland)
    Christy Moore, singer, musician (Ireland)
    Charlie McGettigan, musician, songwriter, Eurovision 1994 winner (Ireland)
    Mary Coughlan, singer (Ireland)
    Luka Bloom, singer (Ireland)
    Robert Ballagh, artist, Riverdance set designer (Ireland)
    Aviad Albert, musician (Israel)
    Michal Sapir, musician, writer (Israel)
    Ohal Grietzer, musician (Israel)
    Yonatan Shapira, musician (Israel)
    Danielle Ravitzki, musician, visual artist (Israel)
    David Opp, artist (Israel)
    Assalti Frontali, band (Italy)
    Radiodervish, band (Italy)
    Moni Ovadia, actor, singer, playwright (Italy)
    Vauro, journalist, cartoonist (Italy)
    Pinko Tomažič Partisan Choir, choir (Italy)
    Jorit, street artist (Italy)
    Marthe Valle, singer (Norway)
    Mari Boine, musician, composer (Norway)
    Aslak Heika Hætta Bjørn, singer (Norway)
    Nils Petter Molvær, musician, composer (Norway)
    Moddi, singer (Norway)
    Jørn Simen Øverli, singer (Norway)
    Nosizwe, musician, actor (Norway)
    Bugge Wesseltoft, musician, composer (Norway)
    Lars Klevstrand, musician, composer, actor (Norway)
    Trond Ingebretsen, musician (Norway)
    José Mário Branco, musician, composer (Portugal)
    Francisco Fanhais, singer (Portugal)
    Tiago Rodrigues, artistic director, Portuguese national theatre (Portugal)
    Patrícia Portela, playwright, author (Portugal)
    Chullage, musician (Portugal)
    António Pedro Vasconcelos, film director (Portugal)
    José Luis Peixoto, novelist (Portugal)
    N’toko, musician (Slovenia)
    ŽPZ Kombinat, choir (Slovenia)
    Lluís Llach, composer, singer-songwriter (Spanish state)
    Marinah, singer (Spanish state)
    Riot Propaganda, band (Spanish state)
    Fermin Muguruza, musician (Spanish state)
    Kase.O, musician (Spanish state)
    Soweto, band (Spanish state)
    Itaca Band, band (Spanish state)
    Tremenda Jauría, band (Spanish state)
    Teresa Aranguren, journalist (Spanish state)
    Julio Perez del Campo, film director (Spanish state)
    Nicky Triphook, singer (Spanish state)
    Pau Alabajos, singer-songwriter (Spanish state)
    Mafalda, band (Spanish state)
    Zoo, band (Spanish state)
    Smoking Souls, band (Spanish state)
    Olof Dreijer, DJ, producer (Sweden)
    Karin Dreijer, singer, producer (Sweden)
    Dror Feiler, musician, composer (Sweden)
    Michel Bühler, singer, playwright, novelist (Switzerland)
    Wolf Alice, band (UK)
    Carmen Callil, publisher, writer (UK)
    Julie Christie, actor (UK)
    Caryl Churchill, playwright (UK)
    Brian Eno, composer, producer (UK)
    AL Kennedy, writer (UK)
    Peter Kosminsky, writer, film director (UK)
    Paul Laverty, scriptwriter (UK)
    Mike Leigh, writer, film and theatre director (UK)
    Ken Loach, film director (UK)
    Alexei Sayle, writer, comedian (UK)
    Roger Waters, musician (UK)
    Penny Woolcock, film-maker, opera director (UK)
    Leon Rosselson, songwriter (UK)
    Sabrina Mahfouz, writer, poet (UK)
    Eve Ensler, playwright (US)
    Alia Shawkat, actor (US)

    #Palestine #BDS #Boycott_culturel #Eurovision

  • Thelonious Monk Creates a List of Tips for Playing a Gig: “Don’t Listen to Me, I Am Supposed to Be Accompanying You!” | Open Culture
    http://www.openculture.com/2012/09/thelonious_monk_scribbles_a_list_of_tips_for_playing_a_gig.html

    Transcribed by soprano sax player Steve Lacy in a spiral-bound notebook, Thelonious Monk created a primer of do’s and don’ts for club musicians. For the greenhorns, Monk presented a syllabus for Band Etiquette 101 titled “1. Monk’s Advice (1960).” For the rest of us, it’s a view into one of the greatest, quirkiest minds of American music.

