technology:digital technology

  • The Growth of Sinclair’s Conservative Media Empire | The New Yorker
    https://www.newyorker.com/magazine/2018/10/22/the-growth-of-sinclairs-conservative-media-empire

    Sinclair is the largest owner of television stations in the United States, with a hundred and ninety-two stations in eighty-nine markets. It reaches thirty-nine per cent of American viewers. The company’s executive chairman, David D. Smith, is a conservative whose views combine a suspicion of government, an aversion to political correctness, and strong libertarian leanings. Smith, who is sixty-eight, has a thick neck, deep under-eye bags, and a head of silvery hair. He is an enthusiast of fine food and has owned farm-to-table restaurants in Harbor East, an upscale neighborhood in Baltimore. An ardent supporter of Donald Trump, he has not been shy about using his stations to advance his political ideology. Sinclair employees say that the company orders them to air biased political segments produced by the corporate news division, including editorials by the conservative commentator Mark Hyman, and that it feeds interviewers questions intended to favor Republicans.

    In some cases, anchors have been compelled to read from scripts prepared by Sinclair. In April, 2018, dozens of newscasters across the country parroted Trump’s invectives about “fake news,” saying, “Some members of the media use their platforms to push their own personal bias and agenda to control exactly what people think. This is extremely dangerous to our democracy.” In response, Dan Rather, the former anchor of “CBS Evening News,” wrote, on Twitter, “News anchors looking into camera and reading a script handed down by a corporate overlord, words meant to obscure the truth not elucidate it, isn’t journalism. It’s propaganda. It’s Orwellian. A slippery slope to how despots wrest power, silence dissent, and oppress the masses.”

    It’s unclear whether Sinclair is attempting to influence the politics of its viewers or simply appealing to positions that viewers may already have—or both. Andrew Schwartzman, a telecommunications lecturer at Georgetown Law School, told me, “I don’t know where their personal philosophy ends and their business goals begin. They’re not the Koch brothers, but they reflect a deep-seated conservatism and generations of libertarian philosophy that also happen to help their business.”

    Sinclair has even greater ambitions for expansion. In May, 2017, the company announced a proposed $3.9-billion merger between Sinclair and Tribune Media Company, which owns forty-two television stations. The merger would make Sinclair far larger than any other broadcaster in the country, with stations beaming into seventy per cent of American households. The proposal alarmed regulatory and free-speech experts. Michael Copps, a former official at the Federal Communications Commission, told me, “One of the goals of the First Amendment is to make sure the American people have the news and information they need to make intelligent decisions about our democracy, and I think we’re pretty close to a situation where the population lacks the ability to do that. That’s the whole premise of self-government.” He went on, “There are a lot of problems facing our country, but I don’t know one as important as this. When you start dismantling our news-and-information infrastructure, that’s poison to self-government and poison to democracy.”

    In subsequent years, Smith took measures to deepen Sinclair’s influence among policymakers, apparently recognizing that the company’s profits were dependent upon regulatory decisions made in Washington. One of Smith’s first notable forays into politics was his support for Robert Ehrlich, Jr., a Republican congressman who represented Maryland from 1995 until 2003. Sinclair became a top donor to Ehrlich and, in 2001, Ehrlich sent the first of several letters on Sinclair’s behalf to Michael Powell, who had recently become the chair of the F.C.C. The commission was investigating a request from Sinclair to buy a new group of stations, and Ehrlich protested the “unnecessary delays on pending applications.” The F.C.C.’s assistant general counsel responded that Ehrlich’s communication had violated procedural rules. Ehrlich sent another message, alleging that the delays were politically motivated and threatening to “call for a congressional investigation into this matter.” He added, “Knowing that you have served as Chairman for a few short months, we would prefer to give you an opportunity to address these concerns.” The proposed acquisitions were approved.

    A former general-assignment reporter at the station, Jonathan Beaton, told me, “Almost immediately, I could tell it was a very corrupt culture, where you knew from top down there were certain stories you weren’t going to cover. They wanted you to keep your head down and not upset the fruit basket. I’m a Republican, and I was still appalled by what I saw at Sinclair.” Beaton characterized the man-on-the-street segments as “Don’t forget to grab some random poor soul on the street and shove a microphone in their face and talk about what the Democrats have done wrong.” He said that reporters generally complied because of an atmosphere of “intimidation and fear.”

    After Trump’s victory, it looked as though Sinclair’s investment in the candidate would pay off. In January, 2017, Trump appointed Ajit Pai, a vocal proponent of media deregulation, to be the chair of the F.C.C. Pai, formerly an associate general counsel at Verizon and an aide to Senators Jeff Sessions and Sam Brownback, was exactly the sort of commission head that Sinclair had been hoping for. He believed that competition from technology companies such as Google had made many government restrictions on traditional media irrelevant—an argument that echoed Smith’s views on ownership caps and other regulations. Sinclair executives quickly tried to cultivate a relationship with Pai; shortly after the election, he addressed a gathering of Sinclair managers at the Four Seasons in Baltimore. He also met with David Smith and Sinclair’s C.E.O., Christopher Ripley, the day before Trump’s Inauguration.

