• Forensic Architecture’s investigations are both art and evidence

    There is barely a whisper during the premiere of the film Situated Testimonies of Grenfell at the Royal College of Art in London. Nobody even glances at a phone; we are immersed in that terrible night in 2017 when fire ripped through Grenfell Tower in west London, killing 72 people.

    Including recordings of emergency calls, accounts of residents’ pre-existing safety concerns and social-media footage of the blaze, the film also reveals the process of its own construction as we see architectural software developers sit with survivors and eyewitnesses, while software experts recreate the building and its destruction using 3D modelling. Meticulous and detached yet filled with emotion, the film is a chilling, unequivocal condemnation of the multi-agency failures that led to the tragedy.

    The film is also a form of evidence. Created by multidisciplinary research agency Forensic Architecture, in collaboration with members of the Grenfell community, Situated Testimonies of Grenfell was prepared for a civil claim against private companies, local and government agencies and the London fire brigade.

    From Banksy’s refugee-friendly actions to the exposés of Ai Weiwei, numerous creative practitioners narrow the gap between art and life. But few walk that tightrope with more purposeful precision or powerful effect than Forensic Architecture. Founded by the British-Israeli architect Eyal Weizman in 2010, the collective’s members include architects, lawyers, scientists, software developers and “aesthetic practitioners” such as artists and curators. Based at Goldsmiths, University of London, where Weizman teaches, the collective’s reports, which investigate alleged acts of violence by state or corporate agencies, have stretched from Myanmar to the US.

    Its varied skillsets — from detailed analysis of a photograph or footage to the reconstruction of a bullet’s trajectory — help them to expose falsehoods and lacunae in official narratives. Its recent report, Inhumane Zones, into alleged human rights violations in Gaza, is being used by South Africa in its case against Israel at the International Court of Justice.

    But their work operates as art as well as evidence: the agency has also been shortlisted for the Turner prize. Shown at Tate Britain, their Turner installation centred on a film about the shooting of a Bedouin villager, Yaqub Musa Abu alQu’ian, and a policeman, Erez Levi, by Israeli police. Another film, The Killing of Mark Duggan, was central to War Inna Babylon: The Community’s Struggle for Truths and Rights, an exhibition about Black activism and resistance at the ICA in London in 2021.

    “There’s a parallel between forensics and curating,” Weizman says as we sit down in a light-filled studio at Goldsmiths. “You need to proceed with an argument using images, and sometimes objects, and you need to tell a story that is convincing and coherent.”

    Although Weizman studied at the Architectural Association in London, his awareness that architecture had its own politics was seeded in his Israeli youth. Born in Haifa in 1970, Weizman grew up alongside Palestinian people. He has fond memories of Haifa: “It was so fabulous . . . with the mountains [and] the sea on all sides.” But he also observed an “architecture of colonisation”: Israeli neighbourhoods occupied the city’s heights while Palestinians were “contained” in the valley. Returning after his studies, he focused on how architecture was employed to reinforce Israeli domination, particularly in the Occupied Territories.

    His work has always raised hackles. In 2002, the Israeli Association of United Architects cancelled an exhibition that it had commissioned from Weizman and his fellow architect Rafi Segal for the Berlin Congress of Architecture about settlement construction. Entitled A Civilian Occupation: The Politics of Israeli Architecture, it was described by the commissioners as “one-sided political propaganda”. However Esther Zandberg, the architecture critic of Israeli newspaper Haaretz, defended the show and its catalogue as a “rare work in its power and importance”.

    The cancellation triggered international media attention — “The New York Times reported on it and made a big fuss, so everybody wanted to see what was censored,” Weizman says — and a new series of shows evolved, entitled Territories, which preceded the foundation of Forensic Architecture.

    By now, Weizman was “thinking very hard about presenting evidence in public spaces”. Yet he was surprised to find himself adopting forensics — or counter-forensics, as he sometimes dubs it — as a tactic. “If someone had told me I would end up running a forensic agency 20 years ago . . . I would have been appalled.” he says. But there was also, as he puts it, “a battle about truth”.

    He pauses. “The way I experienced colonialism is that it’s a violence against people but it’s also a violence against truth. Against the truth that those things have happened.” The decision to create Forensic Architecture was a bid to “work collaboratively and in a multidisciplinary way” and “take forensics out of the court and into the public domain of art and media”.

    Today, Forensic Architecture numbers a core team of 26 plus a further 13 research fellows. Their funding comes from donors and organisations, such as the Sigrid Rausing Trust, and income from commissions and exhibitions. They are no strangers to challenge. At the Whitney Biennial 2019, their film Triple-Chaser investigated a tear-gas grenade manufactured by a group owned by Whitney Museum vice-chair Warren Kanders, who had become an object of protest since the group’s tear gas was fired at civilians by US border guards. Triple-Chaser intensified the pressure on Kanders to resign, which he did.

    Weizman embraces the friction. Forensic’s work, he says, “should sit uneasy within an art institution . . . [Museums] want political credibility. They invite us and then they are surprised when our art becomes political!”

    In legal settings, they work to “transform what can be presented as evidence”. Weizman takes a breath. “The law is very conservative. It took a few decades before photography was considered reliable evidence. Now it’s the same with open-source evidence [such as that] captured on Twitter and YouTube. You need to claim other ways of seeing; other ways of telling.”

    The scrupulous remapping within a report such as Inhumane Zones, which compares Israeli plans for safe zones and humanitarian aid in Gaza with UN satellite imagery, media footage and witness testimony, exemplifies Weizman’s observation that his team’s job is to “interpret weak signals”, perhaps no more than “a few pixels in an image, a faint trace, on a tree, on the ground marked in the concrete”. In a world where truth is so contested, that skill has never been more valuable.

    https://www.ft.com/content/39a9a6b5-74da-48c2-a9b4-f7183bf8bd0a
    #art #art_et_politique #architecture_forensique #preuve #Eyal_Weizman #Grenfell #esthétique #vérité #violence #colonialisme

  • Le piège de la frontiere de Nador-Melilla
    Résumé

    https://vimeo.com/954056937/358dd8498d

    Le #24_juin_2022, près de deux-mille personnes migrantes ont tenté de traverser la barrière-frontalière séparant la ville de #Nador – au nord-est du Maroc – de Melilla – enclave sous contrôle espagnol. La #répression violente qui leur a été infligée par les forces de l’ordre marocaines et espagnoles a transformé le poste-frontière de #Barrio_Chino en #piège mortel, et a abouti à un véritable #charnier. Les autorités marocaines ont reconnu 23 décès, mais l’Association Marocaine des Droits Humains à Nador (AMDH) a dénombré au moins 27 personnes tuées lors de cette journée, et plus de 70 personnes demeurent disparues jusqu’à aujourd’hui. Que s’est-il passé le 24 juin 2022 ? Comment et par qui le poste-frontière de Barrio Chino a-t-il été transformé en piège mortel ?

    Pour répondre à ces questions, Border Forensics a enquêté pendant plus d’un an avec Irídia-Centre pour la Défense des Droits Humains, l’Association Marocaine des Droits Humains et d’autres acteurs de la société civile des deux côtés de la frontière. Par ailleurs, nous avons bénéficié des conseils complémentaires du Centre Européen pour les Droits Constitutionnels et Humains (ECCHR). En articulant notre analyse du massacre à travers différentes échelles spatiales et temporelles, nous avons tenté de comprendre non seulement l’enchaînement des évènements et les pratiques des acteurs présents sur place le 24 juin 2022, mais également les conditions structurelles qui ont rendu ce massacre possible, ainsi que la conjoncture politique qui a influé sur l’intensité extrême de la violence. Nous analysons également la violence qui a continué après le 24 juin à travers l’absence d’identification des morts et des disparus, l’impunité pour le massacre et l’acharnement judiciaire contre les personnes migrantes elles-mêmes.

    Bien que des zones d’ombre subsistent, les faits que nous avons reconstitués en croisant de nombreux éléments de preuve sont accablants, tant pour les autorités marocaines et espagnoles que pour l’Union européenne (UE) qui les soutient politiquement et financièrement. Les autorités des deux côtés de la frontière doivent faire toute la lumière sur ce massacre, et enfin répondre aux demandes de vérité et de justice des victimes et de leurs familles.


    https://www.borderforensics.org/fr/enquetes/nadormelilla
    #Melilla #Espagne #Maroc #frontières #massacre #mourir_aux_frontières #morts_aux_frontières #border_forensics #architecture_forensique #violence #violences_policières #contre-enquête #apartheid_frontalier #barrières_frontalières #murs #domination_raciale #impunité #préméditation #militarisation_des_frontières #identification #externalisation

  • #COLD_CASES

    These three videos 2021-22 investigate the politics of ‘cold’ through the examination of a series of cases and contexts in which the thermostatic condition of cold and its differential experiences and effects are entangled with legal questions, human rights violations, but also claims for social and environmental justice.

    Through the analysis of a series of contemporary as well as historic ‘cold cases’ the project explores the strategic role of temperature and speculates about the emergence of a new thermo-politics defined by cold.

    Each of these COLD CASES exposes the degree to which temperature becomes a register of violence. One that includes the leagcies of climate colonialism, longstanding socio-economic inequalities, and ongoing structural racism.

    https://susanschuppli.com/COLD-CASES-1

    #architecture_forensique #froid #décès #violence #température #thermopolitique #thermo-politique #racisme_structurel #Susan_Schuppli #mourir_de_froid #peuples_autochtones #eau #abandon #Canada

    ping @reka @fil @karine4

  • German colonial genocide in Namibia the #Hornkranz massacre

    Introduction

    On 12 April 1893, German colonial troops attacked the Nama settlement of ||Nâ‡gâs, known today as Hornkranz. Their intent was to destroy the settlement and its people, after its leader, Hendrik Witbooi, refused to sign so-called ‘protection’ treaties—tools of the German colonial administration for controlling sovereign indigenous nations and their lands. As their presence in what they declared in 1885 as ‘German Southwest Africa’ grew, the German regime was increasingly unwilling to tolerate the independence and agency exercised by Hendrik Witbooi and his clan in the face of the encroaching German empire.

    In their attack on Hornkranz, the Germans wanted to both make an example of the Witbooi clan and to punish them for their defiant rejection of German rule. Curt von Francois, who led the attack, made his objective clear: ‘to exterminate the Witbooi tribe’ (Bundesarchiv, R 1001/1483, p. 46). In this premeditated act of erasure, his troops massacred almost eighty women and children before capturing another hundred, burned what remained of the settlement to the ground, and established a garrison, rendering it impossible for survivors to return.

    Though the genocide of the Nama, Ovaherero and other peoples indigenous to what is now modern-day Namibia is widely recognised to have taken place between 1904 and 1908, the Nama people remember this massacre as the true first act in the genocide against them. This is substantiated not only by the clarity of the German objective to destroy the |Khowesin as a people, but also by the retrospective reading of Hornkranz as a clear precedent of the systemic tactics of dispossession and destruction that would be used by the Germans against the Nama, the Ovaherero, the San, and others in the years to come.

    Outside of the descendant communities, the events at Hornkranz have until now been overlooked and underrepresented, as has the cultural significance of the settlement itself within the dominant historiography, broadly based on the German visual and narrative record. The site of the former Witbooi settlement was expropriated and today constitutes a private farm, access to which is possible only with special permission from its owner. The descendants of Hornkranz are rarely able to visit their own cultural heritage sites and commemorate the struggle of their ancestors.

    The faint extant traces of the Witbooi settlement at Hornkranz can be identified today only with the guidance of the descendants and the historians that learned from them. Two plaques on the site are the only indications of the Nama presence on that land. One plaque was inaugurated by the community in 1997, the only occasion on which they were able to gather to commemorate the massacre at the site where it took place. The other plaque (date unknown) glorifies the German troops, even going so far as to include an offensive slur for the Nama; the massacre is described as a ‘battle’, conveying little of the atrocities perpetrated there.

    The descendants of Hornkranz and the wider Nama community continue to struggle for justice and for opportunities to correct the historical record and tell the story of Hornkranz on their own terms. In support of their efforts to resist this erasure, we worked with descendants, who have inherited knowledge of their community’s history through oral transmission over multiple generations, to reconstruct the lost settlement and produce a new body of visual evidence about the massacre and its aftermath. Led by their testimonies, we used modelling and mapping techniques along with our own field research and a very limited archival record to situate their accounts and rematerialize Hornkranz.

    Our reconstruction of the Witbooi settlement at Hornkranz aims to underscore the vitality of oral tradition in the act of reconstituting the colonial archive and testifies to the oral transmission of inherited knowledge as an ongoing act of resistance in itself.
    Background

    The |Khowesin (Witbooi) people, a semi-nomadic subtribe of the wider Nama peoples, settled around the perennial spring at Hornkranz in 1884-1885, the very period during which the Berlin Conference, formalising the fragmentation of Africa into colonies and protectorates, was taking place. The chief of the Witbooi clan, Hendrik Witbooi, later went on to become one of the most prominent figures of anti-colonial resistance in Southwest Africa, uniting all Nama clans and later forming a coalition with the Ovaherero to fight against the German colonial regime.

    Following the establishment of their settlement in Hornkranz, the Witbooi Nama lived relatively undisturbed until 1892, when first attempts to compel Hendrik Witbooi into signing a protection treaty began. Hendrik Witbooi, aware that the true objective of the so-called ‘protection treaties’ was nothing short of subjugation, was the last leader to refuse to comply:

    What are we being protected against? From what danger or difficulty, or suffering can one chief be protected by another? […] I see no truth or sense, in the suggestion that a chief who has surrendered may keep his autonomy and do as he likes.

    The German attempt to secure control over the peoples inhabiting the colony and their land is manifested in their mapping efforts. The first map we found featuring Hornkranz dates to 1892, the same year that the Germans began demanding the Witbooi sign such treaties. Despite Witbooi’s refusal to sign, Hornkranz is labelled in these German maps as ‘proposed Crown Land’ already six months before the attack—the very act of cartographic representation prefiguring the expulsion and massacre to follow less than a year later.

    After the Germans attacked Hornkranz, the Witboois were finally forced to concede and sign one of the protection treaties they had so long been resisting.

    A decade later, in 1904, the Nama joined the Ovaherero in an anti-colonial struggle against German rule. In response, the Germans issued an extermination order against the Ovaherero and later, another against the Nama. Hendrik Witbooi died in battle on 29 October 1905. Following his death, the Nama tribes surrendered. The extermination order against the Nama was never revoked.
    12 April 1893: The Attack and Aftermath

    The German troops approached the settlement in the early hours of 12 April, planning to attack under the cover of night without any warning. They then split into three contingents—a recounting of this strategy is recorded in the diary of Kurd Schwabe, one of the perpetrators of the attack. Von Francois led the attack from the northern side, entering the village first, while Schwabe approached from the east.

    Hendrik Witbooi, who was allegedly sitting outside of his house when he noticed the approaching troops, ordered all Nama fighters to retreat and take up defensive positions along the riverbed, where he expected the ensuing battle to take place. Instead, the German troops stopped when they reached the sleeping village and proceeded to target the defenceless population that had stayed behind. The brutality of the onslaught came as a shock to Hendrik Witbooi, who had not expected the Germans to unleash such ‘uncivilised’ tactics upon another sovereign nation.

    Sixteen thousand rounds of bullets were reportedly discharged by the Germans in the span of just thirty minutes. According to the testimony of descendants and corroborated by Schwabe’s diary, some victims were burned alive in their homes.

    The canisters recovered from the site during our fieldwork in September 2023 indicate where some exchange of fire may have taken place while the Witbooi fighters were retreating. While the found bullets were identified as those used by the Witbooi Nama, their location and distribution also corroborates written descriptions of the massacre unfolding in the inhabited area of the settlement, with stored ammunition exploding from inside the burning houses.

    The massacre yielded 88 victims: ten men, including one of Hendrik Witbooi’s sons, and 78 women and children.

    The following day, the German troops returned to raze what remained of the settlement to the ground. Promptly after, a garrison was established on the ashes of the Witbooi settlement, reinforcing the Germans’ clear intention to claim the land and prevent the Witboois from ever returning.

    Over the next year, the Witbooi Nama made several attempts to return to Hornkranz, resulting in four more skirmishes on the site. Eventually, they were forced to sign a protection treaty in Naukluft in August 1894, which cemented the dispossession of their land.

    The treaty meant that the Witbooi Nama were now obliged to assist the Schutztruppen in their battles against other tribes, most devastatingly at the Battle of Waterberg in August 1904 (see our Phase 1 investigation of this event). Once the Nama realised the true genocidal intent of the Schutztruppen, they united with the Ovaherero against colonial rule. The extermination order against the Nama was issued on 22 April 1905.

    After the genocidal war ended in 1908, Hornkranz was sold off to a private owner and a police station was established on its premises. Today, the police station building is the main farmhouse.

    Nama descendants are seeking to establish the 1893 massacre as the first act of genocide against the Nama, and 12 April as the official Genocide Remembrance Day in Namibia.

    This investigation—part of a larger collaboration between Forensic Architecture, Forensis, Nama Traditional Leaders Association (NTLA) and Ovaherero Traditional Authority (OTA)—seeks to support the community’s broader efforts to make the site accessible for commemoration and preservation.

    Methodology
    What Remains

    Little material evidence of Hornkranz survives today. This is in part due to the scale and totality of destruction by the Germans; but it is also a testament to the Witbooi’s steadfast resistance to being documented by the colonial regime, as well as to the light footprint the Nama exerted on the land through their semi-nomadic inhabitation and subsistence. The archival record about the Witbooi and Hornkranz is also sparse and skewed. Alongside an incomplete and biased colonial description of the massacre and the settlement, the only visual representation of Hornkranz on record is a soldier’s crude sketch showing its houses set alight by the German troops on the night of the massacre. The memory of Hornkranz as it was at the time of the attack lives on instead through the descendant communities who have inherited the testimonies of their forebearers about its material culture, rituals, life and environmental practices; our reconstruction and understanding of Hornkranz is possible only insofar as we are led by their testimonies.

    Around the rectangular patch where Hendrik Witbooi’s house once stood, Maboss Ortman and Lazarus Kairabeb, NTLA advisors, identified stones they said are the ruins of the house. Right next to it is the only stone foundation in the settlement, that of a church still under construction at the time of the German assault. These two traces anchored us spatially when we began the 3D reconstruction. We were told by Zak Dirkse, a Nama historian, that Hendrik Witbooi’s house was located higher up in the settlement, with the other houses further down toward the river.

    The other remains and known landmarks of the original Hornkranz settlement help us to navigate it and determine its approximate boundaries. During our visit to the site, the farm owner pointed us to a long strip of clustered stones he explained were the remains of the settlement’s defensive walls, some 300 metres north-west of the church ruins. To the south, by the river, the settlement’s former cemetery is marked by the spread of small rectangular cut stones marking each grave. Further along the river, Maboss and Lazarus showed us the remains of two defensive ramparts, guard outposts downhill from the settlement on its outer edges. They recounted that these ramparts were identifiable to the Witbooi from a distance by a white cornerstone that stands out among the brown stones the rest of the rampart is made of. The ramparts are placed along the hill leading down to the river and would have had a wide lookout view. A few steps to the west of one of the ramparts, we found what brought the Witbooi to this area, a rare perennial spring, which acted not only as a fresh water source for the village, but as a lifeline to the fauna and flora on which the Witbooi relied to survive. Since the early 20th century, this spring has been surrounded to its north by a concrete dam. By establishing this constellation of remains and landmarks, we were able to clarify the approximate outer edges of the settlement.

    Reconstruction

    To reconstruct the Hornkranz settlement, departing from the few architectural landmarks at our disposal, we replicated the architecture of each house and the elements of family life around it, estimated the area of inhabitation within the settlement, and constructed possible layouts of house distribution within the settlement. This reconstruction was led by the close guidance of descendants of the Witbooi we met with in Gibeon, the expertise of Nama historian Zak Dirkse, and the feedback of the Witbooi Royal House council, the representative body of the Witbooi Nama. Our model represents the most comprehensive visual reconstruction of the Witbooi settlement to date.

    Architecture of the Settlement

    Houses in Hornkranz consisted mostly of round domed huts, between four and five metres in diameter, and constructed with cladding made out of reed mat or a mix of animal dung and clay. Zak explained that these huts would have been constructed on a light foundation made up of the same dung and clay mixture spread on the ground. A central pole would act as the main structural pillar on which the reed mats would rest. According to members of the Witbooi descendants, alongside these huts there would have been other houses built of stone, like that of Hendrik Witbooi. Descendants also explained that houses typically had two entrances opposite one another and positioned on an east-west axis with the main entrance facing east.

    Working with the community descendants and Zak, we used 3D modelling software to reconstruct what a typical family home would have looked like. We were told that outside the houses, many families would have had a round kraal lined with a light wooden fence where they kept smaller livestock. Close to the main entrance, they would also have had a fireplace and a simple wooden rack to hang and dry meat. The main kraal of the settlement was near the chief’s house, where a separate storage hut also stood.

    The light environmental trace of the Nama, the German colonial army’s obliteration of the settlement, the failure of subsequent administrations to engage in preservation efforts, and the conversion of the land into a private farm all make it difficult to locate definitive traces of the layout and location of homes based on what little remains at the modern-day site. Nevertheless, by closely reading the texture of the ground, we found possible traces of cleared, round areas surrounded by larger rocks, and noted areas of sparse vegetation growth, a potential indicator of the impact of the huts’ clay-dung foundations. We marked five possible sites where Witbooi homes might have stood.

    Zak explained that a defensive wall would have flanked the settlement along its more vulnerable northern and eastern fronts. We studied the contours of the landscape to estimate, based on the presence of limited remains, how the wall might have cut through the landscape. We estimate that the eastern wall may have been constructed along the peak of the hill to the settlement’s east, given its optical reach and defensive position.

    Area of Inhabitation

    To estimate the area of inhabitation and the settlement’s population, we studied the remaining ruins of the settlement, the terrain of the landscape, and the land’s geological features.

    Houses, we were told, would have been built on flatter ground. We used a 12.5 metre resolution digital elevation model (DEM) to build the terrain in our 3D model and further analysed it in geographic information system (GIS) software. From the DEM, we extracted the contour lines of the landscape and conducted a slope analysis, which calculates the percentage of slope change in the settlement. Analysis of the contours and the areas of low slope help to define the curvature of the settlement’s inhabitation.
    Contour Analysis - 1 metre contours of the site of Hornkranz derived from a digital elevation model (DEM). (Forensic Architecture/Forensis)

    We then traced and excluded uninhabitable geological features from the area of potential inhabitation, including bodies of water and large embedded rock formations. Together, the land’s features, its topography, and our estimated location of the defensive wall help establish where people may have lived.

    Layout of Hornkranz

    Building on the traces of potential houses we previously identified within the landscape and the descendant’s description of the settlement, we were able to algorithmically model potential layouts of the settlement. We used the 3D procedural modelling software application Houdini to design an algorithm that would generate possible layouts of the settlement according to a set of rules, including our defined area of potential inhabitation and the approximate space each household would need for its family life (which we approximate to be a radius of 10 metres). The rules fed to the algorithm were that the houses had to be at least 20 metres apart, each house was approximately 5 metres in size, and there were sixty houses in total with a deviation of +/- ten houses.

    According to the Hornkranz descendants, there would have been around four to six people per household. With an average of five people per household, we estimate the population to be around 300 people per household.
    Number of inhabitants

    The exact population size of Hornkranz at the time of the attack is not known. Sources provide estimates ranging from 250 up to nearly one thousand inhabitants.

    In addition to the members of the |Khowesin Nama clan, Hendrik Witbooi also gathered followers from other clans at Hornkranz, including the ǀAixaǀaen (Afrikaner Oorlams), ǁKhauǀgoan (Swartbooi Nama), Khaiǁkhaun (Red Nation Nama) and ǂAonin (Topnaar Nama). Indeed, the various Nama subtribes were elastic social entities.