    Some highlights:

    “Don’t play the piano part. I’m playing that. Don’t listen to me. I’m supposed to be accompanying you!”

    Monk himself was famous for his eccentricity—some say he was mentally ill and others blame bad psychiatric medications. He was known to stop playing piano, stand up and dance a bit while the band played on. But through his advice he reveals his fine sense of restraint.

    “Don’t play everything (or every time); let some things go by. Some music just imagined. What you don’t play can be more important than what you do.”

    Monk was evidently a stickler for band protocol. He leads his list with “Just because you’re not a drummer doesn’t mean that you don’t have to keep time!”

    What should players wear to a gig? Definitively cool, Monk replies “Sharp as possible!” Read that as rings on your fingers, a hat, sunglasses and your best suit coat.

    Here’s a transcript of the text:

    Just because you’re not a drummer, doesn’t mean that you don’t have to keep time.
    Pat your foot and sing the melody in your head when you play.
    Stop playing all that bullshit, those weird notes, play the melody!
    Make the drummer sound good.
    Discrimination is important.
    You’ve got to dig it to dig it, you dig?
    All reet!
    Always know
    It must be always night, otherwise they wouldn’t need the lights.
    Let’s lift the band stand!!
    I want to avoid the hecklers.
    Don’t play the piano part, I am playing that. Don’t listen to me, I am supposed to be accompanying you!
    The inside of the tune (the bridge) is the part that makes the outside sound good.
    Don’t play everything (or everytime); let some things go by. Some music just imagined.
    What you don’t play can be more important than what you do play.
    A note can be small as a pin or as big as the world, it depends on your imagination.
    Stay in shape! Sometimes a musician waits for a gig & when it comes, he’s out of shape & can’t make it.
    When you are swinging, swing some more!
    (What should we wear tonight?) Sharp as possible!
    Always leave them wanting more.
    Don’t sound anybody for a gig, just be on the scene.
    Those pieces were written so as to have something to play & to get cats interested enough to come to rehearsal!
    You’ve got it! If you don’t want to play, tell a joke or dance, but in any case, you got it! (to a drummer who didn’t want to solo).
    Whatever you think can’t be done, somebody will come along & do it. A genius is the one most like himself.
    They tried to get me to hate white people, but someone would always come along & spoil it.

    #Jazz #Thelonious_Monk

  • Galal El-Behairy - PEN America
    https://pen.org/advocacy-case/galal-el-behairy

    Galal El-Behairy is an Egyptian poet, lyricist, and activist who has been in detention in Tora Prison in Cairo since March 2018. Early this year he collaborated with musician Ramy Essam on the song “Balaha” and was planning to publish a book of poetry, both of which caused him to be detained, tortured, and imprisoned unjustly for several months awaiting a court indictment. El-Behairy was arrested five days after the release of “Balaha,” disappeared for a week, and exhibited signs of torture when he appeared before the High State Security Prosecution. El-Behairy is currently being held in detention under the High State Security’s charges of terrorist affiliation, dissemination of false news, abuse of social media networks, blasphemy, contempt of religion, and insulting the military. The verdict in his case was expected on May 16, but was then rescheduled to June 27, 2018, and again to July 28, 2018.

    En définitive, c’est 3 ans de prison.

    https://www.raialyoum.com/index.php/%d8%ad%d8%a8%d8%b3-%d8%b4%d8%a7%d8%b9%d8%b1-%d9%85%d8%b5%d8%b1%d9%8a-%d8%

    #poésie_arabe #égypte

  • #blockchain — A Musician’s best friend?
    https://hackernoon.com/blockchain-a-musicians-best-friend-8ea9ad1621b4?source=rss----3a8144eabf

    Musicians for the past couple of decades, have seen a huge decline in their net revenue from album sales, the most basic reason for the same have been the high constituting margins of record companies and production houses.This disrupted the state of #musicians throughout the world, leaving them with striking low income for their talent.While there have been numerable amounts of attempts to lower the existence of such middlemen none have achieved a margin higher than 20 percent to the musicians.In 1999, Napster a company launched with the aim to create an environment to directly connect the fans with the musicians by use of a real time peer-to-peer file sharing system had given the world the first blood. Napster was later shut down due to alleged copyright infringements as well as a (...)