    It’s not unusual for business executives to meet with the chair of the F.C.C., but Pai soon announced a series of policy changes that seemed designed to help Sinclair. The first was the reinstatement of the ultrahigh-frequency discount, an arcane rule that digital technology had rendered obsolete. The move served no practical purpose, but it freed Sinclair to acquire many more stations without bumping up against the national cap.

    The F.C.C. soon made other regulatory modifications that were helpful to Sinclair. It eliminated a rule requiring television stations to maintain at least one local studio in licensed markets, essentially legitimatizing Sinclair’s centralized news model. Perhaps most perniciously, Pai took steps toward approving a new broadcast-transmission standard called Next Gen TV, which would require all consumers in the U.S. to purchase new televisions or converter devices. A subsidiary of Sinclair owns six patents necessary for the new standard, which could mean billions of dollars in earnings for the company. Jessica Rosenworcel, the sole Democratic commissioner at the F.C.C., told me, “It’s striking that all of our media policy decisions seem almost custom-built for this one company. Something is wrong.” Rosenworcel acknowledged that many F.C.C. policies need to be modernized, but, she said, “broadcasting is unique. It uses the public airwaves, it’s a public trust.” She added, “I don’t think those ideas are retrograde. They are values we should sustain.”

    The F.C.C. and the D.O.J. both warned Sinclair about the dummy divestitures, insisting that the company find independent owners in ten problematic markets. According to a lawsuit later filed by Tribune, instead of taking steps to appease regulators, Sinclair executives “antagonized DOJ and FCC staff” by acting “confrontational” and “belittling.” The company offered to make sales in only four of the markets, and told the Justice Department that it would have to litigate for any further concessions. One Sinclair lawyer told government representatives, “Sue me.” There was no tactical reason for Sinclair to take such a combative and self-sabotaging stance. Instead, the episode seemed to reflect how Trump’s own corruption and conflicts of interest have filtered into the business community. One industry expert who followed the proceedings closely told me that the company clearly “felt that, with the President behind them, why would the commission deny them anything?

    Then, in April, the Web site Deadspin edited the broadcasts of Sinclair anchors reciting the script about fake news into one terrifying montage, with a tapestry of anchors in different cities speaking in unison. The video ignited public outrage, and Trump tweeted a defense of Sinclair, calling it “far superior to CNN and even more Fake NBC, which is a total joke.” (In a statement, a spokesperson for Sinclair said, “This message was not presented as news and was not intended to be political—there was no mention of President Trump, political parties, policy issues, etc. It was a business objective centered on attracting more viewers.”)

    #Médias #Concentration #Dérégulation #Etats-Unis #Sinclair

  • ​Microsoft CEO Satya Nadella: The whole world is now a computer | ZDNet
    https://www.zdnet.com/article/microsoft-ceo-nadella-the-whole-world-is-now-a-computer

    Thanks to cloud computing, the Internet of Things and artificial intelligence, we should start to think of the planet as one giant computer, according to Microsoft chief executive Satya Nadella.

    “Digital technology, pervasively, is getting embedded in every place: every thing, every person, every walk of life is being fundamentally shaped by digital technology — it is happening in our homes, our work, our places of entertainment,” said Nadella speaking in London. “It’s amazing to think of a world as a computer. I think that’s the right metaphor for us as we go forward.”

    #Microsoft #World_as_computer

  • How Madrid’s residents are using open-source urban planning to create shared spaces – and build democracy
    https://theconversation.com/how-madrids-residents-are-using-open-source-urban-planning-to-creat

    This is witnessed today in the phenomena of laboratorios ciudadanos (citizen laboratories) created in vacant city spaces. Not the result of any urban-planning strategy, they seem to have materialised from the spontaneous impulse of ordinary citizens and highly qualified groups working together in areas like collaborative economy, the digital technology, urban ecology or social urbanisation. These laboratories are fertile grounds for open-source urban planning (in Spanish, urbanismo de codigo abierto) and collectively rethinking the urban commons. The challenge is to (re)make the city in situ, using neighbourhood resources rather than acting like public authorities or already-established municipal groups.

    The Campo de la Cebada has since grown to include exchange services, workshops for street art, photography, poetry and theatre, and events such as open-air music and film festivals. Activities are totally self-managed by groups representing residents, retailers, and associations, as well as architects, urban planners, researchers and engineers. It’s administered collectively rather than within the closed circle of a few elected officials or experts. Its objective is “that anyone may feel concerned and be implicated in the functions of the place”, according to Manuel Pascual of the Zuloark architectural agency.