    We estimated the 1893 population of Hornkranz by referencing the reported number of individuals killed and captured. Hendrik Witbooi wrote in his diary that 88 people were killed by the Germans that day, 78 of them women and children and ten of them men, with one hundred women and children captured by German colonial forces. Other sources indicate a similar number of casualties: 85 women and children, and ten men (Missonary Olpp, cited in Steinmetz 2009). Descendant narratives also mention the successful escape of some women and children during the German assault. Assuming that before the attack, women and children totalled at least 178 (according to Hendrik Witbooi’s figures), and that women and children made up around three out of five family members in an average household, we estimate there could have been around sixty households and three hundred people in Hornkranz on the dawn of the German attack.

    https://forensic-architecture.org/investigation/restituting-evidence-genocide-and-reparations-in-german-colon

    #Allemagne #colonialisme #massacre #génocide #Namibie #architecture_forensique #histoire #histoire_coloniale #témoignage #Nama #Hendrik_Witbooi #Witbooi #Curt_von_Francois #Ovaherero #San

    ping @reka

  • #Homicide de #Bilal_M. : la #reconstitution 3D invalide la version policière
    https://www.youtube.com/watch?v=-tZ-8v0v9dU&embeds_referring_euri=https%3A%2F%2Fwww.index.ngo%2F&em

    Le 23 juin 2021, Bilal M., 34 ans, est tué par des policiers qui procèdent à son expulsion locative. Ces derniers ont plaidé la légitime défense, accusant Bilal M. de les avoir agressés avec un couteau. INDEX a mené une #contre-enquête et révèle des #incohérences majeures dans la version policière des faits.

    https://www.index.ngo/enquetes/homicide-de-bilal-m-la-reconstitution-3d-invalide-la-version-policiere
    #Bilal #reconstruction #police #violences_policières #France #architecture_forensique #INDEX

  • The Planning of Palestine: Urban Planning under and as Occupation with #Dana_Erekat and #Eyal_Weizman

    This episode is about planning in Palestine, and especially Gaza. As you all know, this is a podcast about Latin American Cities. However, right now it seems difficult to talk or think about anything other than the genocide unfolding in Palestine. Many of those of us who think critically about Latin American cities find so many connections between our histories and struggles and the settler-colonial project of Israel and its occupation of Palestine. This is particularly true when we reflect on the role of planning and architecture in cementing the occupation, dispossession and violence upon Palestinian people, and particularly Gazans. This is the focus of today’s episode.

    To discuss this, it is truly my privilege to host cohost, Mekarem Eljamal and our two guests, Dana Erekat and Eyal Weizman.

    Dana is a Palestinian architect and planner, with a BA in architecture from UC Berkeley and an Masters in City Planing from MIT. The list of positions she has held is as impressive at it is long. Among these, she has worked with the UNDP, with the World Bank, the Kenyon Institute, and more. From 2013-2012, she was Head of Aid Management and Coordination Directorate/ Special Advisor to the Minister at the Palestinian Ministry of Planning and Administrative Development, during which she led the technical committee for the 2014 Gaza Reconstruction plan. She is currently the CEO of the data analytic company Whyise.

    Eyal Weizman is Professor of Spatial and Visual Cultures and founding director of the Centre for Research Architecture at Goldsmiths, University of London. He is perhaps most known as the founder and director of Forensic Architecture, a multidisciplinary research group based at Goldsmiths, University of London that uses architectural techniques and technologies to investigate cases of state violence and violations of human rights around the world.

    Mekarem Eljamal is a Doctoral Student in Urban Planning at Columbia GSAPP. Her current research looks into the political economy of “mixed cities” within Israel, with particular attention to how the discursive invocations and conceptualizations of the “mixed city” sit vis-à-vis the material realities of the city. Eljamal’s work draws heavily on settler colonial scholarship as she explores the ways in which the deployment of the mixed city classification intersects with questions of multiculturalism, right to the city, and citizenship.

    https://open.spotify.com/episode/5ADzbTjRf0prYjmUB5HnxO
    #urban_matter #Palestine #Israël #Gaza #villes #aménagement_territorial #urbanisme #architecture_forensique #dépossession #violence #occupation #à_écouter #à_lire #audio

  • Le dessous des images. Derniers instants avant le naufrage

    Au large de la Grèce, une équipe de garde-côtes survole et capture cette scène depuis un hélicoptère. Des centaines de migrants appellent au secours depuis un chalutier. La plupart ne survivront pas au naufrage. Mais à quoi a servi cette image ? Présenté par Sonia Devillers, le magazine qui analyse les images de notre époque.

    Ce cliché du 13 juin 2023 est repris dans toute la presse internationale. Les autorités grecques ont photographié ce bateau de pêche qu’ils savent bondé et fragile, et dont les passagers sont affamés et déshydratés. Pourtant, ils ne seront pas capables de les secourir. La responsabilité des garde-côtes sera mise en cause par médias et ONG. Arthur Carpentier, journaliste au Monde et coauteur d’une enquête sur ce naufrage, nous explique en quoi les images ont permis de reconstituer le drame. Le chercheur suisse Charles Heller nous aide à comprendre l’impact médiatique, politique et symbolique des images de migrants et de naufrages en Méditerranée.

    https://www.arte.tv/fr/videos/110342-133-A/le-dessous-des-images

    Citation de #Charles_Heller :

    « Ces #images cristallisent toutes les #inégalités et les #conflits du monde dans lequel on vit. Elles nous disent aussi la #normalisation de la #violence des #frontières, sur la large acceptation de dizaines de milliers de #morts aux frontières européennes, et en #Méditerranée en particulier »

    #naufrage #migrations #réfugiés #mer #Méditerranée #mer_Méditerranée #Grèce #reconstruction #Pylos #géolocalisation #architecture_forensique #images #mourir_en_mer #morts_en_mer #garde-côtes #Frontex #reconstitution #SAR #mer_Egée #border_forensics #domination #imaginaire #invasion #3_octobre_2013 #émoi #émotions #normalisation_de_la_violence

    ping @reka

    • Frontex report into Greek shipwreck suggests more deaths could have been prevented

      A Frontex report suggesting that many of the deaths caused by the shipwreck off the Greek coast near Pylos last June could have been prevented was released by the Aegean Boat Report NGO on their X feed yesterday evening (January 31).

      Investigations into what happened to the Adriana, an overcrowded fishing vessel carrying some 750 people from Libya to Italy that sank off the coast of Greece on June 13, are ongoing.

      However, a report produced by the European Border Agency Frontex — marked “sensitive” and dated December 1, 2023 — was posted to X (formerly known as Twitter) late on January 31.

      The report was posted by Aegean Boat Report, an organization working with migrants in the eastern Mediterranean.

      In their post on X, they thank freelance Brussels-based journalist Eleonora Vasques for “making it available to the public.” Frontex told InfoMigrants in an email that they had released the report via their “Transparency Office.” They added that the “release wass part of a Public Access to Documents request, an important process that allows us to share information with the public.”

      Vasques writes regularly for the European news portal Euractiv. One of her latest reports looks into what happened in the Cutro shipwreck off Italy almost a year ago. The story was also sourced back to an internal Frontex report, which concluded that more lives could have potentially been saved if the response from Frontex and the Italian coast guard had been different.

      https://twitter.com/ABoatReport/status/1752800986664448090

      Long and detailed report

      The 17-page Pylos report from Frontex is redacted in parts and goes into great detail about what happened and which authorities and merchant ships were involved. It also compares timelines from various authorities, NGOs and media organizations.

      In the email to InfoMigrants, Frontex continued that they “strive to make such documents available in our Public Register of Documents as promptly as possible.” The Press Spokesperson Krzysztof Borowski wrote that the “Pylos tragedy is a stark reminder of the challenges and dangers faced at sea. We at Frontex share the profound concern and sadness of the public regarding this heartbreaking event.” He finished by saying: “Our thoughts are with all those affected by this tragedy, and we remain dedicated to our mission of safeguarding lives while ensuring border security.”
      Committment to ’assess cases more thoroughly

      Although the report finds that Frontex “followed applicable procedures”, it admitted that “going forward and based on a reviewed assessment methodology ... the team … should assess similar cases more thoroughly against the need to issue a Mayday alert.”

      A Mayday alert is a radio distress signal used at sea.

      The report appears to suggest that more could have been done on the day to prevent such a huge loss of life.

      According to the Frontex report posted on X, “in the hours following the sighting of Adriana, Frontex made three attempts to follow up on the case, by suggesting additional Frontex Surveillance Aircraft (FSA) sorties.”

      Frontex writes that “no reply was received by the Greek authorities to Frontex’ repeated offers until Adriana’s shipwreck.”

      Frontex made an initial statement on June 16 expressing “shock and sadness” at the events off Pylos.
      ’Greek authorities failed to timely declare a search and rescue situation’

      Although the investigating office at Frontex underlines that it is “not in a position to conclude what caused Adriana’s capsizing and shipwreck … it appears that the Greek authorities failed to timely declare a search and rescue and to deploy a sufficient number of appropriate assets in time to rescue the migrants.”

      The report stated that Frontex “regrets the lack of information provided by the Greek authorities to its enquiry but still expects to receive updates from the national investigations in progress.”

      According to Frontex’ timeline of the incident, the agency first learned about the existence of the fishing vessel carrying migrants on June 13 at around 10:12 UTC, or around 13:12 in Greek summer time. They spotted the vessel from their aerial surveillance plane Eagle 1. About four hours later, another update was sent to the fundamental rights monitor, but according to the report, nothing “out of the ordinary” was flagged regarding the vessel at this point.

      The next paragraph jumped to June 14 at 06.19 UTC, when the fundamental rights monitor received “another update … notifying that Adriana sank overnight and a SAR [Search and Rescue] was in progress.”
      ’Serious Incident Report’ launched by Frontex on June 26

      In the following days, the Office for Fundamental Rights at Frontex monitored the aftermath of the incident, states the report.

      They studied “Frontex’ own sightings of Adriana” along with “statements by Greek officials, and initial information reported in the media.”

      Frontex launched a “Serious Incident Report (SIR) on June 26, “to clarify the role of Frontex in the incident as well as the legality and fundamental rights compliance of the assistance to the boat in distress, and the coordination and conduct of rescue operation by national authorities.”

      According to a summary of that work, the first mention of the Adriana came from the Italian control authorities in Rome at 08:01 UTC on June 13.

      At that point, Rome’s search and rescue authorities contacted Greece’s authorities and Frontex about “a fishing vessel with approximately 750 migrants on board, known to be sailing within the Greek Search and Rescue Region at 06:51 UTC.” At that point, Rome had already alerted the authorities to “reports of two dead children on board.”

      After receiving this report, Frontex wrote that it directed its plane Eagle 1, which was already in the air, to fly over the fishing vessel “even though the vessel lay outside the normal patrolling route.”

      The report said the Eagle 1 spotted the “heavily overcrowded” vessel at 09:47 UTC and informed the Greek authorities. Ten minutes later, the plane left the area due to low fuel and returned to base.
      Italian authorities report Adriana ’adrift’ long before Greek authorities do

      By 13:18, Rome’s search and rescue authorities provided an update of the situation to Greek authorities and Frontex. At that point, they said the boat was “reported adrift” and had “seven people dead on board.”

      At 14:54, Frontex reportedly received an email from the NGO Watch The Med – Alarm Phone alerting Frontex, JRCC Piraeus, the Greek Ombudsman’s Office, UNHCR and others to the new location of the fishing boat. In that email, Alarm Phone stated there were “several very sick individuals, including babies” among the approximately 750 people on board and that the boat was “not able to sail.”

      About 30 minutes later, this email was forwarded by Frontex to the Greek National Coordination Center and JRCC Piraeus, and it was sent on to the Fundamental Rights Office.

      About an hour later, Frontex contacted the Greek authorities to request an update on the situation. Frontex also offered to deploy a surveillance aircraft to check on the ship’s current position, but reports it received no reply.

      Just under two and a half hours later, the Greek authorities did request that Frontex support them “in the detection of a migrant boat within the maritime area south of Crete, as part of another SAR operation.” This turned out to be a sailing boat with about 50 people on board.
      ’No reply was received’

      Later that evening, Frontex contacted the Greek authorities twice more and said no reply was received.

      At 23:20 UTC, Frontex redirected the plane that had been helping with the fishing boat off Crete to the last known position of the fishing vessel.

      The timeline moves to June 14. At 02:46 UTC, Frontex informs the Greek authorities that its plane was headed towards the last position of the fishing vessel. It says it received no reply from the Hellenic authorities.

      Over an hour passed before the plane, this time the Heron 2, reached the “operational area” where it spotted “nine maritime assets (eight merchant vessels and one Hellenic Coast Guard patrol vessel) and two helicopters involved in a large-scale SAR operation.” At that point, states Frontex in the report “no signs of the fishing vessel were spotted.”

      At 05:31, Frontex told the Greek authorities that its plane Heron 1 was about to leave the operation, but offered Eagle 1, which was already airborne, to help with the SAR operation. The Greek authorities replied over two hours later that “no further aerial surveillance support was needed for the time being.”
      No mention of dead bodies on board in Greek timeline

      The Frontex report then includes a similar timeline from the Greek authorities. In the Greek version, there is no initial mention of dead bodies on board. They say they established contact with those on board and “no request for assistance was addressed to the Greek authorities.”

      Although the Italians reported that the vessel was already adrift around 13:18 UTC, according to the Frontex report, in the Greek version, the vessel is “still sailing with a steady course and speed” at 15:00 UTC.

      Around that same time, a Maltese flagged commercial vessel approaches the fishing boat to supply them with food and water, as requested by the Greek authorities. According to the Greek report, the people on board were repeatedly asked if they were facing “any kind of danger” or were “in need of additional support.” Their answer, according to Greece, was “they just wanted to continue sailing towards Italy.”

      30 minutes later, again according to JRCC Piraeus, via satellite phone contact, those on board said they wanted to keep sailing.

      At 18:00, the boat was approached again. According to the report, the migrants “accepted water” from the Greek-flagged commercial vessel that approached them, but “threw the rest of the supplies into the sea.” This approach and refusal of assistance carried on into the evening.
      Adriana ’still holding a steady course and speed’

      At 19:40 UTC, according to the Greek report, a Greek coast guard vessel approached the fishing vessel and “remained at a close distance in order to observe it.” It was still holding a “steady course and speed, without any indications of sailing problems.”

      It was only at 22:40 UTC, according to the Greek report, that the fishing vessel “stopped moving and informed the Greek authorities that they had an engine failure.”

      A Greek coast guard vessel then immediately approached the vessel to assess the situation. Less than an hour later — at 23:04 UTC, but 02:04 local time on June 14 — the Greek report notes that the fishing vessel “took an inclination to the right side, then a sudden inclination to the left side and again a great inclination to the right side, and eventually capsized.”

      They said "people on the external deck fell in the sea and the vessel sunk within 10-15 minutes.” At that point, the Hellenic coast guard “initiated a SAR operation.”

      The Frontex report then notes “alleged discrepancies” between the various timelines and survivor statements given to the media.

      They say that many of the survivors reported that the Greek coast guard “tied ropes onto the fishing vessel in an effort to tow it,” which allegedly caused it to destabilize and capsize.

      In the past, the Greek coast guard have tied and towed vessels successfully towards safety.

      However, while the Greek coast guard acknowledged that one rope was attached around three hours before the boat sank to ascertain passengers’ conditions, there was “no attempt to tow it.”

      The rope, say the Greeks, was removed by the migrants on board just a few minutes later and the coast guard vessel moved a distance away to continue observation.
      Was Adriana stationary prior to capsizing or not?

      The BBC and several other media outlets also reported at the time that prior to capsizing and sinking, the fishing vessel had not moved for several hours.

      This is consistent with the Frontex timeline, which mentions the Italian authorities’ warnings that the boat was adrift the day before it eventually capsized.

      Later in the report, Frontex notes that many of the “alternative and complementary timelines” put together by international NGOs and journalists are “credible” as they quote “more than one source for each statement.”

      The Frontex report looks into the question of whether or not the Adriana was drifting for several hours before sinking.

      It concludes that the Faithful Warrior, one of the merchant tankers sent to assist, was tracked between 17:00 and 20:00 and was “likely stationary or moving at extremely slow speed (less than 1 knot),” indicating that the Adriana was probably not sailing normally until shortly before it capsized as the Greek report claimed.

      The report also consulted “maritime experts to gain insight into issues pertaining to stability when a trawler of Adriana’s type is overloaded with human cargo.” Although their consultations were not precise due to a lack technical data, the experts indicated that the amount of people on board could have destabilized the boat or affected its stability.
      Testimony from survivors

      A Frontex team took testimonies from survivors after the shipwreck. They said they were told there were between 125 and 150 Syrians on board, including five women and six children.

      Around 400-425 Pakistanis were on board, the report said, most of whom were placed on the lower decks. The access ladders had been removed, making it impossible for them to exit.

      There were also between 150 and 170 Egyptians and about 10 Palestinians on board. The alleged smugglers were all said to be Egyptians and enforced discipline with pocket knives.

      Numerous fights broke out on board, particularly after food ran out a few days into sailing. At some point, the captain allegedly suffered a heart attack and the boat was “drifting without engine for extended periods of time.” On day four, June 12, six people were reported to have died, and others had resorted to drinking urine or sea water.

      On day five, June 13, some migrants said they received supplies from two vessels and “at night … were approached by a small boat that they were asked to follow.”

      They said they could not do this because of their engine malfunction. Several of the migrants also allege that attempts were made to tow the vessel — presumably by the Hellenic coast guard, they said.

      Survivors also said that at one point, a boat tied a rope to the front of the Adriana and started “making turns”. This, they said, “caused the migrants to run to one side, their vessel started rocking, and eventually capsized within 15 minutes.”

      Only people on the upper decks were able to jump into the water.
      Greek authorities leave ’detailed questions answered’

      In July, Frontex said it approached the Greek authorities with a “detailed set of questions” but most of its questions were left unanswered.

      In conclusion, the Frontex Fundamental Rights Office concluded that although Frontex “upheld” all its “applicable procedures,” in the light of the information that had already been transmitted and similar situations in which Mayday alerts had been issued, the assessment could have been different and the process for issuing Mayday alerts in the future “needs to be reviewed.”

      The report admits that “at the time of the initial sighting [of the Adriana] by Eagle 1, there was reasonable certainty that persons aboard … were threatened by grave and imminent danger and required immediate assistance.”

      They also say the “resources mobilized by the [Greek] authorities during the day … were not sufficient for the objective of rescuing the migrants.”

      Frontex adds that the Greek authorities appear to have “delayed the declaration of SAR operation until the moment of the shipwreck when it was no longer possible to rescue all the people on board.”

      https://www.infomigrants.net/en/post/54928/frontex-report-into-greek-shipwreck-suggests-more-deaths-could-have-be

  • Le #village_sous_la_forêt, de #Heidi_GRUNEBAUM et #Mark_KAPLAN

    En #1948, #Lubya a été violemment détruit et vidé de ses habitants par les forces militaires israéliennes. 343 villages palestiniens ont subi le même sort. Aujourd’hui, de #Lubya, il ne reste plus que des vestiges, à peine visibles, recouverts d’une #forêt majestueuse nommée « Afrique du Sud ». Les vestiges ne restent pas silencieux pour autant.

    La chercheuse juive sud-africaine, #Heidi_Grunebaum se souvient qu’étant enfant elle versait de l’argent destiné officiellement à planter des arbres pour « reverdir le désert ».

    Elle interroge les acteurs et les victimes de cette tragédie, et révèle une politique d’effacement délibérée du #Fonds_national_Juif.

    « Le Fonds National Juif a planté 86 parcs et forêts de pins par-dessus les décombres des villages détruits. Beaucoup de ces forêts portent le nom des pays, ou des personnalités célèbres qui les ont financés. Ainsi il y a par exemple la Forêt Suisse, le Parc Canada, le Parc britannique, la Forêt d’Afrique du Sud et la Forêt Correta King ».

    https://www.villageunderforest.com

    Trailer :

    https://www.youtube.com/watch?v=ISmj31rJkGQ

    #israel #palestine #carte #Israël #afrique_du_sud #forêt #documentaire

    #film #documentaire #film_documentaire

    (copier-coller de ce post de 2014 : https://seenthis.net/messages/317236)

    • Documentary Space, Place, and Landscape

      In documentaries of the occupied West Bank, erasure is imaged in the wall that sunders families and communities, in the spaces filled with blackened tree stumps of former olive groves, now missing to ensure “security,” and in the cactus that still grows, demarcating cultivated land whose owners have been expelled.

      This materiality of the landscape becomes figural, such that Shehadeh writes, “[w]hen you are exiled from your land … you begin, like a pornographer, to think about it in symbols. You articulate your love for your land in its absence, and in the process transform it into something else.’’[x] The symbolization reifies and, in this process, something is lost, namely, a potential for thinking differently. But in these Palestinian films we encounter a documenting of the now of everyday living that unfixes such reification. This is a storytelling of vignettes, moments, digressions, stories within stories, and postponed endings. These are stories of interaction, of something happening, in a documenting of a being and doing now, while awaiting a future yet to be known, and at the same time asserting a past history to be remembered through these images and sounds. Through this there arises the accenting of these films, to draw on Hamid Naficy’s term, namely a specific tone of a past—the Nakba or catastrophe—as a continuing present, insofar as the conflict does not allow Palestinians to imagine themselves in a determinate future of place and landscape they can call their own, namely a state.[xi]

      In Hanna Musleh’s I’m a Little Angel (2000), we follow the children of families, both Muslim and Christian, in the area of Bethlehem affected by the 2000 Israeli armed forces attacks and occupation.[xii] One small boy, Nicola, suffered the loss of an arm when he was hit by a shell when walking to church with his mother. His kite, seen flying high in the sky, brings delighted shrieks from Nicola as he plays on the family terrace from which the town and its surrounding hills are visible in the distance. But the contrast between the freedom of the kite in this unlimited vista and his reduced capacity is palpable as he struggles to control it with his remaining hand. The containment of both Nicola and his community is figured in opposition to a possible freedom. What is also required of us is to think not of freedom from the constraints of disability, but of freedom with disability, in a future to be made after. The constraints introduced upon the landscape by the occupation, however, make the future of such living indeterminate and uncertain. Here is the “cinema of the lived,”[xiii] of multiple times of past and present, of possible and imagined future time, and the actualized present, each of which is encountered in the movement in a singular space of Nicola and his kite.


      http://mediafieldsjournal.squarespace.com/documentary-space-place-and-la/2011/7/18/documentary-space-place-and-landscape.html;jsessioni
      #cactus #paysage

    • Memory of the Cactus

      A 42 minute documentary film that combines the cactus and the memories it stands for. The film addresses the story of the destruction of the Palestinian villages of Latroun in the Occupied West Bank and the forcible transfer of their civilian population in 1967. Over 40 years later, the Israeli occupation continues, and villagers remain displaced. The film follows two separate but parallel journeys. Aisha Um Najeh takes us down the painful road that Palestinians have been forcefully pushed down, separating them in time and place from the land they nurtured; while Israelis walk freely through that land, enjoying its fruits. The stems of the cactus, however, take a few of them to discover the reality of the crime committed.

      https://www.youtube.com/watch?v=DQ_LjknRHVA

    • Aujourd’hui, j’ai re-regardé le film « Le village sous la forêt », car je vais le projeter à mes étudiant·es dans le cadre du cours de #géographie_culturelle la semaine prochaine.

      Voici donc quelques citations tirées du film :

      Sur une des boîtes de récolte d’argent pour planter des arbres en Palestine, c’est noté « make wilderness bloom » :

      Voici les panneaux de quelques parcs et forêts créés grâce aux fonds de la #diaspora_juive :

      Projet : « We will make it green, like a modern European country » (ce qui est en étroit lien avec un certaine idée de #développement, liée au #progrès).