    #music #future-of-music #musicblockchain

  • How #blockchain Can Help Artists’ Resale Rights
    https://hackernoon.com/how-blockchain-can-help-artists-resale-rights-8178f4e058e1?source=rss---

    By Jacqueline O’Neill, Executive Director at Blockchain #art Collective. Originally published on Quora.Resale rights already exist in a number of creative industries.To use a song in a commercial, a company has to license it and pay royalties to the musician. Every time a book is purchased, the author gets a small percentage of the sales.But for many visual artists, once they’ve created and sold a work of art, that’s the last they ever hear about it. Their resale rights are essentially non-existent. If the piece is sold for a few thousand dollars, and then goes for several hundred thousand a decade later, the artist is out of luck.Fortunately, that’s starting to change. The blockchain is making waves in the art world, and artist resale rights is one area where those waves may end up having an (...)

    #blockchain-artist #artists-resale-rights #quora-partnership

    • How and Why We Invented the CryptoSeal

      “We can now put a tiny computer chip with cryptographic identity into a slim adhesive seal strip form factor to secure a package,” said one of our software engineers, Maksym Petkus, “enabling mathematically- and cryptographically-closed loop integration with the blockchain and secure high-value assets with this tamper-evident technology.”

      Today, at the ID Tech Expo in Santa Clara, we announced the release of our CryptoSeal prototype, representing a major step forward in immutable supply chain provenance and the secure movement of physical assets.
      What is a CryptoSeal?

      The first in what will be a line of blockchain-registered and tamper-evident hardware products, CryptoSeals each contain a Near Field Communication (NFC) chip embedded with unique identity information. This identity data is then immutably registered and verified on a blockchain (we currently offer support for Ethereum and plan to expand to other blockchains, including Bitcoin, Zcash, Hyperledger, and Symbiont).

      The tamper-evident form factor, developed in collaboration with Cellotape Smart Products, registers not only the identity of an object onto the blockchain, but also records the identity of its registrant and packaging or asset metadata. And, with their customizable size allowing application to a variety of packages, from envelopes to shipping containers, CryptoSeals have the ability to securely verify sender identity and timestamp shipment deliveries, and provide a secure chain of custody in the supply chain.
      Why do you need a blockchain?

      Our CEO, Ryan Orr, likes to compare the CryptoSeal to the King’s Signet Ring: “you can think of it like the old system of the Signet Ring stamping a wax seal on a letter. The signet holder is analogous to the registrant of the CryptoSeal, the wax to the chip inside of the seal, and the stamping of the signet is like the signing of the CryptoSeal to the Blockchain. On its own each component, from the cryptographic chips to the tamper evident seals and blockchain registration, is necessary but insufficient to solve the problem. Together the three technologies create a strong solution.”
      Who can benefit from using CryptoSeals?

      Our CryptoSeals can be affixed to any physical item, guaranteeing its identity and authenticity in an unforgeable way. There are more than a handful of business use cases for our new product, which combines the best of blockchain technology and Internet of Things (or Everything, as we like to call it): medical equipment, fine art, electronics, cold chain, and forensic evidence tracking, to name a few. Individual consumers also benefit in being able to verify and protect their artistic creations, secure luggage, ship high-value items internationally, as well as prove authenticity of items they buy and sell on secondary markets.

      One of the most exciting use cases of the CryptoSeal for us at Chronicled is pharmaceutical tracking, where a secure chain of custody and immutable provenance are needed but often lacking. The high monetary value, along with the human suffering, associated with fraudulent pharmaceuticals necessitates new solutions for tracking authenticity. According to Interpol, Operation Pangea, their pharmaceutical investigation, seized 2.4M fraudulent pills in 2011; four years later, in 2015, that skyrocketed to 20.7M.

      The estimated monetary value? $81M USD.

      We can directly address this problem. Chronicled’s CryptoSeals can be customized to fit and seal shipments of pharmaceuticals, including individual cartons and containers. If the antenna in the adhesive seal is broken at any time, it will be impossible to verify the chip inside the CryptoSeal, ensuring that patients have confidence when they receive legitimate, untampered-with pharmaceuticals.
      When will CryptoSeals be available?