    It going beyond social, educational and cultural life to coproducing city public spaces, equipment and other urban infrastructures. Thus Madrid’s movements are part of the “maker age”. In citizen laboratories, physical and material aspects come before intellectual and political considerations. Residents go first to the garden, where they can exchange and create; only then do they debate broader political issues. In this “soft activism”, the shared space becomes the new “interstice where political reconstruction could begin”.

    #Communs_Urbains #Madrid

  • Europe’s Migrant Trail, Through the Instagrams of Refugees. Following the “digital breadcrumbs” left by refugees on social media.

    The photojournalists who documented the suffering of these refugees began their projects along traditional lines. Some of them, from the Times and from Reuters, won Pulitzer Prizes for images explicitly showing the dangers and humiliations people have endured in their search for a better life in Europe. As the crisis continued last year, the Belgian photographer Tomas van Houtryve embarked on a different kind of project. Supported by a grant from the Pulitzer Center on Crisis Reporting, he followed the “digital breadcrumbs” left by refugees on social media as they passed through Turkey, Greece, and France. Van Houtryve, who has covered wars in Nepal and Afghanistan as a traditional photojournalist, became interested in the ways in which digital technology affects photography when, in 2013, he began working on a series of photographs of the United States taken from drones. For his current project, which he has called “Traces of Exile,” he shot video footage of sites along the migrant trail in Europe. Then, using an augmented-reality app called Layar, he overlaid his footage with screenshots of images posted by refugees on Instagram from those same sites.

    http://www.newyorker.com/culture/portfolio/following-europes-migrant-trail-through-the-instagrams-of-refugees
    #réseaux_sociaux #asile #migrations #réfugiés #parcours_migratoires #itinéraires_migratoires #smartphones #témoignages #Instagram

    • #Traces of Exile

      The ongoing crises in the Middle East have uprooted millions of people, yet new technology allows them to keep connected to their home communities and loved ones in unprecedented ways. The smartphone has become the essential travel companion of the 21st century refugee. Apps help migrants navigate through unfamiliar lands, stay in touch with their family and friends, contact smugglers, and even document their daily lives with selfies and posts to Instagram.

      In 2016, I retraced the refugee trail through Europe, following the digital breadcrumbs left by these connected migrants. Inspired by an Augmented Reality app that layers the smartphone camera view with nearby social media posts, I captured the intersection of the refugees’ online presence and the locations of their exile.

      How do refugees portray themselves compared to how they are portrayed in the media? Viewing these refugee selfies, people’s personalities shine through—some love cracking jokes, others are romantics, others long for their homes. In short, they are just like us.

      https://vimeo.com/191228844


      http://tomasvh.com/works/traces-of-exile
      #photographie #Tomas_van_Houtryve
      cc @albertocampiphoto

  • Reimagining Journalism: The Story of the One Percent by Michael Massing | The New York Review of Books
    http://www.nybooks.com/articles/archives/2015/dec/17/reimagining-journalism-story-one-percent

    Billionaire hedge fund manager Paul Singer, who has contributed millions of dollars to Republican causes and recently endorsed Marco Rubio for president, with DealBook founder Andrew Ross Sorkin at a conference in New York City, December 2014

    Even amid the outpouring of coverage of rising income inequality, however, the richest Americans have remained largely hidden from view. On all sides, billionaires are shaping policy, influencing opinion, promoting favorite causes, polishing their images—and carefully shielding themselves from scrutiny. Journalists have largely let them get away with it. News organizations need to find new ways to lift the veil off the superrich and lay bare their power and influence. Digital technology, with its flexibility, speed, boundless capacity, and ease of interactivity, seems ideally suited to this task, but only if it’s used more creatively than it has been to date.

    Consider, for instance, DealBook, the online daily financial report of The #New_York_Times. It has a staff of twelve reporters plus a half-dozen columnists covering investment banking, mergers and acquisitions, private equity, hedge funds, venture capital, and regulatory matters. Every day, DealBook posts a dozen or so pieces on the Times website, some of which also appear in the print edition, making it seem a good vehicle for showing how #Wall_Street really works.

    Unfortunately, it only intermittently delivers. Most DealBook postings are narrowly framed, with a heavy emphasis on CEO comings and goings, earnings and expectations, buyouts and IPOs. Some sample headlines: “BB&T Is New Deal-Making Powerhouse in Banking.” “Investors Hope to Ride Swell of SoulCycle Fever in Coming IPO.” “Dell Is the Straw That Stirs Tech M&A.” “Strong Profit for Bank of America, and Investors See Signs of Progress.” Some pieces veer into outright boosterism. A long feature on “How Jonathan Steinberg Made Good on a Second Chance,” for instance, described in admiring detail how this mogul, through a combination of pluck and savvy, built his asset management firm into “one of the fastest-growing fund companies around.”

    DealBook’s founder and editor, Andrew Ross Sorkin, is known for his closeness to Wall Street executives (many of whom serve as sources of information), and it often shows in his weekly column. [...]

    #faillite des #médias #MSM