      Témoignage d’une femme palestinienne :

      « Ils ont planté des arbres partout qui cachaient tout »

      Ilan Pappé, historien israëlien, Université d’Exter :

      « ça leur a pris entre 6 et 9 mois poru s’emparer de 80% de la Palestine, expulser la plupart des personnes qui y vivaient et reconstruire sur les villes et villages de ces personnes un nouvel Etat, une nouvelle #identité »

      https://socialsciences.exeter.ac.uk/iais/staff/pappe

      Témoignage d’un palestinien qui continue à retourner régulièrement à Lubya :

      « Si je n’aimais pas cet endroit, est-ce que je continuerais à revenir ici tout le temps sur mon tracteur ? Ils l’ont transformé en forêt afin d’affirmer qu’il n’y a pas eu de village ici. Mais on peut voir les #cactus qui prouvent que des arabes vivaient ici »

      Ilan Pappé :

      « Ces villages éaient arabes, tout comme le paysage alentour. C’était un message qui ne passait pas auprès du mouvement sioniste. Des personnes du mouvement ont écrit à ce propos, ils ont dit qu’ils n’aimaient vraiment pas, comme Ben Gurion l’a dit, que le pays ait toujours l’air arabe. (...) Même si les Arabes n’y vivent plus, ça a toujours l’air arabe. En ce qui concerne les zones rurales, il a été clair : les villages devaient être dévastés pour qu’il n’y ait pas de #souvenirs possibles. Ils ont commencé à les dévaster dès le mois d’août 1948. Ils ont rasé les maisons, la terre. Plus rien ne restait. Il y avait deux moyens pour eux d’en nier l’existence : le premier était de planter des forêts de pins européens sur les villages. Dans la plupart des cas, lorsque les villages étaient étendus et les terres assez vastes, on voit que les deux stratégies ont été mises en oeuvre : il y a un nouveau quartier juif et, juste à côté, une forêt. En effet, la deuxième méthode était de créer un quartier juif qui possédait presque le même nom que l’ancien village arabe, mais dans sa version en hébreu. L’objectif était double : il s’agissait d’abord de montrer que le lieu était originellement juif et revenait ainsi à son propriétaire. Ensuite, l’idée était de faire passer un message sinistre aux Palestiniens sur ce qui avait eu lieu ici. Le principal acteur de cette politique a été le FNJ. »

      #toponymie

      Heidi Grunebaum, la réalisatrice :

      « J’ai grandi au moment où le FNJ cultivait l’idée de créer une patrie juive grâce à la plantation d’arbres. Dans les 100 dernières années, 260 millions d’arbres ont été plantés. Je me rends compte à présent que la petite carte du grand Israël sur les boîtes bleues n’était pas juste un symbole. Etait ainsi affirmé que toutes ces terres étaient juives. Les #cartes ont été redessinées. Les noms arabes des lieux ont sombré dans l’oubli à cause du #Comité_de_Dénomination créé par le FNJ. 86 forêts du FNJ ont détruit des villages. Des villages comme Lubya ont cessé d’exister. Lubya est devenu Lavie. Une nouvelle histoire a été écrite, celle que j’ai apprise. »

      Le #Canada_park :

      Canada Park (Hebrew: פארק קנדה‎, Arabic: كندا حديقة‎, also Ayalon Park,) is an Israeli national park stretching over 7,000 dunams (700 hectares), and extending from No man’s land into the West Bank.
      The park is North of Highway 1 (Tel Aviv-Jerusalem), between the Latrun Interchange and Sha’ar HaGai, and contains a Hasmonean fort, Crusader fort, other archaeological remains and the ruins of 3 Palestinian villages razed by Israel in 1967 after their inhabitants were expelled. In addition it has picnic areas, springs and panoramic hilltop views, and is a popular Israeli tourist destination, drawing some 300,000 visitors annually.


      https://en.wikipedia.org/wiki/Canada_Park

      Heidi Grunebaum :

      « Chaque pièce de monnaie est devenue un arbre dans une forêt, chaque arbre, dont les racines étaient plantées dans la terre était pour nous, la diaspora. Les pièces changées en arbres devenaient des faits ancrés dans le sol. Le nouveau paysage arrangé par le FNJ à travers la plantation de forêts et les accords politiques est celui des #parcs_de_loisirs, des routes, des barrages et des infrastructures »

      Témoignage d’un Palestinien :

      « Celui qui ne possède de #pays_natal ne possède rien »

      Heidi Grunebaum :

      « Si personne ne demeure, la mémoire est oblitérée. Cependant, de génération en génération, le souvenir qu’ont les Palestiniens d’un endroit qui un jour fut le leur, persiste. »

      Témoignage d’un Palestinien :

      "Dès qu’on mange quelque chose chez nous, on dit qu’on mangeait ce plat à Lubya. Quelles que soient nos activités, on dit que nous avions les mêmes à Lubya. Lubya est constamment mentionnées, et avec un peu d’amertume.

      Témoignage d’un Palestinien :

      Lubya est ma fille précieuse que j’abriterai toujours dans les profondeurs de mon âme. Par les histoires racontées par mon père, mon grand-père, mes oncles et ma grande-mère, j’ai le sentiment de connaître très bien Lubya.

      Avi Shlaim, Université de Oxford :

      « Le mur dans la partie Ouest ne relève pas d’une mesure de sécurité, comme il a été dit. C’est un outil de #ségrégation des deux communautés et un moyen de s’approprier de larges portions de terres palestiniennes. C’est un moyen de poursuivre la politique d’#expansion_territoriale et d’avoir le plus grand Etat juif possible avec le moins de population d’arabes à l’intérieur. »

      https://www.sant.ox.ac.uk/people/avi-shlaim

      Heidi Grunebaum :

      « Les petites pièces de la diaspora n’ont pas seulement planté des arbres juifs et déraciné des arbres palestiniens, elles ont aussi créé une forêt d’un autre type. Une vaste forêt bureaucratique où la force de la loi est une arme. La règlementation règne, les procédures, permis, actions commandées par les lois, tout régulé le moindre espace de la vie quotidienne des Palestiniens qui sont petit à petit étouffés, repoussés aux marges de leurs terres. Entassés dans des ghettos, sans autorisation de construire, les Palestiniens n’ont plus qu’à regarder leurs maisons démolies »

      #Lubya #paysage #ruines #architecture_forensique #Afrique_du_Sud #profanation #cactus #South_african_forest #Galilée #Jewish_national_fund (#fonds_national_juif) #arbres #Palestine #Organisation_des_femmes_sionistes #Keren_Kayemeth #apartheid #résistance #occupation #Armée_de_libération_arabe #Hagana #nakba #exil #réfugiés_palestiniens #expulsion #identité #present_absentees #IDPs #déplacés_internes #Caesarea #oubli #déni #historicisation #diaspora #murs #barrières_frontalières #dépossession #privatisation_des_terres #terres #mémoire #commémoration #poésie #Canada_park

    • The Carmel wildfire is burning all illusions in Israel

      “When I look out my window today and see a tree standing there, that tree gives me a greater sense of beauty and personal delight than all the vast forests I have seen in Switzerland or Scandinavia. Because every tree here was planted by us.”

      – David Ben Gurion, Memoirs

      “Why are there so many Arabs here? Why didn’t you chase them away?”

      – David Ben Gurion during a visit to Nazareth, July 1948


      https://electronicintifada.net/content/carmel-wildfire-burning-all-illusions-israel/9130

      signalé par @sinehebdo que je remercie

    • Vu dans ce rapport, signalé par @palestine___________ , que je remercie (https://seenthis.net/messages/723321) :

      A method of enforcing the eradication of unrecognized Palestinian villages is to ensure their misrepresentation on maps. As part of this policy, these villages do not appear at all on Israeli maps, with the exception of army and hiking maps. Likewise, they do not appear on first sight on Google Maps or at all on Israeli maps, with the exception of army and hiking maps. They are labelled on NGO maps designed to increase their visibility. On Google Maps, the Bedouin villages are marked – in contrast to cities and other villages – under their Bedouin tribe and clan names (Bimkom) rather than with their village names and are only visible when zooming in very closely, but otherwise appear to be non-existent. This means that when looking at Google Maps, these villages appear to be not there, only when zooming on to a very high degree, do they appear with their tribe or clan names. At first (and second and third) sight, therefore, these villages are simply not there. Despite their small size, Israeli villages are displayed even when zoomed-out, while unrecognized Palestinian Bedouin villages, regardless of their size are only visible when zooming in very closely.


      http://7amleh.org/2018/09/18/google-maps-endangering-palestinian-human-rights
      Pour télécharger le rapport :
      http://www.7amleh.org/ms/Mapping%20Segregation%20Cover_WEB.pdf

    • signalé par @kassem :
      https://seenthis.net/messages/317236#message784258

      Israel lifted its military rule over the state’s Arab community in 1966 only after ascertaining that its members could not return to the villages they had fled or been expelled from, according to newly declassified archival documents.

      The documents both reveal the considerations behind the creation of the military government 18 years earlier, and the reasons for dismantling it and revoking the severe restrictions it imposed on Arab citizens in the north, the Negev and the so-called Triangle of Locales in central Israel.

      These records were made public as a result of a campaign launched against the state archives by the Akevot Institute, which researches the Israeli-Palestinian conflict.

      After the War of Independence in 1948, the state imposed military rule over Arabs living around the country, which applied to an estimated 85 percent of that community at the time, say researchers at the NGO. The Arabs in question were subject to the authority of a military commander who could limit their freedom of movement, declare areas to be closed zones, or demand that the inhabitants leave and enter certain locales only with his written permission.

      The newly revealed documents describe the ways Israel prevented Arabs from returning to villages they had left in 1948, even after the restrictions on them had been lifted. The main method: dense planting of trees within and surrounding these towns.

      At a meeting held in November 1965 at the office of Shmuel Toledano, the prime minister’s adviser on Arab affairs, there was a discussion about villages that had been left behind and that Israel did not want to be repopulated, according to one document. To ensure that, the state had the Jewish National Fund plant trees around and in them.

      Among other things, the document states that “the lands belonging to the above-mentioned villages were given to the custodian for absentee properties” and that “most were leased for work (cultivation of field crops and olive groves) by Jewish households.” Some of the properties, it adds, were subleased.

      In the meeting in Toledano’s office, it was explained that these lands had been declared closed military zones, and that once the structures on them had been razed, and the land had been parceled out, forested and subject to proper supervision – their definition as closed military zones could be lifted.

      On April 3, 1966, another discussion was held on the same subject, this time at the office of the defense minister, Levi Eshkol, who was also the serving prime minister; the minutes of this meeting were classified as top secret. Its participants included: Toledano; Isser Harel, in his capacity as special adviser to the prime minister; the military advocate general – Meir Shamgar, who would later become president of the Supreme Court; and representatives of the Shin Bet security service and Israel Police.

      The newly publicized record of that meeting shows that the Shin Bet was already prepared at that point to lift the military rule over the Arabs and that the police and army could do so within a short time.

      Regarding northern Israel, it was agreed that “all the areas declared at the time to be closed [military] zones... other than Sha’ab [east of Acre] would be opened after the usual conditions were fulfilled – razing of the buildings in the abandoned villages, forestation, establishment of nature reserves, fencing and guarding.” The dates of the reopening these areas would be determined by Israel Defense Forces Maj. Gen. Shamir, the minutes said. Regarding Sha’ab, Harel and Toledano were to discuss that subject with Shamir.

      However, as to Arab locales in central Israel and the Negev, it was agreed that the closed military zones would remain in effect for the time being, with a few exceptions.

      Even after military rule was lifted, some top IDF officers, including Chief of Staff Tzvi Tzur and Shamgar, opposed the move. In March 1963, Shamgar, then military advocate general, wrote a pamphlet about the legal basis of the military administration; only 30 copies were printed. (He signed it using his previous, un-Hebraized name, Sternberg.) Its purpose was to explain why Israel was imposing its military might over hundreds of thousands of citizens.

      Among other things, Shamgar wrote in the pamphlet that Regulation 125, allowing certain areas to be closed off, is intended “to prevent the entry and settlement of minorities in border areas,” and that “border areas populated by minorities serve as a natural, convenient point of departure for hostile elements beyond the border.” The fact that citizens must have permits in order to travel about helps to thwart infiltration into the rest of Israel, he wrote.

      Regulation 124, he noted, states that “it is essential to enable nighttime ambushes in populated areas when necessary, against infiltrators.” Blockage of roads to traffic is explained as being crucial for the purposes of “training, tests or maneuvers.” Moreover, censorship is a “crucial means for counter-intelligence.”

      Despite Shamgar’s opinion, later that year, Prime Minister Levi Eshkol canceled the requirement for personal travel permits as a general obligation. Two weeks after that decision, in November 1963, Chief of Staff Tzur wrote a top-secret letter about implementation of the new policy to the officers heading the various IDF commands and other top brass, including the head of Military Intelligence. Tzur ordered them to carry it out in nearly all Arab villages, with a few exceptions – among them Barta’a and Muqeible, in northern Israel.

      In December 1965, Haim Israeli, an adviser to Defense Minister Eshkol, reported to Eshkol’s other aides, Isser Harel and Aviad Yaffeh, and to the head of the Shin Bet, that then-Chief of Staff Yitzhak Rabin opposed legislation that would cancel military rule over the Arab villages. Rabin explained his position in a discussion with Eshkol, at which an effort to “soften” the bill was discussed. Rabin was advised that Harel would be making his own recommendations on this matter.

      At a meeting held on February 27, 1966, Harel issued orders to the IDF, the Shin Bet and the police concerning the prime minister’s decision to cancel military rule. The minutes of the discussion were top secret, and began with: “The mechanism of the military regime will be canceled. The IDF will ensure the necessary conditions for establishment of military rule during times of national emergency and war.” However, it was decided that the regulations governing Israel’s defense in general would remain in force, and at the behest of the prime minister and with his input, the justice minister would look into amending the relevant statutes in Israeli law, or replacing them.

      The historical documents cited here have only made public after a two-year campaign by the Akevot institute against the national archives, which preferred that they remain confidential, Akevot director Lior Yavne told Haaretz. The documents contain no information of a sensitive nature vis-a-vis Israel’s security, Yavne added, and even though they are now in the public domain, the archives has yet to upload them to its website to enable widespread access.

      “Hundreds of thousands of files which are crucial to understanding the recent history of the state and society in Israel remain closed in the government archive,” he said. “Akevot continues to fight to expand public access to archival documents – documents that are property of the public.”

    • Israel is turning an ancient Palestinian village into a national park for settlers

      The unbelievable story of a village outside Jerusalem: from its destruction in 1948 to the ticket issued last week by a parks ranger to a descendent of its refugees, who had the gall to harvest the fruits of his labor on his own land.

      Thus read the ticket issued last Wednesday, during the Sukkot holiday, by ranger Dayan Somekh of the Israel Nature and Parks Authority – Investigations Division, 3 Am Ve’olamo Street, Jerusalem, to farmer Nidal Abed Rabo, a resident of the Jerusalem-area village of Walaja, who had gone to harvest olives on his private land: “In accordance with Section 228 of the criminal code, to: Nidal Abed Rabo. Description of the facts constituting the offense: ‘picking, chopping and destroying an olive tree.’ Suspect’s response: ‘I just came to pick olives. I pick them and put them in a bucket.’ Fine prescribed by law: 730 shekels [$207].” And an accompanying document that reads: “I hereby confirm that I apprehended from Nidal Abed Rabo the following things: 1. A black bucket; 2. A burlap sack. Name of the apprehending officer: Dayan Somekh.”

      Ostensibly, an amusing parody about the occupation. An inspector fines a person for harvesting the fruits of his own labor on his own private land and then fills out a report about confiscating a bucket, because order must be preserved, after all. But no one actually found this report amusing – not the inspector who apparently wrote it in utter seriousness, nor the farmer who must now pay the fine.

      Indeed, the story of Walaja, where this absurdity took place, contains everything – except humor: the flight from and evacuation of the village in 1948; refugee-hood and the establishment of a new village adjacent to the original one; the bisection of the village between annexed Jerusalem and the occupied territories in 1967; the authorities’ refusal to issue blue Israeli IDs to residents, even though their homes are in Jerusalem; the demolition of many structures built without a permit in a locale that has no master construction plan; the appropriation of much of its land to build the Gilo neighborhood and the Har Gilo settlement; the construction of the separation barrier that turned the village into an enclave enclosed on all sides; the decision to turn villagers’ remaining lands into a national park for the benefit of Gilo’s residents and others in the area; and all the way to the ridiculous fine issued by Inspector Somekh.

      This week, a number of villagers again snuck onto their lands to try to pick their olives, in what looks like it could be their final harvest. As it was a holiday, they hoped the Border Police and the parks authority inspectors would leave them alone. By next year, they probably won’t be able to reach their groves at all, as the checkpoint will have been moved even closer to their property.

      Then there was also this incident, on Monday, the Jewish holiday of Simhat Torah. Three adults, a teenager and a horse arrived at the neglected groves on the mountainside below their village of Walaja. They had to take a long and circuitous route; they say the horse walked 25 kilometers to reach the olive trees that are right under their noses, beneath their homes. A dense barbed-wire fence and the separation barrier stand between these people and their lands. When the national park is built here and the checkpoint is moved further south – so that only Jews will be able to dip undisturbed in Ein Hanya, as Nir Hasson reported (“Jerusalem reopens natural spring, but not to Palestinians,” Oct. 15) – it will mean the end of Walaja’s olive orchards, which are planted on terraced land.

      The remaining 1,200 dunams (300 acres) belonging to the village, after most of its property was lost over the years, will also be disconnected from their owners, who probably won’t be able to access them again. An ancient Palestinian village, which numbered 100 registered households in 1596, in a spectacular part of the country, will continue its slow death, until it finally expires for good.

      Steep slopes and a deep green valley lie between Jerusalem and Bethlehem, filled with oak and pine trees, along with largely abandoned olive groves. “New” Walaja overlooks this expanse from the south, the Gilo neighborhood from the northeast, and the Cremisan Monastery from the east. To the west is where the original village was situated, between the moshavim of Aminadav and Ora, both constructed after the villagers fled – frightened off by the massacre in nearby Deir Yassin and in fear of bombardment.

      Aviv Tatarsky, a longtime political activist on behalf of Walaja and a researcher for the Ir Amim nonprofit organization, says the designated national park is supposed to ensure territorial contiguity between the Etzion Bloc and Jerusalem. “Since we are in the territory of Jerusalem, and building another settler neighborhood could cause a stir, they are building a national park, which will serve the same purpose,” he says. “The national park will Judaize the area once and for all. Gilo is five minutes away. If you live there, you will have a park right next door and feel like it’s yours.”

      As Tatarsky describes the blows suffered by the village over the years, brothers Walid and Mohammed al-‘Araj stand on a ladder below in the valley, in the shade of the olive trees, engrossed in the harvest.

      Walid, 52, and Mohammed, 58, both live in Walaja. Walid may be there legally, but his brother is there illegally, on land bequeathed to them by their uncle – thanks to yet another absurdity courtesy of the occupation. In 1995, Walid married a woman from Shoafat in East Jerusalem, and thus was able to obtain a blue Israeli ID card, so perhaps he is entitled to be on his land. His brother, who lives next door, however, is an illegal resident on his land: He has an orange ID, as a resident of the territories.

      A sewage line that comes out of Beit Jala and is under the responsibility of Jerusalem’s Gihon water company overflows every winter and floods the men’s olive grove with industrial waste that has seriously damaged their crop. And that’s in addition, of course, to the fact that most of the family is unable to go work the land. The whole area looks quite derelict, overgrown with weeds and brambles that could easily catch fire. In previous years, the farmers would receive an entry permit allowing them to harvest the olives for a period of just a few days; this year, even that permit has not yet been forthcoming.

      The olives are black and small; it’s been a bad year for them and for their owners.

      “We come here like thieves to our own land,” says Mohammed, the older brother, explaining that three days beforehand, a Border Police jeep had showed up and chased them away. “I told him: It’s my land. They said okay and left. Then a few minutes later, another Border Police jeep came and the officer said: Today there’s a general closure because of the holiday. I told him: Okay, just let me take my equipment. I’m on my land. He said: Don’t take anything. I left. And today I came back.”

      You’re not afraid? “No, I’m not afraid. I’m on my land. It’s registered in my name. I can’t be afraid on my land.”

      Walid says that a month ago the Border Police arrived and told him he wasn’t allowed to drive on the road that leads to the grove, because it’s a “security road.” He was forced to turn around and go home, despite the fact that he has a blue ID and it is not a security road. Right next to it, there is a residential building where a Palestinian family still lives.

      Some of Walaja’s residents gave up on their olive orchards long ago and no longer attempt to reach their lands. When the checkpoint is moved southward, in order to block access by Palestinians to the Ein Hanya spring, the situation will be even worse: The checkpoint will be closer to the orchards, meaning that the Palestinians won’t be permitted to visit them.

      “This place will be a park for people to visit,” says Walid, up on his ladder. “That’s it; that will be the end of our land. But we won’t give up our land, no matter what.” Earlier this month, one local farmer was detained for several hours and 10 olive trees were uprooted, on the grounds that he was prohibited from being here.

      Meanwhile, Walid and Mohammed are collecting their meager crop in a plastic bucket printed with a Hebrew ad for a paint company. The olives from this area, near Beit Jala, are highly prized; during a good year the oil made from them can fetch a price of 100 shekels per liter.

      A few hundred meters to the east are a father, a son and a horse. Khaled al-‘Araj, 51, and his son, Abed, 19, a business student. They too are taking advantage of the Jewish holiday to sneak onto their land. They have another horse, an original Arabian named Fatma, but this horse is nameless. It stands in the shade of the olive tree, resting from the long trek here. If a Border Police force shows up, it could confiscate the horse, as has happened to them before.

      Father and son are both Walaja residents, but do not have blue IDs. The father works in Jerusalem with a permit, but it does not allow him to access his land.

      “On Sunday,” says Khaled, “I picked olives here with my son. A Border Police officer arrived and asked: What are you doing here? He took pictures of our IDs. He asked: Whose land is this? I said: Mine. Where are the papers? At home. I have papers from my grandfather’s time; everything is in order. But he said: No, go to DCO [the Israeli District Coordination Office] and get a permit. At first I didn’t know what he meant. I have a son and a horse and they’ll make problems for me. So I left.”

      He continues: “We used to plow the land. Now look at the state it’s in. We have apricot and almond trees here, too. But I’m an illegal person on my own land. That is our situation. Today is the last day of your holiday, that’s why I came here. Maybe there won’t be any Border Police.”

      “Kumi Ori, ki ba orekh,” says a makeshift monument in memory of Ori Ansbacher, a young woman murdered here in February by a man from Hebron. Qasem Abed Rabo, a brother of Nidal, who received the fine from the park ranger for harvesting his olives, asks activist Tatarsky if he can find out whether the house he owns is considered to be located in Jerusalem or in the territories. He still doesn’t know.

      “Welcome to Nahal Refaim National Park,” says a sign next to the current Walaja checkpoint. Its successor is already being built but work on it was stopped for unknown reasons. If and when it is completed, Ein Hanya will become a spring for Jews only and the groves on the mountainside below the village of Walaja will be cut off from their owners for good. Making this year’s harvest Walaja’s last.

      https://www.haaretz.com/israel-news/.premium-israel-is-turning-an-ancient-palestinian-village-into-a-national-p
      https://seenthis.net/messages/807722

    • Sans mémoire des lieux ni lieux de mémoire. La Palestine invisible sous les forêts israéliennes

      Depuis la création de l’État d’Israël en 1948, près de 240 millions d’arbres ont été plantés sur l’ensemble du territoire israélien. Dans l’objectif de « faire fleurir le désert », les acteurs de l’afforestation en Israël se situent au cœur de nombreux enjeux du territoire, non seulement environnementaux mais également identitaires et culturels. La forêt en Israël représente en effet un espace de concurrence mémorielle, incarnant à la fois l’enracinement de l’identité israélienne mais également le rappel de l’exil et de l’impossible retour du peuple palestinien. Tandis que 86 villages palestiniens détruits en 1948 sont aujourd’hui recouverts par une forêt, les circuits touristiques et historiques officiels proposés dans les forêts israéliennes ne font jamais mention de cette présence palestinienne passée. Comment l’afforestation en Israël a-t-elle contribué à l’effacement du paysage et de la mémoire palestiniens ? Quelles initiatives existent en Israël et en Palestine pour lutter contre cet effacement spatial et mémoriel ?

      https://journals.openedition.org/bagf/6779

    • Septembre 2021, un feu de forêt ravage Jérusalem et dévoile les terrassements agricoles que les Palestinien·nes avaient construit...
      Voici une image :

      « La nature a parlé » : un feu de forêt attise les rêves de retour des Palestiniens

      Un gigantesque incendie près de Jérusalem a détruit les #pins_européens plantés par les sionistes, exposant ainsi les anciennes terrasses palestiniennes qu’ils avaient tenté de dissimuler.

      Au cours de la deuxième semaine d’août, quelque 20 000 dounams (m²) de terre ont été engloutis par les flammes dans les #montagnes de Jérusalem.

      C’est une véritable catastrophe naturelle. Cependant, personne n’aurait pu s’attendre à la vision qui est apparue après l’extinction de ces incendies. Ou plutôt, personne n’avait imaginé que les incendies dévoileraient ce qui allait suivre.

      Une fois les flammes éteintes, le #paysage était terrible pour l’œil humain en général, et pour l’œil palestinien en particulier. Car les incendies ont révélé les #vestiges d’anciens villages et terrasses agricoles palestiniens ; des terrasses construites par leurs ancêtres, décédés il y a longtemps, pour cultiver la terre et planter des oliviers et des vignes sur les #pentes des montagnes.

      À travers ces montagnes, qui constituent l’environnement naturel à l’ouest de Jérusalem, passait la route Jaffa-Jérusalem, qui reliait le port historique à la ville sainte. Cette route ondulant à travers les montagnes était utilisée par les pèlerins d’Europe et d’Afrique du Nord pour visiter les lieux saints chrétiens. Ils n’avaient d’autre choix que d’emprunter la route Jaffa-Jérusalem, à travers les vallées et les ravins, jusqu’au sommet des montagnes. Au fil des siècles, elle sera foulée par des centaines de milliers de pèlerins, de soldats, d’envahisseurs et de touristes.

      Les terrasses agricoles – ou #plates-formes – que les agriculteurs palestiniens ont construites ont un avantage : leur durabilité. Selon les estimations des archéologues, elles auraient jusqu’à 600 ans. Je crois pour ma part qu’elles sont encore plus vieilles que cela.

      Travailler en harmonie avec la nature

      Le travail acharné du fermier palestinien est clairement visible à la surface de la terre. De nombreuses études ont prouvé que les agriculteurs palestiniens avaient toujours investi dans la terre quelle que soit sa forme ; y compris les terres montagneuses, très difficiles à cultiver.