      Our CryptoSeals will begin entering the market late this year with standard offerings and unique solutions, with customizable sizing and adhesives, for clients.

      You can learn more on our website or contact us! And, to stay up to date with our work, sign up for our mailing list below.

      https://blog.chronicled.com/how-and-why-we-invented-the-cryptoseal-6577d8633a2

  • CCTV footage shows Prince visiting doctor the day before his death | Music | The Guardian
    https://www.theguardian.com/music/2018/apr/20/prince-cctv-footage-sinead-o-connor

    The archive comprises what attorney Mark Metz described as the “vast majority” of evidence in the case, and contains a police interview with the singer Sinéad O’Connor from 2 May 2016 in which she alleges Prince “used hard drugs commonly”. The Irish musician, who rose to fame in 1990 with the single Nothing Compares 2 U – a song written by Prince – claimed: “I’ve seen him in very frightening conditions after using drugs.” She alleged that he was abusive towards women while intoxicated: *“He had been extremely violent to a number of women in his life, including myself, and several women were put in the hospital while Prince was under the effects of these medications.

    *

    #Prince

    • New figures reveal at least 449 homeless deaths in UK in the last year

      On the streets, in a hospital, a hostel or a B&B: across the UK the deaths of people without a home have gone unnoticed.

      Tonight we’re attempting to shed new light on a hidden tragedy.

      Research by the Bureau of Investigative Journalism suggests at least 449 homeless people have died in the UK in the last year – at least 65 of them on the streets.

      The homeless charity Crisis says the figures are “deeply shocking”. They want such deaths to be better investigated and recorded.

      https://www.channel4.com/news/new-figures-reveal-at-least-449-homeless-deaths-in-uk-in-the-last-year

      #statistiques #chiffres

    • “A national scandal”: 449 people died homeless in the last year

      A grandmother who made potted plant gardens in shop doorways, found dead in a car park. A 51-year-old man who killed himself the day before his temporary accommodation ran out. A man who was tipped into a bin lorry while he slept.

      These tragic stories represent just a few of at least 449 people who the Bureau can today reveal have died while homeless in the UK in the last 12 months - more than one person per day.

      After learning that no official body counted the number of homeless people who have died, we set out to record all such deaths over the course of one year. Working with local journalists, charities and grassroots outreach groups to gather as much information as possible, the Bureau has compiled a first-of-its-kind database which lists the names of the dead and more importantly, tells their stories.

      The findings have sparked outrage amongst homeless charities, with one expert calling the work a “wake-up call to see homelessness as a national emergency”.

      Our investigation has prompted the Office for National Statistics to start producing its own figure on homeless deaths.

      We found out about the deaths of hundreds of people, some as young as 18 and some as old as 94. They included a former soldier, a quantum physicist, a travelling musician, a father of two who volunteered in his community, and a chatty Big Issue seller. The true figure is likely to be much higher.

      Some were found in shop doorways in the height of summer, others in tents hidden in winter woodland. Some were sent, terminally ill, to dingy hostels, while others died in temporary accommodation or hospital beds. Some lay dead for hours, weeks or months before anyone found them. Three men’s bodies were so badly decomposed by the time they were discovered that forensic testing was needed to identify them.

      They died from violence, drug overdoses, illnesses, suicide and murder, among other reasons. One man’s body showed signs of prolonged starvation.

      “A national disgrace”

      Charities and experts responded with shock at the Bureau’s findings. Howard Sinclair, St Mungo’s chief executive, said: “These figures are nothing short of a national scandal. These deaths are premature and entirely preventable.”

      “This important investigation lays bare the true brutality of our housing crisis,” said Polly Neate, CEO of Shelter. “Rising levels of homelessness are a national disgrace, but it is utterly unforgivable that so many homeless people are dying unnoticed and unaccounted for.”
      “This important investigation lays bare the true brutality of our housing crisis"

      Our data shows homeless people are dying decades younger than the general population. The average age of the people whose deaths we recorded was 49 for men and 53 for women.

      “We know that sleeping rough is dangerous, but this investigation reminds us it’s deadly,” said Jon Sparkes, chief executive of Crisis. “Those sleeping on our streets are exposed to everything from sub-zero temperatures, to violence and abuse, and fatal illnesses. They are 17 times more likely to be a victim of violence, twice as likely to die from infections, and nine times more likely to commit suicide.”

      The Bureau’s Dying Homeless project has sparked widespread debate about the lack of data on homeless deaths.

      Responding to our work, the Office for National Statistics (ONS) has now confirmed that it will start compiling and releasing its own official estimate - a huge step forward.

      For months the ONS has been analysing and cross-checking the Bureau’s database to create its own methodology for estimating homeless deaths, and plans to produce first-of-their-kind statistics in December this year.

      A spokesperson said the information provided by the Bureau “helps us develop the most accurate method of identifying all the deaths that should be counted.”
      Naming the dead

      Tracking homeless deaths is a complex task. Homeless people die in many different circumstances in many different places, and the fact they don’t have a home is not recorded on death certificates, even if it is a contributing factor.

      Click here to explore the full project

      There are also different definitions of homelessness. We used the same definition as that used by homeless charity Crisis; it defines someone as homeless if they are sleeping rough, or in emergency or temporary accommodation such as hostels and B&Bs, or sofa-surfing. In Northern Ireland, we were only able to count the deaths of people registered as officially homeless by the Housing Executive, most of whom were in temporary accommodation while they waited to be housed.

      For the past nine months we have attended funerals, interviewed family members, collected coroners’ reports, spoken to doctors, shadowed homeless outreach teams, contacted soup kitchens and hostels and compiled scores of Freedom of Information requests. We have scoured local press reports and collaborated with our Bureau Local network of regional journalists across the country. In Northern Ireland we worked with The Detail’s independent journalism team to find deaths there.

      Of the 449 deaths in our database, we are able to publicly identify 138 people (we withheld the identity of dozens more at the request of those that knew them).

      Of the cases in which we were able to find out where people died, more than half of the deaths happened on the streets.

      These included mother-of-five Jayne Simpson, who died in the doorway of a highstreet bank in Stafford during the heatwave of early July. In the wake of her death the local charity that had been working with her, House of Bread, started a campaign called “Everyone knows a Jayne”, to try to raise awareness of how easy it is to fall into homelessness.

      Forty-one-year-old Jean Louis Du Plessis also died on the streets in Bristol. He was found in his sleeping bag during the freezing weather conditions of Storm Eleanor. At his inquest the coroner found he had been in a state of “prolonged starvation”.

      Russell Lane was sleeping in an industrial bin wrapped in an old carpet when it was tipped into a rubbish truck in Rochester in January. He suffered serious leg and hip injuries and died nine days later in hospital. He was 48 years old.

      In other cases people died while in temporary accommodation, waiting for a permanent place to call home. Those included 30-year-old John Smith who was found dead on Christmas Day, in a hostel in Chester.

      Or James Abbott who killed himself in a hotel in Croydon in October, the day before his stay in temporary accommodation was due to run out. A report from Lambeth Clinical Commissioning Group said: “He [Mr Abbott] said his primary need was accommodation and if this was provided he would not have an inclination to end his life.” We logged two other suicides amongst the deaths in the database.

      Many more homeless people were likely to have died unrecorded in hospitals, according to Alex Bax, CEO of Pathways, a homeless charity that works inside several hospitals across England. “Deaths on the street are only one part of the picture,” he said. “Many homeless people also die in hospital and with the right broad response these deaths could be prevented.”
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      Rising levels of homelessness

      The number of people sleeping rough has doubled in England and Wales in the last five years, according to the latest figures, while the number of people classed as officially homeless has risen by 8%.

      In Scotland the number of people applying to be classed as homeless rose last year for the first time in nine years. In Northern Ireland the number of homeless people rose by a third between 2012 and 2017.

      Analysis of government figures also shows the number of people housed in bed and breakfast hotels in England and Wales increased by a third between 2012 and 2018, with the number of children and pregnant women in B&Bs and hostels rising by more than half.

      “Unstable and expensive private renting, crippling welfare cuts and a severe lack of social housing have created this crisis,” said Shelter’s Neate. “To prevent more people from having to experience the trauma of homelessness, the government must ensure housing benefit is enough to cover the cost of rents, and urgently ramp up its efforts to build many more social homes.”

      The sheer scale of people dying due to poverty and homelessness was horrifying, said Crisis chief executive Sparkes.“This is a wake-up call to see homelessness as a national emergency,” he said.