      Des photographies prises avant la Nakba (« catastrophe ») de 1948, lorsque les Palestiniens ont été expulsés par les milices juives, et même pendant la seconde moitié du XIXe siècle montrent que les oliviers et les vignes étaient les deux types de plantation les plus courants dans ces régions.

      Ces végétaux maintiennent l’humidité du sol et assurent la subsistance des populations locales. Les #oliviers, en particulier, aident à prévenir l’érosion des sols. Les oliviers et les #vignes peuvent également créer une barrière naturelle contre le feu car ils constituent une végétation feuillue qui retient l’humidité et est peu gourmande en eau. Dans le sud de la France, certaines routes forestières sont bordées de vignes pour faire office de #coupe-feu.

      Les agriculteurs palestiniens qui les ont plantés savaient travailler en harmonie avec la nature, la traiter avec sensibilité et respect. Cette relation s’était formée au cours des siècles.

      Or qu’a fait l’occupation sioniste ? Après la Nakba et l’expulsion forcée d’une grande partie de la population – notamment le nettoyage ethnique de chaque village et ville se trouvant sur l’itinéraire de la route Jaffa-Jérusalem –, les sionistes ont commencé à planter des #pins_européens particulièrement inflammables sur de vastes portions de ces montagnes pour couvrir et effacer ce que les mains des agriculteurs palestiniens avaient créé.

      Dans la région montagneuse de Jérusalem, en particulier, tout ce qui est palestinien – riche de 10 000 ans d’histoire – a été effacé au profit de tout ce qui évoque le #sionisme et la #judéité du lieu. Conformément à la mentalité coloniale européenne, le « milieu » européen a été transféré en Palestine, afin que les colons puissent se souvenir de ce qu’ils avaient laissé derrière eux.

      Le processus de dissimulation visait à nier l’existence des villages palestiniens. Et le processus d’effacement de leurs particularités visait à éliminer leur existence de l’histoire.

      Il convient de noter que les habitants des villages qui ont façonné la vie humaine dans les montagnes de Jérusalem, et qui ont été expulsés par l’armée israélienne, vivent désormais dans des camps et communautés proches de Jérusalem, comme les camps de réfugiés de Qalandiya et Shuafat.

      On trouve de telles forêts de pins ailleurs encore, dissimulant des villages et fermes palestiniens détruits par Israël en 1948. Des institutions internationales israéliennes et sionistes ont également planté des pins européens sur les terres des villages de #Maaloul, près de Nazareth, #Sohmata, près de la frontière palestino-libanaise, #Faridiya, #Kafr_Anan et #al-Samoui sur la route Akka-Safad, entre autres. Ils sont maintenant cachés et ne peuvent être vus à l’œil nu.

      Une importance considérable

      Même les #noms des villages n’ont pas été épargnés. Par exemple, le village de Suba est devenu « #Tsuba », tandis que #Beit_Mahsir est devenu « #Beit_Meir », #Kasla est devenu « #Ksalon », #Saris est devenu « #Shoresh », etc.

      Si les Palestiniens n’ont pas encore pu résoudre leur conflit avec l’occupant, la nature, elle, s’est désormais exprimée de la manière qu’elle jugeait opportune. Les incendies ont révélé un aspect flagrant des composantes bien planifiées et exécutées du projet sioniste.

      Pour les Palestiniens, la découverte de ces terrasses confirme leur version des faits : il y avait de la vie sur cette terre, le Palestinien était le plus actif dans cette vie, et l’Israélien l’a expulsé pour prendre sa place.

      Ne serait-ce que pour cette raison, ces terrasses revêtent une importance considérable. Elles affirment que la cause palestinienne n’est pas morte, que la terre attend le retour de ses enfants ; des personnes qui sauront la traiter correctement.

      https://www.middleeasteye.net/fr/opinion-fr/israel-jerusalem-incendies-villages-palestiniens-nakba-sionistes-reto

      –—

      An Israeli Forest to Erase the Ruins of Palestinian Agricultural Terraces

      “Our forest is growing over, well, over a ruined village,” A.B. Yehoshua wrote in his novella “Facing the Forests.” The massive wildfire in the Jerusalem Hills last week exposed the underpinning of the view through the trees. The agricultural terraces were revealed in their full glory, and also revealed a historic record that Israel has always sought to obscure and erase – traces of Palestinian life on this land.

      On my trips to the West Bank and the occupied territories, when I passed by the expansive areas of Palestinian farmland, I was always awed by the sight of the long chain of terraces, mustabat or mudrajat in Arabic. I thrilled at their grandeur and the precision of the work that attests to the connection between the Palestinian fellah and his land. I would wonder – Why doesn’t the same “phenomenon” exist in the hills of the Galilee?

      When I grew up, I learned a little in school about Israeli history. I didn’t learn that Israel erased Palestinian agriculture in the Galilee and that the Jewish National Fund buried it once and for all, but I did learn that “The Jews brought trees with them” and planted them in the Land of Israel. How sterile and green. Greta Thunberg would be proud of you.

      The Zionist movement knew that in the war for this land it was not enough to conquer the land and expel its inhabitants, you also had to build up a story and an ethos and a narrative, something that will fit with the myth of “a people without a land for a land without a people.” Therefore, after the conquest of the land and the expulsion, all trace of the people who once lived here had to be destroyed. This included trees that grew without human intervention and those that were planted by fellahin, who know this land as they do their children and as they do the terraces they built in the hills.

      This is how white foreigners who never in their lives were fellahin or worked the land for a living came up with the national forestation project on the ruins of Arab villages, which David Ben-Gurion decided to flatten, such as Ma’alul and Suhmata. The forestation project including the importation of cypress and pine trees that were alien to this land and belong to colder climes, so that the new inhabitants would feel more at home and less as if they were in somebody else’s home.

      The planting of combustible cypresses and pines, which are not suited to the weather in this land, is not just an act of national erasure of the Palestinian natives, but also an act of arrogance and patronage, characteristics typical of colonialist movements throughout the world. All because they did not understand the nature, in both senses of the word, of the countries they conquered.

      Forgive me, but a biblical-historical connection is not sufficient. Throughout the history of colonialism, the new settlers – whether they ultimately left or stayed – were unable to impose their imported identity on the new place and to completely erase the place’s native identity. It’s a little like the forests surrounding Jerusalem: When the fire comes and burns them, one small truth is revealed, after so much effort went into concealing it.

      https://www.haaretz.com/opinion/.premium-an-israeli-forest-to-erase-the-ruins-of-palestinian-agricultural-t

      et ici :
      https://seenthis.net/messages/928766

    • Planter un arbre en Israël : une forêt rédemptrice et mémorielle

      Tout au long du projet sioniste, le végétal a joué un rôle de médiateur entre la terre rêvée et la terre foulée, entre le texte biblique et la réalité. Le réinvestissement national s’est opéré à travers des plantes connues depuis la diaspora, réorganisées en scènes signifiantes pour la mémoire et l’histoire juive. Ce lien de filiation entre texte sacré et paysage débouche sur une pratique de plantation considérée comme un acte mystique de régénération du monde.

      https://journals.openedition.org/diasporas/258

  • Communiqué commun et publication d’une analyse préliminaire sur la mort de Roger ‘#Nzoy’ Wilhelm

    Depuis plusieurs mois, Border Forensics enquête sur la mort de Roger ‘Nzoy’ Wilhelm, un Suisse d’origine sud-africaine, tué par la #police à la gare de #Morges (Suisse) le 30 août 2021. Plus de deux ans après sa mort, alors que le déroulement exact des événements reste flou, le #Ministère_public du Canton de Vaud a récemment annoncé sa volonté de rendre une #ordonnance_de_classement et une #ordonnance_de_non-entrée_en_matière.

    Alors que notre enquête sur la mort de Roger ‘Nzoy’ Wilhelm est toujours en cours, et en contribution à la demande de vérité et de justice de la Commission d’enquête indépendante sur la mort de Roger Nzoy Wilhelm, aujourd’hui une analyse préliminaire produite par Border Forensics concernant une partie des événements a été soumise au Ministère public du Canton de Vaud. Cette analyse sera rendu public prochainement.

    –—

    Communiqué de presse : La Commission indépendante et Border Forensics critiquent le ministère public dans l’affaire de l’homicide de Roger Nzoy Wilhelm et publient des preuves ignorées

    Le Zurichois Roger Wilhelm, âgé de 38 ans, a été abattu par un policier le 30 août 2021 à la gare de Morges. Wilhelm a été laissé sur le ventre pendant six minutes et demie, sans que les autres policiers impliqués ne lui prodiguent les premiers soins. Malgré cela, le 10 octobre 2023, le Ministère public du canton de Vaud a annoncé qu’il ne poursuivrait ni l’#homicide ni l’#omission_de_prêter_secours.

    La Suisse ne dispose pas d’une institution indépendante pour enquêter sur les incidents de violence policière, c’est pourquoi un examen et une enquête indépendants de la société civile sur ce cas de décès s’avèrent urgents. Une commission indépendante composée de scientifiques issus des domaines de la médecine, de la psychologie, du droit et des sciences sociales ainsi que l’organisation de recherche scientifique Border Forensics examinent désormais le cas eux- mêmes. Les résultats provisoires de ces recherches ont été présentés aujourd’hui [vendredi 10.11.23] à Lausanne en présence d’Evelyn Wilhelm et de l’avocat Me Ludovic Tirelli, chargé de l’affaire. Ces travaux montrent que la décision du Ministère public doit être remise en question de toute urgence.

    Elio Panese, membre de l’équipe de recherche Border Forensics, a reconstitué à la seconde près le déroulement de l’#homicide à Morges au moyen d’un film. Ce film montre que Roger Wilhelm est resté au sol menotté pendant six minutes et demie alors qu’il avait une blessure par balle et qu’il n’a pas fait d’autres mouvements que de respirer. Cela prouve que les policières/policiers impliqué·es ont négligé de prendre les mesures de #sauvetage et de #réanimation vitales. Le Dr Martin Herrmann, qui fait partie des experts médicaux de la commission (spécialiste FMH en chirurgie générale et traumatologie), a confirmé dans son analyse que les mesures de #premiers_secours nécessaires n’avaient pas été prises, bien que Roger Wilhelm, allongé sur le ventre, ne représentait aucune menace pour les policières/policiers et qu’il effectuait encore des mouvements respiratoires. La question à clarifier devant le tribunal est la suivante : la vie de Roger Wilhelm aurait-elle pu être sauvée par des mesures de premiers secours immédiates prises par la police ?

    Udo Rauchfleisch, professeur émérite de psychologie clinique et membre de la commission, a rédigé un rapport basé sur des dossiers psychiatriques, des entretiens avec des proches, des déclarations de témoins et des séquences vidéo de l’homicide de Roger Wilhelm. Selon ce rapport, la police vaudoise a été appelée pour venir en aide à un homme Noir qui présentait des symptômes de psychose. Selon l’expertise du Prof. Rauchfleisch, Roger Wilhelm n’était en aucune manière et à aucun moment agressif, mais il était stressé et aurait eu besoin d’une #aide_psychologique. Au lieu d’apporter leur aide, les quatre policières/policiers ont accru le #stress_psychologique de Roger Wilhelm. Celui-ci a été considéré comme une menace et a finalement été abattu. C’est pourquoi une autre question décisive se pose, qui doit être clarifiée devant le tribunal : le comportement des policières/policiers était-il adéquat et l’utilisation d’#armes_à_feu était-elle nécessaire et conforme à la loi ?

    La mort de Roger Wilhelm doit être replacée dans le contexte d’autres homicides de personnes Noires par la police en Suisse. Dans le cas de #Mike_Ben_Peter, décédé le 28 février 2018 à la suite d’une intervention policière, le procureur chargé de l’enquête, qui gère également le cas de Roger Nzoy Wilhelm, a demandé à la surprise générale l’acquittement des policiers impliqués lors du procès. Me Brigitte Lembwadio Kanyama, membre du groupe juridique de la Commission, a sévèrement critiqué le traitement des décès survenus à la suite d’interventions policières dans le canton de Vaud. Dans tous les cas, les personnes tuées étaient des personnes Noires. L’avocat Me Philipp Stolkin, membre du groupe juridique de la Commission, a souligné que le #ministère_public devrait être en mesure de mener son enquête indépendamment de la #couleur_de_peau de la victime et du fait qu’une personne soupçonnée d’avoir commis une infraction soit employée par une entité de droit public.

    Selon un autre membre du groupe de la commission, le juriste David Mühlemann, du point de vue des #droits_humains, le ministère public est tenu d’enquêter de manière indépendante, efficace et complète sur de tels décès exceptionnels : « Ce qui est en jeu, ce n’est rien de moins que la confiance du public dans le monopole de la violence de l’État. » En voulant classer l’affaire, le ministère public empêche la possibilité d’une enquête conforme aux droits humains. C’est pourquoi la Commission demande instamment au Ministère public vaudois d’ouvrir une enquête sur l’affaire Roger Nzoy Wilhelm et de porter l’affaire devant le tribunal.

    Vous trouverez plus d’informations sur : https://nzoycommission.org

    https://www.borderforensics.org/fr/actualites/20231110-pr-roger-nzoy-wilhelm

    #border_forensics #architecture_forensique #violences_policières #Suisse #Roger_Wilhelm #justice #impunité

    • Commission d’enquête indépendante sur la mort de Roger Nzoy Wilhelm

      Roger Nzoy Wilhelm a été abattu le 30 août 2021 par un policier de la police régionale à la gare de Morges. Une commission indépendante s’est constituée le 31 mai 2023 pour faire la lumière sur les circonstances de sa mort.

      En Suisse, des agressions policières sont régulièrement commises contre des personnes de couleur, des migrants et des personnes socialement défavorisées. Certaines de ces agressions ont une issue fatale, comme dans le cas de Roger Nzoy Wilhelm. La commission estime qu’il est urgent de faire toute la lumière sur ces décès et de mettre en place un contrôle de l’action de la police par la société civile. C’est pourquoi nous avons décidé de commencer à travailler sur les points suivants :

      - l’élucidation complète des circonstances qui ont conduit à la mort de Roger Nzoy Wilhelm à la gare de Morges le 30 août 2021.
      – l’examen complet de la procédure juridique et policière, des dossiers d’enquête et de l’administration des preuves par la justice. Il s’agit d’examiner si l’enquête a satisfait aux exigences de la procédure pénale en matière d’enquête sur les décès ou dans quelle mesure l’enquête a été déficiente : Comment la scène de crime a-t-elle été sécurisée ? Les témoins ont-ils été correctement interrogés ou ont-ils subi des pressions ? Comment s’est déroulé l’examen médico-légal ?
      - Il s’agit d’examiner si les enquêtes menées dans le cas de Roger Nzoy répondent aux exigences des droits de l’homme en matière d’enquête efficace et indépendante en cas de décès exceptionnel et quels sont les obstacles structurels à l’élucidation des violences policières.
      - la mise en perspective des circonstances qui ont conduit à la mort de Roger Nzoy Wilhelm dans le contexte historique et social en Suisse.

      https://www.nzoycommission.org/fr

  • Escalation in North-West Syria: Civilian Areas Hit in Renewed Attacks

    With all eyes turned towards events in Israel and Gaza over the past two months, a significant escalation in the long running conflict in Syria has failed to gain front-page attention.

    More than 15 cities, towns and villages across North-West Syria — including in Idlib province, known as the last rebel stronghold — have been targeted with shelling.

    Bellingcat analysed footage and images of recent shelling and identified the use of incendiary weapons, cluster munitions and Grad rockets in close proximity or directly impacting civilian infrastructure including mosques, schools and camps for Internally Displaced Persons (IDPs).

    Since the initial four day period, further shelling has been carried out across the country by different groups, leading UN official Paulo Pinheiro to describe it as: “the largest escalation of hostilities in Syria in four years.”

    What Happened?

    The initial shelling was reportedly carried out in response to a drone strike on a Syrian government military academy in Homs on October 5 that killed at least 80 people.

    On October 5 at around noon local time, a drone attack struck a graduation ceremony at the Homs Military Academy, here: 34.752382, 36.687726.

    No group immediately claimed responsibility for the attack. Syria’s Defence Minister reportedly attended the graduation but left minutes before the attack.

    Syria’s defence ministry stated that it would respond “with full force” to the attack. Later the same day the government forces carried out heavy bombing of opposition-held areas in North-West Syria.

    The shelling of Idlib province and the countryside of Aleppo continued for several consecutive days.

    Despite media reports that shelling in North-West Syria was a response to the attack on the military academy, we couldn’t independently verify who was responsible for the shelling outlined below.
    Use of Incendiary Weapons in Darat Izza

    Between October 6 and October 7, videos emerged on social media showing incendiary weapons and other artillery alongside claims it was being dropped on Darat Izza, a town located about 25km west of Aleppo.

    Bellingcat’s preliminary analysis suggests that 122mm 9M22S Grad Rockets were used to shell the town of Darat Izza in early October.

    The earliest footage we found was posted on X (formerly Twitter) at 9:10 pm local time on October 6, alongside the claim that artillery strikes were taking place in Darat Izza, Termanin and Towama.

    While earlier posts mentioned artillery fire, later posts showed explosions near the ground accompanied by a rain of flares, likely activated after the impact of rockets, as seen in the gif below.

    The series of videos from October 6 were filmed at night. With no further information on the location, we looked at the urban landscape features revealed by the explosions’ flashes and cross referenced them with other open source information to match it to Darat Izza.

    Based on the approximate location of explosions and flares seen in the videos, we determined that the respective cameras were pointing towards southwest Darat Izza and that the explosions likely took place in a valley located in a sector in proximity to an IDP camp, here: 36.280114, 36.861183 (we’ll return to this location later). By October 8, rocket remnants and damage to civilian infrastructure was also reported in that area by The White Helmets — a volunteer civil defence and humanitarian organisation operating in Syria.

    The White Helmets said that 9M22S Grad rockets were used in Darat Izza during the early October attack and claimed the rockets were packed with ML-5 submunitions filled with thermite mixture – a flammable material designed to cause fires. We analysed footage captured by The White Helmets after the early October shelling, showing remnants of a possible 9M22S Grad Rocket here, 36.274441, 36.855304.
    The Unusual Features of the Incendiary Weapon

    Human Rights Watch describes incendiary weapons as weapons that contain flammable substances that ignite, they can be dropped from the air or fired from the ground in rockets or artillery shells. Incendiary weapons often start fires and can inflict severe injuries.

    The use of incendiary weapons in Syria has been well documented. Typically, an incendiary weapon explodes in the air and then thermite submunitions are dispersed downwards, falling like rain over a particular area. You can see an example of this here:

    https://www.youtube.com/watch?v=hMvF7YNRc8A&embeds_referring_euri=https%3A%2F%2Fwww.bellingcat.com%

    However, in the early October attack on Darat Izza not all the explosions seem to occur in the air. Additionally, the incendiary elements seem to be projected upwards.

    Here’s a reminder of how it looked:

    We spoke to Petro Pyatakov, a retired colonel of the Armed Forces of Ukraine and former Deputy Head of the Faculty of Missile Forces and Artillery of the Academy of Ground Forces who told us: explosions, followed by a hail of flares – as seen in the footage from Darat Izza – is consistent with incendiary weapons. He added that the explosions observed on October 6 could be caused by the explosion of a 122mm 9M22S Grad rocket either in the air or upon impacting the surface — depending on how the rocket was set to detonate before it was launched.

    There seems to be limited footage or other examples from Syria showing weapons projecting incendiary elements upwards after the point of explosion. Further analysis is needed to identify the exact type of weapon and incendiary elements used in Darat Izza on October 6.
    Additional Evidence from Darat Izza

    North-West Syria is already home to more than two million IDPs and at least 120,000 more were displaced in the October shelling according to the UN Office for Coordination of Humanitarian Affairs.

    On October 7 – the day after footage of incendiary weapons was posted online and we geolocated it near an IDP camp in Darat Izza- Abdulkafi Alhamdo, a teacher, activist and reporter, posted a video on Facebook reporting a “burning and cluster bomb” attack had taken place near an IDP camp in Darat Izza. We located the impacted IDP camp where Alhamdo was filming to the same place we had geolocated the night before, at these coordinates: 36.280114, 36.861183. According to Alhamdo, although the attack did not cause damage to the camp, it did force the IDPs to leave the camp in fear.

    Separately, CCTV footage posted by The White Helmets allegedly filmed the night of October 7, showed what appear to be incendiary flares scattered on the roofs of houses. We geolocated these houses to a sector in the south of Darat Izza at coordinates: 36.274918, 36.851466.

    This humanitarian organisation also posted a drone video on October 8 showing damage to buildings and vehicles in Darat Izza. The video also features at least two munition remnants encrusted in the road, here: 36.274441, 36.855304 and here: 36.274934, 36.852089. At least one ordinance appears to be consistent with a 9М22S Grad rocket, mentioned above but further analysis is required to confirm this.

    For comparison, here is another example of a 9M22S Grad rocket, from Ukraine.

    https://twitter.com/DPSU_ua/status/1540029482228137995

    We located residential areas including a mosque, a school and the IDP camp within a 1,000 metre radius to the rocket remnant.
    Use of Cluster Munitions in Termanin

    Based on Bellingcat’s analysis it appears that several different kinds of weapons, including at least two cluster munitions, hit the small town of Termanin – located 30km due west of Aleppo- over a period of a few days in early October.

    We geolocated an image of a 9M27K cluster munition cargo section posted on X next to a school in the town of Termanin at coordinates 36.226206, 36.818707. In addition to the cluster munition cargo section, we also identified and geolocated an 9N235 submunition within a 100 metre radius of the same school at 36.226054, 36.818162.

    The image of the 9N235 submunition seen in the White Helmets’ video appears to be consistent with the reference tool provided by Mark Hiznay, Associate Arms Director at Human Rights Watch (HRW) and corresponds to 9N235 submunition which can be delivered by Uragan or Smerch cluster rockets.

    In addition, we also identified another 9M27K cluster munition cargo section in a video posted on X on October 7. However, given that the video provides very limited view of the surroundings, it was not possible to geolocate this munition remnant based on this information alone.

    Comparing the cargo section from the video posted on X with imagery provided by The White Helmets, we geolocated the additional cluster munition cargo section to 36.231684, 36.813705, close to a post office according to information on Google Maps.

    According to a report from The White Helmets, one more cluster munition remnant landed at coordinates 36.232028, 36.818756. However, there are no images or videos available to confirm this.

    Both of the geolocated cluster munition cargo sections seem to be consistent with the cargo section of the 9M27K cluster munition, as outlined below — using a reference tool shared by Mark Hiznay. The 9M27K rocket has a range of between 10km and 35km.

    In addition to identifying the use of cluster munitions and incendiary weapons, we were also able to identify additional incidents of the shelling of civilian infrastructure other towns and cities.

    This included the shelling of an IDP camp in Idlib and a residential area and mosque in Ariha.
    IDP Camp Hit in Idlib

    Footage posted on X on October 8 showed large clouds of white smoke rising above the camp in broad daylight as residents can be seen running and grabbing their belongings.

    Bellingcat verified that at least two of these videos were filmed on the northern outskirts of Idlib, a sector with residential buildings, university facilities, schools as well as an IDP camp with people living in tents scattered over an area of approximately 1.5 square kilometres. We also found images of a shell remnant inside the camp.

    We examined a series of videos. In video 1 explosions are heard and smoke is seen rising from behind buildings and near a mosque, in video 2 people run and clouds of dust move across the camp. In video 3, posted by The White Helmets, the alleged aftermath of the attack is shown. Several dead animals can be seen near what appears to be a Grad rocket remnant.

    Comparing the three videos, we verified they were all filmed in a sector occupied by the IDP camp at coordinates 35.942382, 36.630046.

    This is not the first time IDP camps in Idlib and the surrounding areas have been shelled. In November last year, the UN noted that shelling had killed civilians and damaged tents.
    School Damaged in Al-Bara

    The town of Al-Bara — located less than 30km south of Idlib — was also allegedly shelled on October 5 damaging a school.

    Bellingcat geolocated imagery from social media showing damage to the school, here 35.683940, 36.540628. There was no recent Google Earth imagery available of the area, so we were not able to identify the damage in the satellite imagery but we were able to use it to help geolocate the site.

    Residential Areas Hit in Ariha

    The October 5 bombardment of Ariha — a town located about 15km south of the city of Idlib — was filmed from a number of angles. Footage and images of the shelling and its aftermath circulated on social media in the days after the attack.

    Bellingcat geolocated five videos from that day, showing the shelling of Ariha from different angles. With this footage we were able to establish residential areas of Ariha were shelled.

    We geolocated one of the damaged buildings to 35.811865, 36.604708, which matched the area that was shelled the day before. In a photo of the damaged building we can see a washing line on a balcony with clothes hanging from it. Available open source visual evidence indicates this was a residential building.