      Breaking down the data

      Across our dataset, 69% of those that died were men and 21% were women (for the remaining 10% we did not have their gender).

      For those we could identify, their ages ranged between 18 and 94.

      At least nine of the deaths we recorded over the year were due to violence, including several deaths which were later confirmed to be murders.

      Over 250 were in England and Wales, in part because systems to count in London are better developed than elsewhere in the UK.

      London was the location of at least 109 deaths. The capital has the highest recorded rough sleeper count in England, according to official statistics, and information on the well-being of those living homeless is held in a centralised system called CHAIN. This allowed us to easily record many of the deaths in the capital although we heard of many others deaths in London that weren’t part of the CHAIN data.

      In Scotland, we found details of 42 people who died in Scotland in the last year, but this is likely a big underestimate. Many of the deaths we registered happened in Edinburgh, while others were logged from Glasgow, the Shetland Islands and the Outer Hebrides.
      “We know that sleeping rough is dangerous, but this investigation reminds us it’s deadly”

      Working with The Detail in Northern Ireland, we found details of 149 people who died in the country. Most died while waiting to be housed by the country’s Housing Executive - some may have been in leased accommodation while they waited, but they were officially classed as homeless.

      “Not only will 449 families or significant others have to cope with their loss, they will have to face the injustice that their loved one was forced to live the last days of their life without the dignity of a decent roof over their head, and a basic safety net that might have prevented their death,” Sparkes from Crisis. No one deserves this.”

      A spokesperson from the Ministry of Housing, Communities and Local Government said:

      “Every death of someone sleeping rough on our streets is one too many and we take this matter extremely seriously.

      “We are investing £1.2bn to tackle all forms of homelessness, and have set out bold plans backed by £100m in funding to halve rough sleeping by 2022 and end it by 2027."


      https://www.thebureauinvestigates.com/stories/2018-10-08/homelessness-a-national-scandal?token=ssTw9Mg2I2QU4AYduMjt3Ny
      #noms #donner_un_nom #sortir_de_l'anonymat

    • Homelessness kills: Study finds third of homeless people die from treatable conditions

      Nearly a third of homeless people die from treatable conditions, meaning hundreds of deaths could potentially have been prevented, a major new study shows.

      The research by University College London (UCL), which was exclusively shared with the Bureau, also shows that homeless people are much more likely to die from certain conditions than even the poorest people who have a place to live.

      The findings come as the final count from our Dying Homeless project shows an average of 11 homeless people a week have died in the UK in the last 18 months. We have been collecting data dating back to October 2017 and telling the stories of those who have died on the streets or in temporary accommodation; our tally now stands at 796 people. Of those people we know the age of, more than a quarter were under 40 when then they died.

      While many might assume hypothermia or drug and alcohol overdoses kill the majority of homeless people, this latest research by UCL shows that in fact most homeless people die from illnesses. Nearly a third of the deaths explored by UCL were from treatable illnesses like tuberculosis, pneumonia or gastric ulcers which could potentially have improved with the right medical care.

      In February 2018, 48-year old Marcus Adams died in hospital after suffering from tuberculosis. The same year, 21 year old Faiza died in London, reportedly of multi-drug resistant pulmonary tuberculosis. Just before Christmas in 2017, 48-year-old former soldier Darren Greenfield died from an infection and a stroke in hospital. He had slept rough for years after leaving the army.

      “To know that so many vulnerable people have died of conditions that were entirely treatable is heartbreaking,” said Matthew Downie, Director of Policy and External Affairs at Crisis. The government should make sure all homeless deaths were investigated to see if lessons could be learned, he said.

      “But ultimately, 800 people dying homeless is unacceptable - we have the solutions to ensure no one has to spend their last days without a safe, stable roof over their head.
      “To know that so many vulnerable people have died of conditions that were entirely treatable is heartbreaking”

      “By tackling the root causes of homelessness, like building the number of social homes we need and making sure our welfare system is there to support people when they fall on hard times, governments in England, Scotland and Wales can build on the positive steps they’ve already taken to reduce and ultimately end homelessness.”
      Twice as likely to die of strokes

      Academics at UCL explored nearly 4,000 in-depth medical records for 600 people that died in English hospitals between 2013 and 2016 who were homeless when they were admitted. They compared them to the deaths of a similar group of people (in terms of age and sex) who had somewhere to live but were in the lowest socio-economic bracket.