    Further shelling was reported on October 7, two days after the initial attack. We identified additional damage to residential buildings, including a mosque, located here: 35.812983, 36.613567.

    We were able to geolocate damaged buildings by matching features in footage posted on social media by The White Helmets with Google Earth satellite imagery. The most recent Google Earth imagery of the area was from October last year, so we were not able to identify the damage in the imagery but we were able to use it to help geolocate the site.

    Despite ample evidence of shelling in North-West Syria and the damage it caused, it has received little media coverage.

    In fact, a recent investigation by Bellingcat on misinformation circulating about Israel and Gaza found that footage of previous strikes on Ariha had been misrepresented as depicting strikes on Gaza.

    The death toll from the early October shelling varies, the UN Office for the Coordination of Humanitarian Affairs reported that more than 70 people have been killed in North-West Syria since the escalation on October 5, more than a third of them children.

    At least 349 people have been injured and more than 120,000 people have been newly displaced.

    Since the shelling of early October, the situation in Syria has continued to deteriorate with further shelling, by a variety of groups across the country. Meanwhile, humanitarian groups have warned about the increasing hardships facing more than two million internally displaced people in North-West Syria this winter.

    https://www.bellingcat.com/news/2023/11/24/escalation-in-north-west-syria-civilian-areas-hit-in-renewed-attacks
    #Syrie #guerre #conflits #Idlib #IDPs #déplacés_internes #camps_de_réfugiés #villes #architecture_forensique #Darat_Izza #Termanin

  • A New Tool Allows Researchers to Track Damage in #Gaza

    As the Israel Defense Forces (IDF) continue to bomb the Gaza Strip, many researchers are attempting to track and quantify the damage to the territory’s buildings, infrastructure and the displacement of the local population.

    A new tool, originally developed to estimate damage in Ukraine, has now been adapted and applied to Gaza. The tool can estimate the number of damaged buildings and the pre-war population in a given area within the Gaza Strip.

    The tool has already been used by a number of media outlets, but it is freely available for anyone to use and we have outlined its key features below.

    The coloured overlay on this map is a damage proxy map indicating the probability of a significant change occurring at particular locations since October 10, 2023. Users can click the “draw polygon” button to draw an area of interest on the map — for example, a particular neighbourhood.

    To understand how the tool works, let’s look at the neighbourhood of Izbat Beit Hanoun, which sustained heavy damage visible in these high-resolution, before-and-after satellite images from Planet:

    The row of apartment complexes in the north of the neighbourhood near the road has been razed. Lower-density areas in the centre and northeast of the neighbourhood have also sustained heavy damage. Airstrikes have also destroyed several of the apartment complexes in the southwest.

    Below is the damage probability map generated by the tool, highlighting many of these areas:

    Drawing a box over this neighbourhood allows us to roughly quantify the number of buildings – and people- affected by the destruction.

    In the neighbourhood of Izbat Beit Hanoun, the tool estimates that there are 321-425 damaged buildings (73 — 97%), displayed with colours above. The tool also estimates that in the area of interest there was a pre-war population of 7,453, of which 4756 – 6304 lived in areas that are now likely to be damaged.
    How it Works

    Synthetic Aperture Radar (SAR) imagery has been used extensively in academic studies of building damage, and by groups like NASA following the 2020 explosion at the port of Beirut. NASA explains the use of SAR for building damage detection as follows: “SAR instruments send pulses of microwaves toward Earth’s surface and listen for the reflections of those waves. The radar waves can penetrate cloud cover, vegetation, and the dark of night to detect changes that might not show up in visible light imagery. […] When buildings have been damaged or toppled, the amplitude and phase of radar wave reflections changes in those areas and indicate to the satellite that something on the ground has changed.”

    The application above detects damaged areas by measuring the change in the intensity of the radar waves reflected back to the Sentinel-1 satellite before and after October 10, 2023, adjusted for how noisy the signal is in both periods. A more detailed explanation of the algorithm (which was peer-reviewed for a conference) is available here, and a walkthrough (including code) applied to the 2020 Beirut explosion is available here.

    Once likely damaged areas have been identified, the damage probability map is combined with building footprints from Microsoft. Footprints in which significant change has occurred are classified as damaged. This yields a count (and proportion) of estimated damaged buildings within an area.

    To get a rough idea of the number of people affected in a given area, population data are sourced from the LandScan program at Oak Ridge National Laboratory. The data are provided at the level of 90 metres. These population estimates are generated by merging current data on building structures, occupancy rates and infrastructure. Because these are estimates, they are subject to some level of error. They also predate the current conflict and are thus not meant to be interpreted as a count of actual or potential civilian casualties. You can read more about LandScan data here.
    Accuracy

    To assess the accuracy of the damage detection algorithm, damage points from the UN Satellite Office (UNOSAT) were used for validation. These are generated by manually combing through high-resolution satellite imagery and tagging visibly damaged buildings. Below is the same image of Izbat Beit Hanoun, with UNOSAT damage points overlaid in white.

    In the images above, the colourful overlay is a damage probability map. Darker colours indicate a higher probability that a significant change occurred after October 10, 2023.

    The UNOSAT damage points are available under the “Layers” tab in the top right corner of the tool. It should be noted that UNOSAT carried out the assessment on November 7 and that damage has occurred since then.

    Geolocated Footage

    To get an additional source of validation data, geolocated footage of strikes and destruction in Gaza are available under the “Layers” tab in the top right, and are displayed as blue triangles.

    These are sourced from Geoconfirmed, a community-based geolocating network. Clicking on a geolocated event will open a panel in the top right, showing a brief description of the event, the date, a link to the source media, and a link to the geolocation of the event.

    In the example below, clicking on a geolocated event in the heavily damaged Tal al-Hawa neighbourhood reveals that Gaza City’s International Eye Hospital appears to have been hit by an airstrike.

    Clicking on “Source Media” shows the following image of the eye hospital.

    Clicking on “Geolocation” displays the following tweet, which uses the visible characteristics of the building itself and adjacent buildings to locate the picture.

    Further research confirms that the International Eye Hospital was subsequently completely destroyed.

    It should be noted that the geolocations have not been independently verified by the creators of the tool and are automatically added to the map as they become available. Nevertheless, these geolocations are an important additional source of preliminary information. As of the date of publication, there were 541 geolocated events in the Gaza Strip. The tool automatically adds new geolocations as they become available.
    Important Caveats

    While this tool can help us better understand the devastating impact of IDF strikes on Gaza, there are a number of important caveats to bear in mind when using it.

    The first is that this tool detects any significant changes that have occurred in Gaza since October 10, 2023. The vast majority of these changes are likely related to conflict damage, but not all. For example, placing a large number of tents on a previously open field would be detected, since this would change the amplitude of the signal reflected back to the Sentinel-1 satellite from that patch of land.

    Second, because of the way the algorithm functions, older damage will be more confidently detected than newer damage. Thus, while the tool updates automatically as new imagery becomes available, it may take some time for newer damage to become visible. Other SAR-based methods can produce accurate estimates of damaged areas on a particular date. The Decentralized Damage Monitoring Group is working on such methodologies, with the aim of publicly disseminating damage maps that show not only where damage has occurred, but when.

    Finally, the assessment of population exposure is not a measure of actual or potential civilian casualties. These population estimates predate the most recent conflict in Gaza, and many civilians have fled. The affected population counts represent a ballpark estimate of the number of people who previously lived in areas that are now likely damaged or destroyed.
    Accessing the Tool

    The Gaza Damage Proxy Map uses previously established and tested methodology to provide estimates of damage to buildings. The data is updated approximately one to two times per week as new satellite imagery is gathered by the Sentinel-1 satellite. It therefore represents cumulative damage since October 10, not real-time damage to buildings.

    Although the information provided by the tool is an estimate, it is useful for researchers to quickly gain an overview of damaged areas in the Gaza Strip.

    You can access the Gaza Damage Proxy Map here.

    A similar tool using the same methodology to assess damage in Ukraine following Russia’s full-scale invasion and in Turkey following the February 6 Turkey-Syria earthquake, can be accessed here: https://ee-ollielballinger.projects.earthengine.app/view/gazadamage

    https://www.bellingcat.com/resources/2023/11/15/a-new-tool-allows-researchers-to-track-damage-in-gaza

    #imagerie #architecture_forensique #destruction #cartogrphie #visualisation #guerre #images_satellites #images_satellitaires #Synthetic_Aperture_Radar (#SAR) #UNOSAT #géolocalisation #photographie #dégâts #bombardements

    ping @visionscarto

  • Confirming a Strike on #Jabalia Refugee Camp as Israeli Forces Approach Gaza City

    A strike on Jabalia Refugee Camp north of #Gaza_City killed dozens on Tuesday, as the #Israel_Defense_Forces (#IDF) continued advancing into the Gaza Strip. Video and satellite analysis by Bellingcat has confirmed a strike on the Jabalia Refugee Camp, and identified several points where IDF forces have gathered on the outskirts of Gaza’s largest city.
    Jabalia Strike Highlights Concerns of Civilian Harm

    Reports began to appear online about 2:30 pm local time that an airstrike had hit the Jabalia Refugee Camp in the northern Gaza Strip.

    Videos and images have also appeared in various Telegram channels showing widespread destruction as well as injured and dead civilians at a location that Bellingcat was able to geolocate to the following coordinates in Jabalia, here: 31.53271, 34.49815.

    Three distinct buildings in the background of a photograph taken by Palestinian photojournalist Anas al-Sharif match up with satellite imagery taken on October 30.

    A Reuters live stream filming towards Jabalia and Gaza City appears to have captured a large explosion at approximately 2:24pm local time, consistent with the earliest reports of the strike on Jabalia.

    By using a technique called intersection, where known points in a view are aligned, we can identify that this explosion matches exactly with the location of the impact at Jabalia.

    At least 40 people were reportedly killed in the strike.

    The IDF confirmed an airstrike was carried out on Jabalia, stating, “The strike damaged Hamas’s command and control in the area, as well as its ability to directly military activity against IDF soldiers operating throughout the Gaza Strip.”

    Asked about civilian casualties on CNN, International IDF spokesman Lt Col Richard Hecht reiterated calls for civilians to “move south” and said the IDF is “doing everything we can to minimise” civilian casualties.

    The UN has urged Israel to reconsider its evacuation order with both humanitarian and medical organisations working in Gaza outlining that it is not possible for all civilians in northern Gaza to evacuate south, as Israel has repeatedly ordered them to do.

    The Jabalia Refugee Camp has been hit by multiple airstrikes in the past month, resulting in scores of casualties. An October 9 airstrike killed 60, an October 19 airstrike killed 18, and an October 22 airstrike killed 30.

    ”More than two million people, with nowhere safe to go, are being denied the essentials for life — food, water, shelter and medical care — while being subjected to relentless bombardment,” said UN Secretary-General António Guterres on October 29, two days prior to the latest strike. “I urge all those with responsibility to step back from the brink.”

    In Gaza City, civilians have also been struggling to access food and basic necessities. A video posted on TikTok on Sunday, October 29 showed a long queue at a bakery in Gaza. Bellingcat confirmed the location of the bakery as the New Sharq Bakery in the Jabalia refugee camp (31.5356, 34.5038).
    Attack on a Vehicle on Salah al-Din Road

    Separately, a video posted Monday morning on Instagram by Youssef Al Saifi, a Palestinian journalist, appears to show an IDF tank firing at a station wagon on Salah al-Din road. Salah al-Din had previously been identified by the IDF as a safe evacuation route for civilians within Gaza City.

    The video was geolocated by Benjamin den Braber, a Senior Investigator at the Centre for Information Resilience, to these coordinates: (31.470545, 34.432676) and independently verified by Bellingcat. The vehicle is travelling north on Salah al-Din road before encountering an IDF tank and an IDF armoured bulldozer. As the vehicle attempts a three-point turn, the tank fires at it.

    The armoured bulldozer in the video appears to be building a roadblock across Salah al-Din road. Bellingcat contacted the IDF Press Office, but they did not respond to a request for comment prior to publication. An IDF spokesperson was previously asked specifically about the tanks at a briefing and declined to give more information.

    Satellite Imagery Reveals Beginnings of a Ground Invasion

    The vehicle attack and camp strike follow an increasing presence of IDF ground troops in the Gaza Strip, which first entered the territory on October 27, according to Israeli Prime Minister Benjamin Netanyahu. Since then, satellite imagery shows the IDF have entered from at least three places: two along the territory’s northern border, and one to the southeast of Gaza City.

    Satellite imagery taken on October 30 reveals more than 50 armoured military vehicles and extensive demolition in the Al-Karama area, located approximately three to five kilometres southwest of the Gaza border.

    Israel’s ground movements have come more slowly than expected. Military specialists told Reuters on Monday that the IDF is possibly proceeding this way to draw Hamas fighters out of tunnels and densely populated areas, while also allowing for more time to negotiate for the release of hostages taken by militants during the October 7 attacks. Other reports have noted some of Israel’s allies, including the US, have advised the country to delay a full invasion.
    Approaching Gaza from the North and South

    Starting on Sunday, October 29, images began to appear on social media showing IDF vehicles and troops in northern Gaza.

    A video showed IDF soldiers raising an Israeli flag over a building geolocated inside Gaza approximately three kilometres south of the border. The geolocation was shared on X by the Geoconfirmed account, and independently confirmed by Bellingcat.

    As Israeli soldiers and vehicles have entered Gaza, some of their activities are visible on satellite imagery.

    One neighbourhood that appears to have been heavily bombed, prior to the ground invasion, was full of IDF vehicles as of October 30.

    Low-resolution satellite imagery reveals at least three major entry points for Israeli ground troops: one along Gaza’s northern border near the Mediterranean Sea, one near the Erez border crossing north of Beit Hanoun, and one southeast of Gaza City.

    Along Gaza’s northern border, imagery from October 26 showed vehicle tracks approximately 1km from the Mediterranean Sea. These tracks were joined on October 28 by a second set of tracks, closer to the sea, stretching 3km south. Satellite imagery on October 30 showed a third set of tracks, 7km to the east near the Erez border crossing towards Beit Hanoun.

    Additional tracks can be seen south-southeast of Gaza City and north of Wadi Gaza in October 28 imagery.

    The latest footage and satellite imagery shows the situation in Gaza continues to deteriorate for civilians, particularly for those located in the northern part of the territory, which remains the focus of Israeli strikes and now the ground invasion.

    Bellingcat will continue to monitor the latest war in Israel-Palestine with the aim of documenting civilian harm.

    https://www.bellingcat.com/news/2023/10/31/confirming-a-strike-on-jabalia-refugee-camp-as-israeli-forces-approach-g
    #Gaza #camp_de_réfugiés #Palestine #Israël #images_satellites #images_satellitaires #destruction #architecture_forensique #armée_israélienne #bombardements #visualisation #cartographie #Al-Karama

  • From the Sea to the River, the deadly violence of Europe’s borders
    https://visionscarto.net/border-forensics-from-sea-to-river

    Over the last years, investigative practices combining scientific methods, art and architecture have allowed to shed new light on human rights violations. Emerging out of the pioneering London-based agency Forensic Architecture and the Forensic Oceanography research project, in 2021 a new investigative agency – Border Forensics – was established. Border Forensics focuses specifically on documenting and contesting violence related to the existence and management of borders. This article (...) Articles

    #Articles_

  • #Francesco_Sebregondi : « On ne peut pas dissocier les violences policières de la question du racisme »

    Après avoir travaillé pour #Forensic_Architecture sur les morts d’#Adama_Traoré et de #Zineb_Redouane, l’architecte #Francesco_Sebregondi a créé INDEX, pour enquêter sur les #violences_d’État et en particulier sur les violences policières en #France et depuis la France. Publié plusieurs semaines avant la mort de Nahel M., cet entretien mérite d’être relu attentivement. Rediffusion d’un entretien du 22 avril 2023

    C’est en 2010 que l’architecte, chercheur et activiste Eyal Weizman crée au Goldsmiths College de Londres un groupe de recherche pluridisciplinaire qui fera date : Forensic Architecture. L’Architecture forensique avait déjà fait l’objet d’un entretien dans AOC.

    Cette méthode bien particulière avait été créée à l’origine pour enquêter sur les crimes de guerre et les violations des droits humains en utilisant les outils de l’architecture. Depuis, le groupe a essaimé dans différentes parties du monde, créant #Investigative_Commons, une communauté de pratiques rassemblant des agences d’investigation, des activistes, des journalistes, des institutions culturelles, des scientifiques et artistes (la réalisatrice Laura Poitras en fait partie), etc. Fondé par l’architecte Francesco Sebregondi à Paris en 2020, #INDEX est l’une d’entre elles. Entre agence d’expertise indépendante et média d’investigation, INDEX enquête sur les violences d’État et en particulier sur les violences policières en France et depuis la France. Alors que les violences se multiplient dans le cadre des mouvements sociaux, comment « faire en sorte que l’État même s’équipe de mécanismes qui limitent les excès qui lui sont inhérents » ? Si la vérité est en ruines, comment la rétablir ? OR

    Vous avez monté l’agence d’investigation INDEX après avoir longtemps travaillé avec Forensic Architecture. Racontez-nous…
    Forensic Architecture est né en 2010 à Goldsmiths à Londres. À l’origine, c’était un projet de recherche assez expérimental, pionnier dans son genre, qui cherchait à utiliser les outils de l’architecture pour enquêter sur les violations des #droits_humains et en particulier du droit de la guerre. La période était charnière : avec l’émergence des réseaux sociaux et des smartphones, les images prises par des témoins étaient diffusées très rapidement sur des réseaux souvent anonymes. La quantité d’#images et de #documentation_visuelle disponible commençait à augmenter de manière exponentielle et la démocratisation de l’accès à l’#imagerie_satellitaire permettait de suivre d’un point de vue désincarné l’évolution d’un territoire et les #traces qui s’y inscrivaient. La notion de #trace est importante car c’est ce qui nous relie à la tradition de l’enquête appliquée plus spécifiquement au champ spatial. Les traces que la #guerre laisse dans l’#environnement_urbain sont autant de points de départ pour reconstruire les événements. On applique à ces traces une série de techniques d’analyse architecturale et spatiale qui nous permettent de remonter à l’événement. Les traces sont aussi dans les documents numériques, les images et les vidéos. Une large partie de notre travail est une forme d’archéologie des pixels qui va chercher dans la matérialité même des documents numériques. On peut reconstituer les événements passés, par exemple redéployer une scène en volume, à partir de ses traces numériques en image.

    Quels en ont été les champs d’application ?
    À partir du travail sur les conflits armés, au sein de Forensic Architecture, on a développé une série de techniques et de recherches qui s’appliquent à une variété d’autres domaines. On commençait à travailler sur les violences aux frontières avec le projet de Lorenzo Pezzani et Charles Zeller sur les bateaux de migrants laissés sans assistance aux frontières méditerranéennes de l’Europe, à des cas de #violences_environnementales ou à des cas de violences policières… L’origine de notre approche dans l’enquête sur des crimes de guerre faisait qu’on avait tendance à porter un regard, depuis notre base à Londres, vers les frontières conflictuelles du monde Occidental. On s’est alors rendus compte que les violences d’État qui avaient lieu dans des contextes plus proches de nous, que ce soit en Grande-Bretagne, aux États-Unis ou en Grèce, pouvaient bénéficier d’un éclairage qui mobiliserait les mêmes techniques et approches qu’on avait à l’origine développées pour des situations de conflits armés. Tout cela est en lien assez direct avec la militarisation de la #police un peu partout dans le Nord global, le contexte occidental, que ce soit au niveau des #armes utilisées qu’au niveau des #stratégies employées pour maintenir l’ordre.

    La France vous a ensuite semblé être un pays depuis lequel enquêter ?
    Je suis revenu vivre en France en 2018 en plein milieu de la crise sociale autour du mouvement des Gilets jaunes et de son intense répression policière. Dès ce moment-là, il m’a semblé important d’essayer d’employer nos techniques d’enquête par l’espace et les images pour éclairer ce qui était en train de se passer. On en parlait aussi beaucoup. En 2020, j’ai dirigé les enquêtes sur la mort d’Adama Traoré et de Zineb Redouane pour le compte de Forensic Architecture depuis la France avec une équipe principalement française. C’était une période d’incubation d’INDEX en quelque sorte. Ces enquêtes ont initié notre travail sur le contexte français en rassemblant des moyens et une équipe locale.
    On est aujourd’hui dans un rapport de filiation assez clair avec Forensic Architecture même si INDEX est structurellement autonome. Les deux organisations sont très étroitement liées et entretiennent des relations d’échange, de partage de ressources, etc. Tout comme Forensic Architecture, INDEX est l’une des organisations du réseau international Investigative Commons qui fédère une douzaine de structures d’investigation indépendantes dans différents pays et qui travaillent à l’emploi des techniques d’enquêtes en sources ouvertes dans des contextes locaux.

    Il existe donc d’autres structures comme INDEX ?
    Elles sont en train d’émerger. On est dans cette phase charnière très intéressante. On passe d’une organisation reconnue comme pionnière dans l’innovation et les nouvelles techniques d’enquête à tout un champ de pratiques qui a encore beaucoup de marge de développement et qui, en se frottant à des contextes locaux ou spécifiques, vient éprouver sa capacité à interpeller l’opinion, à faire changer certaines pratiques, à demander de la transparence et des comptes aux autorités qui se rendent responsables de certaines violences.

    On utilise depuis toujours le terme d’enquête dans les sciences humaines et sociales mais l’on voit aujourd’hui que les architectes, les artistes s’en emparent, dans des contextes tous très différents. Qu’est-ce que l’enquête pour INDEX ?
    On emploie le terme d’#enquête dans un sens peut-être plus littéral que son usage en sciences humaines ou en recherche car il est question de faire la lumière sur les circonstances d’un incident et d’établir des rapports de causalité dans leur déroulement, si ce n’est de responsabilité. Il y a aussi cette idée de suivre une trace. On travaille vraiment essentiellement sur une matière factuelle. L’enquête, c’est une pratique qui permet de faire émerger une relation, un #récit qui unit une série de traces dans un ensemble cohérent et convaincant. Dans notre travail, il y a aussi la notion d’#expertise. Le nom INDEX est une contraction de « independant expertise ». C’est aussi une référence à la racine latine d’indice. Nous cherchons à nous réapproprier la notion d’expertise, trop souvent dévoyée, en particulier dans les affaires de violences d’État sur lesquelles on travaille.

    Vos enquêtes s’appuient beaucoup sur les travaux d’Hannah Arendt et notamment sur Vérité et politique qui date de 1964.
    On s’appuie beaucoup sur la distinction que Hannah Arendt fait entre #vérité_de_fait et #vérité_de_raison, en expliquant que les vérités de fait sont des propositions qui s’appuient sur l’extérieur, vérifiables, et dont la valeur de vérité n’est possible qu’en relation avec d’autres propositions et d’autres éléments, en particuliers matériels. La vérité de raison, elle, fait appel à un système de pensée auquel on doit adhérer. C’est à partir de cette distinction qu’Arendt déploie les raisons pour lesquelles #vérité et #politique sont toujours en tension et comment la pratique du politique doit s’appuyer sur une série de vérités de raison, sur l’adhésion d’un peuple à une série de principes que le pouvoir en place est censé incarner. Ainsi, le pouvoir, dépendant de cette adhésion, doit tenir à distance les éléments factuels qui viendraient remettre en cause ces principes. C’est ce qu’on essaye de déjouer en remettant au centre des discussions, au cœur du débat et de l’espace public des vérités de fait, même quand elles sont en friction avec des « #vérités_officielles ».
    Du temps d’Hannah Arendt, le politique avait encore les moyens d’empêcher la vérité par le régime du secret. C’est beaucoup moins le cas dans les conditions médiatiques contemporaines : le problème du secret tend à céder le pas au problème inverse, celui de l’excès d’informations. Dans cet excès, les faits et la vérité peuvent se noyer et venir à manquer. On entend alors parler de faits alternatifs, on entre dans la post-vérité, qui est en fait une négation pure et simple de la dimension sociale et partagée de la vérité. Si on veut résister à ce processus, si on veut réaffirmer l’exigence de vérité comme un #bien_commun essentiel à toute société, alors, face à ces défis nouveaux, on doit faire évoluer son approche et ses pratiques. Beaucoup des techniques développées d’abord avec Forensic Architecture et maintenant avec INDEX cherchent à développer une culture de l’enquête et de la #vérification. Ce sont des moyens éprouvés pour mettre la mise en relation de cette masse critique de données pour faire émerger du sens, de manière inclusive et participative autant que possible.