      The research gives unprecedented insight into the range of medical causes of homeless deaths, and provides yet another reminder of how deadly homelessness is.

      The homeless group was disproportionately affected by cardiovascular disease, which includes strokes and heart disease. The researchers found homeless people were twice as likely to die of strokes as the poorest people who had proper accommodation.

      A fifth of the 600 deaths explored by UCL were caused by cancer. Another fifth died from digestive diseases such as intestinal obstruction or pancreatitis.

      Our database shows homeless people dying young from cancers, such as Istvan Kakas who died aged 52 in a hospice after battling leukaemia.

      Istvan, who sold The Big Issue, had received a heroism award from the local mayor after he helped save a man and his daughter from drowning. Originally from Hungary, he had previously worked as a chef under both Gordon Ramsay and Michael Caines.

      Rob Aldridge, lead academic on the UCL team, told the Bureau: “Our research highlights a failure of the health system to care for this vulnerable group in a timely and appropriate manner.”

      “We need to identify homeless individuals at risk earlier and develop models of care that enable them to engage with interventions proven to either prevent or improve outcomes for early onset chronic disease.”

      Of the deaths we have logged in the UK 78% were men, while 22% were female (of those where the gender was known). The average age of death for men was 49 years old and 53 years old for women.

      “It is easy for them to get lost in the system and forgotten about”
      The spread of tuberculosis

      In Luton, Paul Prosser from the NOAH welfare centre has seen a worrying prevalence of tuberculosis, particularly amongst the rough sleeping migrant community. A service visits the centre three times a year, screening for TB. “Last time they came they found eight people with signs of the illness, that’s really concerning,” said Prosser.

      “There are a lot of empty commercial properties in Luton and you find large groups of desperate homeless people, often migrants, squatting in them. It is easy for them to get lost in the system and forgotten about and then, living in such close quarters, that is when the infection can spread.”

      “When people dip in and out of treatment that is when they build a resistance to the drugs,” Prosser added. “Some of these people are leading chaotic lives and if they are not engaging that well with the treatment due to having nowhere to live then potentially that is when they become infectious.”

      One man NOAH was helping, Robert, died in mid-2017 after moving from Luton to London. The man, originally from Romania, had been suffering from TB for a long time but would only access treatment sporadically. He was living and working at a car-wash, as well as rough sleeping at the local airport.

      Making them count

      For the last year the Bureau has been logging the names and details of people that have died homeless since October 1, 2017. We started our count after discovering that no single body or organisation was recording if and when people were dying while homeless.

      More than 80 local news stories have been written about the work and our online form asking for details of deaths has been filled in more than 140 times.

      Our work and #MakeThemCount hashtag called for an official body to start collecting this vital data, and we were delighted to announce last October that the Office for National Statistics is now collating these figures. We opened up our database to ONS statisticians to help them develop their methodology.

      We also revealed that local authority reviews into homeless deaths, which are supposed to take place, were rarely happening. Several councils, including Brighton & Hove, Oxford, Malvern and Leeds have now said they will undertake their own reviews into deaths in their area, while others, such as Haringey, have put in place new measures to log how and when people die homeless.

      Councillor Emina Ibrahim, Haringey Council’s Cabinet Member for Housing, told the Bureau: “The deaths of homeless people are frequently missed in formal reviews, with their lives unremembered. Our new procedure looks to change that and will play an important part in helping us to reduce these devastating and avoidable deaths.”

      Members of the public have also come together to remember those that passed away. In the last year there have been protests in Belfast, Birmingham and Manchester, memorial services in Brighton, Luton and London, and physical markers erected in Long Eaton and Northampton. Last week concerned citizens met in Oxford to discuss a spate of homeless deaths in the city.

      In a response to the scale of the deaths, homeless grassroots organisation Streets Kitchen are now helping to organise a protest and vigil which will take place later this week, in London and Manchester.

      After a year of reporting on this issue, the Bureau is now happy to announce we are handing over the counting project to the Museum of Homelessness, an organisation which archives, researches and presents information and stories on homelessness.
      “The sheer number of people who are dying whilst homeless, often avoidably, is a national scandal”

      The organisation’s co-founder Jess Turtle said they were honoured to be taking on this “massively important” work.