    L’#architecture_forensique, même si elle est pluridisciplinaire, s’appuie sur des méthodes d’architecture. En quoi est-ce particulièrement pertinent aujourd’hui ?
    L’une des techniques qui est devenue la plus essentielle dans les enquêtes que l’on produit est l’utilisation d’un modèle 3D pour resituer des images et des vidéos d’un événement afin de les recouper entre elles. Aujourd’hui, il y a souvent une masse d’images disponibles d’un événement. Leur intérêt documentaire réside moins dans l’individualité d’une image que sur la trame de relations entre les différentes images. C’est la #spatialisation et la #modélisation en 3D de ces différentes prises de vue qui nous permet d’établir avec précision la trame des images qui résulte de cet événement. Nous utilisons les outils de l’architecture à des fins de reconstitution et de reconstruction plus que de projection, que ce soit d’un bâtiment, d’un événement, etc.

    Parce qu’il faut bien rappeler que vos enquêtes sont toujours basées sur les lieux.
    L’environnement urbain est le repère clé qui nous permet de resituer l’endroit où des images ont été prises. Des détails de l’environnement urbain aussi courants qu’un passage piéton, un banc public, un kiosque à journaux ou un abribus nous permettent de donner une échelle pour reconstituer en trois dimensions où et comment une certaine scène s’est déroulée. Nous ne considérons pas l’architecture comme la pratique responsable de la production de l’environnement bâti mais comme un champ de connaissance dont la particularité est de mettre en lien une variété de domaines de pensées et de savoirs entre eux. Lorsqu’on mobilise l’architecture à des fins d’enquête, on essaye de faire dialoguer entre elles toute une série de disciplines. Nos équipes mêmes sont très interdisciplinaires. On fait travailler des vidéastes, des ingénieurs des matériaux, des juristes… le tout pour faire émerger une trame narrative qui soit convaincante et qui permette de resituer ce qui s’est passé autour de l’évènement sous enquête.

    L’historienne Samia Henni qui enseigne à Cornell University aux États-Unis, et qui se considère « historienne des environnements bâtis, détruits et imaginés », dit qu’apprendre l’histoire des destructions est aussi important que celles des constructions, en raison notamment du nombre de situations de conflits et de guerres sur la planète. Quand on fait du projet d’architecture, on se projette en général dans l’avenir. En ce qui vous concerne, vous remodélisez et reconstituez des événements passés, souvent disparus. Qu’est-ce que ce rapport au temps inversé change en termes de représentations ?
    Je ne suis pas sûr que le rapport au temps soit inversé. Je pense que dans la pratique de l’enquête, c’est toujours l’avenir qui est en jeu. C’est justement en allant chercher dans des événements passés, en cherchant la manière précise dont ils se sont déroulés et la spécificité d’une reconstitution que l’on essaye de dégager les aspects structurels et systémiques qui ont provoqué cet incident. En ce sens, ça nous rapproche peut-être de l’idée d’#accident de Virilio, qui est tout sauf imprévisible.
    L’enjeu concerne l’avenir. Il s’agit de montrer comment certains incidents ont pu se dérouler afin d’interpeller, de demander des comptes aux responsables de ces incidents et de faire en sorte que les conditions de production de cette #violence soient remises en question pour qu’elle ne se reproduise pas. Il s’agit toujours de changer les conditions futures dans lesquelles nous serons amenés à vivre ensemble, à habiter, etc. En cela je ne pense pas que la flèche du temps soit inversée, j’ai l’impression que c’est très proche d’une pratique du projet architectural assez classique.

    Vous utilisez souvent le terme de « violences d’État ». Dans une tribune de Libération intitulée « Nommer la violence d’État » en 2020, encore d’actualité ces temps-ci, l’anthropologue, sociologue et médecin Didier Fassin revenait sur la rhétorique du gouvernement et son refus de nommer les violences policières. Selon lui, « ne pas nommer les violences policières participe précisément de la violence de l’État. » Il y aurait donc une double violence. Cette semaine, l’avocat Arié Alimi en parlait aussi dans les colonnes d’AOC. Qu’en pensez-vous ?
    Je partage tout à fait l’analyse de Didier Fassin sur le fait que les violences d’État s’opèrent sur deux plans. Il y a d’une part la violence des actes et ensuite la violence du #déni des actes. Cela fait le lien avec l’appareil conceptuel développé par Hannah Arendt dans Vérité et politique. Nier est nécessaire pour garantir une forme de pouvoir qui serait remise en question par des faits qui dérangent. Cela dit, il est important de constamment travailler les conditions qui permettent ou non de nommer et surtout de justifier l’emploi de ces termes.

    Vous utilisez le terme de « violences d’État » mais aussi de « violences policières » de votre côté…
    Avec INDEX, on emploie le terme de « violences d’État » parce qu’on pense qu’il existe une forme de continuum de violence qui s’opère entre violences policières et judiciaires, le déni officiel et l’#impunité de fait étant des conditions qui garantissent la reproduction des violences d’État. Donc même si ce terme a tendance à être perçu comme particulièrement subversif – dès qu’on le prononce, on tend à être étiqueté comme militant, voire anarchiste –, on ne remet pas forcément en question tout le système d’opération du pouvoir qu’on appelle l’État dès lors qu’on dénonce ses violences. On peut évoquer Montesquieu : « Le #pouvoir arrête le pouvoir ». Comment faire en sorte que l’État même s’équipe de mécanismes qui limitent les excès qui lui sont inhérents ? Il s’agit a minima d’interpeller l’#opinion_publique sur les pratiques de l’État qui dépassent le cadre légal ; mais aussi, on l’espère, d’alimenter la réflexion collective sur ce qui est acceptable au sein de nos sociétés, au-delà la question de la légalité.

    Ce que je voulais dire c’est que Forensic Architecture utilise le terme de « violences d’État » ou de « crimes » dans un sens plus large. Sur le site d’INDEX, on trouve le terme de « violences policières » qui donne une information sur le cadre précis de vos enquêtes.
    On essaye d’être le maillon d’une chaîne. Aujourd’hui, on se présente comme une ONG d’investigation qui enquête sur les violences policières en France. Il s’agit d’être très précis sur le cadre de notre travail, local, qui s’occupe d’un champ bien défini, dans un contexte particulier. Cela reflète notre démarche : on est une petite structure, avec peu de moyens. En se spécialisant, on peut faire la lumière sur une série d’incidents, malheureusement récurrents, mais en travaillant au cœur d’un réseau déjà constitué et actif en France qui se confronte depuis plusieurs décennies aux violences d’État et aux violences policières plus particulièrement. En se localisant et étant spécifique, INDEX permet un travail de collaboration et d’échanges beaucoup plus pérenne et durable avec toute une série d’acteurs et d’actrices d’un réseau mobilisé autour d’un problème aussi majeur que l’usage illégitime de la force et de la violence par l’État. Limiter le cadre de notre exercice est une façon d’éprouver la capacité de nos techniques d’enquête et d’intervention publique à véritablement amorcer un changement dans les faits.

    On a parfois l’impression que la production des observateurs étrangers est plus forte, depuis l’extérieur. Quand la presse ou les observateurs étrangers s’emparent du sujet, ils prennent tout de suite une autre ampleur. Qu’en pensez-vous ?
    C’est sûr que la possibilité de projeter une perspective internationale sur un incident est puissante – je pense par exemple à la couverture du désastre du #maintien_de_l’ordre lors de la finale de la Ligue des champions 2022 au Stade de France qui a causé plus d’embarras aux représentants du gouvernement que si le scandale s’était limité à la presse française –, mais en même temps je ne pense pas qu’il y ait véritablement un gain à long terme dans une stratégie qui viserait à créer un scandale à l’échelle internationale. Avec INDEX, avoir une action répétée, constituer une archive d’enquêtes où chacune se renforce et montre le caractère structurel et systématique de l’exercice d’une violence permet aussi de sortir du discours de l’#exception, de la #bavure, du #dérapage. Avec un travail au long cours, on peut montrer comment un #problème_structurel se déploie. Travailler sur un tel sujet localement pose des problèmes, on a des difficultés à se financer comme organisation. Il est toujours plus facile de trouver des financements quand on travaille sur des violations des droits humains ou des libertés fondamentales à l’étranger que lorsqu’on essaye de le faire sur place, « à la maison ». Cela dit, on espère que cette stratégie portera ses fruits à long terme.

    Vous avez travaillé avec plusieurs médias français : Le Monde, Libération, Disclose. Comment s’est passé ce travail en commun ?
    Notre pratique est déjà inter et pluridisciplinaire. Avec Forensic Architecture, on a souvent travaillé avec des journalistes, en tant que chercheurs on est habitués à documenter de façon très précise les éléments sur lesquels on enquête puis à les mettre en commun. Donc tout s’est bien passé. Le travail très spécifique qu’on apporte sur l’analyse des images, la modélisation, la spatialisation, permet parfois de fournir des conclusions et d’apporter des éléments que l’investigation plus classique ne permet pas.

    Ce ne sont pas des compétences dont ces médias disposent en interne ?
    Non mais cela ne m’étonnerait pas que ça se développe. On l’a vu avec le New York Times. Les premières collaborations avec Forensic Architecture autour de 2014 ont contribué à donner naissance à un département qui s’appelle Visual Investigations qui fait maintenant ce travail en interne de façon très riche et très convaincante. Ce sera peut-être aussi l’avenir des rédactions françaises.

    C’est le cas du Monde qui a maintenant une « cellule d’enquête vidéo ».
    Cela concerne peut-être une question plus générale : ce qui constitue la valeur de vérité aujourd’hui. Les institutions qui étaient traditionnellement les garantes de vérité publique sont largement remises en cause, elles n’ont plus le même poids, le même rôle déterminant qu’il y a cinquante ans. Les médias eux-mêmes cherchent de nouvelles façons de convaincre leurs lecteurs et lectrices de la précision, de la rigueur et de la dimension factuelle de l’information qu’ils publient. Aller chercher l’apport documentaire des images et en augmenter la capacité de preuve et de description à travers les techniques qu’on emploie s’inscrit très bien dans cette exigence renouvelée et dans ce nouveau standard de vérification des faits qui commence à s’imposer et à circuler. Pour que les lecteurs leur renouvellent leur confiance, les médias doivent aujourd’hui s’efforcer de convaincre qu’ils constituent une source d’informations fiables et surtout factuelles.

    J’aimerais que l’on parle du contexte très actuel de ces dernières semaines en France. Depuis le mouvement contre la réforme des retraites, que constatez-vous ?
    On est dans une situation où les violences policières sont d’un coup beaucoup plus visibles. C’est toujours un peu pareil : les violences policières reviennent au cœur de l’actualité politique et médiatique au moment où elles ont lieu dans des situations de maintien de l’ordre, dans des manifestations… En fait, quand elles ne touchent plus seulement des populations racisées et qu’elles ne se limitent plus aux quartiers populaires.

    C’est ce que disait Didier Fassin dans le texte dont nous parlions à l’instant…
    Voilà. On ne parle vraiment de violences policières que quand elles touchent un nombre important de personnes blanches. Pendant la séquence des Gilets jaunes, c’était la même dynamique. C’est à ce moment-là qu’une large proportion de la population française a découvert les violences policières et les armes dites « non létales », mais de fait mutilantes, qui sont pourtant quotidiennement utilisées dans les #quartiers_populaires depuis des décennies. Je pense qu’il y a un problème dans cette forme de mobilisation épisodique contre les violences policières parce qu’elle risque aussi, par manque de questionnements des privilèges qui la sous-tendent, de reproduire passivement des dimensions de ces mêmes violences. Je pense qu’au fond, on ne peut pas dissocier les violences policières de la question du racisme en France.
    Il me semble aussi qu’il faut savoir saisir la séquence présente où circulent énormément d’images très parlantes, évidentes, choquantes de violences policières disproportionnées, autour desquelles tout semblant de cadre légal a sauté, afin de justement souligner le continuum de cette violence, à rebours de son interprétation comme « flambée », comme exception liée au mouvement social en cours uniquement. Les enquêtes qu’on a publiées jusqu’ici ont pour la plupart porté sur des formes de violences policières banalisées dans les quartiers populaires : tirs sur des véhicules en mouvement, situations dites de « refus d’obtempérer », usages de LBD par la BAC dans une forme de répression du quotidien et pas d’un mouvement social en particulier. Les séquences que l’on vit actuellement doivent nous interpeller mais aussi nous permettre de faire le lien avec la dimension continue, structurelle et discriminatoire de la violence d’État. On ne peut pas d’un coup faire sauter la dimension discriminatoire des violences policières et des violences d’État au moment où ses modes opératoires, qui sont régulièrement testés et mis au point contre des populations racisées, s’abattent soudainement sur une population plus large.

    Vous parlez des #violences_systémiques qui existent, à une autre échelle…
    Oui. On l’a au départ vu avec les Gilets jaunes lorsque les groupes #BAC ont été mobilisés. Ces groupes sont entraînés quotidiennement à faire de la #répression dans les quartiers populaires. C’est là-bas qu’ils ont développé leurs savoirs et leurs pratiques particulières, très au contact, très agressives. C’est à cause de cet exercice quotidien et normalisé des violences dans les quartiers populaires que ces unités font parler d’elles quand elles sont déployées dans le maintien de l’ordre lors des manifestations. On le voit encore aujourd’hui lors de la mobilisation autour de la réforme des retraites, en particulier le soir. Ces situations évoluent quotidiennement donc je n’ai pas toutes les dernières données mais la mobilisation massive des effectifs de police – en plus de la #BRAV-M [Brigades de répression des actions violentes motorisées] on a ajouté les groupes BAC –, poursuivent dans la logique dite du « contact » qui fait souvent beaucoup de blessés avec les armes utilisées.

    Avez-vous été sollicités ces temps-ci pour des cas en particulier ?
    Il y aura tout un travail à faire à froid, à partir de la quantité d’images qui ont émergé de la répression et en particulier des manifestations spontanées. Aujourd’hui, les enjeux ne me semblent pas concerner la reconstitution précise d’un incident mais plutôt le traitement et la confrontation de ces pratiques dont la documentation montre le caractère systémique et hors du cadre légal de l’emploi de la force. Cela dit, on suit de près les blessures, dont certaines apparemment mutilantes, relatives à l’usage de certaines armes dites « non létales » et en particulier de #grenades qui auraient causé une mutilation ici, un éborgnement là… Les données précises émergent au compte-goutte…
    On a beaucoup entendu parler des #grenades_offensives pendant le mouvement des Gilets jaunes. Le ministère de l’Intérieur et le gouvernement ont beaucoup communiqué sur le fait que des leçons avaient été tirées depuis, que certaines des grenades le plus souvent responsables ou impliquées dans des cas de mutilation avaient été interdites et que l’arsenal avait changé. En fait, elles ont été remplacées par des grenades aux effets quasi-équivalents. Aujourd’hui, avec l’escalade du mouvement social et de contestation, les mêmes stratégies de maintien de l’ordre sont déployées : le recours massif à des armes de l’arsenal policier. Le modèle de grenade explosive ou de #désencerclement employé dans le maintien de l’ordre a changé entre 2018 et 2023 mais il semblerait que les #blessures et les #mutilations qui s’ensuivent perdurent.

    À la suite des événements de Sainte-Soline, beaucoup d’appels à témoins et à documents visuels ont circulé sur les réseaux sociaux. Il semblerait que ce soit de plus en plus fréquent.
    Il y a une prise de conscience collective d’un potentiel – si ce n’est d’un pouvoir – de l’image et de la documentation. Filmer et documenter est vraiment devenu un réflexe partagé dans des situations de tension. J’ai l’impression qu’on est devenus collectivement conscients de l’importance de pouvoir documenter au cas où quelque chose se passerait. Lors de la proposition de loi relative à la sécurité globale, on a observé qu’il y avait un véritable enjeu de pouvoir autour de ces images, de leur circulation et de leur interprétation. Le projet de loi visait à durcir l’encadrement pénal de la capture d’image de la police en action. Aujourd’hui, en voyant le niveau de violence déployée alors que les policiers sont sous les caméras, on peut vraiment se demander ce qu’il se passerait dans la rue, autour des manifestations et du mouvement social en cours si cette loi était passée, s’il était illégal de tourner des images de la police.
    En tant que praticiens de l’enquête en source ouverte, on essaye de s’articuler à ce mouvement spontané et collectif au sein de la société civile, d’utiliser les outils qu’on a dans la poche, à savoir notre smartphone, pour documenter de façon massive et pluri-perspective et voir ce qu’on peut en faire, ensemble. Notre champ de pratique n’existe que grâce à ce mouvement. La #capture_d’images et l’engagement des #témoins qui se mettent souvent en danger à travers la prise d’images est préalable. Notre travail s’inscrit dans une démarche qui cherche à en augmenter la capacité documentaire, descriptive et probatoire – jusqu’à la #preuve_judiciaire –, par rapport à la négociation d’une vérité de fait autour de ces évènements.

    Le mouvement « La Vérité pour Adama », créé par sa sœur suite à la mort d’Adama Traoré en 2016, a pris beaucoup d’ampleur au fil du temps, engageant beaucoup de monde sur l’affaire. Vous-mêmes y avez travaillé…
    La recherche de la justice dans cette appellation qui est devenue courante parmi les différents comités constitués autour de victimes est intéressante car elle met en tension les termes de vérité et de justice et qu’elle appelle, implicitement, à une autre forme de justice que celle de la #justice_institutionnelle.
    Notre enquête sur la mort d’Adama Traoré a été réalisée en partenariat avec Le Monde. À la base, c’était un travail journalistique. Il ne s’agit pas d’une commande du comité et nous n’avons pas été en lien. Ce n’est d’ailleurs jamais le cas au moment de l’enquête. Bien qu’en tant qu’organisation, INDEX soit solidaire du mouvement de contestation des abus du pouvoir policier, des violences d’État illégitimes, etc., on est bien conscients qu’afin de mobiliser efficacement notre savoir et notre expertise, il faut aussi entretenir une certaine distance avec les « parties » – au sens judiciaire –, qui sont les premières concernées dans ces affaires, afin que notre impartialité ne soit pas remise en cause. On se concentre sur la reconstitution des faits et pas à véhiculer un certain récit des faits.

    Le comité « La Vérité pour Adama » avait commencé à enquêter lui-même…
    Bien sûr. Et ce n’est pas le seul. Ce qui est très intéressant autour des #comités_Vérité_et_Justice qui émergent dans les quartiers populaires autour de victimes de violences policières, c’est qu’un véritable savoir se constitue. C’est un #savoir autonome, qu’on peut dans de nombreux cas considérer comme une expertise, et qui émerge en réponse au déni d’information des expertises et des enquêtes officielles. C’est parce que ces familles sont face à un mur qu’elles s’improvisent expertes, mais de manière très développée, en mettant en lien toute une série de personnes et de savoirs pour refuser le statu quo d’une enquête qui n’aboutit à rien et d’un non-lieu prononcé en justice. Pour nous, c’est une source d’inspiration. On vient prolonger cet effort initial fourni par les premiers et premières concernées, d’apporter, d’enquêter et d’expertiser eux-mêmes les données disponibles.

    Y a-t-il encore une différence entre images amateures et images professionnelles ? Tout le monde capte des images avec son téléphone et en même temps ce n’est pas parce que les journalistes portent un brassard estampillé « presse » qu’ils et elles ne sont pas non plus victimes de violences. Certain·es ont par exemple dit que le journaliste embarqué Rémy Buisine avait inventé un format journalistique en immersion, plus proche de son auditoire. Par rapport aux médias, est-ce que quelque chose a changé ?
    Je ne voudrais pas forcément l’isoler. Rémy Buisine a été particulièrement actif pendant le mouvement des Gilets jaunes mais il y avait aussi beaucoup d’autres journalistes en immersion. La condition technique et médiatique contemporaine permet ce genre de reportage embarqué qui s’inspire aussi du modèle des reporters sur les lignes de front. C’est intéressant de voir qu’à travers la militarisation du maintien de l’ordre, des modèles de journalisme embarqués dans un camp ou dans l’autre d’un conflit armé se reproduisent aujourd’hui.

    Avec la dimension du direct en plus…
    Au-delà de ce que ça change du point de vue de la forme du reportage, ce qui pose encore plus question concerne la porosité qui s’est établie entre les consommateurs et les producteurs d’images. On est dans une situation où les mêmes personnes qui reçoivent les flux de données et d’images sont celles qui sont actives dans leur production. Un flou s’opère dans les mécanismes de communication entre les pôles de production et de réception. Cela ouvre une perspective vers de formes nouvelles de circulation de l’information, de formes beaucoup plus inclusives et participatives. C’est déjà le cas. On est encore dans une phase un peu éparse dans laquelle une culture doit encore se construire sur la manière dont on peut interpréter collectivement des images produites collectivement.

    https://aoc.media/entretien/2023/08/11/francesco-sebregondi-on-ne-peut-pas-dissocier-les-violences-policieres-de-la-

    #racisme #violences_policières

    ping @karine4

    • INDEX

      INDEX est une ONG d’investigation indépendante, à but non-lucratif, créée en France en 2020.

      Nous enquêtons et produisons des rapports d’expertise sur des faits allégués de violence, de violations des libertés fondamentales ou des droits humains.

      Nos enquêtes réunissent un réseau indépendant de journalistes, de chercheur·es, de vidéastes, d’ingénieur·es, d’architectes, ou de juristes.

      Nos domaines d’expertise comprennent l’investigation en sources ouvertes, l’analyse audiovisuelle et la reconstitution numérique en 3D.

      https://www.index.ngo

  • #Incendie du #camp de #Moria en Grèce : la fabrique des coupables idéals

    Le #procès en appel des quatre Afghans condamnés en 2021 à dix ans de prison pour l’incendie en 2020 du camp de migrants de #Lesbos se tient le 6 mars. Une contre-enquête vidéo met en lumière les « preuves faibles et contradictoires » qui ont conduit au verdict de première instance, et pointe la responsabilité des autorités grecques et européennes dans la tragédie.
    https://www.youtube.com/watch?v=CPGd0Loozhw

    LeLe drame avait eu lieu la nuit du 8 au 9 septembre 2020 sur l’île grecque de Lesbos. Plusieurs incendies consécutifs, propagés par des vents forts, avaient détruit le camp de migrants de Moria, le plus grand d’Europe, réputé pour ses conditions de vie extrêmement précaires.

    Aucune victime n’était à déplorer, mais les 13 000 migrants de ce camp situé à quelques kilomètres de la Turquie s’étaient retrouvés sans abri, en pleine pandémie de Covid-19.

    En juin 2021, quatre jeunes Afghans ont été condamnés à dix ans de prison ferme pour incendie criminel. Ils ont fait appel de la décision. Leur audience se tient le lundi 6 mars 2023 à Lesbos.

    « Les accusés avaient été condamnés sur la seule base du témoignage douteux d’un Afghan, qui n’a pas comparu à l’audience », précise Natasha Dailiani, l’une des avocates des quatre condamnés. Ces derniers sont issus de la minorité religieuse chiite des Hazaras, souvent persécutée en Afghanistan.

    Ils assurent de leur côté que ce témoin, un Afghan de l’ethnie majoritaire sunnite des Pachtouns, les a désignés comme les incendiaires en raison de leur appartenance religieuse. « Les quinze autres témoins à charge présents à l’audience de juin 2021 n’ont pas identifié les quatre accusés », ajoute Me Dailiani.

    Missionnées par la défense des mis en cause, Forensic Architecture et Forensis, deux organisations spécialisées dans les contre-enquêtes sur les crimes et mensonges d’État, ont retracé les événements de cette nuit du 8 septembre 2020 en s’appuyant sur des centaines de vidéos prises par les réfugiés et autres acteurs présents sur place, des témoignages ainsi que des rapports officiels.

    Leur enquête vidéo révèle entre autres que « les jeunes demandeurs d’asile accusés d’avoir mis le feu ont été arrêtés sommairement sur la base de preuves faibles et contradictoires », rapporte Dimitra Andritsou, coordinatrice de recherche à Forensis.

    Le vaste camp de Moria comportait douze zones (voir la carte ci-dessous). Le premier incendie se déclare le 8 septembre, au plus tard à 23 h 36, à proximité de la zone 6 (dans l’est du camp), avant de se propager dans le reste du camp, selon les deux collectifs d’enquête.

    Un deuxième incendie se déclare ensuite au centre du camp. À 1 h 43, le 9 septembre, il se répand dans la zone 12 (dans le sud du camp). Le principal témoin affirme que les quatre Afghans auraient eux-mêmes mis le feu à cette zone 12, comme le rappellent Forensic Architecture et Forensis.

    Celles-ci reconstituent également la progression de l’incendie dans la zone 12, cartographiant ainsi le schéma de propagation du feu, qui correspond à la direction du vent. La majorité du camp de Moria était en outre composée d’abris de fortune faits de plastique, de polystyrène, de bois ou de bâches, soit des matières hautement inflammables, comme l’illustrent les vidéos spectaculaires récoltées par Forensic Architecture et Forensis.