      “The sheer number of people who are dying whilst homeless, often avoidably, is a national scandal,” she said. “Museum of Homelessness will continue to honour these lives and we will work with our community to campaign for change as long as is necessary.”

      Matt Downie from Crisis said the Bureau’s work on the issue had achieved major impact. “As it comes to an end, it is difficult to overstate the importance of the Dying Homeless Project, which has shed new light on a subject that was ignored for too long,” he said. “It is an encouraging step that the ONS has begun to count these deaths and that the stories of those who have so tragically lost their lives will live on through the Museum of Homelessness.”

      The government has pledged to end rough sleeping by 2027, and has pledged £100m to try to achieve that goal, as part of an overall £1.2bn investment into tackling homelessness.

      “No one is meant to spend their lives on the streets, or without a home to call their own,” said Communities Secretary James Brokenshire. “Every death on our streets is too many and it is simply unacceptable to see lives cut short this way.”

      “I am also committed to ensuring independent reviews into the deaths of rough sleepers are conducted, where appropriate – and I will be holding local authorities to account in doing just that.”

      https://www.thebureauinvestigates.com/stories/2019-03-11/homelessness-kills

      #statistiques #chiffres #mortalité

    • Homeless Link responds to Channel 4 report on homeless deaths

      Today, The Bureau Investigative of Journalism released figures that revealed almost 800 people who are homeless have died over the last 18 months, which is an average of 11 every week. The report also shows that a third (30%) of the homeless deaths were from treatable conditions that could have improved with the right medical care.
      Many other deaths in the study, beyond that third, were from causes like suicide and homicide.

      Responding Rick Henderson, Chief Executive of Homeless Link, said: “These figures bring to light the shocking inequalities that people who experience homelessness face. People are dying on our streets and a significant number of them are dying from treatable or preventable health conditions.

      “We must address the fact that homelessness is a key health inequality and one of the causes of premature death. People who are experiencing homelessness struggle to access our health services. Core services are often too exclusionary or inflexible for people who are homeless with multiple and complex needs. This means people aren’t able to access help when they need it, instead being forced to use A&E to “patch up” their conditions before being discharged back to the streets. Services need to be accessible, for example by expanding walk-in primary care clinics or offering longer GP appointment times to deal with people experiencing multiple needs. We also need to expand specialist health services for people who are homeless to stop people falling through the gaps.

      “This research also highlights the other causes of death that people who are homeless are more likely to experience. Research shows that people who are homeless are over nine times more likely to take their own life than the general population and 17 times more likely to be the victims of violence.

      “Homeless Link is calling on the Government in its upcoming Prevention Green Paper to focus on addressing these inequalities, start to tackle the structural causes of homelessness, and make sure everyone has an affordable, healthy and safe place to call home and the support they need to keep it.”

      https://www.homeless.org.uk/connect/news/2019/mar/11/homeless-link-responds-to-channel-4-report-on-homeless-deaths

  • EGYPTIAN PROJECT - Home
    https://www.facebook.com/egyptianproject

    https://vimeo.com/36898358

    The Egyptian Project, musiques soufies à la sauce électro, concoctées par Jérôme Ettinger. On peut y voir du chic exotique ("Egyptian Project vous entraîne dans un voyage en Orient. Des bords du Nil à l’agitation du Caire, en passant par les Besharis du désert, les tableaux colorés, envoûtants et électronisants s’enchaînent...") ou le fruit d’une belle collaboration respectueuse...

    More of an infusion than a fusion, Egyptian Project is the result of a long and commited collaboration between the defenders of Egyptian tradition and a young French musician who mix the sounds of the Nile delta and Cairo with the ambiances of trip-hop, electro, hip-hop, and even classical music. « The fluvial meeting of oriental fragrances and minimalist electronic sounds » makes for a journey into unexplored territories.

    (En fait, les deux extraits sont le fruits de charcutages d’un même texte initial, opéré d’un côté par une salle parisienne (http://www.petitbain.org/-Petit-Bain-) et par une scène plutôt alternative cairote (http://www.culturewheel.com/en/event/2018-03-23/3065).

    A vous de choisir votre version !