    « Il fallait trouver un responsable »

    Les quatre Afghans jugés coupables avaient rapidement été arrêtés, quelques jours après l’incendie de Moria. Deux autres mineurs afghans avaient par ailleurs été interpellés et condamnés à cinq ans de prison ferme lors d’un procès distinct en mars 2021.

    « Il fallait trouver un responsable. Ce procès, particulier, ne remplissait pas les conditions qui garantissent un procès équitable, c’était en ce sens une parodie de justice, dénonce l’avocate Natasha Dailiani. Nos clients, dans l’attente de leur appel, sont évidemment inquiets. Dévastés après le verdict du premier procès, ils ne peuvent accepter cette décision et clameront à nouveau leur innocence. »

    « Notre enquête suggère que face à la gestion inhumaine du camp par l’Union européenne et le gouvernement grec, il fallait un bouc émissaire », estime de son côté Dimitra Andritsou.

    Surpeuplé, le camp de Moria, dit hotspot (centre de premier accueil), d’une capacité de quelque 3 000 places, abritait le jour de l’incendie de 2020 environ 13 000 migrants, majoritairement originaires d’Afrique ou du Proche-Orient. Nombre d’associations et de politiques avaient précédemment alerté sur un drame qui semblait inévitable tant le camp était insalubre.

    L’incendie du 8 septembre 2020 au camp de Moria était le dernier d’une longue série. Au moins 247 départs de feu s’étaient déclarés à l’intérieur et aux alentours de cette structure depuis sa création en 2013, ainsi que le relèvent Forensic Architecture et Forensis.

    https://www.mediapart.fr/journal/international/060323/incendie-du-camp-de-moria-en-grece-la-fabrique-des-coupables-ideals

    #camps_de_réfugiés #Grèce #réfugiés #asile #migrations #architecture_forensique #justice #contre-enquête #responsabilité #reconstruction #feu #hotspot

    –—

    Fil de discussion sur cet incendie :
    https://seenthis.net/messages/876123

    • Fire in Moria Refugee Camp

      In the late hours of 8 September 2020, large fires broke out at the migrant camp of Moria, located on the frontier island of Lesvos, Greece. The fires smouldered over several days, displacing thousands of people and reducing the epicentre of the EU’s carceral archipelago to ashes. The overcrowded camp, first established in 2013, was host to more than 13,000 people at the time, and was notorious for its precarious and unsafe living conditions—conditions manufactured and maintained for years by Greek and EU policies.

      https://counter-investigations.org/investigation/fire-in-moria-refugee-camp

    • Grecia, incendi e responsabilità

      Il controverso processo per il disastroso incendio che ha distrutto il campo profughi di Moria, sull’isola di Lesbo, terminato con una condanna, ha visto la difesa utilizzare nuovi dati scientifici sulla fragilità degli ecosistemi alla minaccia del fuoco

      “Il crimine non è l’incendio, il crimine è Moria”, recitava lo striscione esposto davanti alla corte d’appello dell’isola di Lesbo il 6 marzo 2024, mentre quattro richiedenti asilo afgani aspettavano una decisione sul loro caso.

      Poche ore dopo, tre di loro sono stati rilasciati sulla parola e rinviati a nuovo processo, in quanto minorenni al momento degli incidenti. Il processo contro l’altro imputato è continuato fino all’8 marzo 2024, quando è stato dichiarato colpevole e condannato a otto anni di carcere. Il caso ha sollevato preoccupazioni sui diritti umani, sullo stato di diritto e sulla sicurezza nel contesto migratorio.

      Cronaca di una tragedia annunciata

      I quattro imputati facevano originariamente parte dei cosiddetti “Sei di Moria”, un gruppo di sei giovani richiedenti asilo (cinque minorenni e un adulto) arrestati dalla polizia locale pochi giorni dopo lo scoppio del tragico incendio nel campo profughi di Moria di settembre 2020, che ha lasciato 13mila persone senza riparo.

      Al momento degli arresti, i vigili del fuoco stavano ancora indagando. Nonostante la mancanza di prove, le immagini dei “piromani” in manette hanno fatto subito il giro dei media.

      Nel frattempo sono venute alla luce le scandalose condizioni di vita nel campo. Notis Mitarachi, l’allora ministro greco della Migrazione, ha cercato di placare l’opinione pubblica con dichiarazioni pompose: rivolgendosi ai membri del Comitato permanente per la pubblica amministrazione, l’ordine pubblico e la giustizia, ha affermato che le infrastrutture a Moria erano già state notevolmente migliorate e che i responsabili dell’incendio “sarebbero stati puniti e deportati”.

      A giugno 2021, il tribunale con giuria mista di Chios ha dichiarato i quattro imputati colpevoli di “incendio doloso con pericolo per la vita umana” e li ha condannati a dieci anni di reclusione, basandosi sulla testimonianza scritta di un unico testimone.

      Sebbene nessuno potesse dire esattamente come tutto fosse iniziato, diversi testimoni hanno collegato la tragedia ad una serie di incidenti violenti avvenuti tra i residenti del campo nelle tarde ore dell’8 settembre 2020, e in particolare, a forti disaccordi sulle misure di isolamento legate al coronavirus presto trasformatisi in una lotta interetnica, poi sfuggita di mano.

      Mitarachi ha dichiarato che «gli incidenti a Moria sono iniziati tra i richiedenti asilo a causa della quarantena». Pochi mesi dopo, intervistato da un media greco, ha dichiarato che il progetto del governo di creare un campo profughi più sicuro con condizioni umane dignitose nella regione aveva incontrato resistenza da parte delle autorità locali, con esiti disastrosi.

      Mitarachi ha poi accusato Kostas Moutzouris, governatore regionale del Nord Egeo, che a sua volta lo ha citato in giudizio nell’aprile 2021.

      Il famigerato campo profughi è stato definito da reporter internazionali e operatori umanitari come “l’inferno in terra”, “una bomba a orologeria” e “un disastro in attesa di accadere”, dove le persone venivano tenute per anni in condizioni disumane.

      Al suo apice, il campo ospitava oltre 14mila persone in uno spazio originariamente progettato per 2.150, e sono state registrate morti a causa delle terribili condizioni di vita, della scarsa igiene e delle scarse scorte di cibo.
      Una prospettiva diversa

      Il processo contro i quattro afghani del 2021 è stato controverso fin dall’inizio. Poiché l’unico testimone non è comparso in tribunale e quindi non è stato interrogato, la difesa ha sottolineato «interpretazioni errate o incomplete» delle intenzioni dei loro clienti e degli eventi della notte dell’incendio.

      Nel 2023 sono venute alla luce nuove prove: gli avvocati della difesa hanno tentato di ricostruire i fatti con l’aiuto delle ricerche condotte da Forensic Architecture/Forensis su loro commissione.

      I rilievi di FA/Forensis, sulla base di testimonianze e resoconti ufficiali scritti, nonché dell’esame di materiale audiovisivo, hanno attribuito l’incendio a condizioni geografiche, morfologiche e meteorologiche che rendono questa regione mediterranea più esposta agli incendi, soprattutto a settembre, quando “il terreno è più secco”.

      In una conferenza stampa tenutasi a marzo 2023, gli esperti Dimitra Andritsou e Stefanos Levidis hanno spiegato che “le condizioni di siccità, combinate con la precarietà e la densità derivanti dalle politiche imposte dalle autorità greche e dell’UE, hanno portato ad un forte aumento dei grandi incendi ogni anno in questo periodo”.

      La nostra analisi”, ha concluso Andritsou, “rivela significative incongruenze nella testimonianza del testimone chiave e getta ulteriori dubbi sulle prove in base alle quali sono stati accusati i giovani richiedenti asilo”.

      Il parere degli esperti si è basato in modo significativo sui filmati girati dagli stessi giovani migranti nel quadro di un corso di formazione sulla realizzazione di film e reportage offerto da un’organizzazione che lavora con i rifugiati a Lesbo.
      La prevenzione incendi: una questione di cultura e di valori

      In una prospettiva più ampia, ciò apre una nuova discussione sul tema della prevenzione e gestione degli incendi, soprattutto nelle regioni ad alto rischio come Lesbo.

      Indipendentemente dall’esito finale, il fatto che nella sperimentazione sia stata utilizzata un’ipotesi legata al clima/morfologia evidenzia la rilevanza di progetti che affrontano i fenomeni estremi che colpiscono la Grecia.

      OBCT ha intervistato il professor Kostas Kalabokidis, responsabile del Greek Living Lab (LL) nell’iniziativa FIRE-RES, un progetto che fornisce soluzioni innovative per territori resilienti al fuoco in Europa, tra cui Lesbo.

      “Gli ecosistemi forestali della regione mediterranea sono costantemente minacciati da incendi estremi, che hanno un impatto significativo sui servizi eco-sistemici essenziali”, afferma Kalabokidis. “I nostri studi mirano a esaminare le intricate relazioni tra le strategie di soppressione e gestione degli incendi e i diversi servizi eco-sistemici colpiti dagli incendi, con l’obiettivo di sviluppare un quadro completo e su misura per paesaggi resilienti agli incendi”.

      Il professor Kalabokidis ha sottolineato come l’uso di approcci metodologici avanzati, come l’analisi dei compromessi, la pianificazione degli scenari o le simulazioni stocastiche, possa contribuire a ridurre i pericoli e i rischi di incendi boschivi.

      FIRE-RES studia non solo i fattori ambientali, ma anche le condizioni socio-economiche che possono rendere una regione più esposta agli incendi e ad altri disastri. Nel caso del campo sovrappopolato di Moria, le dimensioni e la densità della popolazione hanno agito da catalizzatori, combinate con l’uso di materiali economici e infiammabili.

      Altri fattori comprendono la mancanza di un’adeguata formazione tra residenti e operatori su come prevenire e gestire un’emergenza legata agli incendi e una consapevolezza limitata (soprattutto tra i giovani residenti, come evidenziato dagli atti del processo) delle conseguenze di un comportamento irresponsabile che potrebbe portare ad un disastro e un crimine grave.

      FIRE-RES sottolinea l’importanza di educare le popolazioni che vivono in regioni resistenti al fuoco; ciò potrebbe tradursi in un insieme di atteggiamenti, competenze e pratiche tra i civili provenienti da diverse sfere della società, che consentirebbe loro di avere una migliore comprensione dei pericoli imminenti, ma anche delle soluzioni praticabili.

      https://www.balcanicaucaso.org/aree/Grecia/Grecia-incendi-e-responsabilita-230976

  • Forensic Architecture : Mapping is Power

    https://vimeo.com/711628232

    “The truth is in the error.” Meet the head of Forensic Architecture, Eyal Weizman, in this fascinating in-depth interview about his work and the potential of architecture as a critical tool for understanding the world.

    “Since I remember myself, I have wanted to be an architect.” Eyal Weizman grew up in Haifa, Israel, and from early on developed an understanding of “the political significance of architecture”:

    “I could see the way that neighbourhoods were organized. I could see the separation. I could see the frontier areas between the Palestinian community and the Jewish majority.”

    Forensic Architecture is far from a traditional architectural company. It is a multidisciplinary research group investigating human rights violations, including violence committed by states, police forces, militaries, and corporations. It includes not only architects but also artists, software developers, journalists, lawyers and animators. Working with grassroots activists, international NGOs and media organisations, the team carries out investigations on behalf of people affected by political conflict, police brutality, border regimes and environmental violence.
    Forensic Architecture uses architectural tools and methods to conduct spatial and architectural analysis of particular incidents in the broadest possible sense. Visualising and rendering in 3D, they not only reconstruct a space but also document what happened in it.
    “People mistake architecture to be about building buildings. Architecture is not that. Architecture is the movements and the relations that are enabled by the way you open, close and channel functions, people, and movements within that. The minute that you understand that architecture is about the incident, about the event, about social relations that happen within it, it enables you to understand social relations and events in a much better way. In fact, in a very unique way”, says Eyal Weizman.

    Forensic Architecture gives a voice to materials, structures and people by translating and disseminating the evidence of the crimes committed against them, telling their stories in images and sound. When an incident of violence and its witnessing are spatially analysed, they acquire visual form. Accordingly, Forensic Architecture is also an aesthetic practice studying how space is sensitised to the events that take place within it. The investigation and representation of testimony depend on how an event is perceived, documented and presented.

    “There is a principle of Forensic investigation called the “look hard principal” – and it claims that every contact leaves a trace. Because many of the crimes that Forensic Architecture is looking at today happen within cities, happen within buildings, architecture becomes the medium that conserves those traces.”

    Unlike established forms of crime and conflict investigation, Forensic Architecture employs several unconventional and unique methods to shed light on events based on the spaces where they took place. They also invest much attention in mapping and understanding concepts like witness, testimony and evidence, and their interrelations. Witness testimony, which sits at the centre of human rights discourse, can be more than viva voce, oral testimony in a court. Any material, like leaves, dust and bricks, can bear witness.

    Forensic Architecture investigates and gives a voice to material evidence by using open-source data analysed using cutting-edge methods partly of their own design. Using 3D models, they facilitate memory recollection from witnesses who have experienced traumatic events. The objective is to reconstruct the ‘space’ in which the incident in question took place and then re-enact the relevant events within this constructed model.
    The most important sources tend to be public: social media, blogs, government websites, satellite data sources, news sites and so on. Working with images, data, and testimony and making their results available online while exhibiting select cases in galleries and museums, Forensic Architecture brings its investigations into a new kind of courtroom.
    “Our work is about care. It is about attention. It is about developing and augmenting the capacity to notice, to register those traces. But that’s not all. Then we need to connect them – one trace to the other. In that sense, our work is like a detective. We look at the past in order to transform the future.”
    Eyal Weizman was interviewed by Marc-Christoph Wagner at Forensic Architecture’s studio in London in April 2022.

    #Eyal_Weizman #forensic_architecture #architecture_forensique #vidéo #interview #architecture #traces #preuves #vérité #esthétique

  • Plateforme « drift-backs » en mer Egée

    Une enquête de #Forensic_Architecture et Forensis menée avec une grande rigueur –recoupements de photos et de vidéos, géolocalisations, recoupements de témoignages- révèle que, entre mars 2020 et mars 2020, 1018 opérations de refoulement -la plupart par la méthode dite ‘#drift-back’- ont été menées en mer Egée, impliquant 27.464 réfugiés. Remarquez que ce chiffre concerne uniquement les refoulements en Mer Egée et non pas ceux effectués d’une façon également systématique à la frontière terrestre d’Evros.


    https://forensic-architecture.org/investigation/drift-backs-in-the-aegean-sea

    –—

    Présentation succincte des résultats de l’enquête parue au journal grec Efimérida tôn Syntaktôn (https://www.efsyn.gr/ellada/dikaiomata/352169_pano-apo-1000-epanaproothiseis).

    Plus de 1 000 opérations de refoulements en mer Egée répertoriés et documentés par Forensic Architecture 15.07.2022, 10:26

    Dimitris Angelidis

    L’enquête des groupes Forensic Architecture et Forensis est très révélatrice. ● De mars 2020 à mars 2022, 1 018 cas de refoulement d’un total de 27 464 réfugiés ont été enregistrés, dont 600 ont été recoupés et documentés de façon qui ne laisse aucune place au doute ● « Des preuves d’une pratique assassine qui s’avère non seulement systématique et généralisée, mais aussi bien planifiée émergent », rapportent les deux groupes.

    Plus de 1 000 opérations illégales de refoulement de réfugiés dans la mer Égée, de mars 2020 à mars 2022, ont été enregistrées et documentées par le célèbre groupe de recherche Forensic Architecture et l’organisation sœur Forensis (fondée à Berlin, 2021).

    Les résultats de leurs enquêtes depuis plus d’un an sont aujourd’hui publiés en ligne (https://aegean.forensic-architecture.org ), sur une plateforme électronique qui constitue l’enregistrement le plus complet et le plus valide des refoulements grecs en mer Égée, alors que sa mise à jour sera effectuée régulièrement.

    « Des preuves d’une pratique de meurtre systématique, étendue et bien planifiée émergent », rapportent les deux groupes, notant que le déni des refoulements par le gouvernement grec manque tout fondement.

    Les preuves qu’ils ont croisées et documentées avec des techniques de géolocalisation et d’analyse spatiale proviennent de réfugiés et d’organisations telles que Alarm Phone et l’organisation Agean Boat Report, la base de données Frontex, le site Web des garde-côtes turcs et des recherches open source.

    Il s’agit de 1 018 cas de refoulement d’un total de 27 464 réfugiés, dont 600 ont été recoupés et documentés d’une façon si complète que leur existence ne peut pas être mise en doute. Il y a aussi 11 morts et 4 disparus lors de refoulements, ainsi que 26 cas où les garde-côtes ont jeté des réfugiés directement à la mer, sans utiliser les radeaux de sauvetage (life-rafts) qu’ils utilisent habituellement pour les refoulements, depuis mars 2020. Deux des personnes jetées à l’eau mer ont été retrouvées menottées.

    Dans 16 cas, les opérations ont été menées loin de la frontière, dans les eaux grecques, soulignant « un degré élevé de coopération entre les différentes administrations et autorités du pays impliquées, ce qui indique un système soigneusement conçu pour empêcher l’accès aux côtes grecques », comme le note l’ enquête.

    Frontex est directement impliquée dans 122 refoulements, ayant été principalement chargée d’identifier les bateaux entrants et de notifier leurs présences aux autorités grecques. Frontex a également connaissance de 417 cas de refoulement, qu’elle a enregistrés dans sa base de données sous le terme trompeur « dissuasion d’entrée ».

    Lors de trois opérations le navire de guerre allemand de l’OTAN FGS Berlin a été présent sur les lieux.

    https://www.efsyn.gr/ellada/dikaiomata/352169_pano-apo-1000-epanaproothiseis

    voir aussi la vidéo introductive ici : https://vimeo.com/730006259

    #architecture_forensique #mer_Egée #asile #migrations #réfugiés #push-backs #chiffres #statistiques #Grèce #Turquie #refoulements #gardes-côtes #life_rafts #abandon #weaponization #géolocalisation #recoupement_de_l'information #contrôles_frontaliers #base_de_données #cartographie #carte_interactive #visualisation #plateforme

    –—

    pour voir la plateforme :
    https://aegean.forensic-architecture.org

  • Israel’s archaeological war on Palestinian cultural heritage
    Yara Hawari - 18 March, 2022

    https://english.alaraby.co.uk/analysis/israels-archaeological-war-palestinian-cultural-heritage

    Scattered along the unassuming beaches of Gaza, buried under the rubble and destruction of Israel’s bombs, lie several extraordinary archaeological sites dating all the way back to the Iron age.

    Now, a new investigation by the research group Forensic Architecture details how Israel has deliberately targeted archaeological sites in the besieged Gaza strip in a blatant attack on Palestinian cultural heritage.

    Over successive bombing campaigns, these sites along Gaza’s coastline, which include a Roman era fountain and an Iron Age rampart, are now facing an “existential threat”. Working with journalists, archaeologists and activists from Gaza and beyond, Forensic Architecture has collated a wide range of evidence to map and reconstruct these sites. It’s being called a pioneering form of “open source archaeology” and has the potential to be a significant tool in the fight against cultural erasure. (...)

    #archéologie

  • #Eyal_Weizman : « Il n’y a pas de #science sans #activisme »

    Depuis une dizaine d’années, un ensemble de chercheurs, architectes, juristes, journalistes et artistes développent ce qu’ils appellent « l’architecture forensique ». Pour mener leurs enquêtes, ils mettent en œuvre une technologie collaborative de la vérité, plus horizontale, ouverte et surtout qui constitue la vérité en « bien commun ». Eyal Weizman en est le théoricien, son manifeste La Vérité en ruines a paru en français en mars dernier.

    https://aoc.media/entretien/2021/08/06/eyal-weizman-il-ny-a-pas-de-science-sans-activisme-2

    #recherche #architecture_forensique #forensic_architecture #vérité #preuve #preuves #régime_de_preuves #spatialisation #urbanisme #politique #mensonges #domination #entretien #interview #espace #architecture #preuves_architecturales #cartographie #justice #Palestine #Israël #Cisjordanie #Gaza #images_satellites #contre-cartographie #colonialisme #Etat #contrôle #pouvoir #contre-forensique #contre-expertise #signaux_faibles #co-enquête #positionnement_politique #tribunal #bien_commun #Adama_Traoré #Zineb_Redouane #police #violences_policières #Rodney_King #Mark_Duggan #temps #Mark_Duggan #Yacoub_Mousa_Abu_Al-Qia’an #Harith_Augustus #fraction_de_seconde #racisme #objectivité #impartialité #faits #traumatisme #mémoire #architecture_de_la_mémoire #Saidnaya #tour_Grenfell #traumatisme #seuil_de_détectabilité #détectabilité #dissimulation #créativité #art #art_et_politique

    • La vérité en ruines. Manifeste pour une architecture forensique

      Comment, dans un paysage politique en ruines, reconstituer la vérité des faits ? La réponse d’Eyal Weizman tient en une formule-programme : « l’architecture forensique ». Approche novatrice au carrefour de plusieurs disciplines, cette sorte d’architecture se soucie moins de construire des bâtiments que d’analyser des traces que porte le bâti afin de rétablir des vérités menacées. Impacts de balles, trous de missiles, ombres projetées sur les murs de corps annihilés par le souffle d’une explosion : l’architecture forensique consiste à faire parler ces indices.
      Si elle mobilise à cette fin des techniques en partie héritées de la médecine légale et de la police scientifique, c’est en les retournant contre la violence d’État, ses dénis et ses « fake news ». Il s’agit donc d’une « contre-forensique » qui tente de se réapproprier les moyens de la preuve dans un contexte d’inégalité structurelle d’accès aux moyens de la manifestation de la vérité.
      Au fil des pages, cet ouvrage illustré offre un panorama saisissant des champs d’application de cette démarche, depuis le cas des frappes de drone au Pakistan, en Afghanistan et à Gaza, jusqu’à celui de la prison secrète de Saidnaya en Syrie, en passant par le camp de Staro Sajmište, dans la région de Belgrade.

      https://www.editionsladecouverte.fr/la_verite_en_ruines-9782355221446
      #livre

  • Tracks. Spécial « Smartphonocène »

    En compagnie du philosophe italien Maurizio Ferraris, « Tracks » explore la relation, à tendance dévorante, que nous entretenons avec nos smartphones.

    Pour le philosophe italien #Maurizio_Ferraris, auteur de #Mobilisation_totale (éd. PUF, 2016), le téléphone portable nous maintient dans un état d’alerte permanent. Mais cette arme sociale pourrait-elle aussi aider à penser un nouveau bien-être mondial ? Un an après le début de la pandémie de Covid-19, qui a consacré le règne des écrans et du télétravail, Tracks a rencontré le philosophe chez lui, à Naples.

    #Forensic_Architecture
    Fondé par l’Israélien #Eyal_Weizman, le collectif pluridisciplinaire Forensic Architecture met en lumière la violence d’État en s’appuyant, notamment, sur des #technologies architecturales et de l’#open_data.

    Anti-5G
    Un monde saturé d’ondes magnétiques pour certains, le paradis des objets connectés pour d’autres : que nous promet la 5G ? Alors que les incendies d’antennes-relais se multiplient en Europe, une partie de la gauche libertaire et écologiste s’organise pour alerter sur ses risques, à l’instar du libraire Gontalde, à Montreuil, ou de la branche française de l’organisation américaine Deep Green Resistance.

    https://www.arte.tv/fr/videos/100281-007-A/tracks

    #architecture_forensique #violence_d'Etat #traces #contre-enquête #justice #violences_policières #vérité

    voir aussi sur twitter l’extrait sur l’architecture forensique :
    https://twitter.com/ARTEfr/status/1382951390834696193

  • Weaponizing a River

    The Dam

    On the 10th of March, news reports emerged suggesting that Bulgaria had released water downstream from the Ivaylovgrad Dam on the Ardas, a tributary of the Evros (also Meriç, and Maritsa),
    and flooded the river border at the request of the Greek government. This intentional flooding of the border was subsequently denounced as fake news by the Bulgarian authorities and remains unverified. Yet due to the increasing severity of spring floods, including as recently as 2018, the release of water from Bulgarian dams has been a subject of friction between Greece, Turkey, and their upstream riparian neighbor. On the 27th of February, Turkey decided to effectively suspend the 2016 EU-Turkey deal and in doing so directed thousands of asylum seekers to the border with Greece. In the context of Greece’s military response, the recent reports have revealed a hidden violence designed into the environment of the Evros river. In the weeks since, there have been two confirmed casualties from the use of either live or rubber rounds—Muhammad al Arab and Muhammad Gulzar.

    The alleged opening of the dam and these shootings are not distinct but are in continuity with the long-term, albeit previously low intensity, weaponization of the river. These exceptional events prove the more insidious use of the Evros as an ecological border infrastructure extending to its entire floodplain.

    The intentional flooding of the valley, and its entanglement with border defense strategies, testifies to Evros as an arcifinious space. Derived from the legal heredity of international border law, according to legal scholar John W. Donaldson, the term “arcifinious” is the territorial concept whereby a state is bounded by geophysical limits with defensive capabilities, or “natural” boundaries “fit to keep the Enemy out,” such as seas, rivers, deserts, and mountains.
    According to eighteenth-century Dutch jurist Hugo Grotius and his followers, rivers are “part of ’arcifinious’ or ’natural’ military frontier zones that are ‘indetermined,’ and flexible based on the application of force.” While rivers shift of their own volition, they are also manipulated, like straightening. Perhaps more tellingly, the very flexibility of a river—its interstitial condition between water and sediment—is useful in the production of an “indeterminate” space that is materially porous, shifting, and thus difficult for trespassers to cross. This material ambiguity also makes river boundaries unstable in the eyes of international jurisprudence. The hostile characteristics of arcifinious boundaries are mobilized in naturalizing processes central to sovereign claims to territory in a practice that enables states to obscure their agency in relation to border deaths.Some days before the 10th, word had been circulating inside the Fylakio registration and pre-removal detention center in the north of the Evros region that the dam would be opened to make the river more difficult to cross. The dam being discussed by border guards as part of a border defense strategy emphasizes the river not as “natural” but, to the contrary, always flexible to force. Fylakio, also located near the Ardas river, would be one the first villages reached when onrushing water from the dam crosses the Bulgarian-Greek border. Before these waters arrive at the “Karaağaç Triangle,” the Ardas serves as the Greek-Turkey border for one kilometer, after which it meets the Evros/Meriç between the Greek villages of Marasia and Kastanies. This is the northwestern point of the Karaağaç Triangle, which was the only segment of the Greece-Turkey border not originally delimited by the Evros/Meriç river in the 1926 Athens Protocol, an annex to the 1923 Lausanne Peace Treaty. Instead, it is today a stretch of deforested land with an eleven-kilometer-long deterrent fence. Proposed in 2011 and completed in 2012, the fence directs border crossers to more dangerous routes across the river, and to deadlier maritime crossing routes in the Aegean sea. Fittingly, the fence is mentioned as a “technical obstacle” in FRONTEX Serious Incident Reports (SIR).The Karaağaç Triangle is where refugees were directed by the Turkish government on the 27th of February, and where they found themselves trapped between Greek forces who would not let them cross and Turkish forces who prevented them from returning to Istanbul and the Turkish mainland. It is where Muhamad Gulzar, a young man from Pakistan, was shot dead, and five more were injured on the 4th of March. During our visit to the Evros in early March, we witnessed trucks carrying fencing towards strategic—yet unfortified—parts of the river. The fence is currently being elongated by forty kilometers, particularly along parcels of Greek land that sit on the Turkish side of the river, and vice versa.In the war of words exchanged by the two sides, the Greek government and far right Twitter has been using the term “hybrid war” to describe what they perceive as a Turkish attempt to “intrude” on Greek territory through indirect means, here with refugee bodies instead of bullets. In response to Turkey’s weaponization of refugees, Greece and the EU are also employing a form of hybrid warfare explicitly incorporating the river ecology itself. Where so many people were—and still are—trapped in spaces along the frontier, like at Karaağaç, they are exposed to a hybrid form of border violence involving farmers spraying pesticides onto refugees across the fence, the deployment of large fans to direct teargas back to the Turkish side, and the use of water cannons to spray blue liquid across the fence so those who make it onto the Greek side can be easily identified. In addition to these assembled elements, on the night of the 26th of March, the impromptu camp that had been set up in Pazarkule, on the Turkish side of the border, caught fire. In videos that were circulated, witnesses claim that the fires were lit by Turkish authorities (jandarma) in their attempts to remove asylum seekers from the border (a measure supposed to counter the spread of COVID-19).Authors in critical border studies refer to the mobilization of geophysical and environmental features either as a hybrid collectif, an assemblage of actants, landscape as space of moral alibi,

    or what we call border natures. The border’s ecology of exception is made possible by both the river’s adaptability to force and flexibility, and contributes to the production of an ambiguous space in which multiple modes of violence are perpetrated with impunity. Methods of hybrid warfare are unambiguously mobilizing environmental elements. As such, “nature” can no longer be an alibi but is directly incorporated in the production of death at the border.

    What is the role of water in the politics of death at the border? Here river waters stand at the intersection of connection-division, and life-death.
    The fluvial frontier is a complex and nuanced territorial condition braiding together multiple elements including conservation, transboundary river management, military technology, the geopolitics of resource logistics, and the divergently visible and opaque politics of border crossing. Thinking against material and discursive reproductions of both rivers and borders as “natural” phenomena, the Evros/Meriç/Maritsa river is the result of multiple organizational technologies of territorial sovereignty. Primary amongst these is the mobilization of major infrastructure: the dam and the contingent release of waters downstream would be a direct threat to the lives of asylum seekers attempting to enter the EU. If Bulgaria, as a member state, had opened the dam, this would have been premised on its contribution to the fortification of the external borders of fortress Europe.

    2. A Shifting Border

    The Evros/Meriç/Maritsa has its source in the Rila mountains. It runs for 310 of its 528 kilometers through Bulgaria, with the final 210 kilometers forming a border, initially between Bulgaria and Greece, and then for the last 192 kilometers between Greece and Turkey before reaching its delta and emptying into the Thracian Sea in the Aegean. The river is fast, with a mean annual flow rate of 103 cubic meters per second (a rate which can increase twofold between December and April). Its course flows over sandy and malleable soil, and annually discharges approximately 3.2 million tons of sediment and 9.5 billion cubic meters of freshwater into the sea.
    This results in frequent erosion that alters its banks. Capricious shifts of the river produce islands of stranded land; there are expanses of “Turkish” earth on the “wrong” side of the river, and elsewhere, land has been ceded by the river to Greece. These stranded territories are also points where fatalities become concentrated. Pavlos Pavlidis, coroner at the University Hospital of Alexandroupolis, capital of the Evros prefecture, and Maria-Valeria Karakasi have identified a particular parcel of land near Feres, the entry point to the Delta, as the location where seventy-two bodies were recovered between 2000 and 2014. This is also where refugees were recently directed by geographers aligned with Turkish authorities,

    and where a young man from Aleppo, Muhammad al Arab, was shot dead by Greek soldiers standing inside the dry river bed of the 1926 border, which now acts as little more than a trench. Within the above calculations of river flow and sediment transportation is concealed a deadly politics of bordering that incorporates the full spectrum of the Evros’s hydrology and manipulates the ambiguities produced by rivers.

    The river’s movements occupy a central role in the territorial disputes between the riparian states of Bulgaria, Greece, and Turkey, and compound what is already a militarized terrain. Due to these shifts, and the river’s own agency, many have considered rivers as inadequate political boundaries. Donaldson words it thus: “the presence of water makes a boundary river unstable, forceful, and risky; incompatible with the legal fiction of a fixed boundary line that would prefer the stability of land over the dynamism of water.”
    This instability lies behind the fantasies of territorial control implied by the international committee assembled in 1926 with the task of determining the precise course of the border between Greece and Turkey at the end of the Ottoman Empire.The 1926 committee, headed by Dutch colonel J. Backer, deemed that the border follow the median line between the banks throughout the course of the river, or its main “branch,” when the river splits. The border was marked with red ink on ten maps that were attached as annexes to the protocol, and the first twenty-six demarcation “pyramids” were installed. Delimited in such an inflexible way, like many river borders, it could not respond to shifts in the median line and changes in the course of the river. Instead, the demarcation of the protocol fixed the river in time and to an abstract line. Consequently, efforts to enforce the demarcation of the border have long been hampered by the agency of the river itself. As early as 1965, markers installed to designate part of the border along the Evros/Meriç by a joint Greek-Turkish committee were quickly carried away by the river. Similarly, in 2015, parts of the fence were carried away by flood waters released from the Ivaylovgrad dam. As recently as October 2017, Turkish authorities dug trenches underneath the fence to prevent flooding.

    There is now almost 100 years of geomorphological variation between the drawn border and the current course of the river. Islands that used to be there are no longer; banks have moved and canalizations have directed the river in divergent ways. Two rivers and two borders exist at the Evros/Meriç: the cartographic border of the old median line (featuring now almost unmoving oxbow lakes) and the water of the new trespass line. It comes with little surprise then that stabilizing the river banks to the 1926 condition has been a concern of both Greece and Turkey. Since 1936, the two countries have made efforts to draft plans for common flood defense, most notably the study undertaken in 1953 by the Chicago-based Harza Engineering Company. None of these plans were fully implemented, and after the 1970s, bilateral communication ceased for decades.

    In addition to the proposal of the fence in 2011, the Hellenic Army General Staff planned an unfulfilled project to dig a “120-kilometer-long, thirty-meter-wide, and seven-meter-deep” “moat.”

    Officially an “anti-tank trap” functioning primarily as a defense against Turkish invasion, in the context of increased crossings in 2011, the “moat” would have only been a further technical barrier for border crossers.

    Where rivers appear at first glance as “natural,” they are, to greater and lesser extents, the result of centuries of small and large-scale engineering interventions. In Stefan Helmreich’s concept of “infranature,” second nature—that which is always produced as socio-technical—is “folded” back into first or organic nature.
    What appears as “natural” or “organic” is therefore actually a mask for the production of techno-natural infrastructures. Helmreich echoes a famous passage in Michel Serres’s The Natural Contract where he describes the birth of geometry emerging from the calculations of Nile floods. Out of the “chaos” and “disorder” of flood events, Serres proposes that measurements made by surveyors, for irrigation purposes, reordered nature to give “it a new birth into culture.”

    Such culture, however, may itself produce violent effects. The measurements that reorder the river waters of the Evros are born into a culture that takes the form of a hybrid military-natural assemblage.

    Understanding the often intentionally ambiguous calculations of infranature in its combative applications helps to clarify how rivers are technologized through overt human interventions, such as dams and other large engineering projects, as well as in less overt ways. Rivers and their flows respond to assemblages of smaller scale and almost invisible interventions or those that occur far up river, like the opening of a dam. In these ways, the very speed at which water travels, or the amount of sediment that accumulates in the muddy delta, are part of the measurements of the infrantural technology of the arcifinious river. In these border environments, the river itself is potentially armed and dangerous.

    The river and its imagined doubling as a moat instrumentalizes the already treacherous route for asylum seekers beyond the scale of a “deterrent” into an engineered space unconcerned with fatalities. Stepping back from the Hellenic Army General Staff’s imagination, the Evros already performs the arcifinious role of a moat at the EU’s fluvial frontier. The drawing of a fixed, yet imaginary line along the central course of the river effectively produced the river as a frontier, whereby its movements and muds become spaces where sovereign territorial imaginaries are projected with horrifyingly real effects.

    3. Flood

    The risk of major flood events has long been one of the primary transboundary concerns in the Evros/Meriç/Maritsa. Such events have increased in frequency over the last twenty-five years, leading to a once in a thousand-year flood in 2005, severe events in 2006, 2007, 2011, 2014, and 2015, and a “state of emergency” announced by the Greek Government in March and April 2018.
    Flooding in the region is closely tied to the politics of hydro-electric infrastructure. The majority of large dams and reservoirs in the basin are concentrated on Bulgarian territory (as many as 722), while Turkey has built sixty, and Greece just five (mainly for irrigation purposes, as opposed to energy production). Flow variability is central to many transboundary agreements whereby upstream riparian nations either force or allow downstream riparians to adapt to seasonal changes in both wet and dry conditions.

    This is a concern for hyrdrodiplomatic relations between Greece, Turkey, and Bulgaria.

    When a tri-lateral working group met in October 2006 in Alexandroupolis, Turkey made a written demand, supported by Greece, that the reservoir storage capacity of large dams situated on the Ardas tributary in Bulgaria be regulated to “minimize water discharges downstream and reduce flow at Edirne,” a densely populated area, near to the border fence, and a major confluence where the Ardas and another tributary, the Tundzha, meet the Evros/Meriç/Maritsa. The Bulgarian delegation refused to respond and cancelled future working groups. Bulgaria is resistant to such regulation because of the role that the private sector plays in managing hydro-electric infrastructure.
    To maximize energy productivity and profits, their primary interest is to maintain the highest possible water level in the dam reservoirs all year round. Under previous conditions, this would have been in direct opposition to the interests of the downstream nations who want to regulate reservoir storage in wet seasons so they have the capacity to accommodate potential increases in volume that risk overtopping dams and result in flooding. The events of the past month, however, show that within the context of Bulgaria’s entrance into the EU in 2007, upstream storage of high levels of water is also part of military contingency planning to flood the valley and safeguard what is now a common European frontier.

    Recent attempts at hydrodiplomacy in the region include the 2016 “Joint Declaration Between the Government of the Hellenic Republic and the Government of the Republic of Turkey” signed by Prime Ministers Alexis Tsipras and Ahmet Davutoglu.

    This agreement incorporated multiple political and hydrographical issues that fold onto the frontier, including a Joint Action Plan to “stem migration flows,” with the implied proviso that Greece will support Turkey in EU visa liberalization dialogue. While this proviso has since been forgotten, the lubrication of one form of movement was unambiguously exchanged for the curtailment of another. This is followed by a section on flooding, acknowledging the damage caused each year and expressing a joint commitment to adhering to the centralized European Water Directive. As downstream nations, Greece and Turkey agreed and welcomed faintly veiled “goodwill and cooperation” from the “other relevant parties,” intimating Bulgaria, to whom they direct much of the blame.

    The overlaps between a river that regularly floods and a territory where border crossers are at the mercy of systematic violence resonates troublingly with nationalist media and governmental rhetoric of “flows,” “floods,” or “surges” and the “stemming” of migrants.”
    Naturalizing metaphors such as these emerge wherever border regimes are discursively or materially constructed to ensure the illegality of movement across borders, and in doing so, racially “other” border crossers. Indeed, hydrologic metaphors are evoked to draw a distinction between those who do not belong and those who do within a sedentary notion of territory. In light of the events of March 2020, the material movement of water out of place is not perceived as a threat that must be contained to prevent it seeping into discourses that legally and culturally ground the nation-state. Instead, the movement of these waters are deployed in the very efforts to exclude others from the space of the nation-state.Joint Operation Poseidon Land, EU border agency Frontex’s Evros operation, began in 2011. The name conjures a pathologic mythology, casting border crossers as mortals committing the hubris of seeking refuge in Europe, while Frontex claims the role of chastising deity. Here Poseidon, god of both the sea and rivers, intervenes at the land-water divide. In mythology, where his trident struck, land quakes and flooding and drowning ensues. Echoing a crude sketch of the hydrologic cycle, Operation Poseidon Land transposes border violence in liquid form from the Aegean—where Operation Poseidon Sea is enacted—to the headwaters of the Evros/Meriç/Maritsa and back down along its course. The rumored intentional flooding of the valley from the Ivaylovgrad dam brings Frontex’s troubling mythological sensibility into reality.

    4. Anachoma

    A week before the flooding made the headlines, and a day after Muhammad al Arab’s killing, the European commission president, Ursula von der Leyen visited Evros, along with three EU leaders and the Greek Prime Minister, Kyriakos Mitsotakis. Following the visit, they gave a joint statement in which der Leyen thanked Greece for being Europe’s aspida, using the Greek word for “shield” (ασπίδα).

    Der Leyen’s choice of vocabulary uncannily echoes local military discourse, in which the region is often called Greece’s ανάχωμα (anachoma), or embankment, against Turkish invasion, and more recently against asylum seekers. The landscape of the Evros/Meriç/Maritsa is entirely sculpted to either contain or facilitate movement, be it of military personnel, people, or water. The berm, a versatile and ambiguous military-ecological technology, is the physical embodiment of the ανάχωμα. There are multiple types of berms, each of which is designed to perform distinct functions. There are surpassable/summer berms, main berms, tertiary berms for flood defense, raised rail lines and roads enabling movement during flood periods, irrigation, and, most explicitly in the delta, anti-tank installations. A hierarchy is designed into the system of flood control to allow water, armies, and people to penetrate the frontier space to varying degrees.

    The military imaginary of Evros as an ανάχωμα also refers to a more nuanced politics of demographic engineering. The delimitation of the border in the 1920s coincided with the exchange of populations between Greece and Turkey, a process which created imagined communities that the river division helped crystalize. The process intended to produce a Greek Christian population along the border as a demographic buffer—or embankment—against invasion. This began with the transfer of Greek-speaking populations from what became Turkish territory on the shores of the Aegean and the Anatolian peninsula, as well as Pontic Greeks from the shores of the Black Sea. In return, Turkish-speaking and other Muslim populations from Greek territory were moved to Turkey, although significant minority populations still remain in western Thrace. In the century since, Turkish, Pomak, Bektashi, and other Muslim minorities in western Thrace have been the focus of multiple marginalizing practices. A system of checkpoints (barres) was put in place in 1936 to isolate these communities, the last of which were removed as recently as 1995.
    When we visited the Bektashi villages of Roussa and Goniko in Evros, we saw the check point still standing, an abandoned yet powerful reminder of the state as an ambient presence.

    As embankments of wet earth, berms are concentrations of these politics of demographic engineering and territorial control. They are ground engineered in excess. They are routes of control through the floodplain for the police, military, and local farmers, and they figure within the imaginary of the moat as obstacles for invading forces. The berms reveal the border regime’s deployment of the environment as defensive “infranatural” technology.

    Corresponding to the engineered limits of the floodplain, berms are often placed along the edge of the military buffer zone that runs along the Greek side of the Evros border, also known as ZAP (Zoni Asfaleias Prokalypsis). As human rights reports have been claiming for years, where the floodplain/buffer zone broadens, the river becomes a site where human rights violations occur. These include the failure to rescue and illegal pushbacks of border crossers back to Turkey.
    A case on May 8, 2018 involving a group of fourteen people attempting to cross during a flood event speaks directly to the overlapping of flooding with the operations of the border. The attempt failed and resulted in one fatality. Once the group returned to Turkey, they attempted to contact Greek authorities with a picture of the ID card and the GPS location of the body. Greek police stated that the flooding was too severe to attempt a recovery, and over the next few days, no confirmation of the recovery of the body was received. In other examples, the police have refuted the possibility of pushbacks because the water is too high or the geomorphology makes it impossible. In this way, the behavior of water in excess is co-opted as an obviatory device; a mask in the construction of denial. The flood is an alibi for border violence. Consequently, the berm infrastructure marks the limit of the flood and acts as a container for this riverine geography of exception.

    5. The Delta

    The Evros Delta, where the river meets the Thracian Sea, covers a surface area of 111,937 square kilometers. A protected conservation area designated as a wetland of international importance by the 1971 Ramsar treaty, the delta’s saline waters, ponds, and islands are home to a number of migratory bird species. Since last month, however, it has hosted a different kind of migration, with army and police units operating side by side with local, self-proclaimed “frontiersmen,” “guardians of the border,” and hunting clubs from all over Greece arriving to prevent what they understand to be an “intrusion” of “illegal aliens” (“lathrometanastes”) into Greece. Joining them are far-right and neo-nazi militants from Europe and the US who have flocked there to demonstrate their support, and “safeguard Europe’s borders.” Showing little regard for human life, they describe their operations as “hunting” for refugees. The ongoing dehumanization of asylum seekers using both language and physical force permeates the region. Detainees in the recently exposed border guard center at Poros, have described guards treating them “like animals.”
    The violent events of the past month, including the killings of Muhammad al Arab inside the Evros delta and Muhamad Gulzar in the Karaağaç Triangle, as well as the reports of the opening of the Ivaylovgrad dam, are punctuating moments that bring to the fore the slower environmental processes mobilized against asylum seekers at the border. The Evros catchment basin is currently a densely braided space of border violence and death, incorporating military personnel, nationalist and neo-nazi paramilitaries, local farmers and hunters, as well as the very ecology of this deltaic marshland, such as temperature and meteorological conditions. Indeed, rather than being a “natural” border, the Evros is an exemplary case of a borderized nature, where environmental elements, which are not deadly on their own, are made deadly by forcing people to traverse them under treacherous conditions. We have spoken with asylum seekers who have described the fog that hangs above the Evros. Fog, like clothes sodden from swimming across the river, and combined with freezing winter temperatures, contribute to the threat of hypothermia for border crossers, which, after drowning, is the second highest cause of death at Evros. As reported in the media, paramilitaries who have been recently drawn to the area to hunt people who cross “at night and in the fog,” are transposing the old Nazi directive for disappearing bodies “Nacht und Nebel” (“Night and Fog”) onto the Evros Delta.Through the waters of the river, amongst the impacted earth of the berms, and under the veil of the heavy airs of teargas and pesticides, complex forces are deployed and emerge from the fog of the Evros/Meriç/Maritsa. Understanding the complexity of the river as a weaponized border ecology is crucial to reveal the ongoing and intensifying violence that unfolds across different scales in this region. To confront the far-right that is currently assembling its forces rhetorically, environmentally, and in person in the Evros delta and all along the fluvial frontier, and to counter the obfuscating tactics long deployed by the police in their use of the river as alibi, requires understanding how this border is constructed. When considering the Evros border, we must learn to perceive the entire floodplain as a border technology. This, in turn, involves striving to see the river as a spectrum, from freezing fog in the valley, dew in the field, and mud in the floodplain as clearly as it sees water flowing between the riverbanks themselves.To assist migrants in defending their rights, and to resist the far-right seeping out of border regions into increasingly xenophobic societies, the very concept of “nature” needs to be reframed to encompass the ways it is deployed within the military imaginary of borderized environments. Practices must be developed to perceive how border regimes harness environmental processes. Such practices reveal the varying watery states of the Evros/Meriç/Maritsa as what they are: the riverine arsenal of a deadly defense architecture. The border regime operates as an expanded or “dispersed” territorial technology: an entire region designed as a violent ανάχωμα.

    https://www.e-flux.com/architecture/at-the-border/325751/weaponizing-a-river

    #weaponization #Evros #asile #migrations #réfugiés #frontières #Thrace #Grèce #Turquie #architecture_forensique #Forensic_Architecture #rivière

    • GEOGRAPHY OF EVROS/MERIÇ RIVER PUSHBACKS

      Across January, BVMN collected testimonies
      documenting pushbacks over the Evros/
      Meriç river on the Greek-Turkish border,
      impacting over 500 people-on-the-move.
      These incidents validate a pattern identified
      by BVMN of Greek authorities using small
      islands in the river to stage pushbacks, often
      leaving groups stranded there for indefinite
      periods. Beyond inhumane treatment –
      pregnant women have been left without food,
      water or shelter – several reports indicate
      that people are placed at direct risk of
      drowning (see 8.4) in the river.
      Ironically, Greece has cited flooding as a
      reason not to mount rescue operations or
      recover the bodies of those who have
      drowned, while using the riverʼs water level
      and challenging geomorphology to refute the
      possibility of pushbacks.
      One testimony (see 8.5) offers a compelling
      example of the dangers associated with this
      practice. It describes how eight North African
      men were driven into the middle of the Evros
      river and ordered to jump in. With “water
      reaching their chests ”, the men were forced
      to wade to an island from where they could
      swim to Turkish shores. While attempting the
      crossing, however, one man was swept away
      by the overwhelming current, only managing
      to survive by grabbing onto a fallen tree.
      Witnessing this scene, the remaining men on
      the island feared to cross as they could not
      swim. With soaking wet clothes, they were
      stuck there for three days in sub-zero
      temperatures, until they were eventually
      retrieved by Greek police and pushed back to
      Turkey.
      Perhaps most unsettling is that the officers
      allegedly watched this scene unfold and took
      over 72 hours to intervene. Hypothermia is
      the second highest killer of transit groups in
      the Evros region. Reminiscent of the triborder
      area between Bulgaria, Greece and
      Turkey, which is being used to stage indirect
      chain pushbacks, this phenomenon
      represents a weaponization of geography, or
      as one commentator eloquently wrote, ʻa
      form of hybrid border violence that explicitly
      incorporates the river ecology itselfʼ.

      https://www.borderviolence.eu/balkan-region-report-january-2021
      –-> pp.7-8

  • #Mort de #Zineb_Redouane, les #preuves qui accusent la #police

    Disclose et Forensic Architecture ont réalisé une contre-enquête des évènements qui ont coûté la vie à Zineb Redouane, le 2 décembre 2018, à #Marseille. A l’aide de documents inédits et d’une #modélisation 3D des événements, elle démontre que la responsabilité de la police est plus que jamais engagée dans cette affaire.

    https://www.youtube.com/watch?v=bhsbnmci04U


    #violences_policières #gilets_jaunes #décès #grenade_lacrymogène #André_Ribes #vidéo #forensic_architecture #architecture_forensique #expertise_balistique #justice #impunité #armes #rapport_balistique #contre-expertise #CRS #IGPN